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VINTAGE RADIO
By JOHN HILL
A new life for old headphones
A good pair of high impedance headphones
is a must for the serious vintage radio collector. Recently, I decided to restore some
ancient units that had been hidden away
amongst the cobwebs in my junk shed.
A small part of my vintage radio
activities involves making crystal
sets and one and 2-valve regenerative
receivers.
It would appear that I’m not alone
in this regard and whenever I feature
one of these simple sets in Vintage
Radio, they are always well received
(excuse the pun) by collector friends
and readers alike.
There is one restricting aspect of
these simple receivers and that is
they require the use of high imped-
ance headphones. Fifty years ago that
wasn’t a problem. Today virtually
no-one makes them and a good pair of
old headphones is often quite difficult
to find.
Early radio and high impedance
headphones went hand in hand and
numerous receivers, both valve and
crystal types, used headphones. This
was because so many of these radios
lacked the output power to drive a
loudspeaker.
Radio headphones were a steal from
This photo shows the typical construction technique used for early headphones.
The two pole pieces were mounted on a permanent magnet and activated a
soft iron diaphragm. While not hifi, they were very sensitive and evolved from
telephone practice.
74 Silicon Chip
telephone technology which dates
back to 1876. The telephone was well
established by the time commercial
broadcasting became a reality and it
was not difficult to adapt the medium
impedance earpiece of the telephone
to high impedance radio use. The tele
phone microphone also found use in
the new science of radio.
It is interesting to note that early
radio literature often used the word
“telephones” where one would have
expected to see “headphones”. Some
old receivers from the 1920s era even
have “TEL” inscribed on the head
phone terminals.
Modern substitutes
A pair of modern 8-ohm stereo
headphones combined with a small
output transformer (eg, Dick Smith
Cat. M
1100) can make a practical
substitute for high impedance phones.
This scheme offers several advantages,
including better sound reproduction
and considerably greater wearing
comfort. The disadvantages are a slight
drop in volume and the non-originality
of modern equipment.
(Editorial comment: a variation
of this concept surfaced in the late
1930s when there was a resurgence
of interest in regenerative receivers.
However, by that time, many of the
available high-impedance earphones
were no longer working, the fine wire
windings having succumbed to the
ravages of time.
The trick was to strip off the old
winding and rewind the bobbins with
much heavier gauge wire (such as 20 or
22 SWG), then feed them via a typical
loudspeaker transformer; eg, 5000:8
ohms or even 5000:2.3 ohms.
Some trial and error was needed but,
by all accounts, the idea could be made
to work very well. And an unplanned
advantage was that the original aspect
of the units was retained).
Raiding the supermarket
For some time now, a supermarket
bag stuffed full of old headphones
has been stored amongst the cobwebs
in my junk shed. This bag contained
headphones of various makes and
models, with all their moth-eaten
cords entangled into one great big
knot. For some strange and unknown
reason, I suddenly decided to inves
tigate these headphones to see if any
could be restored. The end result was
that quite a few sets were reclaimed
but it was a time-consuming task.
The job involved quite a bit of swapping around of headgear, earphones
and cords to make up the working
units. At the end of the day (two days
actually), I had eight pairs of working
headphones and a pile of leftover bits
and pieces. These can be used for spare
parts, although pole pieces with open
windings aren’t much good unless
rewound.
Some of the brandnames may strike
a chord with older readers. Included
were Ediswan, Brandes, Siemens,
Federal and Brunete models, as well
as the more common types made by
Brown and STC.
Performance
The restoration of these old headphones was interesting in that it disproved a few well accepted theories.
The general impression amongst collectors is that early headphones from
the 1920s era aren’t very satisfactory
listening devices. This is due to their
supposedly poor frequency response
and a possible loss of magnetism in
their ageing permanent magnets.
To test this theory, I decided to do a
These Ediswan phones have been completely stripped and cleaned and are
ready for reassembly. This is the only way to clean things properly.
These Brandes Superior headphones
boasted the BBC official stamp of
approval, as did many other items
of British radio equipment from the
1920s era.
comparison a couple of known good
sets of phones. In this instance, the two
sets of “control” phones were made by
Brown and STC. Both were of postwar
manufacture and were as new when
acquired a few years ago.
This neat collet type lock on the Brandes headset can be
adjusted to hold the central rod with varying degrees of
tension.
One would presume that the magnets used in these “late model” headphones would be better and stronger
than those made in the 1920s and if
there was a difference in performance
then it would be easily noticed.
The comparison tests were conducted using a crystal set that was
tuned to a distant station. In these
circumstances, the signal strength was
relatively weak and while speech and
music could be clearly heard, it was by
no means loud – even when using the
good Brown and STC phones.
Trying out the oldies was a pleasant surprise. Most worked very well
and their performance was quite
comparable to the supposedly good
phones. Only the Federal headphones
performed poorly and they operated at
(subjectively) about half the volume
of the others.
Having said that, the frequency
response is fairly restricted with this
Made in Paris, these Brunete earpieces are in excellent
working order but require suitable headgear to complete
the outfit.
January 1997 75
This cord arrangement is very good in that it is connected
and anchored internally. It should give trouble-free service
for a long time.
type of earpiece. They all use a soft
iron diaphragm and whether they were
made in France, England or the USA,
the diaphragm thickness is virtually
the same on all makes.
It’s a fact that this type of headphone was only intended to reproduce
speech frequencies and it is unreasonable to expect a wide frequency
response from them. Whether by accident or by design, they peaked quite
sharply in the middle of the speech
range. There is no way that metal
diaphragm headphones of this nature
Flexible headphone cords can be
reinforced by binding the leads and
applying a suitable glue to stiffen
them. External connections invite
trouble, however.
76 Silicon Chip
Externally anchored cords are not as neat but anything
is better than flexible wires that will eventually become
open circuit.
could be referred to as being hifi.
When comparing a number of
different makes and models, as was
done in the comparison test, there
were some distinct tonal differences.
In general, the more modern Brown
and STC phones were inclined to be
harsher than the old timers. This was
noticeable only when receiving strong
signals.
While discussing the tonal qualities
of headphones it is perhaps an appropriate time to mention again the use of
8Ω stereo headphones and an output
transformer. When listening to even a
humble crystal set, the stereo phones
give an excellent sound reproduction
which includes quite good bass. They
don’t overload to the same extent on
strong local stations either. The same
is true when using this equipment on
a 1 or 2-valve receiver.
If you have never listened to such
a setup it’s worth a try if you do have
a good set of high impedance phones.
The comfort of padded earpieces is
a big improvement on hard bakelite.
Restoration problems
There are a number of problems
when restoring old headphones. First,
it is not uncommon to find the polepiece windings open circuit and this
involves a major repair job unless one
is highly skilled in delicate rewinds
with hair-thick wire.
Second, the cords are nearly always
in tatters and as most headphone
leads are very light and flexible, you
cannot expect any old replace
ment
wire to look the part. White figure-8
plastic-covered power cord doesn’t
have the right appearance somehow!
Third, although not generally my
experience, there is little doubt that
weak magnets could be a problem with
some old headphones. The previously
mentioned Federal phones may be
suffering from this complaint.
While working on a number of
different makes and models it soon
became apparent that the way in
Headphone cords can often be tidied by binding them with a suitable thread.
which the phone cord is attached to
the earpiece is an important factor in
the life span of the cord. Some cords
are attached to the earpiece by external connections and while this is OK
electrically, the constant movement
of the cord can soon fatigue the wire
where it flexes close to the connection.
If the earpiece is free to rotate, this also
aggravates the situation.
In better designs, there is some
provision to anchor the cord and restrict the movement of the earpiece in
order to prevent the cord from flexing
and pulling at this vulnerable point.
This is a good aspect to look for when
purchasing a set of old headphones.
The most secure method is where
both the connections and cord anchor
are internal, with the cord exiting the
earpiece through a grommetted hole.
This system is perhaps the best way
to tackle the problem as both the connections and the cord securing device
are well protected. Headphones with
waggling external connections will
eventually give trouble.
At the other end of the cord, there
were two methods used to connect the
phones to the receiver: (1) via a standard 1/4-inch headphone plug; or (2) via
individual metal tips that were held
by terminals or binding posts. Fitting
lead tips to old headphone cords is not
an easy job, by the way.
When rewiring headphone cords,
one must pay strict attention to earpiece connection polarity. Where DC
flows through the windings, incorrectly wired headphones can cause
demagnetisation of the permanent
magnets. Leads marked red or with a
red trace indicate the positive side of
the connections.
The impedance of old headphones
varies considerably. Amongst those
mentioned in this story, the high-impedance types ranged from 1kΩ to
2.2kΩ per earpiece, with most being
the more common 2kΩ variety. The
crystal set comparison test using a
distant station showed no discernible
difference in performance between
these values. It made no difference
whether the impedance was 1kΩ or
2kΩ – the performance was identical!
Even a 120Ω set of STC phones
performed fairly well on the crystal
set, so high-impedance is not always
a critical factor by any means. The
8Ω stereo headphones do work but
nowhere near as well as when coupled
via an output transformer.
A modern pair of 8-ohm stereo headphones and a matching transformer can
be substituted for high-impedance headphones. The M1100 transformer is a
particularly handy unit as it has 2, 4, 8 and 16Ω secondary tappings. The latter
matches perfectly with two 8Ω earpieces connected in series. The 5kΩ primary
is compatible with crystal sets and one and 2-valve regenerative receivers.
Incidentally, some impedance ratings can be rather confusing. Because
the earpieces on old headphones are
connected in series, two 2kΩ earpieces give an impedance reading of 4kΩ
at the lead tips. Some manufactures
referred to such units as 2kΩ head
phones while others called them 4kΩ
headphones.
When using two sets of headphones
on a crystal set it will be noted that
the volume decreases if the phones
are connected in parallel. If they are
connected in series however, two pairs
of phones will produce about the same
volume as one. One of my boyhood
crystal sets had three terminals for the
headphones with the centre terminal
connected to nothing. Its purpose was
to join two pair of phones in series so
that my brother could listen in as well.
Many radio collectors are always
scrounging around, looking for other
things to collect apart from radio receivers. In fact, any item associated
with radio is generally considered
collectable.
If it is good enough to collect and
display a range of vintage loudspeakers, then a selection of vintage
headphones should be equally valid.
If they are in working order and still
retain their original cords, then so
much the better. Old headphones are
also necessary when displaying items
such as genuine early crystal sets and
small regenerative receivers.
So if you have a few pairs of old
headphones in your collection, you
may find repairing them an interesting challenge. It certainly makes
an interesting change from the more
SC
conventional restoration jobs.
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January 1997 77
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