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Balanced input & output
stages for the
Studio Series equalisers
Have you built the Studio Series Third
Octave Equaliser or the Studio Series Half
Octave Equaliser? Or do you have a piece of
audio gear which could benefit from
balanced lines? If so, you'll want this little
board which gives balanced input and output
stages.
Design by JOHN CLARKE
When we featured the Studio
Series 32-Band Graphic Equaliser
in the March and April issues of
this year, we were well aware that
many users would want to build the
unit with balanced inputs and outputs. Here then, is the add-on board
we promised in the April issue.
If you have to run audio signal
cables for long distances, say more
than 5 or 6 metres, balanced lines
can give a big improvement in the
amount of hum and noise in the
system. They can also obviate most
of the hum problems which occur
due to earth loops.
What we propose to do in this article is to present a printed circuit
board which has balanced inputs
and outputs and which can be built
in mono or stereo form. We'll show
how it is installed in both the mono
32-band equaliser presented in
March and April and the stereo
20-band equaliser presented in
August and September.
After reading this article, it will
be fairly obvious how to use this
board in other applications, such as
adding balanced inputs to a stereo
amplifier or say, balanced outputs
to a stereo mixer. For the present
though, let's just consider the
equalisers mentioned above. Now
refer to the circuit of Fig.1.
Fig; 1 shows two separate circuits, one for balanced inputs and
one for balanced outputs. Let's look
at the balanced input stage first.
Balanced input
This view shows the mono version of the balanced input/output board installed
in the chassis of the 32-Band Third Octave Equaliser. Note the use of shielded
cable for the audio input and output connections.
74
SILICON CHIP
The balanced input stage involves a dual op amp, ICla and
ICl b. Strictly speaking, the circuit
should be called a balanced to unbalanced stage since it effectively
converts balanced lines to unbalanced output. Alternatively, you
could think of ICl as providing a differential input and a single ended
output.
The method of connecting the op
amps of ICl is a little unusual. ICla
is connected as a conventional noninverting amplifier with feedback
from the output to the inverting input via R2 and Rl. Since Rl and R2
have equal values, the gain of ICl is
2.
I Cl b does double duty. For
signals from the output of ICla, it
functions as an inverting amplifier
with a gain of 1 and so gives an
overall gain of - 2. However, for
R2
1k
R4
1k
FIX-A-KIT
Kit Repairs - $15 per hour.
~,~:2f,-
Normal Rate -
$35 per hour.
33
INPUT
3
+
1
33
OUTPUT TO
EQUALISER
INPUT
-
10k
.,.
~
'":"
i
-15V
R1
1k
10k
No charge for kits that can't be
repaired.
3 month Warranty on repairs.
Construction - fixed or hourly
1 2 Month Warranty on
Manufactured Kits.
+15V
+
LM833
10:r
Custom Designing,
Manufacturing, Large or Small
Quantitites.
.,.
INPUT FROM
EQUALISER
OUTPUT
i
100k
HYCAL
.,.
BALANCED LINE
OUTPUT
10k
INSTRUMENTS
Design, Manufacture, Repair of
Electronic Equipment.
(02) 633 5897
Unit 4,
62 Great Western Highway,
Parramatta, NSW 2150.
BRACKETS SHOW SECOND
CHANNEL ICS IF REQUIRED
Trading hours:
Barn to 3pm Monday to Friday.
BALANCED LINE INPUT AND OUTPUT FOR EQUALISERS
BARGAIN COMPONENTS
PRICE
Fig.1: the circuit consists of two separate parts, one to provide the
balanced inputs (IC1) and the other to provide balanced outputs (IC2).
The ± 15V rails are derived from the equaliser circuitry.
signals to its non-inverting input
(pin 5) it functions as a noninverting amplifier with a gain of
+ 2.
Both input signals therefore-have
a gain of 2 via IC1. To enable them
to be fully floating, both input
signals are AC-coupled via 33µ.F
capacitors.
Ideally, for best balance in the
circuit, resistors Rt, R2, R3 & R4
should be as closely matched as
possible. This will give the highest
possible rejection of common mode
signals which means best rejection
of hum and noise. In practice, with
t % resistors for Rt to R4, the common mode rejection will be around
- 80dB which is pretty good.
Now let's look at the balanced
output stage which involves IC2. It
could be correctly thought of as an
unbalanced to balanced line driver.
IC2a is relatively straightfor-
ward to understand. It is connected
as a non-inverting voltage follower
with the negative feedback being
virtually direct from the output at
pin 7 to the non-inverting input at
pin 6. So IC2a gives an output (at
pin 3 of the XLR socket) which is in
phase with the input.
To get the 180° out-of-phase output, the signal from pin 7 of IC2a is
fed to IC2b which functions as an
inverting amplifier with a gain of
unity. Its output is fed to pin 2 of the
XLR socket. Both of the output lines
are AC-coupled via 47µ.F capacitors.
The low noise LM833 dual op
amp from National Semiconductor
has been specified for both !Cl and
IC2. First used in the Studio 200
Stereo Control Unit published in
June and July 1988, this op amp has
proved itself as a very quiet unit
and it is ideal in this application
ITEM
COMMENTS
AUST.
74LSOO Nand Gate
0.60
74LS32 Or Gate
0.60
7 4LS244 Octal Driver
2.00
7 4LS3 7 3 Octal latch
1.80
4001
Nor Gate
0.50
4011
Nand Gate
0.50
4013
Dual Flipflop
0.75
4017
Decade Counter
1.20
4040
12-Stage Counter
0.95
4066
Analog Switch
0.75
4082
And Gate
0.70
1488
RS-232C Trans.
1.20
1489
RS·232C Rx.
1.20
LM555
Timer
0.65
UA324
Quad Op Amp.
0.95
LF351
=TL071 Op Amp.
1.10
LF353
=TL072 Dual
1.60
LF347
=TL074 Quad
3.35
LM1458 Dual Op Amp.
0.95
LM13600 Dual Transcon.
3.10
LM393
Dual Comparator
1.05
LF833
LIN. Op. Amp.
3.05
LM3914 Led Bar Driver
5.75
LM317T 2·30V ; 1A Adj.
1.75
LM340T5, T12, T15. Reg.
1.05
LM7905, 12, 15. Neg. Reg.
1.15
MPSA06 80V NPN Trans.
0.90
MPSA56 80V PNP Trans.
0.90
RED LEDS
0.15
GREEN LEDS
0.30
50 Mixed Diodes
2.40
4 MEG . Crystal
2.40
10 of one item & receive one free
NZ customers add 12.5% GST
All orders add $5.00 P&P; airmail extra.
Send cheque, money order to:
N.Z.
0.75
0.75
2.50
2.25
0 .65
0.65
0.95
1.50
1.20
0.95
0.95
1.50
1.50
0.85
1.20
1.40
2.00
4.20
1.20
3.95
1.35
3.85
7.20
2.20
1.30
1.45
1.15
1.15,
0.20
0.40
3.00
3.00
SAMBOR
EL CTRONICS
143 BAMB0R0UGH STREET
INVERCARGILL, NEW ZEALAND
Phone: 021 77456
DECEMBER1989
75
INPUT
-----------.BYPASS
~50k
Sl
One point should be noted about
the balanced input stage, particularly as it applies to the stereo
equaliser. Since the balanced input
stage has a gain of 2, it is twice the
gain of a conventional equaliser
with all controls set for flat
response. With a gain of 2, the maximum input signal that the
equaliser can handle without
overload will be reduced by 2 also.
In most situations this will not
cause a problem but you should be
aware of it.
OUTPUT
~.,.
-:-
(a)
Fig.2a: basic block diagram for the 32-band equaliser.
BALANCED
INPUT
AMPLIFIER
BALANCED
OUTPUT
AMPLIFIER
..... ,--'-',--03
/
BA~:Pi~ED 30---d""".d
•-.;,...,.-02
BaM~8¥D
1
(b)
Fig.2b: how the balanced input and output stages are added to the
32-band equaliser shown in Fig.2a.
since it is capable of driving 6000
lines.
Fig.2 shows how the circuits of
Fig.1 are connected into the
32-band graphic equaliser referred
to above. Fig.2a shows the basic
block diagram of the equaliser
while Fig.2b shows how the balanced inputs and outputs are added in.
Essentially what happens is that
the existing input and output cables
are disconnected from the RCA
sockets and connected to the
balanced circuits instead.
Fig.3 is more complex and shows
how balanced inputs and outputs
can be added to the the 20-band
stereo equaliser. Fig.3a shows the
block diagram of the stereo
equaliser while Fig.3b shows how
the balanced inputs and outputs
are added.
Building the board
To enable you to add the balanced input and output stages to the
mono or stereo equalisers, we have
designed a two channel board. That
way, you build one half of the board
to suit the 32-band mono equaliser
or both halves to suit the stereo
equaliser.
Fig.4 shows the board layout for
one channel while Fig.5 shows the
layout for two channels. The parts
list shows firstly the parts for the
mono version and then the extra
parts needed to complete the stereo
version.
The PC board measures 87 x
75mm and is coded SC 01112891. It
should be fitted with PC pins at both
ends to take the input, output and
power supply connections.
BYPASS
TAPE
PLAYBACK
OUTPUT
LINE
INPUT
EQUALISED
OUTPUT
-;-
TO
TAPE
.,.
00
Fig.3a: block diagram of the 20-band stereo equaliser (one channel only shown).
BALANCED
DUTPUT
AMPLIAER
TAPE ~
PLAYBACK+
BALANCED
INPUT
BYPASS
100k
'::c"
~EQUALISED
OUTPUT
TO~
TAPE
(b)
Fig.3b: how th~ balanced input and balanced output stages are added to the 20-band stereo equaliser.
76
SILICON CHIP
~ ~~
::-:--=--.._..• v
V
INPUT FROM
ALISER OUTPUT
BALANCE
INPUT
CHANNEL 1
OUTPUT TO
EQUALISER INP
ALANCEO LINE
OUTPUT
47
t l.?8 <; II I~ :)2
I
Fig.4: this diagram shows the parts layout on the PC board for the
mono version. Use PC stakes to terminate the external connections
and note carefully the orientation of the ICs and capacitors.
1•
BALANCE
INPUT
CHANNEL 2
OUTPUT TO
EQUALISER INP
--=
1,,-L~
~~
I
INPUT FROM
UALISER OUTPUT
BALANCED LINE
OUTPUT
5V
5V
BALANCE
INPUT
INPUT FROM
UALISER OUTPUT
CHANNEL 1
OUTPUT TO
EQUALISER INP
BALANCED LINE
OUTPUT
I
Fig.5: the stereo version of the project uses the same PCB pattern as
the mono version. All you have to do is add two more ICs plus their
associated resistors and capacitors.
When assembling the board take
particular care with the polarised
capacitors and the ICs. All four ICs
are oriented in the same direction.
Once the board has been fully
assembled, it should be put aside so
that work can be done on the
equaliser chassis. In the case of the
mono 32-band equaliser, it should
be fitted with one female 3-pin XLR
socket (for input) and one male
3-pin XLR socket (for output).
Similarly, the stereo equaliser
should be fitted with two female
3-pin XLR sockets and two male
3-pin XLR sockets. These are wired
to the board using shielded cable.
When the XLR sockets are mount-
PARTS LIST
1 PC board, code SC
01112891, 87 x 75mm
12 PC pins
4 plastic PC mounts
1 3-pin chassis female XLR
socket (Jaycar Cat. PS
1030)
1 3-pin chassis male XLR
socket (Jaycar Cat. PP
1020)
2 LM833 low noise dual op
amps
2 4 7µF 35VW PC electrolytic
capacitor
2 33µF 35VW PC electrolytic
capacitor
2 1 OµF 35VW PC electrolytic
capacitor
1 100k0 ¼W
4 10k0 1 % ¼W
4 1k0 1% ¼W
2 330 ¼W
Extra parts for stereo version
1 3-pin chassis female XLR
socket (Jaycar Cat PS 1030)
1 3-pin chassis male XLR
socket (Jaycar Cat PP 1020)
2 LM833 low noise dual op
amps
2 47µF 35VW PC electrolytic
capacitor
2 33µF 35VW PC electrolytic
capacitor
1 100k0 ¼W
4 10k0 1 % ¼W
4 1k0 1% ¼W
2 330 ¼W
Miscellaneous
Shielded cable, screws, nuts,
washers, solder.
DECEMBER1989
77
"''~
--D
-~(~
MAIN BOARD
POTENTIOMETER BOARD
....~
C
....~
'"""'~
\0
SK3aO
'"""'~
""~
"'B
SK3bo
""~
.,,>
m•~
+
"'~
~,
-~:~
>c >
"'"'.,,
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+
o'\_
A
~
I
+15V
POWER SUPPLY BOARD
).0
TRP~~i:~~MER
~
r-r--~~\
\
\
H G
F
N
(BLU)
E
A (~RN)
(
/
CORO CLAMP
GROMMET
rN
~~(GRN/YEL)
~
~
EARTH
LUG
Fig.7: here's how to wire the balanced input/output stage into the 32-band graphic equaliser. The best
place to mount the PCB is at the front of the chassis, immediately behind the potentiometer board. The
± 15V rails are derived from the existing power supply board.
78
SILICON CHIP
C~
G
,------_,U-1-~
..
J~
~
H
-
D~
,...
~I
S2
.....
K
+15V
ov 1c:::::::J
SK6a
1c:::::::J
SK5a
<at>,~,
LEFT
~213
~
OUTPUT
SK6b
1c::::J
.{lj
(i::)
2
E
-
1(=:::J
SK5b
INPUT
RIGHT
MAIN BOARD
OUTPUT
F
-~
+15V
OV
-15V
BALANCED INPUT/OUTPUT BOARD
POTENTIOMETER BOARD
A
~LEO
K
Fig.a: for the 20-band stereo equaliser, the balanced input/output board can be mounted on the rear panel, along
with the four XLR sockets (female for the inputs, male for the outputs). The PCB can be supported on pillars and
secured using screws and nuts, or you can use plastic PC supports.
DECEMBER 1989
79
This view shows how the two XLR sockets were mounted
on the rear panel of the 32-band equaliser. Use shielded
cable for the connections to these sockets.
ed, the balanced board should be
mounted inside the equaliser
chassis using four metal pillars,
screws and nuts or alternatively,
using plastic clip-in PC mounts such
as those made by Richco.
The female XLR socket at left is used for the input
connections while the male XLR socket at right provides
a balanced signal output.
Follow the wiring diagram of
Fig.7 for the mono version and Fig.8
for the stereo version.
When all your wiring is complete,
check it carefully and then apply
power. Check that + 15V is present
at pin 8 of each IC and that - 15V is
present at pin 4. Check also that pin
1 and pin 7 of each IC is close to OV
(ie, within ± 10mV). That being the
case, everything is apples and you
are in business. ·
~
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•;:·:} ~~~ ;~~~..... :,~ ~,,,...
..,,~
80
SILICON CHIP
. '~,;~,;!~.!·..., .
"'
...
Price: $All.95 plus $A3 p&p each
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