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PUBLISHER'S LETTER
Publisher & Editor-in-Chief
Leo Simpson, B.Bus., FAICD
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2 Silicon Chip
Measuring low level
audio signals
This month we’re very pleased to feature an
ultra-low distortion amplifier module running
in class-A. The module is the direct result of
readers’ letters asking for a state-of-the-art design
over a number of years. Quite frankly, we haven’t
been keen on the concept but having decided to
do it, we were a little stunned at how good it has
turned out to be. Sure, it has the usual drawback
of class-A operation in that it is very inefficient,
using a lot of power for not very much power
output – only 15W into 8Ω. But the distortion is
a great deal lower than any amplifier we have produced in the past.
And because the distortion is so low, it has caused us real problems in trying
to determine just how low it is. Our audio distortion test set, made by Audio
Precision, is perhaps the best commercially available equipment in the world
but even it is not good enough to fully test this new amplifier module. And this
caused us to use a new distortion monitoring technique, which was suggested by
Doug Self in a recent issue of the English magazine “Electronics World”. Briefly,
it makes use of the signal averaging facility in a digital sampling scope, to remove
random noise from very low level repetitive signals.
This is an interesting turn of events and shows how a digital oscilloscope,
normally not regarded as ideal for observing low-level analog signals, actually
can be used with much greater effect than a conventional analog scope. By way
of explanation, even though digital oscilloscopes are becoming widely used in
laboratories around the world, designers still tend to turn to their trusty analog
scopes when they want to look at low-level analog signals. The same situation
occurs in our own lab. We use the digital scope all the time and often feature its
recorded waveforms in our articles. But there are times when only the analog
scopes will do.
The reason is not hard to find. Digital scopes inevitably show even the cleanest
of waveforms as having little wiggles all over them. But analog scopes show clean
sinewaves when the waveform is clean. Is that not true? Well, it all comes down
to perceived reality and what we’re used to seeing on scope screens.
Because analog scopes display repetitive waveforms as many hundreds or even
thousands of sweeps of the beam across the screen, they filter out low level noise.
Digital scopes don’t; their sampling method inevitably catches the noise and the
glitches and so we see all the garbage on the waveform. We’re not used to this
and it clashes with our normal perception of reality. Most designers don’t like it.
However, when analog scopes are called upon to display noisy waveforms they
have a problem because the noise obliterates the repetitive signal buried under
it. But it turns out that we can use the averaging mode of a digital scope to effectively remove the random noise from a low-level signal and allow the repetitive
component to be clearly displayed. So the often-despised digital scope turns out
to have unseen advantages.
The problem with this averaging technique is that it again challenges our concepts of how signals should appear on a screen. Is this “filtered” version reality?
The truth is that every method of measurement only gives us a partial view of
what’s really happening in a circuit or piece of equipment. We become used to
this “partial view” and accept it as the whole truth but again, it isn’t, is it?
There will always be another way of measuring a circuit or producing a better
result. There will always be something new; some new circuit technique, product or measurement method. That’s the challenge of electronics and it is very
satisfying.
Leo Simpson
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