This is only a preview of the July 1988 issue of Silicon Chip. You can view 42 of the 96 pages in the full issue, including the advertisments. For full access, purchase the issue for $10.00 or subscribe for access to the latest issues. Articles in this series:
Items relevant to "Studio 200 Stereo Control Unit":
Items relevant to "Build the Discolight":
Articles in this series:
Articles in this series:
Articles in this series:
Articles in this series:
|
HIFIREVIEW
Amcron 1200 professional
stereo power amplifier
How do professional power amplifiers differ from
domestic hifi stereo amplifiers? In the case of
Amcron the difference is radical, as we found in
our review of the Macro-Tech 1200.
"Like a battleship". That's the
expression most people would use if
they had to come to grips with the
Amcron Macro-Tech 1200 power
amplifier. That's not entirely appropriate though because the battleship term conjures up something
extremely rugged but otherwise
lacking in technical refinement.
So yes, the Amcron is rugged but
that is only a small part of the story.
We have seen a lot of power
amplifiers in our time but not many
intended for professional use. By
professional use we are thinking of
amplifiers used to drive studio
monitors or for sound reinforcement in cinemas and theatres. In
most of these applications the
amplifiers are bolted into place and
once commissioned, are never moved for years afterwards.
And then there is the other
"professional" application which
involves sound reinforcement at indoor or outdoor venues that don't
have an adequate PA system. In
this situation, the amplifier must
withstand the rigours of transport,
rough handling and less than ideal
installations but still deliver high
power under often arduous conditions (read: rock concerts).
These two separate applications
produce a conflict for the designer.
For the static installation it does not
matter too much if the amplifier is
really large and heavy, so long as it
does the job very reliably. But the
need to have gear that is move.able
means that it really can't be too
bulky or too heavy. Gear that is
really heavy is often mistreated by
"roadies" partly because it is too
heavy to handle safely and partly
because they just don't like it.
So Amcron has evidently tried to
satisfy two separate camps. On the
one hand, it is a rugged amplifier
but it is not all that large since it only occupies a standard two-unit
high (88mm) 19-inch rack case. Nor
is it outstandingly heavy for a 400
watt per channel amplifier (40 FTC
rating) with an all-up weight of
around 20kg.
In the manner of most professional equipment it isn't all that
pretty either. "Functional good
looks" would better describe it. The
lower half of the front panel is the
inlet grille for the ventilation fan.
The grille has a foam filter behind it
to prevent dust and dirt from being
sucked in by the fan.
There are two level controls, one
for each channel and a number of
LED indicators which are much
brighter than the subtle illumination found on domestic hifi
amplifiers. They are meant to be
bright; they dim to indicate overdriving or malfunctions.
Internal details
Inside the steel chassis is quite
radically different from hifi
amplifiers, as you can see from our
photograph. For a start there is a
high velocity fan which pulls air
from the front and then blows it out
through the honeycombed heatsinks
at each side. And note the twelve
power transistors on each heatsink:
that's 24 in all!
Two large power transformers
are used, which is how Amcron
Amcron use forced-air cooling and two separate power transformers to obtain a low profile in their MA-1200. It
actually uses two amplifiers in bridge mode in each channel.
16
SILICON CHIP
manages to make such a powerful
amplifier with a low profile. Each
transformer feeds two bridge rectifiers, a main and subsidiary, with
the main bridge feeding a 10,000µF
lOOV electrolytic capacitor. From
there on the circuit becomes very
complicated, although that is not
immediately apparent.
Removing the bottom panel
reveals a whole lot more. One large
board across the full width of the
chassis accommodates the small
signal circuitry while a board running down each side accommodates
the power amplifier output stages.
These latter boards are interesting because all the components, with the exception of the
power transistors themselves, are
mounted on the copper side. As you
look at the amplifier it becomes appararent why they did it this way.
The boards are effectively mounted
on one side of the flat heatsink
while the power transistors are
mounted on the topside, with their
base and emitter leads passing
through and soldered to the copper
side of the boards.
As mentioned before, each heatsink has a honeycomb section (on
the top, next to the power transistors) through which a lot of air is
passed. That keeps it compact and
cool.
The trouble about looking at the
inside of the Amcron though, is that
it tells you virtually nothing. It is not
until you look at the circuit diagram
that you realise how unusual it is.
Instead of the Amcron being a conventional stereo design, each channel is actually two power amplifiers
with the loudspeaker load being
driven in bridge mode. This allows
the use of a relatively low supply
voltage (90 volts total) which means
that the bipolar transistors can
deliver a great deal more power into low impedance loads.
"Come again?", you say. The problem with bipolar transistors is "second breakdown". This severely
limits the amount of current that
they can deliver when they are running from a high voltage supply,
even though they may have a
dissipation rating of up to 250
watts. Amcron have got around
that problem by halving the supply
voltage and using two power
amplifiers in bridge mode, in each
This is the Amcron MA-1200 with the top cover removed. Immediately visible
are the two power transformers, the 12 bipolar power transistors in each
channel and the high capacity cooling fan.
channel. So that's four power
amplifiers in total. Amcron call it
"full bridge" technology.
We won't even try to to explain
how the amplifiers are powered
and connected together while still
avoiding earth loops. That's complicated enough, but consider that
the MA-1200 has three operating
modes, selected by a slide switch on
the back panel. The three modes
are stereo, paralleled mono and
bridged mono.
Understanding how the two
channels are run in parallel is easy
enough, but how do you bridge two
channels, that each consist of two
amplifiers in bridge mode, to get
one super-powered mono amplifier? Figure that one out. (There is
no switching of the outputs by the
way).
Another interesting aspect of the
MA-1200 is its protection circuitry,
referred to as ODEP - Output
Device Emulator Protection. This
monitors the heatsink temperature
and the power output from moment
to moment and produces a signal
which is determined by the always- ·
changing safe operating area of the
transistor. If the margin is being ex-
ceeded, the drive signal is reduced
until the transistor junctions cool
back to safe conditions.
Power ratings
In stereo mode, the MA-1200 will
deliver 320 watts into 80, 465 watts ·
into 40 and 600 watts into 20 (per
channel, at 0.1 % harmonic distortion). In parallel mono mode, it will
deliver 630 watts into 40, 1000
watts into 20 and 1200 watts into
rn. Yep, that's not a mistake and
they are continuous ratings too. In
bridged mono mode, it delivers 935
watts into 80 and 1200 watts into
40.
Quoting the very comprehensive
specifications would fill several
pages of this magazine. How many
manufacturers specify their amplifiers for rn loads? Amcron's manual
also details some of the torture
tests they do to their amplifiers
to check output current capacity,
their comprehensive protection circuitry, and their behaviour with inductive loads.
We had trouble enough providing
loads which could cope with the
prodigious power output into 80
continued on page 95
JULY 1988
17
is operating as it should. The 3.8mV
DC voltage you've measured at the
output is within (ie, less than) the
figure of ± 30mV we specified in
the article. Nor is the orientation of
the output choke critical so you
have nothing to worry about as far
as the amplifier's performance is
concerned.
It is possible that your guitar
preamp was intended to drive a
power amplifier with more sensitivity, which could explain why
your new guitar amplifier does not
sound quite as loud as your old one.
This can be fixed by increasing the
gain of the 100W module.
To do this, reduce the lkO
resistor connected to the base of Q3
to 5600. This will almost double the
module's sensitivity. Don't reduce
the resistor any more though otherwise amplifier stability might be a
problem.
Wants polycone
loudspeaker system
I'd like to see a speaker project
using the cheaper polycone
speakers which seem to be readily
available. Those from Europe are
getting a bit expensive now. Also a
few photography projects please. I
intend building the Studio 200
stereo power amplifier in the near
future. Is there any errata on it?
Keep up the good work. (P.G.,
Orient Point, NSW).
• We have checked out a number
of polypropylene speakers since we
started and have found them
generally disappointing and certainly not good enough to make a
good speaker system. At the moment we have a good woofer and
quite a good midrange and tweeter
in the workshop. The only problem
is that the woofer is 6dB more efficient than the midrange and
tweeter. That's a pretty insurmountable problem.
When we do come up with the
right combination, we will publish
the results.
Your request for photographic
projects is noted.
Design info for
dedicated ZBOA
I wish to build a dedicated
microcomputer system based on the
Z80A but I can't find the necessary
information on it and the Z80 PIO,
SIO, CTC, DMA and DART. I won't
be using all these chips but I would
like information on them all.
If you have the data could you
send me copies of it or could you tell
me where to find it? I also need to
know how to program EPROMs.
I would also like a course that
helped teach the required information to gain an amateur radio
licence. (A.R., St George, Qld).
• Obtaining all the data you will
need for your Z80A project will not
be easy - we are certainly not in a
position to supply it. The Australian
distributors for Zilog are the
George Brown Group and they
would certainly be able to supply
comprehensive data on the Z80 and
Amcron power amplifier - ctd from page 17
and 40; never mind the 10
condition.
We did confirm enough of the
amplifier's specs though to be able
to state that this amplifier is a real
performer. Its typical harmonic
distortion, at just before the onset
of clipping, is just .002 % . And the
signal to noise ratio was + 104dB Aweighted with respect to 300 watts
into 80. These are very respectable
figures for any amplifier.
What we can't say is how well it
performs under gruelling " on road"
conditions. But based on our examination of the construction, its
low voltage bridge-connected
amplifiers and our limited benchtesting, it must be one of the most
conservatively rated amplifiers
around.
Amcron must be confident in its
reliablity as they give an unlimited
transferable 5-year warranty on all
performance specs; and that even
covers freight costs.
Recommended retail price is
$2802. At that price, it must be just
about unbeatable for value too. In
short, it's a winner.
For further information, contact
Bose Australia Inc, 11 Muriel
Avenue, Rydalmere NSW 2116.
Phone (02) 684 1255. (R.F.& L.S). ~
related products. Their phone
number in Sydney is (02) 519 5855.
However, just having the data
might not be enough info for the
project you are considering. We
suggest that you also consider buying a number of texts on the subject, such as the Z80 Microcomputer Handbook or Z80 Microcomputer Design Projects. Both these
texts are available from Jaycar at
$24.95 and $25.95 respectively.
These texts will also tell you
something of EPROMs.
You can also obtain a handy
chart on the Z80 containing the full
instruction set, ASCII, hex and
decimal conversions, interrupts, ,
disassembly table etc from Jaycar
for $12.50.
Obtaining info on becoming an
amateur radio operator is easier.
Contact the Wireless Institute of
Australia, PO Box 300, Caulfield
South, Vic. 3162.
Notes & Errata
Remote Switch for Car Alarms,
March 1988: the inductor marked
12 in the receiver should have an
F29 slug, not F16 as specified.
PRODUCT
SAFETY RECALL
DICK SMITH
PTY. LTD.
■ L■ CTRONICS
NOTICE TO
CUSTOMERS
BEAT TRIGGERED
STROBE KITS
Cat No. K-3153
sold In component
form for customer
construction
have been sold in all states and may, If
proper safety procedures are ignored,
constitute a serious risk when
constructed, as the power switch
supplied with some kits is
incompatible with the wiring diagram.
Customers are asked to return this
product, whether or not assembled, as
a matter of urgency to the nearest Dick
Smith Electronics store for Immediate
attention to the problem.
We apologise for any inconvenience
caused. Further enquiries may be
made by contacting Rex Callaghan,
Technical Service Division (02) 888
3200 or your nearest Dick Smith store.
JULY 1988
95
|