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16-Channel
g Desk, Pt.4
In this final article on our new 16-Channel
Mixing Desk, we present the test procedure
for the equaliser/VU boards and the wiring
details for the whole mixer.
By JOHN CLARKE & LEO SIMPSON
As we noted last month, this mixer is a very big unit to assemble and
so it is wise to proceed slowly and
carefully. By rushing in and
assembling all the boards at once,
you could make a lot of mistakes
and have a lot of work to do to fix
them. By far the best procedure is
to assemble and test one of each of
the boards first, before building the
others.
So far then, we have given the
assembly procedure for all the
boards and the test procedure for
all of the boards except this last
one, the equaliser/VU board. There
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are four of these and they each
carry a master output level control.
The effects board is the biggest
used in the mixer and it carries the
most circuitry. To check it, you will
need to refer to the circuit diagram
on page 67 of the March 1990 issue
and the wiring diagram on page 73
of the April 1990 issue. You will
also need to wire a 1okn slider
(VR13) to the board.
Now connect the + 15V, -15V
and 0V power inputs for the
equaliser part of the PCB and the
+ 15V, - 15V, + 5V and 0V for the
display section of the PCB. Apply
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This rear panel view shows the mounting locations for the six 6.5mm insulated
mono panel sockets and for the four 3-pin XLR male plugs. The 16 XLR 3-pin
sockets are mounted to the right of the XLR plugs.
48
SILICON CHIP
power and check for + 15V on pin 8
of IC9, IC10, IC11 and IC20, pin 7 of
IC13, IC16, IC17, IC18 and IC19, pin
4 of IC12 and IC20, pin 3 of IC14
and IC15, and pins 2 and 14 of IC21.
For the - 15V rail, check pin 4 of
IC9, IC10, IC11, IC16, IC17, IC18
and IC19, and pin 11 of IC12.
Apply a 10mV signal to the channel input (marked CH1/CH3 on the
layout diagram) and measure the
signal at pin 1 of IC9. It should be
340mV RMS. Theil with the master
fader VR13 at maximum setting, a
1.39V RMS signal should be present
at pin 7 of IC9b. Wind the slider up
and down and observe that the
signal can be varied over the full
range down to zero. With VR13 at
maximum setting, check for a 1.39V
signal again at pin 7 of IC10.
The operation of the 5-band
equaliser is checked by setting your
audio oscillator to 60Hz and
measuring at pin 7 of IC10. With
the 60Hz pot at full clockwise rotation, the signal should be boosted by
about 12dB (4 times the signal) to
5.5V. Check that the cut is - 12dB
(1/4 the signal) to 350mV at full anticlockwise rotation of the 60Hz pot.
In a similar manner, check the
240Hz, lkHz, 3.5kHz and 10kHz
equaliser bands.
·
Now with all equaliser pots recentred and a lkHz signal, check
for a 1.39V signal at pins 1 and 7 of
IC11. The signal at pin 1 should be
inverted with respect to the signal
at pin 7. You can check this with an
oscilloscope or by connecting your
multimeter across pins 2 and 3, the
balanced line outputs of the board.
The AC reading should be 2.78V
RMS; ie, the outputs add.
Without adjusting the signal
levels, you should also find 1.39V
AC present at the monitor output;
ie, the headphone output.
The effects, equaliser/VU & preamplifier boards are all secured to the front panel via their rotary pots.
While you have been doing the
above checks with signal present,
the level meter should be operating.
The bar section of the display
should rise with increasing signal
level and when the signal is reduced in level via the fader, the peak
hold LED should drop back at a
slower rate than the average bar
signal.
The TRIM3 and TRIM4 trimpots
can be adjusted by first removing
signal by shutting off the fader control. Adjust both TRIM3 and TRIM4
so that the lower LED for the ba'r
and dot display just extinguishes.
TRIM2 allows the setting of the
display to read 0dB for a 1 V RMS
signal at the balanced line output.
This can be done now.
This completes the testing procedure for the boards. Now to
repeat what we said before: only
one board should be assembled and
then tested, for each of the mixer
boards. When the tests on these initial boards are complete, then and
only then should you assemble the
other boards. Otherwise, if you
There are 20 slider pots on the front panel & these are all mounted using
15mm spacers, grub screws and black dress screws (see text).
assemble all boards first , you may
find yourself undoing a lot of
mistakes.
Now we can proceed to the
mechanical assembly of the mixer,
starting with the main panel.
Front panel assembly
Before any wiring can be done,
all the hardware has to be assemblMA Y 1990
49
Adjusting the
rotary switches
Single-core shielded cable is used for the connections between the 6.5mm jack
sockets and the two effects hoards, while twin-core shielded cable is used
between the 3-pin XLR plugs & the equaliser/VU boards.
All 16 rotary switches are specified as 3-pole 3-position types.
What you will be supplied with is
4-pole 3-position types which can be
adjusted to give only three positions. To do this, you just remove
the switch mounting nut and lift off
the washer/stop. You then put it
back so that the stop lug is back one
setting. Screw the mounting nut
back and rotate the switch shaft to
check that the switch now has three
operating positions.
Install each rotary switch using a
lockwasher underneath the securing nut. Orient the switch so that
when set to the middle position, the
flat of the shaft is parallel to the
side of the panel and on the left
hand side. The switch knobs (grey
insert} can then be fitted.
Mounting the slider pots
This interior view shows most of the 16 identical preamplifier boards while
Fig.6 in the April issue shows the wiring details. Install the leads in the order
shown in the wiring table.
ed onto the mixer panel. At all times
you need to be careful not to
scratch the finish of the panel. We
suggest you lay an old towel or
blanket over your workbench or
table while this task is in progress.
Before the printed boards are
mounted, all the switches, sockets
and slider pots need to be installed.
As with the pots, the shafts of the
50
SILICON CHIP
rotary switches need to be cut to
10mm in length. They can be cut
with a hacksaw and cleaned up
with a file so that the knobs go on
easily. While you are working on
these switches, nip off the plastic
locating pin with a pair of side cutters. This must be done since there
are no holes in the mixer panel for
the locating pins.
Now for the 20 slider pots: these
are fitted with 15mm tapped
spacers at each end and then
mounted on the front panel. Supplied are two spacers, two grub
screws and two black dress screws
for each slider.
The grub screw is screwed
halfway into the slider mounting
hole and then the tapped spacer is
screwed down onto the the grub
screw. The slider is then secured to
the front panel with the black dress
screws, with pins 1 and 2 oriented
towards the bottom of the panel.
The slider knob can then be fitted.
The headphone sockets, in/out
switches, 2/4 channel switch and
overload LED bezels can now be installed. Note that the 16 toggle switches must be oriented so that the
toggle moves sideways to agree
with the front panel artwork.
The PCBs can now all be installed. To begin with, just secure each
board with a washer and nut on the
top pot and one on the bottom pot.
This is important since some of the
boards may have to be removed to
correct unforseen faults.
For the same reason, do not install the knobs on the pots at this
stage. The equaliser PCBs are
mounted so that the LED displays fit
flush with the surface of the front
panel. If necessary, use more
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Here are the actual size artworks for the PC boards used in the 16-Channel Mixing Desk. They
are as follows: SC01102901 (effects board - 2 required); SC01102902 (equaliser/VU board - 4
required); SC01102903 (preamplifier board - 16 required); and SC01102904 (power supply
board - 1 required).
52
S ILICON CHIP
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MAY 1990
53
washers on the pots to allow this.
Chassis assembly & wiring
The chassis can now be assembled by installing all the sockets and
plugs on the rear panel. The rear
panel label for the effects and
foldback sockets should also be affixed at this stage. In addition, the
wooden side panels can be
installed.
The assembled front panel can
now be laid face down on your
workbench (still covered with a
towel to prevent the panel being
scratched), ready for wiring. The
wmng is divided into three
separate sections: the top and the
lower sections of the panel, and the
wiring between the control panel
and the chassis components.
We suggest that you begin by
wiring the lower part of the panel;
ie, the sliders, in/out switches and
headphone sockets.
To aid in the wiring process, we
have included a chart which lists
the colour of wire, the number of
wires and the length required. This
should be read in conjunction with
the wiring diagram for each printed
board.
We recommend that constructors
follow the wiring table in the order
described for ease of construction.
When wiring between the PCBs
and the chassis, it is easier to keep
the top panel lying flat on a table
and the chassis lying on its back
rather than the chassis standing on
its feet and the panel upright.
Mixer testing
Once wiring is complete, go over
your work carefully to check on any
faults. These should be corrected
before switching on the power.
Keep the mixer in its wiring position with the front panel lying flat
on the bench and the chassis
upright for initial testing with the
power switched on.
When power is first switched on,
immediately connect up a multimeter to check on the voltages applied to each PCB. Check that the
power supply is delivering the
±15V and ±5V rails. If not, switch
off immediately and check your
connections again.
Once the power supply rails are
up and running, you can check the
54
SILICON CHIP
Wiring Table For The 16-Channel Mixer
LOWER PANEL WIRING
Input Preamplifier PCB
BLU 50mm x 1 4 between poles of in/out switches - foldback bus
GRN 50mm x 1 4 between poles of in/out switches - effects bus
RED 50mm x 14 between poles of in/out switches - CH1 /CH3 bus
YEL 50mm x 14 between poles of in/out switches - CH2/CH4 bus
Note: keep 1-8 and 9-1 6 buses separate
RED 90mm x 1 6 headphone monitor socket signal to PCB
GRN 90mm x 1 6 headphone monitor socket ground to PCB
Note: readers may wish to connect the socket for mono operation with
stereo headphones .
BLK 11 0mm x 32 faders pins 2 and 3 to PCB
BLK 180mm x 16 faders pin 1 to PCB
BLU 80mm x 16 wiper of in/out switch to foldback out on PCB
GRN 80mm x 16 wiper of in/out switch to effects out on PCB
RED 80mm x 16 wiper of in/out switch to CH 1/CH3 out on PCB
YEL 80mm x 16 wiper of in/out switch to CH2 /CH4 out on PCB
BLU 70mm x 14 -1 5V power bus between PCBs
RED 70mm x 14 + 1 5V power bus between PCBs
GRN 70mm x 1 4 OV power bus between PCBs
-1 5V power bus between 1 -8 input and 9-1 6 input
BLU 100mm x
RED 100mm x 1 + 1 5V power bus between 1 -8 input and 9-1 6 input
GRN 1 OOm117 X 1 OV power bus between 1-8 and 9-16 input PCBs
Equaliser/VU PCB
BLK 11 0mm x 8 faders pins 2 and 3 to PCB
BLK 1 80mm x 4 faders pin 1 to PCB
RED 450mm x 1 CH2 bus from in/out switch to CH2 PCB
YEL 450mm x 1 CH1 bus from in/out switch to CH1 PCB
RED 1 90mm x
CH4 bus from in/out switch to CH4 PCB
YEL 190mm x 1 CH3 bus from in/out switch to CH3 PCB
GRY 290mm x 1 CH1 headphone signal lead to CH1 and CH2
headphone socket
GRY 290mm x 1 CH2 headphone signal lead to CH1 and CH2
headphone socket
GRN 290mm x 1 headphone ground lead to CH1 and CH2
headphone socket
GRY 150mm x 1 CH3 headphone signal lead to CH3 and CH4
headphone socket
GRY 1 50mm x 1 CH4 headphone signal lead to CH3 and CH4
headphone socket
GRN 1 50mm x 1 headphone ground lead to CH3 and CH4
headphone socket
BLU 70mm x 3 + 1 5V supply bus between PCBs
RED 70mm x 3 -1 5V supply bus between PCBs
GRN 70mm x 3 DV supply bus between PCBs
Effects PCB
BLU 600mm
GRN 600mm
RED 220mm
YEL 220mm
BLU 300mm
x 1 1-8 foldback bus to 1 -8 PCB
x
1 -8 effects bus to 1 -8 PCB
x
1 -8 CH2 bus at preamplifier PCB to CH2 PCB input
x 1 1-8 CH1 bus at preamplifier PCB to CH1 PCB input
x 1 9-1 6 foldback bus to 9-1 6 PCB
GRN
RED
YEL
BLU
RED
GRN
BLU
RED
GRN
BLU
300mm
170mm
170mm
100mm
100mm
100mm
70mm
70mm
70mm
110mm
switch
GRN 11 0mm
switch
RED 110mm
YEL 11 0mm
x
9-1 6 effects bus to 9-1 6 PCB
9-16 CH4 bus at preamp PCB to CH4 PCB input
x
9-16 CH4 bus at preamp PCB to CH3 PCB input
x
x
-1 5V supply bus on PCB to equaliser PCB
x
+ 1 5V supply bus on PCB to equaliser PCB
x
0V supply bus on PCB to equaliser PCB
x 1 -1 5V supply bus between effects PCBs
x 1 + 15V supply bus between effects PCBs
x
0V supply bus between effects PCBs
x 2 foldback bus from each effects board to 2/4CH
x 2 effects bus from each effects board to 2/4CH
x 2 CH1 and CH3 to 2/4CH switch
x 2 CH2 and CH4 to 2/4CH switch
TOP PANEL WIRIN G
Input Preamp PCB
Wiring of switch S1: single core shielded cable 70mm length x 6 per
switch x 1 6 switches
Equaliser PCB Bargraph Display Power Bus
BRN
GRN
RED
BLU
45mm
45mm
45mm
45mm
x
x
x
x
3
3
3
3
+5V bus between PCBs
0V bus between PCBs
+ 1 5V bus between PCBs
-15V bus between PCBs
CHASSIS TO FRONT PANEL WIRING
Input & Output Wiring
Figure-8 shielded cable 280mm x 1 6 from preamplifier input plug to
PCB (note numbering of pins on rear of plug)
Figure-8 shielded cable 51 0mm x 4 from equaliser output socket to
PCB (note reversal of numbering on socket pins)
Single shielded 400mm x 2 effects return input socket to 1 -8 and 9-1 6
PCBs
Single shielded 4 1 0mm x 2 effects send output socket to 1-8 and 9-1 6
PCBs
Single shielded 420mm x 2 foldback output socket to 1 -8 and 9-1 6
PCBs
Power Supply wiring
RED
BLU
GRN
RED
BLU
GRN
RED
BLU
GRN
BRN
GRN
Twin
460mm + 1 5V preamplifier power supply bus to power supply
460mm -1 5V preamplifier power supply bus to power supply
460mm 0V preamplifier power supply bus to power supply
460mm + 1 5V equaliser power supply bus to power supply
460mm -1 5V equaliser power supply bus to power supply
460mm 0V equaliser power supply bus to power supply
230mm + 1 5V bargraph display supply bus to power supply
230mm -1 5V bargraph display supply bus to power supply
230mm 0V bargraph display supply bus to power supply
230mm + 5V bargraph display supply bus to power supply
460mm 0V on power supply to earth lug on chassis
core polarised 480mm lead to power LED
mixer operation with signal applied. Before you do this, switch off
the power and attach the front
panel to the chassis .
Mixer testing is made easier if
you have an XLR line plug for
applying signal to the inputs, and
an XLR line socket for measuring
the output signal. Also, two mono
6.5mm line plugs are useful for
measuring the Effects and Foldback
outputs and applying signal to the
Effects return input.
Set the 2 Channel/4 Channel
switch to 2 channel operation and
set a channel input for "Line Unbal" mode. Apply a 100mV 1kHz
signal to pin 2 or pin 3 of the XLR
input socket input and check for
signal at the CH1 output. With the
input 1 PAN control set centrally,
the CH1 and CH2 bargraph display
should indicate the same signal
level, provided the main faders are
set equally. Adjust the PAN control
to see its effect on the CH1 and
CH2 outputs . This change will be
seen on the LED VU displays.
Rotate the input (pre-fade) attenuator (fully anticlockwise) and
set the channel fader fully up . The
overload LED should now be alight.
Now reduce the signal with the attenuator until the overload LED is
extinguished. Check also that the in/
out switch works and that you can
monitor the channel signal output
with headphones .
Now test the Effects and Foldback outputs at the 6.5mm socket
outputs. The signal levels at these
outputs are adjustable with the Effects and Foldback Sends controls
for each of the input channels and
with the Effects and Foldback output controls .
A signal can now be applied to
the CH1/CH2 Effects return input
to check that it is applied to the
CH1 and CH2 bus . The CH1 and
CH2 display should show the
signal level and this is adjustable
with the Effects return control. The
pan control adjusts level between
CH1 and CH2 .
The remammg 2-8 channel
inputs can be tested similarly and
the entire 9-16 inputs can be tested
with the signal measured at the
CH3 and CH4 outputs .
Finally, the Mixer can be tested
for 2 channel operation.
~
MAY 1990
55
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