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Publisher & Editor-in-Chief
Leo Simpson, B.Bus.
Editor
Greg Swain, B.Sc.(Hons.)
Technical Staff
John Clarke, B.E.(Elec.)
Robert Flynn
Darren Yates, B.Sc.
Reader Services
Ann Jenkinson
Sharon Macdonald
Marketing Manager
Sharon Lightner
Phone (02) 979 5644
Mobile phone (018) 28 5532
Regular Contributors
Brendan Akhurst
Garry Cratt, VK2YBX
Marque Crozman, VK2ZLZ
John Hill
Jim Lawler, MTETIA
Bryan Maher, M.E., B.Sc.
Philip Watson, MIREE, VK2ZPW
Jim Yalden, VK2YGY
Bob Young
Photography
Stuart Bryce
SILICON CHIP is published 12 times
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Pty Ltd. A.C.N. 003 205 490. All
material copyright ©. No part of
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PUBLISHER'S LETTER
The technical
aspects of modern
blockbuster movies
All right, hands up! How many
of you have already seen the new
blockbuster movie, “Jurassic Park”?
A fair proportion of you, I’ll bet. By
the time this issue goes on sale, “Jurassic Park” will have been shown
in Australia for about three weeks
and already will be ranking as one of the all-time best in box-office takings.
I saw it just after it opened in Sydney and can state that I thoroughly enjoyed it. The realism of the recreated dinosaurs is quite incredible and the
surround sound really does help the movie along. It’s well worth seeing.
But forgetting all the hype for a moment, and ignoring some of the “issues”
that some people are concerned about, such as the manipulation of genes
and DNA, factors on which the movie is based, there is another aspect which
should not escape observant readers of this magazine. For while Steven
Spielberg has done a marvellous job of portraying prehistoric monsters, there
are many technical aspects of his movie which just don’t stand up and I’m
thinking particularly about electricity and electronics.
For example, in a great many scenes of the movie, there are massive electric
fences which are supposed to keep the prehistoric beasties safely corralled.
Now I’m not giving away any of the plot to state that the way the fences are
depicted is just plain silly – they couldn’t work in the way they are shown.
And why do the battery operated cars which take visitors around Jurassic
Park have to be guided around by two heavy rails? Haven’t the producers
heard of buried wire guidance systems?
In fact, there are many of these technical aspects in the film which are
just plain ludicrous. You have to wonder whether anyone in Hollywood or
anywhere else in moviedom knows how electricity behaves when circuits
are made or broken. The classic and oft-repeated examples of this are when
a “super computer” in a film is somehow damaged and then sparks, smoke,
flames and all the rest are emitted. In my experience, whenever a computer
dies it expires quietly and then just sits there in an inert condition, perhaps
accompanied by an unpleasant burning smell – not spectacular enough for
the moviemakers.
So by all means enjoy these blockbusters for their spectacle – I’ll certainly
go and see Jurassic Park again – but look for those other technical aspects
which the general public never sees. Why not make an effort to spot as many
of these kerfuffles as you can? It can add to the enjoyment of what is really
just another monster movie.
Leo Simpson
ISSN 1030-2662
WARNING!
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