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VINTAGE RADIO
By JOHN HILL
A console with a difference
This month, we will take a close look at an
unusual console style radio receiver – a 1948
model 4-valve Peter Pan. Although it is a very
modest little radio, its style and construction is
far from normal.
This radio is the only console I have
ever encountered that does not have a
timber cabinet. As such, there is little
doubt that it was aimed at the budget
end of the market. Any “normal”
console would have had at least five
valves, a timber cabinet and maybe
shortwave reception as well.
The cabinet is a mixture of materials.
The main portion is sheet aluminium
which is attached to a thick plywood
base. The aluminium is reinforced
inside with a few brackets, to which
other items are bolted. Even so, the
light gauge aluminium is far from rigid
and flexes quite readily.
The front of the cabinet is covered
with vinyl and it has a textured surface
which looks quite pleasing. There is a
large speaker opening in the centre of
the vinyl area and it is edged with a
brown plastic trim. Instead of the usual
grille cloth, there is a basket-weave
wicker type material made from some
natural fibre. These wicker grilles
were common on early postwar Peter
A full front-on view of the Peter Pan 4-valve console receiver. This particular
cabinet is unusual in that it is not made of timber. The only wood used in its
construction is the thick plywood base.
86 Silicon Chip
Pan radios and some Astors and other
makes also used them.
The top section of the cabinet
consists of a large bakelite moulding
which contains the dial and control
knobs, while the bottom consists of a
wide strip of thick sheet plastic to act
as a kick board. All things considered,
it is a fairly cheap outfit from top to
bottom.
However, one should not be too
critical. Here is a radio receiver which
is nearly half a century old, yet it still
looked neat and tidy on the outside
–apart from a liberal coating of dust
and grime. This is something that
cannot be said for most timber cabinet
receivers of similar vintage. Timber
cabinets can look rather shabby after
50 years, with the lacquer becoming
chipped and crazed.
Cleaning it up
As found, the little Peter Pan was
decidedly grubby. Apart from the expected dust and grime, it had also taken several drink spills down its front.
Fortunately, vinyl is a very durable
material and it allowed all this muck
to be scrubbed off. In fact, the exterior
of the cabinet cleaned up really well,
to near new condition.
The final comment about the Peter
Pan’s unusual cabinet relates to its
peculiar shape. In plan view, it is triangular (obtuse isosceles), with the long
side being the back of the receiver. The
cabinet is very narrow and although
the chassis is mounted low, the set
has very poor stability and could be
easily knocked over. When cleaning
the empty cabinet, care had to be taken
to ensure that the wind did not blow
it over and damage the bakelite top.
On the credit side, however, the
little Peter Pan doesn’t take up much
space for a console radio and it would
fit into a room just about anywhere.
somewhat better than one would normally expect from a 6-inch speaker.
The speaker also produces quite good
bass for its size.
Chassis details
This close-up view shows the wicker speaker grille. The basket weave
speaker grille was popular during the late 1940s and was used by a number of
manufacturers. The speaker opening is much larger than the speaker used.
The bottom edge of cabinet consists of a wide plastic strip which serves as a
kick board and carpet sweeper deflector. Note the textured surface of the vinyl
covering.
When flat against a wall, the front of
the receiver protrudes into the room no
more than about 18cm. Although the
mini-console really is a weird shape,
it is nevertheless a practical one as far
as space saving goes.
Rola loudspeaker
1948 was a time of change in radio
manufacturing and a new receiver
at that time could have had either
an electrodynamic loudspeaker or a
permag loudspeaker. Electrodynamic
speakers were used by some manufacturers up until 1950. The Peter Pan was
fitted with a smallish 6-inch (150mm)
Rola permag loudspeaker, although it
is not the usual Rola loudspeaker of
that era.
This particular Rola has a larger
housing at the back than most (maybe
a bigger magnet?) and it has a larger
than usual output transformer fitted
to it. The five wires connecting the
speaker to the receiver are for the
output transformer primary, negative
feedback from the secondary, and
what seems to be a fairly unnecessary
earth lead.
When combined with the excellent
baffling of the cabinet, the overall
volume and tonal performance is
The unusual construction of this
mini-console receiver continues
throughout the set and that includes
the chassis, which can only be described as an upside down installation. The chassis is positioned at
the bottom of the cabinet so as to
lower the set’s centre of gravity and
is mounted valves down and circuit
wiring up.
It is not as though the chassis
has been simply inverted, however
– the folded sides of the chassis go
towards the valves. Why this is so is
a bit of a mystery. The chassis set up
could have easily been arranged in a
conventional manner, whereby the
circuit wiring and the valve sockets
would not be subjected to dust accumulation.
Because the chassis wiring is all
exposed on top, there are no servicing
conveniences like a speaker plug and
socket, dial light wiring plugs and
sockets, or even an aerial terminal.
These wires are all soldered straight
into the circuit and must be disconnected if the chassis is to be removed.
Of course, all these wires (eight in
all) should be carefully marked before disconnecting them. It is unwise
to rely on memory when so many
connections are involved. Swapping
some of the speaker connections could
produce positive feedback and a loud
howl in the speaker, for example.
Other disconnections include the
remote mechanical linkages from the
control knobs on top of the cabinet
to the tuning capacitor and volume
control potentiometer on the chassis
below. All things considered, it is not
the most convenient of sets to service,
although most repairs can be done
without having to remove the chassis
once the dust has been removed from
the wiring.
Flexible drive
As a matter of interest, the volume
control knob is coupled to the potentiometer by a long brass rod. So too
is the tuning control, except that in
this case, the control knob is not posi
tioned directly above its counterpart
below. To overcome this problem, a
flexible drive is used to iron out the
March 1996 87
The moulded bakelite top houses the dial and control knobs. Note that the dial
is marked mainly for Victorian and Tasmanian stations, although 2AY, 2WG,
2CO and 5RM also get a mention.
misalignment – a simple yet effective
method of overcoming an awkward
arrangement.
There was a problem with the
two mounting brackets that hold
the chassis in place. These brackets
had been fitted too close together on
the baseboard and their bolt holes
would not line up with those in the
chassis. This misfit had been solved
at the factory by forcing the brackets
to line up, thereby severely loosening the wood screws which held the
brackets to the baseboard. Completely
88 Silicon Chip
repositioning the brackets fixed that
particular problem.
Chassis repairs
The receiver itself was an easy repair, as it was in working order to start
with. It appeared to be fairly original,
with the exception of two 8µF electrolytic capacitors. These had replaced
one of the original chassis-mounted
16µF units at some time in the not
so distant past. As these capacitors
were quite serviceable, they were left
in place.
The same could not be said for the
other electrolytics, however. These
were all originals and, as they all had
leakage problems, were replaced with
modern equivalents.
One interesting aspect of the electro
lytics was the fact that all four of them
were high-voltage chassis-mounted
types. The 16µF 525V pair were used
in the high-tension filter but the 24µF
350V pair were used for quite low
voltage applications; eg; as a cathode
bypass capacitor on the output valve,
as shown in one of the photos.
Perhaps these high voltage units
were the only ones available at the
time? In 1948, the demand for radio
parts could have exceeded the supply
and set manufacturers may have been
forced to improvise at times and use
whatever components they could find
that would do the job. Well, that’s one
explanation!
The Peter Pan’s chassis used 10
paper capacitors and all of these were
originals. They were all replaced
without even a second thought. It was
interesting to note that when checked
later with an ohmmeter, more than
Below: the chassis is mounted upside
down inside the cabinet. As a result,
the components were all covered in
a thick blanket of dust and fluff, with
only the larger components showing
through. There was a resident
redback too!
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This view shows the Rola permag speaker used in the set, together with its
attached output transformer. Both the magnet housing and the transformer are
larger than normal for a 4-valve radio and no doubt contribute to the receiver’s
remarkably good bass response.
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Everything back and ready to go – it’s not a tidy arrangement by any means.
Note the vertical rods at each end of the chassis. These connect to the tuning
and volume controls on top.
half of them showed some degree of
leakage. If a paper capacitor leaks
under a 3V test, what is it going to
do with a couple of hundred volts
across it?
Although replacing all paper capacitors is probably unnecessary, it is
worth the effort for peace of mind, if
nothing else. Let’s face it – old capacitors can be very troublesome!
The interesting aspect of the capacitor changeover was the noticeably
better performance. Prior to working
on the chassis, it was a “1-station radio”, receiving only the strong local
station with no aerial connected. After
the capacitor job, it became a 5-station
set and that was without any alignment
– just the new capacitors.
Alignment
As far as alignment was concerned,
there was very little to do. The IF (intermediate frequency) transformers
were virtually spot on and the aerial
trimmer needed only a slight tweak to
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March 1996 89
The major components (valves, IF transformers, power transformer, tuning
gang, etc) are mounted on the bottom of the chassis. The valve line up is: 6J8,
6B8, 6V6 and 5Y3. The four chassis-mounted electrolytics are all high voltage
types.
bring it in line. Even then, one could
barely notice any difference. The little
Peter Pan was a good set to work on
as it had not previously been tinkered
with.
It was at this alignment stage that
some gremlins in the 6V6 output valve
decided to do some arc welding and a
series of sparks and flashes occurred
from within. A replacement 6V6 re
moved both the gremlins and their arc
welder. A valve tester had previously
passed the faulty valve as being OK.
Maybe it didn’t like working upside
down?
The restoration was nearing completion and there were only a few jobs
left to do – tighten the speaker mounts
and polish the cabinet.
The speaker mounting involves four
short pillars and all of them were loose.
Unfortunately, they could only be
tightened by turning the screw heads
on the other side of the speaker baffle
– not a big job but a bit tedious considering the number of nuts that had
to be undone in order to remove the
baffle. It was a classic case of spending
10 minutes in order to do what should
have been a 30-second job.
Cabinet refurbishment
A flexible drive shaft wass used to
compensate for the misalignment
between the tuning capacitor shaft
and its matching control knob at the
top of the set.
90 Silicon Chip
The cabinet refurbishment consist
ed of a cut and polish for the bakelite
top and the “Armorall®” treatment for
the vinyl. At this stage, the set was
ready to go back together.
There were no problems with the
assembly and everything went back according to plan, with the chassis fitting
the repositioned mounting brackets as
it should have done in the first place.
A test run for a couple of hours indicated that all was OK inside and the
little Peter Pan performed very well. It
sounded remarkably good for a small
4-valver driving a moderately-sized
speaker.
There is no doubt about it: Radio
Most of the electrolytic capacitors in
the set required replacement. The 63V
unit shown here (top of photo) was
used to replace the original 24µF 350V
original below.
Corporation knew how to make
top-performing 4-valve receivers.
While many of their products were
aimed at the bottom end of the price
scale, they were always value for
money and performed as good or
better than other comparably priced
SC
products.
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