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VINTAGE RADIO
By JOHN HILL
Console receivers from the 1930s
Console receivers from the 1930s have a
particular charm of their own and many are
excellent performers. This month, we take a
look at some of those old-timers.
Many months ago, I wrote a story
about radio receivers from the 1920s
era. It was mainly about the difficulties of locating early receivers and
spare parts.
Although 1920s receivers and their
accompanying loudspeakers are much
sought after items, these particular
radios do not give me a great deal of
satisfaction for a number of reasons.
First and foremost is their cost.
These truly antique radio receivers
carry ridiculous prices considering
how little one gets for the money.
This 1936 AWA Radiola is a 5-valve,
dual-wave receiver. It is a good
performer for its age and still retains
its original loudspeaker.
18
SILICON CHIP
Second is the almost non-availability
of spare parts, either new or used.
And finally, wh0n they are made operative, their sound reproduction and
general performance is poor to say the
least.
However, I must admit that a few
early radios with their odd looking
loudspeakers give a good balance to
any vintage radio collection. But I
don't get wildly enthusiastic about
them!
Console receivers
My personal preference leans more
to the console style receivers of the
1930s era. This particular decade encompassed all manner of radios, including regenerative detectors, TRFs,
and superhets. Receivers from the
1930s range from simple 3-valve and
4-valve types to highly complex affairs boasting a dozen or more valves.
Virtually all manner of radios were
available in the 1930s - from the most
humble to some of the grandest ever
made.
The 1930s dawned in the midst of a
world-wide economic recession. Yet
despite this, many radio manufacturers remained in business and radio
development accelerated at a quickening pace.
Due to the depressed economic situation, there were a wide number of
options available to buyers. Although
the superhet was well established at
the time, TRF and simple regenerative receivers were also made in considerable numbers for these sets were
The chassis in this 1939 AWA Radiola
is interchangeable with those used in
some mantle sets. It is the first
receiver that the author restored.
the "el cheapo" receivers of the depression years. They were often made
to look pretty good but a quick peep
in the back soon indicated which section of the market they were intended
for.
No-frills receivers
Many austere, no-frills console radios, including superhets, were also
built in the early 1930s. These can be
readily identified by their minimal
valve .complement and light weight
due to the thinness of the plywood
used in the cabinets. Other cost cutting measures included no lids on IF
cans and no tone control or automatic
gain control.
These sets were so impoverished
that some carried a special notice explaining that the receiver was a cheap,
budget-priced model that should not
A typical dial escutcheon with a blank name space. Many "no name" sets were
produced in the 1930s and some retailers even had their own names engraved
into the blank space.
be confused with more up-market
models (see photo).
Despite their initial cheapness,
many of these low-priced consoles
are still around today and can bring a
surprisingly good price at auction.
These simple receivers are usually
easy to restore and they work reasonably well considering the circumstances in which they were produced.
The console radio was indeed the
most desirable form of receiver in the
1930s. Radio historian, John Stokes,
claims that during the 1930s 60% of
radios produced in Australia were
consoles and that some manufacturers made only console models.
There were many large houses at
the time with enormous lounge and
dining rooms and a console radio
looked very elegant in such a setting.
Although very desirable, the console
style radio was also considerably more
expensive than its mantle model counterpart but there were ways of reducing this price difference.
The kit console
In keeping with the low-cost models mentioned earlier, the "kit console" was another alternative. The
word "kit" is not used in its true context for these kits were bought in only
three pieces: a factory built chassis, a
loudspeaker and a fully finished timber cabinet.
Assembly of the kit involved little
more than mounting the chassis and
loudspeaker in the cabinet. Drilling
the holes ih the front panel for the
control shafts and cutting an opening
for the dial escutcheon were the most
difficult parts of the whole operation.
If you look closely at some of these
"do it yourself" radios, you will find
that the control knobs are sometimes
positioned off-centre and that the escutcheon is often poorly aligned with
the dial that fits behind it.
Most of these kit consoles are
unbranded and usually have a blank
space on the metal dial escutcheon
where a name could be engraved if so
desired. Smaller retailers who frequently assembled these sets often
had their own trade names engraved
in this space, so as to make the receiver appear to be of their own manufacture.
Actually, every unbranded console
that I have seen has had an ''Eclipse
Radio" chassis in it. I have been told
by a couple of old guys who were
around at the time that anything that
came out of the Eclipse factory was
likely to be a bit cheap and nasty. Yet
many of these old receivers are still
working today - approximately 60
years after they were made - so they
couldn't have been all that bad!
The better known brand names were
also available as console models and
names such as Stromberg Carlson,
AWA Radiola, Airzone, His Master's
Voice and many others were there for
the buying. Perhaps these more upmarket receivers came into their own
towards the latter part of the 1930s
Some very elegant console models
appeared towards the end of the
1930s as typified by this 1937 5-valve
Airzone. Timber cabinets require a lot
of restoration work but the end result
is very pleasing.
A 4-valve Howard receiver from 1932.
This particular receiver is of tpe
regenerative detector type and has an
8-inch electrodynamic speaker.
when the hard times of the early depression years had mostly passed.
Console advantages
I like console style receivers for two
reasons: they look good and they
sound good. The large timber cabinet
F EBR UA RY1992
19
This handsome set is a dual-wave Radiola from 1937. The
cabinet restoration was difficult because someone had .
previously "restored" the cabinet by applying many coats
of thick lumpy lacquer.
is not only attractive but gives excellent baffling for the speaker. A well
restored console radio has a very distinctive sound indeed.
Push-pull outputs
Old consoles offer other advantages
as well. Some have push-pull output
stages, whereby the loudspeaker is
driven by two valves instead of the
usual one. Such receivers are capable
of high power outputs that are remarkably free of distortion.
I recently acquired a 1937-model 8valve Stromberg-Carlson that has a
lot to offer. It has several shortwave
bands, magic eye tuning, a stage of
radio frequency (RF) amplification, a
push-pull output stage and a 10-inch
loudspeaker built into a vented enclosure. The set has always been kept
·indoors and the cabinet is in very
good condition. Hopefully, the receiver will restore OK but at this stage
I have done nothing with it.
Receivers like this StrombergCarlson are well worth the effort of
restoring because they work so well
when the job is finished . Although a
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SILICON CHIP
Affectionately known as "Old Henry", this monster was
made in the early 1930s. It is typical of many unbranded
receivers of that era and carries an Eclipse Radio chassis,
a 7-valve superhet unit with two 59s in the output stage.
5-valve set may perform quite adequately, an 8-valver free-wheels, so
to speak, with plenty in reserve.
Some time ago, this column carried
a photograph of an old Precedent console cabinet with turned legs. Unfortunately, that's all it was - an empty
cabinet. Well, a suitable chassis and
speaker have since been found and,
eventually, a fairly early 1930s superhet will emerge from what could well
be described as an uninteresting assortment of junk. It should end up as
a very attractive old console radio.
Incidentally, the metal escutcheon
on the Precedent bears the motto "Realism Realized". It doesn't sound very
convincing today does it?
Originality
Although the· missing parts problem has been solved with the Precedent, a similar situation has arisen
with another console cabinet; in this
instance, a Univox.
Once again, the empty cabinet is a
stately affair on turned legs so the
search is on again for suitable innards.
It will matter little whether they be
original or bits and pieces that can be
adapted to suit.
That last statement may,upset a few
readers because there is a difference
of opinion among vintage radio restorers regarding the subject of originality. Naturally, I have my own views.
I believe that, generally speaking,
originality is not very important, especially with a set that is to be used as
distinct from one that is for display. If
the overall effect looks OK, well and
good - what goes out of sight under
the chassis doesn't really matter.
If an old valve radio is to be installed in the lounge room and is intended for regular use, then an alloriginal set may not be the best way to
go.
I have a mid-1930s console in my
lounge room (a no-brand model) and
if I had retained the original loudspeaker, I would not bother to listen
to it. The old 12-inch Eclipse electrodynamic loudspeaker not only had a
warped cone but had also developed
a loose or misaligned voice coil, resulting in a buzz somewhere in the
normal speech range. Some voices
RESURRECTION
RADIO
.Receiver is
.
. .• , . .,., • ''>· . . .• .. .. . . ·.·"
uteu-1 by Radto
. . . ra;q.o t1·~ty. J:,td: .to meet . p opular demand
. a . fo¾'.~pri<:ed qonsoJe Superhet. · ·
'. ,•:i}irJti~'c~ye~eq by
·!~Y.
a ..fa~ory
guarantee, and
~09~ • :tp<:1~er1als a11d , workmanship have been
, U §~a . 1P .1ff/ CQ.tisttu,i:tion.
It .should be dearly
C,u ndtrstood, ,.·. however; that it.: is not possible to
·embody in . a Receiver seiling at this price tl1e
refoiements of design, materials · ·and workma11sl1ip
are incorporated in tbe ·well known range of
Receivers manufactured ~J,'~e same ComprmL
0
··, ,,.,;-4
-"t~- }
This notice is typical of those attached to many mid-1930s "el cheapo" models.
It left no doubt as to what the buyer was purchasing.
came through perfectly, while others
buzzed and rattled on every second or
third word. It depended on the pitch
of the voice.
Buzzes and rattles are very common with old electrodynamic loudspeakers and are quite irritating if you
want to listen to that particular radio
on a regular basis.
jt is for this very reason that my
lounge room console has a permanent
magnet speaker in it of about 1950
vintage. It may not be original but it is
far more listenable than the old Eclipse
speaker.
The 2.5kQ field coil of the original
speaker was replaced by two 20 watt
resistors in series. These resistors have
been installed in a corner underneath
the chassis where their dissipated heat
will not affect other components.
alter the set's originality. Som e of the
receivers in my collection are very
original, others are not.
In conclusion, console receivers
from the 1930s are very collectable
and are worthwhile items to restore.
They range from budget-priced m odels to the ultimate in domestic valve
radio receiver design and can be a
pleasure to own an d use.
SC
Vintage Wireless Specialists
Repairs - Restoration - Sales
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Parts are available fo r the enthusiast, including over 900 valve types, high voltage
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Circuit diagrams for most Australian makes
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Valve transplant
This particular receiver had also
undergone other modifications long
before I became the proud owner. At
some time in the past, it had be given
a power transformer transplant and I
suspect that, at the same time, it had
been converted from 2.5V valves to
6.3V valves.
Now I'm not that concerned about
originality that I feel compelled to
convert the set back to 2.5V operation. That, I believe, would be taking
this originality aspect of restoration
to extremes. However, if I was restoring something that was rare and valuable, then I would not be so hasty to
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The author's mid-1930s lounge room
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FEB RUA RY1992
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