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A 1-watt audio
amplifier trainer
If you’re new to electronics, this
1-watt audio amplifier makes an ideal
introduction. It’s easy to build &
the component layout screen
printed on top of the PC board
is very similar to the circuit, to
make signal tracing & voltage
measurements easy.
By JOHN CLARKE
Audio amplifiers come in many
shapes and sizes. They range from
low-cost units with just enough power
to drive a pair of headphones (eg, for
a personal portable) right up to large
units capable of driving the huge
speaker blocks used at rock concerts.
They are used in all sorts of equipment, including TV sets, CD players,
stereo amplifiers, radio receivers and
computer sound cards.
Although building large amplifiers
can be complicated, that certainly
doesn’t apply to the low-power unit
described here. This 1W Audio Amplifier Trainer is easy to assemble and
uses only common, low-cost parts. If
you accidentally damage any of these
parts during construction, they can
generally be replaced for less than
50 cents.
To make it as easy for the beginner
as possible, the PC board has a screen
printed overlay (not included on our
prototype) which shows the positions
of all the parts. This layout closely
follows the circuit diagram layout, so
that you can more easily understand
how it works.
To build the unit, all you have to
do is follow the screen printed overlay. Provided your soldering is up to
Performance With 12V Supply
Output power into 8-ohm ................1.1W at onset of visible clipping
Sensitivity........................................ 150mV for 1W output into 8-ohm
Signal to noise ratio ������������������������ 74dB unweighted with respect to 1W,
20Hz to 20kHz bandwidth & 1kΩ input
load; 101dB A-weighted
Distortion......................................... <1.2% at 1kHz at 1W into 8-ohm
Frequency response........................ -3dB at 60Hz & 90kHz (8-ohm load)
34 Silicon Chip
scratch, your amplifier should work
as soon as it is switched on.
Output stage basics
Fig.1 shows the complete circuit
of our 1W Audio Amplifier Trainer.
It employs what is known as a class
AB “push-pull” or “complementary”
output stage. These two terms have
similar meanings and refer to the way
in which the output transistors (Q3 &
Q4) are connected.
As shown in Fig.1, Q3 is an NPN
transistor and Q4 is a PNP type (ie,
they are complementary types). These
two transistors have their emitters
connected together via 1Ω resistors,
while their collectors go to the supply
rails (+9V in the case of Q3, ground or
0V in the case of Q4).
In operation, Q3 conducts (ie, current flows from collector to emitter)
when its base voltage is 0.6V higher
than its emitter. Conversely, Q4 conducts when its base voltage is 0.6V
lower than its emitter.
To better understand this, take a
look at Fig.2. This shows a simplified
complementary output stage being
180k
+11V
10
1M
+6.3V
INPUT
GND
Q1
BC548 C
B
B
+6.7V
E
0.1
VOLUME
VR1
50k
LOG
+12V
E
+6.1V
1.5M
B
E
QUIESCENT
CURRENT
VR2
200
+5.4V
100
47
Q2
BC558
C
D1
1N4148
C
+9-12VDC
470
16VW
B
E
Q3
BC338
1
2.2k
+6.1V
4mV 1
B
1k
GND
C
470
16VW
10
E Q4
BC328
0.1
C
Fig.1: this 4-transistor
circuit uses Q3 & Q4 as
complementary emitter
followers (having close to
unity gain) and Q1 & Q2
as the voltage gain stages.
Because the output of the
amplifier is at half the
supply, a DC blocking
capacitor is required to
couple the amplifier to
the loudspeaker.
LOUDSPEAKER
8
VIEWED FROM
BELOW
1W AUDIO AMPLIFIER TRAINER
driven by a sinewave signal. During
the positive (top) half-cycle of the
input waveform, the top transistor
conducts and the bottom transistor
remains off. Then, during the negative
half-cycle of the input signal, the top
transistor turns off and the bottom
transistor conducts.
The amplified signal appears at
the commoned emitters of the two
transistors.
Crossover distortion
If you look closely at the output
waveform shown in Fig.2, you can
see that it doesn’t look the same as
the input – there’s a small “step” in
the waveform each time it crosses the
0V line. We call this effect “crossover
distortion”. It occurs because the input
signal must rise to +0.6V before the
top transistor begins to conduct and
Facing page: the prototype of our 1W
Audio Amplifier Trainer. Kits will
be supplied with a screen printed
overlay on the PC board.
must drop to -0.6V before the bottom
transistor begins to conduct.
For input signal voltages between
±0.6V, both transistors are off and so
there is effectively no signal output
over this range. This means that the
amplified output signal is distorted
at the crossover points, as the input
signal swings from +0.6V to -0.6V.
To reduce this distortion, we have
to apply a permanent 0.6V bias to both
transistors, so that they are always
slightly on, regardless of the input
signal. This simply involves separat
ing the bases of the output pair and
connecting them instead to network
with 1.2V across it (0.6V for each
transistor).
What happens now is that the top
transistor will immediately conduct
as soon as the input signal rises above
0V. Similarly, the bottom transistor
will conduct as soon as the input
signal drops below 0V. As a result,
most of the crossover distortion is
eliminated and the sound quality is
greatly improved.
This type of output stage biasing
is referred to as “class AB”. That’s
because it operates mainly as a class B
output stage, where each transistor is
completely off for half the input cycle,
but is also biased slightly towards the
class A condition, in which the output
devices are always biased on.
Clipping
Crossover distortion is not the only
form of distortion that can occur in
audio amplifier stages. Another major
source of distortion is known as “clipping”. This occurs when an amplifier
is driven into overload.
If you go back to Fig.2, you can see
that while there is crossover distortion,
the peaks of the output waveform still
follow the input signal. This means
that the transistors can handle the
input signal without overloading.
But what happens if the input signal
becomes too large to handle?
In a perfect amplifier, the output
signal could swing as far as the
positive and negative supply rails.
In practice, however, the maximum
output voltage swing is somewhat less
V+
NPN
INPUT
OUTPUT
0V
PNP
0V
CLIPPING
V-
Fig.2: a complementary emitter follower output
stage operating in class-B (ie, no bias) will
produce crossover distortion in the waveform.
A small bias on the output transistors will
eliminate most of this distortion.
Fig.3: all amplifiers can be driven into
clipping if the input signal is too large. An
amplifier should be biased so that clipping is
symmetrical (ie, the same degree of clipping
at top and bottom) so that power output
before the onset of clipping is maximised.
June 1995 35
180k
10uF
1M
SIGNAL
INPUT
Q3
BC338
Q2
BC558
PARTS LIST
470uF
+9-12V
Q1
BC548
0V
D1
VR1
1
0.1
470uF
2.2k
100
1.5M
1
VR2
10
TO
LOUDSPEAKER
Q4
BC328
GROUND
0.1
47uF
1k
Fig.4: the screen print overlay for the 1W Audio Amplifier Trainer PC
board. Compare this layout with the circuit of Fig.2.
than this, due to the voltage losses
across the output devices and their
emitter resistors.
Because of this, a large input signal
can easily overload the output stage.
This is called “clipping” and its effect
on the output waveform is shown in
Fig.3. As can be seen, the positive and
negative peaks of the waveform are
flattened, resulting in severe distortion of the audio. On normal program
material, a small amount of clipping
may not be audible but in severe cases,
it sounds horrible.
Another thing that emerges from
Fig.3 is that the DC output of the amplifier should sit at about half supply
under no-signal conditions. That way,
the output can swing equally to the
posi
tive and negative supply rails
when an input signal is applied, thus
reducing the chances of clipping.
On the other hand, if the DC output
is set too high, then the positive signal
peaks will not have as far to swing
as the negative peaks before they are
❏
❏
❏
❏
❏
❏
❏
❏
❏
No.
1
1
1
1
1
1
1
2
36 Silicon Chip
Value
1.5MΩ
1MΩ
180kΩ
2.2kΩ
1kΩ
100Ω
10Ω
1Ω
clipped. The reverse also applies.
This gives rise to an effect known as
asymmetrical clipping and is highly
undesirable since it effectively reduces
the available power output.
By the way, Fig.2 shows a transistor output stage with positive and
negative supply rails and the output
referenced to 0V; ie, halfway between
the two supply rails. That is how the
more powerful amplifiers are designed
but low power amplifiers such as the
one discussed here usually have a
single supply rail and the DC output
is set at close to half this supply voltage. Because of this, a DC blocking
capacitor is required between the
output transistor emitters and the
loudspeaker load. If the capacitor
was not included, a heavy DC current
would flow through the speaker, even
with no signal applied and this could
burn out the speaker or damage the
amplifier’s output transistors.
One thing we haven’t mentioned so
far is that the output stage provides
RESISTOR COLOUR CODES
4-Band Code (1%)
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brown black gold gold
1 PC board, code 01306951,
109 x 77mm, with screened
overlay
1 50kΩ (log) PC mount
potentiometer (VR1)
1 200Ω miniature vertical trimpot
(VR2)
6 PC stakes
4 rubber feet
1 9V battery
1 battery clip
1 miniature 8-ohm loudspeaker
Semiconductors
1 BC548 NPN transistor (Q1)
1 BC558 PNP transistor (Q2)
1 BC338 NPN transistor (Q3)
1 BC328 PNP transistor (Q4)
1 1N4148 signal diode (D1)
Capacitors
2 470µF 16VW PC electrolytic
1 47µF 16VW PC electrolytic
1 10µF 16VW PC electrolytic
1 0.1µF MKT polyester
Resistors (0.25W, 1%)
1 1.5MΩ
1 1kΩ
1 1MΩ
1 100Ω
1 180kΩ
1 10Ω
1 2.2kΩ
2 1Ω
only current amplification. However,
an audio amplifier also needs a voltage
amplification stage (or stages) to boost
the input voltage so that it’s enough to
drive a loudspeaker. This is the job of
transistors Q1 and Q2 in the circuit
of Fig.1.
Circuit details
In addition to the transistors, we
need only a handful of parts to produce a complete working amplifier.
The input signal is initially applied to
potentiometer VR1 which functions
as the volume control. The output
5-Band Code (1%)
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brown black black yellow brown
brown grey black orange brown
red red black brown brown
brown black black brown brown
brown black black black brown
brown black black gold brown
brown black black silver brown
180k
Q2
1M
10uF
Q3
SIGNAL
INPUT
Q1
1
470uF
10
VR2
1
100
2.2k
1.5M
+9-12V
0V
D1
0.1
VOLUME
VR1
470uF
Fig.5: almost
identical to Fig.4,
this is the component
overlay for the PC
board. It also shows
the copper pattern.
TO
LOUDSPEAKER
Q4
0.1
GROUND
47uF
1k
from VR1’s wiper is fed to the base of
transistor Q1 via the 0.1µF coupling
capacitor. This coupling capacitor is
necessary because it prevents the DC
voltage at the base of Q1 from being
varied by different settings of VR1.
Because the bias on Q1 determines
the DC voltage at the output of the
amplifier, we don’t want it varied
each time you change the setting of
the volume control.
Q1 is connected as a common emitter stage and is biased to just over half
supply using the 1MΩ and 1.5MΩ
resistors at its base. It varies its collector current in response to the audio
signal applied to its base and, in turn,
drives the base of PNP transistor Q2.
Note that because Q2’s base is driven
by Q1’s collector, the audio signal is
inverted at this point.
Q2 is also connected as a common
emitter stage and provides most of
the voltage gain of the amplifier. Its
collector current flows partly into the
bases of the output transistors (Q3
and Q4), while the rest goes through
the 1kΩ resistor and 8Ω loudspeaker
to ground (0V).
The two output transistors, Q3 and
Q4, are connected as complementary
emitter followers. They are slightly
biased into forward conduction by
the voltage developed across diode D1
and trimpot VR2. This trimpot allows
the forward bias voltage applied to the
output pair (and thus their quiescent
current) to be adjusted to minimise the
crossover distortion.
Diode D1 is included to provide a
measure of temperature compensation
for the bias network. As the ambient
temperature increases, the voltage
across it reduces and this partly
compensates for the similar reduction
in Vbe voltage of Q3 and Q4, as they
warm up.
The 1Ω emitter resistors apply a
small amount of local negative feedback to Q3 and Q4 and this also helps
stabilise the quiescent current. By
the way, the term “quiescent current”
refers to the current drawn by the
amplifier when no signal is present.
Quiescent current is often referred
to as “no signal” current. As soon as
signal is applied to the amplifier, more
current is drawn.
Negative feedback & stability
The 2.2kΩ resistor connected between the output of the amplifier and
the emitter of Q1 forms the negative
feedback path. This resistor, together
with Q1’s 100Ω emitter resistor, sets
the AC voltage gain of the amplifier
to 23. The associated 47µF capacitor
rolls off the bass response below 34Hz.
Note the network consisting of a
10Ω resistor and a 0.1µF capacitor connected across the amplifier’s output.
Often referred to as a Zobel network,
this network helps ensure that the
amplifier does not tend to oscillate
supersonically when it has no load or
when its effective output load becomes
a very high value, as it can at high
frequencies due to the inductance of
a loudspeaker.
Bootstrapping
A point to note is that the 1kΩ resis-
tor in the collector load for Q2 is not
connected directly to ground. Instead,
it goes to ground via the loudspeaker.
To understand why this has been
done, it is important to note that the
output transistors function as emitter
followers and thus have almost unity
gain. This means that there is almost
no difference in AC signal voltage between Q2’s collector and the output to
the loudspeaker, and so there is very
little AC voltage drop across the 1kΩ
resistor.
As a result, Q2’s collector “sees” a
much higher AC impedance than the
nominal 1kΩ load connected. It is
therefore able to provide more drive
to the output stage and operate with
less distortion than would otherwise
be the case (eg, if the 1kΩ resistor was
connected directly to ground).
This technique is called “boot
strapping” and is commonly used
in amplifiers to improve the linearity. However, this simple form of
bootstrapping is not used in higher
performance amplifiers as it has a
serious drawback – if you disconnect
the loudspeaker, the 1kΩ resistor has
nowhere to go. Thus, the bases of the
output transistors are pulled up to
the positive supply and the amplifier
latches up.
This can be a trap for young players
because if you try to make voltage
measurements on the circuit without
a load connected, the circuit won’t
work!
Power for the circuit can be derived
from any 9-12V DC source capable of
supplying up to 100mA (eg, batteries
June 1995 37
Fig.6: this is the full-size artwork for the PC board.
or a 9V DC plugpack). A 470µF electrolytic capacitor provides supply line
filtering, while a 180kΩ resistor and
10µF capacitor provide further supply
line decoupling for the bias network
connected to Q1. This prevents the
output from following any changes to
the supply voltage.
Construction
The 1W Audio Amplifier Trainer
is constructed on a PC board coded
01306951 and measuring 110 x 78mm.
It features a screen printed component
overlay on the top side which is very
similar to the circuit diagram, as noted
above. The screen pattern dia
gram
is shown in Fig.4 while the almost
identical component overlay diagram
is shown in Fig.5.
Most of the components will go
on the board as shown with two ex-
ceptions. Transistors Q1 and Q3 will
need to have their base leads (centre
lead) bent between the other leads
to match the holes in the PC board.
This is easily accomplished with a
pair of pliers.
We used PC stakes for the 9-12V and
0V supply inputs, the loudspeaker
outputs and the signal input terminals
IN and GND. Use the colour code
chart to check each resistor as it is
installed. If you are not sure of the
values, measure each resistor with
your multimeter.
The electrolytic capacitors must be
mounted with the correct polarity so
that the positive marking on the overlay corresponds to the positive lead on
the component.
Note that while 16VW electrolytics
are specified in the circuit, you may
be supplied with 25VW or 35VW ca-
pacitors instead. These will be a little
larger but will work just as well.
When installing the transistors,
be sure to get each one in its correct
place otherwise they may be damaged.
Make sure that the diode is inserted
the correct way around, too.
When all the parts have been installed correctly and soldered in place,
check your work again to be sure
everything is correct. Now set VR1
fully clockwise. This will minimise
the current through Q3 and Q4 when
power is applied.
You can now connect up a loudspeaker and apply power. You can
use a 12V battery, 12V power supply
or a 9-12V DC plugpack. The voltage
measurements on the circuit were
taken with the supply voltage set to
exactly 12V. Connect a multimeter
across one of the 1Ω resistors and
set the multimeter to read DC mV.
Apply power and set VR1 for a reading of around 4mV. This will set the
quiescent current through Q3 and Q4
at 4mA.
Now check the other voltages on the
circuit to see that they are within 10%
of those shown. If they differ widely,
you have a problem.
Note that if you use a digital multimeter to measure the voltage at the
base of Q1, the value will be loaded
slightly by the 10MΩ input impedance
of the meter.
On other hand, if you use an older
analog multimeter to measure this
base voltage, its sensitivity is likely
to be “20,000 ohms per volt” and thus
its loading when set to the a 10V DC
range, for example, will be only 200kΩ.
This would seriously load down the
base of Q1 and thus lead to a wildly
SC
inaccurate voltage reading.
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