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SERVICEMAN'S LOG
I'd never seen that one before
To some extent, I suppose, that heading would
apply to most stories that warrant telling - if it
isn't unusual, it's hardly worth relating. But
this one, I feel, is more unusual than usual- if
you know what I mean.
It concerns a Panasonic video recorder, model NVG-30A, purchased
by one of my regular customers, just
two years before this episode. And
this short life was just one of several
confusing factors and red herrings that
had to be bypassed before the real
culprit was unmasked.
The complaint was a very noisy
picture; so noisy as to be virtually
unwatchable. It was also intermittent,
which didn't help, but this point was
not fully appreciated initially.
The story really began when the
machine was only about one year old.
At that time, it appeared to be nothing
more than a routine fault. When the
owner brought it in, it certainly was
behaving very poorly. In fact, to illustrate his point, he had brought in a
tape that he had recorded. This tape
was very noisy on playback and was
also noisy when played back on another machine.
Fouled heads?
My natural reaction was to suspect
fouled heads and a visual check confirmed that they were pretty grotty.
However, I was a little surprised that
they were bad enough to create the
symptoms we had observed. Still, it's
hard to be as precise as one would
like when making such judgements.
Anyway, the first job was to give it a
routine clean and lubricate, which I
did, at the same time checking for
anything else which might need attention. In fact , it appeared to be in
excellent condition in all other respects, so I simply put everything back
together and gave it a run on the bench.
It turned in a first class perform40
SILICON CI-IIP
ance, on both record and playback,
thus seeming to confirm my original
diagnosis. And, on that basis, the machine was returned to its owner. But I
did take the opportunity to discuss
with him the quality of the tapes he
was using, because it did appear that
there was more fouling than there
should have been after only 12
months ' use.
It transpired that some of his tapes,
while of well known brands, were
quite old, this not being his first machine. So I suggested that he cull out
the oldest ones, particularly any showing noise in the first minute or so.
TETIA TV TIP
General Electric TC20T1
(Hitachi PAL3-A chassis).
Symptom: Excessive width. The
height is not affected so heads
on screen look like footballs. The
width control has a small degree
of affect but not enough to correct the fault.
Cure: One or other of C758
(0.33µF 400V) or C759 (0.22µF
400V) open circuit or dry jointed.
These caps effectively earth the
bottom end of the horizontal deflection yoke and without them
the yoke circuit impedance becomes excessive.
TETIA TV Tip is supplied by the
Tasmanian branch of the Electronic Technician 's Institute of
Australia. Contact Jim Lawler, 16
Adina St, Geilston Bay, 7015.
It was about six months before I
heard from him again and then it was
much the same story. But this time,
along with the machine, he also
brought in a batch of seven tapes for
me to check.
A visual check of the heads confirmed that there was some build-up
of oxide, though not nearly as much
as on the first occasion. But it was
more than I would have expected in
such a short time. This prompted some
questions, from which I learned that
the machine copped a lot of use. It
was used mainly to record the late
night movies and this happened almost every night.
When I checked his tapes on another machine, I found three out of
the seven which I rejected. Not only
were they noisy at the beginning but
they exhibited odd streaks and bursts
of noise throughout. They had obviously had a pretty hard life on the
previous machine, which seemed to
explain the head fouling.
So I cleaned everything up again
and returned the machine, along with
the tapes and some appropriate advice concerning them. And as before,
I heard nothing more from him for
about another six months, which
brings us up to the time of writing.
Then the owner was on the phone
with the lament, "This recorder is
really playing up now. I made a recording last night and it's really crook.
I'll bring the recorder in and the tape".
I said OK, but I wasn't as confident as
I tried to sound. Twice was bad enough
but three times meant real trouble.
When he arrived, I set things up
and played the tape he had brought.
And there was no doubt about it; it
was crook, with all the symptoms of
fouled heads. But when I replaced his
tape with one of my own, it played
perfectly, which didn't tally with the
fouled heads theory. The final blow to
this idea came when the owner wound
his own tape forward some distance
to where it was a perfect recording. In
fact, this random on-and-off behaviour was repeated several times
throughout the tape.
Murphy's conspiracy
All this put a different complexion
on things. Not only had it ruled out
dirty heads as a major problem, it had
also - for the first time - clearly indicated that it was an intermittent fault,
probably in the record mode. Until
now, Murphy had skilfully organised
the symptoms so as to disguise this
fact - at least from me.
So I suggested he leave it with me,
and warned him that it might take
some time. He accepted this philosophically; after all, as he put it, it
wasn't much good as it was.
I set the machine up in a corner of
the bench, pushed in the customer's
tape, and set it to record while I went
on with other jobs. At the end of three
hours it rewound automatically and I
set it to replay.
It came up with a perfect picture
and I let it run, glancing at the monitor from time to time. It ran like that
for at least an hour then, suddenly, it
was into noise. I pulled the tape out,
put it in another machine, and it was
still noisy. The fault had occurred
during recording.
Investigating further, I went back to
where the noise started and checked
the onset more carefully. This revealed
that it was quite gradual; taking about
five minutes from the first noticeable
effect until it was in full bloom. But
the change back to normal was immediate; as if it had been switched off.
I didn't have any real clues at that
stage and pressure of other work prevailed. I simply put it through repeated record and replay cycles, in
the hope that some further clues might
emerge.
And one did. During one test, I
suddenly realised that the noise was
not on the tape, which played perfectly on another machine. This time
it was occurring in the replay mode.
Well, that was a real turn-up. It
meant that the fault had to be in a
section which was common to both
record and replay modes and there
are not many of these. In fact, the only
one that came to mind was the head
amplifier pack, a small PC boa~d assembly in a metal can, which comes
immediately after the head drum. It
handles both the record and replay
signals - separately, admittedly - but
I suspected that there could be sufficient common circuitry to allow it to
fail in both modes.
Fortunately, I had a unit in stock
and it is a plug-in device, so it was
obviously worth a try. And the machine did come good. It ran almost
continuously for several days, with- ·
out so much as a flicker - until I was
about to give it back to the customer,
that is. Then it was back to its tricks.
That was a real blow because there
was little else to suspect. But, as it
happened, the solution came by pure
chance. Have you ever performed
some seemingly innocuous act which
has suddenly revealed all? Well, I have
- and that's what happened this time.
I was watching a noisy replay of a
known good tape when, for no reason
that I can explain, I switched the machine from the normal mode to the
still frame mode. The result was a
perfect still picture! I then switched
back to norm'al and it was noisy as
before. A couple of more checks confirmed that this was no fluke.
What did it mean? This is a 3-head
machine, the third head being used in.
the so-called "trick" mode. So what it
meant was that one of the other two
heads was intermittently noisy; something I had never heard of before. Nor
has anyone else, as far as I can determine.
Fortunately, I had a spare head drum
in stock which I promptly fitted . And
that did fix it - and confirmed the
diagnosis. So ended what had been a
most frustrating exercise.
After all that trauma, I'm happy to
sit back and gloat over someone else's
problems. So here's a tricky one from
J. L., south of the border.
The fisherman's TV
This story began when one of the
local fishermen brought in an Hitachi
CWP-131 colour set. This is a mains/
battery type with twin rotary tuners
and a 30cm screen. It was popular
many years ago and there are still a lot
SEPTEMBER1991
41
R702
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CR701
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CR702
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R 720
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R72 3
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C765
1/ 5 0
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4.7K
+
TR6 0 11 TR602
2SC458 <at>/<at>
2 SC l740<at>/<at>
R 60 3
4 .7 1(
R601
6 .8K
+
C605
2 20/16
R614
R6 t9
220
C6 19
4
+
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TR603
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Fig.1: the vertical oscillator & vertical output stages of the Hitachi CWP-131. The vertical oscillator stage is based
on transistors TR601 & TR602 on the left, while the HM6232 thickfilm output stage (shown on the circuit as
HM6233) is on the right.
of them around. Not many, though,
spend most of their lives at sea, and
this may have had some bearing on
the multiple problems presented on
this occasion.
The first time the set came in it was
a simple "no-go "; the lOA fuse in the
12V line had dropped its bu ndle. The
owner said. " .. .it worked last night,
but wouldn't go this morning".
It's rare to find fuses open circuit
without being blown. This one had
simply broken in the centre, probably
the night before as the set cooled after
being switched off. I fitted a new fuse
and the set worked as well as ever. It
went back to sea that night and I hyard
nothing more about it for about three
months.
Then it was back, again with an
open circuit lOA fuse. This was too
much of a coincidence so I asked him
to leave the set so that I could investigate why it was so hard on fuses .
By this time it was the off season
for fishing and he· wasn't going back
to sea fo r several weeks. So he was
quite happy for me to keep the set
and, hop efully, find the cause of the
troubl e.
Then , as a passing comment, he
mentioned that the picture had sometimes bri efly collapsed to a few centimetres high, then returned to normal.
Even less frequently, it collapsed to a
42
SILICON CHIP
bright line but alw ays recovered
quickly, usually as the ship rolled to
port - or was it starboard; I never can
remember!
(Simple J. L. The words "port" and
"left" both have the same number of
letters. So port is the lefthand side
when looking towards the sharp end.
No charge for that. Serviceman.)
So, it looked as though we had two
problems, not obviously related. It was
not going to be an easy task and, in the
event, the minor complaint became
the major problem.
Fishing for faults
To open the account, I fired up the
set on AC. The sound came up immediately but, when the screen lit up, I
could see that the vertical scan problem had now become permanent. All
we had was a line across centre screen.
A quick check on the several rails
showed that all voltages were close to
normal, so I replac ed the lOA fuse
and tried again, using the 12V battery
I keep under the bench for such occasions. This time, the set came good
with a full picture. When I restored
the AC supply, the picture continued
for an hour or so , then collapsed to
about 25mm high. When I changed
back to the 12V supply, the.fuse werit
open circuit.
So it appeared that something was
shorting in the vertical stage and this
was taking out the fuse in the 12V
supply. It seemed strange, though, that
the AC supply did not appear to be so
critical and its fuse could withstand
whatever overload was being imposed
by the defective component.
The vertical stage in the Hitachi
NP6C chassis is a rather strange setup.
Transistors TR601 and TR602 are designated as the vertical oscillator in a
configuration that I cannot recognise.
(One day someone is going to say,
"That's easy! It's a so-and-so oscillator". And I'll say, "Of course it is. I
just wanted to see if you knew!")
The oscillator is followed by a simple series height control (R612), then
a PNP pre-drive amplifier, TR603. This
feeds the main driver amplifier and
an output pair on a thickfilm unit,
HM6233.
The curious thing about this whole
vertical stage is that the so-called oscillator stage appears to require substantial feedback from the output of
the thickfilm unit (pin 8, normally
60V p-p) before it can produce the
required voltage at this unit's input
(pin 2, normally 1.2V p-p).
I found the thickfilm module to be
extremely sensitive to vibration. I took
a long, soft knitting needle I keep for
this sort of investigation and very gently prodded around and over the mod-
ule. I couldn't find any part of it more
sensitive than any other part, but the
gentlest touch anywhere on its surface would toggle the unit in and out
of operation. The picture was bouncing between normal and a bright line,
and was very hard to stabilise in either state.
One thing I have learned about these
Hitachi chassis over the years is that
these thickfilm units are subject to
faulty soldered joints. The problem
appears to be due to the ceramic
substrate being extremely rigid, while
the transistors and other components
attached to it are far less rigid.
These components have a tendency
to change their size as they heat and
cool, but the ceramic substrate refuses
to move. So, over time, the assembly
develops cracks in the joints.
It's always worth trying to resolder
the modules. I have been successful
in perhaps half of my attempts but the
only guaranteed solution is to replace
the unit.
This time it was to be one of my
unsuccessful attempts. I removed the
module and tickled it with a No.8
(400°C) bit in my Weller soldering
iron. It took quite a long time to cool
after that but, when I replaced it in
the chassis, there was no sign of any
activity. I tried all kinds of prodding
and poking but it appeared to have
failed completely. Oh well; it was
worth a try!
I have a colleague who is the local
Hitachi agent, so I rang him, hoping
he had an HM6233 in stock. I was out
of luck, but he offered to include one
in an order he was sending off that
night. So , in a couple of days, I had a
new unit; an HM6232. It looked the
same as the HM6233 and virtually
identical to a secondhand HM6231
which I had dug up from a junked set
in the store room.
When I had a closer look at the unit
in the set on the bench, I found it was
an HM6232, not the 6233 as shown in
the circuit. I wish manufacturers could
make up their minds - they make the
life of your average serviceman truly
a hell on Earth.
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Appeals to Heaven
I fitted the new module and
switched the set on. I stamped my
foot and thumped the bench, I called
down from Heaven all kinds of imprecations on the designers of electronic equipment; all to no avail. All I
had was a thin white line across the
centre of the screen.
At this point, I made the same mistake that I have made in the past. I
reached for the high-tech tools of my
trade and tried to deduce the cause
with frequency counters, oscilloscopes and other assorted state-of-the
art devices. If I had used my multimeter, I would have solved the problem hours earlier.
I have already mentioned the peculiar nature of the vertical oscillator in
this chassis. The oscilloscope showed
only lO0mV at the input to the height
control (it's normally 2.4V p-p) and
also that the oscillator was running
slow. The sync pulses were arriving
at the oscillator at the correct intervals, but were obviously incapable of
pulling the oscillator up to speed.
The waveform vanished on the
other side of the height control until I
adjusted this to its maximum position, which produced a tiny trace of
signal (about a lmV) at the base of the
pre-drive transistor, TR603. There was
no sign of any signal at the collector
of this stage.
Since the voltages on the oscillator
transistors, the pre-drive transistor,
and the input to the thickfilm module
were all close to correct, I decided
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SEPTEMBER 1991
43
SERVICEMAN'S LOG - CTD
~ 'R~~\/E-t:> -rt-\~ MOPUL,..~
& ,1c::Kt..-e:D 1--r w,-rl-\ ~ No.~
Br'f" \N M'-f WEU..ER 1~01'-.\oo••·
that the only possible fault must be an
open circuit capacitor in a feedback
loop.
There were several parts of the circuit that looked like feedback loops,
and they all included electrolytic capacitors. So, with a sad heart and a
weary hand, I began to extract all the
electros that might conceivably figure
in the vertical function.
·
An hour later I had checked every
capacitor and most of the resistors in
the relevant part of the chassis. There
was nothing wrong with any of them.
I then removed the transistors and
diodes and tested them exhaustively
but couldn't find any that were in any
way doubtful. And that didn't leave
much to test.
I had already checked the voltages
on the transistors and at the input and
output terminals of the module and
had found nothing dramatically
wrong. So if there were no faulty ea- ·
pacitors or transistors in the circuit,
then the trouble had to be a faulty
resistor. But which one? I checked
44
SILICON CHIP
every resistor from R601 onwards but
they were all OK. That left only the
output module - which I had already
replaced.
I had another look at the voltages
around the module. I had already
checked the supply on pin 1 and found
107V. This was high by about 30V but
was accounted for by the fact that the
output stage was not drawing any current. The voltage on pin 5 sets the bias
on the driver transistor and this was
correct at 0.6V. And the voltage on
pin 11 was also correct at 0.1 V.
At first glance, these had seemed to
be the important voltages on the module. Pin 5 should turn on the driver,
which should then turn on the output
pair. But I had overlooked the network around pins 2, 3, 4 & 10. I had
checked the resistance values for this
network but had paid no attention to
the voltages. This very soon revealed
an anomaly which enabled me to solve
the problem.
The voltages should range from 54 V
on pin 2 to 34. 7V on pin 10. In fact,
they were all within 0.1 V of 9V. Since
this voltage is derived from the 54 V
rail which feeds the horizontal oscillator - which was working - then the
low voltage on pin 2 could only be the
result of an open circuit feed resistor.
This turned out to be R636, a l0Q
0.5W metal oxide resistor which is
shown on the circuit but not on the
PC board pattern. I hunted all over
the board pattern in the manual but
couldn't find a trace of R636.
Fortunately, Hitachi boards are
quite clearly labelled so I was eventually able to find it. But it took some
doing. It looked as though R636 had
been added as an afterthought because
it had been mounted high above the
other components, on tubular supports, and the silkscreened part
number appeared to have been handwritten after the overlay mask had
been prepared.
A quick check revealed that R636
was indeed open circuit and so it was
immediately replaced. All the voltages
around the output module then came
good and I had a full scan - more than
a full scan, in fact, because the height
control was still turned up full bore.
Legless trimpot
It was then that I became aware of
yet another fault in the vertical stage.
As I adjusted the height trimpot, the
picture collapsed to a bright line. I
removed the trim pot and the two outer
legs fell off. They had been riveted to
the ceramic base but the rivets had
corroded away. This may have been
the result of the set's many sea voyages yet, strangely, there were no other
signs of sea air corrosion.
So the Hitachi was finally fixed but
it leaves unexplained the sequence of
original faults. I suspect that the faulty
height pot was responsible for the
intermittent nature ofthe original vertical collapse, ·while the demise of
R636 accounted for the final failure.
I'm not sure how all this related to
the blown fuses - it might have been
just coincidence, especially since the
AC fuses showed no signs of distress .
Or perhaps the ship's voltage regulator is out of adjustment, putting more
than the usual 13.5V on the line. That's
an idea I must put to the skipper, next
time he comes into port.
Thank you J. L., and congratulations on a happy ending - even if you
were "all at sea" there for a while.
(Ouch! Sorry about that).
SC
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