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VINTAGE RADIO
By JOHN HILL
The 4-valve Howard receiver
Last month, I mentioned that I had bought an old
Howard, a mains powered 4-valve reaction set
from the early 1930s. The Howard is a mediumsized console model of relatively square
proportions which stands on turned legs. It was
the latter feature that prompted me to buy this
particular receiver.
Console rec eiver cabinets with
turned legs are comparatively rare.
Turned legs were in for only a short
period and were popular around 1930,
give or take two or three years.
Unfortunately, cabinets mounted on
turned legs, particularly long turned
legs, are relatively weak and the legs
do not give rigid support. Shifting the
set incorrectly can damage or loosen
the legs and the cabinet can become
quite rickety as a result. It was perhaps because of these problems, as
well as the additional cost of turned
legs, that cabinet makers turned away
from this style to the legless console
models of the mid-1930s onwards.
However, regardless of their shortcomings, console radio cabinets with
turned legs have particular appeal and
some are quite elegant to say the least.
Whether weak, impractical or otherwise, turned legs look great and any
receiver with this style of cabinet is a
highly collectable item. It was the
turned legs on the Howard that per-
The cabinet has been knocked around a fair bit and will require a considerable
effort to restore. Fortunately, the damage is all repairable.
78
SILICON CHIP
The Howard cabinet is fairly typical
of the consoles made around 1930,
although the turned legs are quite
rare. These legs and the fretwork
speaker grill give the radio a certain
amount of charm .
suaded me to buy it and it is the first
complete set I have been able to obtain with this style of cabinet.
Unfortunate ly the Howard's cabinet was only in fair condition. It has
received many knocks over the years
and some of the veneer has chipped
away at the edges. Someone has also
attempted a half-hearted refurbishing
job which was far from professional.
Nevertheless, the cabinet is restorable
although it will require more than the
normal amount of work.
The circuit is of simple design, even
for a regenerative receiver, and consists of a detector followed by two
audio stages. The first one is resistance/capacitor coupled, while the
conventional shield but the set works
just as well without it.
Although the receiver was in working order, there were a few major items
that needed attention. The volume
control was very noisy, the dial cord
was slipping, the detector and rectifier valves were not the original types ,
and there was the usual dust, rust and
lack-lustre appearance of the chassis
in general. There were numerous oth er
incidentals that also needed looking
into. The repairs all seemed to be
straightforward enough but little did I
know what was in store.
Broken dial drum
The chassis cleaned up surprisingly well for an old-timer. Note the cast
aluminium shields over the power and audio transformers. A shield was also
fitted over the detector valve, although the set works just as well without it.
This end view of the chassis shows three of the valves (from left to right): 245
output, 227 first audio & 224 detector (in shield). The fourth valve in the set is
the 1651 rectifier (behind the audio transformer at top left).
other is transformer coupled . The output valve (a 245 triode) drives an 8inch electrodynamic loudsp eaker. Not
all of the valve sockets had the right
valves in them but more about that
later.
Reaction control
A l00pF variable capacitor is us ed
as a reaction control and the audio
from the detector is fed to the first
audio valve via a 0.5MQ potentiometer. This volume pot, when used
in conjunction with the reaction cap-
aci tor, gives good vo lume control
regardless as to whether th e set is
tuned to strong or weak signals. Th ere
are also three aerial tappings , so the
effect of local station swamping can
be minimised by se lecting the appropriate aerial tap and reaction/volume
control settings.
Component shi elding on the Howard is elaborate - even where it is
probably not required. The power
transformer is encased in a cast aluminium cover, as is the audio transforme r. The detector va lve has a more
First , the di ecast dial drum had a
buckle in it. However, it could not be
removed unless the tuning capacitor
was also removed. This was essential
anyway because the capacitor was a
plain bearing type and it nee ded attention in the bearing department.
With the dial drum free from th e
capacitor, the reason for the buckl e
was fairly obvious: the centre had broken out at some time and had be en
cemented back into place with epoxy.
The joint was broken again, reglued
with superglue and reinforced with a
steel plate. This repair was much
stronger than before but the drum stil l
ran with a wobble because the hole in
th e centre had nev er been drilled
straight in the first place.
Not to be beaten , I decided to set
the drum up in my lath e, re-bush th e
centre and drill it out again so that th e
new hole was both concentric and
square to the face of th e drum.
The chuck jaws had hardly tou ched
the dial drum when it fell into th e
tray of the machine in four pieces.
Th ey don't call old diecast aluminium
"muck metal" for nothing.
Modern epoxy resins are very us eful adhesives and th e four pi eces were
all glu ed back together again - and the
damn thing still runs with a wobbl e !
Th e tuning capaci tor was much
easier to fix. The loose front bea ring
was adjustable and a good fit on th e
shaft was obtained in no tim e at al l. A
piece of thin cardboard was also used
to pack th e front bearing so th at the
plates were more centra lly positioned.
th e cardboard a ll owing for the wear
in the thrust bearing.
By the way. tuning capac itors am
much easier to cl ean and 1,,vork on
when they aro removed from the chassis. The chassis is also much eas im to
] U,\J E 1991
79
rectifier socket with a low -value
wirewound resistor (0.6Q - 2 x 1.2n
in parallel) to drop the 5-volt filament
supply down to about four volts. The
big old 1651 looks great and is a better
substitute for the 280 than the 80GT.
Incidentally, an 80 still works reasonably well despite the lower filament
voltage.
Several other parts needed attention underneath the chassis and the
first job was to replace the volume
control potentiometer. The reaction
capacitor was also cleaned up and a
drop of oil on its spindle made it
much smoother to turn.
Dangerous aerial
The rear of the chassis carries sockets for the phono pickup (left) and for the
aerial taps (right). There are only three aerial taps - the other two holes once
accommodated an external aerial & the mains aerial plug.
clean and paint while the capacitor
(and any oth.er components) are removed. This was the case with the
Howard and the chassis was rubbed
down and painted while the capacitor was on the workbench.
Ring-in valves
Cleaning down the chassis revealed
the original valve markings that were
stencilled on when the receiver was
made. The detector socket was supposed to have a 224 valve but an F242
had been fitted at some stage instead.
This valve was so weak it tested at
only 15%, compared with the 80% of
the 224 that replaced it.
Although supposedly the wrong
valve, the F242 looked exactly the
same , both internally and externally,
as the 224 valve and was no do\lbt a
satisfactory substitute apart from the
poor emission problem.
The 227 (first audio) and 245 (output) valves both tested OK, as did the
80GT rectifier.
Using a GT valve in an ancient regenerative set looks terrible - even if
it does work OK. The originally specified 280 rectifier with its bulbous
shaped glass envelope looks far more
appropriate but, unfortunately, I did
not have a spare one to use in the
Howard.
However, in my "odd valves" box
there were a couple of 1651 valves
which are similar rectifiers in shape
and performance to the old 280. The
only real difference is that they are 4volt valves whereas the 280 was a 5volt type.
One of these 1651s was fitted to the
At one stage, the
loudspeaker refused
to work and the
problem was traced
to an open circuit
speaker transformer.
Once it was replaced,
the problem was
solved. The 8-inch
electrodynamic
loudspeaker works
quite well for its age.
80
SILICON CHIP
One particular capacitor also
seemed to be in an odd place and after
checking it out, I decided to remove it
from the receiver altogether. It was
the mains aerial capacitor.
The purpose of a mains aerial is to
use the power supply wiring as an
aerial and there was a connection from
the primary side of the power transformer to an aerial plug, with only an
ancient capacitor in between to isolate the circuit from the mains. It's a
dangerous arrangement and this is the
second such aerial I have removed
from an old receiver.
The set's original electrolytics had
long been replaced and these too were
now in need of replacement. Replacing electrolytics is a fairly standard
procedure with radios as old as the
Howard.
Checking out the only two carbon
resistors in the receiver revealed that
they had both gone high with age.
The worst one was the 2MQ grid leak
resistor - it had risen to 6.5MQ Oddly
enough, the replacement resistor
seemed to make little or no difference
to the set's performance.
There was still another resistor to
check out and that was the high tension voltage divider. Past experience
has shown that these wirewound voltage dividers can give a lot of trouble
when the contact areas at the various
taps no longer make a good connection. As far as I am concerned, it is
standard procedure to remove each
tap and thoroughly clean it and the
resistor wire before reassembling it
again.
Cleaning the resistor taps prevents
the poor performance and high tension crackles that can be caused by
dirty, ill-fitting connections.
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This underneath view shows the high tension voltage divider, coil, reaction
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The dial drum broke into three separate pieces and was repaired using
Superglue. They don't call diecast aluminium "muck metal" for nothing.
Underneath the chassis, there are
three initialled dates pencilled in (all
within a week of each other), with the
last one being the 21/3/32. It would
appear as though these were put there
by inspectors at the Howard factory
when the set was made.
These dates are interesting because
one would expect that only TRF and
superhet receivers were being made
in 1932. However, the cheap er regen erative sets were also still being mad e
at the time. It must be remembered
that 1932 was in the depression years
and not many could afford a top of the
range superhet receiver. Perhaps there
was a greater demand for cheap er radios?
Crook loudspeaker?
The Howard 's loudsp eaker presented an unusual problem because it
had decided to stop working some
time between when it was removed
from the cabinet and when it was
connected to the restored chassi s. A
check with the multimeter soon revealed that the primary of the speaker
transformer had become open and the
transformer needed replacing. Once
this simple repair was done the set
burst into life and worked quite well.
One odd aspect of these simple regenerative receivers is that there is
nothing in them to align. In a superhet
receiver, the intermediate frequency
(IF) transformers require alignment ,
as do the oscillator and aerial circuits.
A simple reaction set requires no such
adjustments - it just goes and that's
that! There is nothing to tune but th e
stations.
At this stage of the story, the Howard
is as good as it has ever been and is
working very well considering its age
and antiquated regenerative circuit.
However, the chassis and speaker will .
have to remain on the bench for a
whil e until I find time to restore the
cabinet, which will be quite a big job.
When that task has been completed,
the set will join the rest of my co llection and will have the distinction of
being the only one of my consoles
with turned legs and a regenerative
circuit.
A good vintage radio collection
needs a wide variety of receivers to
make it int eresting and the Howard
certainly is an interesting old set. SC
JUNE 1991
81
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