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SERVICE
'SLOG
Confession is good for the soul
Confession is good for the soul, they say. And
this story is basically a confession, so let's
hope that my (technical) soul will benefit
appropriately if I lay bare my sins. No doubt,
someone will suggest a suitable penance.
The set involved was a Panasonic
68cm colour TV set, model TC-2969 ,
· and the complaint was a double barrelled one; a "wishy washy" picture
and a tendency for the picture to roll.
It belonged to one of my regular customers but the call actually came via
my antenna installation colleague.
He had installed the customer's antenna and the customer had called
him in, believing that it was an antenna problem. My colleague quickly
cleared the antenna and passed the
problem on to me. Because the customer was in an excellent location for
TV signals, I realised that it had to be
an internal fault.
I decided to visit the customer's
home, check the performance there,
then bring the set back to the workshop. My antenna colleague went
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Tel:03 787 2077 Fax:(03) 787 3460 ACN006893438
42
SILICON CHIP
along to give me hand to load it into
the van. Checked in situ, there was no
doubt about the rolling problem; it
was quite bad and nothing as simple
as a hold control setting.
The "wishy washy" complaint
wasn't quite so clear cut. I had to
admit that there was something
strange about the picture but I couldn't
pinpoint it. The closest description
would be that of a weak picture tube
but that didn't seem likely, or tie in
with the rolling. (With hindsight there
may be a better explanation).
Its performance was much the same
on the workbench and I gave some
thought as to how best to tackle the
problem. The picture quality was a
rather nebulous symptom to work on;
I was convinced that it was real
enough but without some idea of how
it was wrong, it was hard to know
what to look for.
The rolling problem, on the other
hand , was much more tangible. Along
with the poor picture quality, it suggested some form of distortion of the
video signal, involving the sync
pulses. This should be easy to track
down.
I fished out the manual and started
tracing the video path. This proved
rather awkward because the circuit is
spread over two sheets, each folding
out to about 75 x 50cm, and the particular path one wishes to follow often shuttles back and forth between
them. This also makes it difficult to
illustrate these notes with anything
more than a small section. Colleagues
who have a circuit should be able to
pinpoint the components I nominate.
I started at IC101 . This is described
as a Phased Locked Loop, Split Vision
IF & Sound IF IC. Video comes out on
pin 3, goes to emitter follower Q130,
then passes through resistors R152
and R150 to pin 3 of IC2501. This is
described as a TV/ AV Control IC and
is mounted on the B board.
I fed in a standard staircase pattern
and checked it at pin 3 of IC101, at
test point B15 (ie, the emitter ofQ130),
and at pin 3 of IC2501. And everything appeared to be normal. As will
be evident from the IC2501 diagram
(Fig.1), this is basically a switching
IC. This type of device is now quite
common in video recorders and is
also finding increasing use in TV sets
as they become more elaborate and
offer more features.
Switching function
In this case, there is a switching
function between pin 3 and pin 5,
with pin 5 connected to a video-in
terminal on the back of the set. But,
regardless of the signal source, the
switch sends the video signal out on
pin 12. I check this point and everything still seemed to be normal. Unfortunately, there are no oscillograms
in the manual for this part of the circuit but I was seeing a standard staircase pattern, with no sign of sync
pulse compression or other obvious
distortion.
From pin 12, the signal goes directly to pin 2 of plug/socket combination B2 on the extreme right of the
diagram. The signal is then taken
across to the E board, where it goes to
emitter follower Q302 and then to pin
15 of the Video/Chroma Jungle IC
(IC601):
Unfortunately, after tracing the signal through this circuitous path, I was
no closer to a solution. As far as I
could see, the signal pattern held up
all the way. So what now?
At this point, I came up with what I
thought was a smart idea. Why not
feed a video signal from the colour
bar generator directly into the system
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What did it mean?
So what did it all mean? The best
construction I could put on it was
that it was somewhere on the B board,
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Fig.1: this diagram shows the relevant part of the video chain in the National
TC-2969 TV set. The video line comes in at lower left & goes to pin 3 ofIC2501.
It then comes out on pin 12 & goes to pin 2 of the B2 socket at right.
via the appropriate video-in terminal
on the B board and thus into pin 5 of
IC2501?
Unfortunately, the result of this was
inconclusive. On the positive side, it
had cured the rolling fault - no doubt
about that at all. But the picture quality was another matter. It seemed to
be better but it can be very difficult to
make a precise subjective assessment
in this type of situation. At best, it
seemed to be better but it still wasn't
right.
I decided to try another tack. This
time, I decided to take the video signal out of the set via the video output
socket (effectively the signal out of
pin 12 of IC2501 via Q2504) and feed
it into the video-in terminal of another receiver.
This time the result was more tangible; it was virtually identical with
that of the set in its original condition
- except that, if anything, the rolling
was marginally worse.
r-,-- -- - .
around IC2501. But I was all out of
bright ideas. It was time to ask for
help, so I rang my contact at Panasonic. Having established that I had
the circuit in front of me, he directed
me immediately to IC2501.
He then proceeded to draw my attention to the signal levels at pins 3
and 12, pointing out that the signal at
pin 12 should be 6dB up on the level
on pin 3. And suddenly I realised
how I had slipped up ; the IC diagram
contains a small amplifi er symbol ,
marked 6dB, which I had completely
overlooked.
And I had made a further mistake
by not comparing the two signal patterns closely enough. Thinking in
terms of unity gain, I had "assumed"
that the pattern at pin 12 was close
enough to the one I had seen at pin ·3
- particularly as there was no obvious
distortion - and that this was all I
should expect. In fact, subsequent
measurements showed that it was
about 3dB down on the pin 3 level.
Again I should have noted this, but
3dB means a voltage ratio of only 1.4
to 1, and I took less notice of it than I
should have.
CA-216Q
A loss of 3dB instead a gain of 6dB
meant that the circuitry beyond pin
12 of the IC was being fed with 9dB
less than it needed. And, in simple
terms, the system didn't like it. In
fact, that probably oversimplifies the
situation and I'll expand on that in a
moment.
The cure, of course, was simple. I
ordered a replacement IC, fitted it,
and everything came good - including the "wishy washy" picture. Significantly, it was only when it did
come good that I appreciated just how
bad it had been.
So what was happening to the picture? I'm still not sure; all I can suggest is that the amplifier failure in the
IC involved more than a simple loss
of gain. Almost certainly there was
also a serious degree of non-linearity,
producing an odd scale of video tonal
values. This probably involved compression of the highlights, thus robbing the picture of its "sparkle".
And another question. Why did my
attempt to feed a video signal into pin
5 of IC2501 cure the rolling problem?
The answer, I feel, is almost certainly
that I fed in a somewhat higher amplitude signal from the generator than
was normally available from off-air
signals. This lifted the sync pulse
amplitude but could do nothing about
OCT0 BER1992
43
the picture, looked wise, shook his
head, and pronounced the problem as
being due to the "poor signal conditions".
Nobody was really satisfied with
this excuse and after tolerating it for a
few more weeks, they called the dealer
in again and applied a little more
pressure. Only then did he concede
that all was not well but he then opted
out again on the basis that it wasn't
his problem and that they should consult the local serviceman: - ie, yours
truly.
And so it was that I received a call
from the daughter, who outlined the
above events, and tried to give me
some idea of the problem. This proved
difficult initially but, by careful questioning , I gained the impression that
there were coloured patches on the
screen, a suggestion which she latched
onto immediately. She also added that
they felt that the fault had been there
from day one, at least in some degree.
Naturally, it sounded like a classic
purity error and I quizzed her about
the possibility of any magnetic devices, such as hifi loudspeakers, being located near the screen at any
time. But no; she was quite adamant
that there was no possibility of this.
At this point, I suggested that they
bring the set in and, if the fault was as
I expected, I could fix it on the spot.
And so the set duly turned up in the
shop .
~~--
.
CONF'~S'SI0N \S GOOD
Ft::>~ 11-(~ SOUL-, ·nus:.y SA.Yuo
any non-linearity in the IC amplifier.
And that's the nearest I can get to
explaining what happened and why.
But an explanation is not an excuse.
The simple fact is I goofed and I've
learned a lesson from it.
A very rare fault
My next story is about another National Panasonic colour set, a model
TC-48R60 with a very rare fault. (Incidentally, the "48 " in that type number
indicates 48cm , the makers having
finally converted to the metric system).
The job involved one ofmy regular
customers, or at least indirectly, in
that the set belonged to her mother.
The set was only a few months old
and, of course, still under warranty.
44
SILICON CHIP
The mother lives alone, a few kilometres from her daughter, and in a
rather poor reception area. At this
location, TV signals are weak and
somewhat ghost ridden. This situation caused some initial confusion,
frustration, and delay.
The story as told to me was that,
shortly after the set had been installed,
the owner felt that there was something not quite right about the picture, although she couldn't really pinpoint it. She raised the matter with
her daughter and son-in-law and they
both agreed that there was something
"funny" about it but, similarly, they
were at a loss to pin it down.
Eventually, they approached the
dealer from whom the set had been
purchased. He came out, examined
Red raster, blue patches
I set it up immediately and fed in a
blank red raster. Sure enough, it displayed a classic purity error. There
was a big patch of blue on the left
hand side, about half way up the
screen, plus a few lesser patches on
the right and along the bottom. All in
all, it was quite severe and I wondered how the set had ever been delivered to the customer in that condition.
Anyway, I reached for the degaussing wand, plugged it in, and waved it
across the face of the tube. This will
normally have some effect on even
the most serious cases, even iffollowup is needed at the back of the tube.
But this time it had no effect whatsoever. Nor did additional passes with
the wand around the back of the set.
This was a setback but I was not all
that worried. I envisaged that I would
need to go through a full purity and
convergence routine and explained
that the set had better
be left with me but
that I should have it
ready later in the day.
Ian J. Ttuscott's
ELECTRONIC WORLD
Problem No.2
30 Lacey Street, Croydon, 3136
Phone (03) 723 3344 Fax: (03) 725 9443
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The daughter accepte d this readily
enough but, before
she left, she raised another matter; apparently the set also had
a nasty h abit of
switching itself off,
for no apparent reason. Typically, it
would do this a couple of times a night
but could be turned
on again quite readily. I made a mental
note to follow this up
after the main problem had been fixed .
I moved the set from the shop counter to the workbench, pulled the cabinet back off, and switched it on again.
And the first thing I noticed was that
the pattern of the purity error had
changed. The main patch was now a
different shape and a slightly different colour.
I didn't pay much attention to this.
I had turned the set through 90 degrees (ie, from east-west to northsouth) when I moved it and this can
sometimes have an effect on purity
problems, though seldom on the finished job.
TETIA TV TIP
Akai CT-K209 TV set
Symptom: no picture, no snow;
just an even grey screen. Channel selection was normal, as was
the sound. The CAO showed that
video was going into the video
processing chip but nothing was
coming out.
Cure: R501, the "matrix adjust"
trimpot, needed adjustment. This
pot adjusts the balance of chroma
signals in the delay line and somehow it caused blanking of the luminance part of the video.
TETIA TV Tip is supplied by the
Tasmanian branch of the Electronic Technician's Institute ofAustralia. Contact Jim Lawler, 16
Adina St, Geilston Bay 7015.
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More importantly, I have had problems with the metal frame ofmy workbench and make it a point to degauss
this before attemting any serious purity or convergence adjustments. I went
through this routine again, then attacked the set with the degaussing
wand again. Result- no improvement
in any shape or form.
So it looked like the full treatment.
This involves moving the deflection
yoke back and resetting it for purity
on a green raster (as used for in-line
gun tubes , where green is the centre
gun) , then going through the full convergence check. All this was a bit of a
bind and, although I knew it had to be
done, I decided to leave it until after
lunch so as to have a clear run at it.
When I came back and switched
the set on again, I was sure that the
purity error had changed yet again.
This simply didn't make sense and I
was becoming very suspicious.
Horizontal streaks
And there was another effect; one
that I had noticed before but which
had then vanished and come back
again. This was a series of black
horizontal streaks flitting through the
raster. It looked for all the world like
external electrical interference but this
was hardly likely in a bench generated raster pattern. In the light of all
this, I decided to have a bit of a poke
around the deflection components
before going any further.
So, armed with my favourite sledge-
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Redford PECC 12" 160 watt woofer $114
DM40 4" 50 watt RMS midrange .
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DT30 1" 35 watt RMS dome tweeter
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2-W'f,Y speaker switch boxes
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(impedance matching)
$49
Don't forget our disposals store at Sth.
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Phone 723 2699 (ask for Mai)
OCT0 BER1992
45
SERVICEMAN'S LOG - CTD
C
)j~•"
1"'\-\6- 0\..-1> SL,.6:96,E.H~W\~6:'R ~ \ \<.., ••
hammer (the plastic butt end of a
screwdriver), I began tapping any
likely components, while watching
the purity pattern in a mirror. This
had no effect until, more or less in
desperation, I gave a light tap - a very
light tap - on the back of the picture
tube.
And bingo! The purity error and
the black streaks vanished completely,
just like that. I tapped the tube again;
and the purity error was back - in a
different form - and I had a pattern of
black streaks far more prolific than
before.
I tapped several more times and
every time I tapped there was a different purity error. It was sometimes better than before, sometimes worse, and
there were similar variations in the
black streak pattern.
I gave it away then. There was little
doubt in my mind what the problem
was. The shadow mask was adrift inside the tube, probably because one of
the supporting welds had failed .
From there on it was largely routine, although there was still a lot to
be done. First, the owner's daughter
was contacted and the situation explained. She was rather shocked to
learn that they had a crook picture
tube but I quickly put her mind at rest
by explaining that the set was still
under warranty and would cost them
nothing.
I then rang Panasonic and ordered
a new picture tube. It arrived in a
couple of days and I wasted no time
fitting it. This is relatively easy - the
single board on the bottom of the cabinet is slipped out; the neck board,
convergence yoke, and deflection yoke
are removed; and the four corner nuts
holding the tube are unscrewed.
Fitting the new tube is essentially
the reverse procedure, followed by
the setting-up routine for purity and
convergence. This has been simplified by means of a technical informa-
56mm
29.7mm
26mm
Convergence Yoke
(TLC2047)
46
SILICON CHIP
Fig.2: the convergence
yoke assembly for the
National TC-48R60 TV
set. It shows the
suggested spacings for
the deflection &
convergence yokes for
minimum setting-up
adjustments. It turned
out to be almost spot on.
tion sheet setting out typical spacing
dimensions for the two yokes. As a
precaution, I had supplemented this
information by measuring these distances on the old tube with a pair of
callipers before I pulled it out. They
were within a millimetre or so of the
given dimensions.
I re-assembled everything, switched on, and was presented with a near
perfect picture. Only a few minutes '
work was needed to touch it up. I
then let it run for several days, just to
make sure.
It ran perfectly with no purity problems or black str'e-aks and, significantly, no tendency to spontaneously
switch-off. In fact, I am now convinced
that all the problems were related.
The faulty weld in the tube was allowing two metal surfaces to rub together and, due to the high voltage
field around the tube, this caused
sparks. This in turn produced the
streaks on the screen, along with interference pulses that caused the remote control microprocessor to shut
the set down.
Crystal frequency
To finish off, I'd like to acknowledge a letter from a Mr P. Maljevac, an
engineer with OTC in Sydney. He has
very kindly supplied the answer to a
technical point I raised in these notes
for June 1992. While looking for a
colour fault, I suspected (correctly)
that the reference oscillator crystal
had failed and replaced it with one
from stock. However, the faulty crystal was marked 8.86MHz instead of
the more usual 4.43MHz and I wondered why.
Well, Mr Maljevac provides the answer and his letter was reproduced in
Mailbag for the August issue (p.5). If
you haven't already seen it, I suggest
you make a point of referring to it
because it gives a very succinct explanation.
How had I missed out on that development? Well, it's hard to keep up
with every advance these days and, in
the service scene, one tends to ignore
those parts of a set that don't normally cause problems. It's only when
a section fails that one starts asking
questions about it. And, unfortunatelv,
I don't encounter many Philips sets;
they don't seem to break down very
often in my area.
Anyway, thanks to Mr Maljevac, I
now know the answer to my query.
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