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VINTAGE RADIO
By RODNEY CHAMPNESS, VK3UG
The Radio Corporation WS122
In May 2002, the AWA FS6 army transceiver
was described. This month we cover another
military transceiver, the WS122. This was a
much more portable set, requiring only three
men to carry it!
The WS122 as a type or model
number will mean nothing to many
readers, while others will become
dewy-eyed dreaming of their beloved
WS122 that they used many years ago.
Commonly the “WS” was dropped off
the type number; it simply stood for
“Wireless Set”.
The 122 is one of several different
portable high frequency (HF) radio
transceivers used during World War II
by the Australian Army. As mentioned
above, in May 2002 I described the
AWA FS6, a popular HF transceiver
from the same period. After reading
this article you will see that these two
transceivers are as different as chalk
and cheese.
The WS122 (Aust) was the final
unit in a series of sets which had
their start in the British-designed 22
set. Radio Corporation (Eclipse Radio
Pty Ltd) was charged with the job of
building an Australianised version of
the English 22.
Their first attempt was something
like the British 22 and probably not
much different in performance or
facilities.
They then built the “Yellow Band”
Not exactly a thing of beauty, this
WS122 war-time military transceiver was still being widely used
in Victorian rural fire services until
the 1980s. Its transmitter output
valve is an 807.
80 Silicon Chip
www.siliconchip.com.au
This photo shows the WS122 ready for service with power supply and
ancillaries hooked-up. The protective grille at the front made it difficult to operate and most users discarded these.
22 (Aust). It had an Australianised
circuit using American and Australian designed valves and while still
a grid-modulated transmitter, it used
only one 807 valve in the transmitter
output section. I doubt that this was
a particularly common set. I’ve never
seen one anyway.
However, Radio Corporation felt
that they could do better. Their design
engineers really got the bit between
their teeth and came up with the 22
(Aust) set. This was soon partnered by
the 122 (Aust) set which was identical
except that it had provision for crystal
control as well as variable frequency
control (VFO) of the transmitter operating frequency.
The 122 remained in service until
the mid 1950s when it was progressively replaced by the No 62 set.
Hobbies”. It worked well but it could
not be licensed for fire brigade radio
communications. However, it was
acceptable for amateur radio use.
I moved to rural Victoria in 1961
and joined the local Country Fire Authority (CFA) radio communications
network.
A couple of radio friends leant rather heavily on me to get a 122 – “the
best transceiver since sliced bread,
just what you need”. I was far from
convinced, as looking inside their
sets and looking at the circuit diagram
was enough to give me the horrors.
How would I find my way around the
insides of the set and understand the
circuit?
I was, to say the least, scared of such
complex (to me) military equipment.
No doubt new collectors feel much
the same as I did at that stage. Fortunately, I gradually overcame that
fear.
Anyway, they succeeded in convincing me to part with some hardearned cash and I bought a 122. I set
the transceiver up in my vehicle as
one of the local licensed mobile stations for the CFA on a frequency of
2692kHz.
I took it out to show my friends
and they immediately commenced
the “modification” process to get it to
look like all the other 122 transceivers
used in the various CFA networks. So
if the set which is the subject of this
article doesn’t look quite original,
you’ll understand why.
These sets proved very popular in
the HF fire brigade networks. They
were not expensive to buy, they
worked well after a routine service and
they could be licensed without any
modifications to the electronics. The
owners and operators became rather
fond of these big, bulky, complex and
complicated-to-operate sets.
They were also popular with amateur radio operators who used them
as mobile and portable transceivers
during the late 50s and into the 60s.
Early interest
In my mid teens, I became interested
in radio communications and was itching to be able to use radio transmitters
and receivers.
My chance came in 1957 when
I became involved with the local
Emergency Fire Service (EFS) in
country South Australia. I was given
a much-modified Type A MkIII transceiver (described in the October 1998
issue) to use at fires for communications back to base in a nearby town.
I ultimately built my own transceiver, based on designs in “Radio &
www.siliconchip.com.au
The power supply used two vibrators.
The third one is clipped in as a spare.
October 2002 81
Rear view of the transceiver chassis, out of its case. Note roller inductor tuning coil at the right of photograph. Crystals
are mounted near the back at the lefthand end of the chassis.
They were finally retired from service
in the 1980s. What a phenomenal run,
from the early 40s to the 80s!
Originally, the 122 came into use
around 1942 as an army portable HF
transceiver operating between 2MHz
and 8MHz. It operates from a 12V
battery and can be used as a ground
station, vehicle station or a man-pack
station.
As a man-pack station, it was carried by three men, one carrying the
transceiver, one the ancillary parts
like the power supply, headphones,
aerial wire, etc and one the 12V 20
amp-hour battery.
The transceiver cabinet top side is
designed like an “A” frame back-pack
(as can be seen in one photograph)
to make carrying the set easier (or
perhaps less difficult!). The load was
distributed so that no man carried
more than 35 pounds (16kg). The set
itself weighs 15kg.
The set could also be fitted with
immersion covers to stop water getting
82 Silicon Chip
into the set when amphibious landings
were required. However, this was really a “belts and braces” approach as
the set was already well sealed against
ingress of moisture.
All the rotating controls have rubber seals around the shafts, the toggle
switches have rubber boots (these have
all perished on my set and have been
removed) and the edges of the cabinet
and transceiver front have rubber seals
too. The phone type jacks each have
a spring-loaded cover with a rubber
gasket. This is held against the jack
opening to prevent water getting into
the set via this route.
If this wasn’t enough, the cabinet
has a Silica Gel capsule screwed into
the back of the cabinet. This can be
screwed out for replacement from
time to time. So the set was extremely well protected against ingress of
water.
50 years on, the seals are largely
ineffective due to the rubber perishing. And while rubber was used in
some areas, the actual wiring is in
plastic coated hook-up wire - quite
an innovation for the time. This is
probably the best protected set I’ve
come across of its era. Many of the
components were/are coated in
“tropicalising gunk”.
The set has an aluminium chassis
and the protection bars and other bits
and pieces are Duralumin.
As can be seen from the photographs, the transceiver is very complex, with lots of components in and
on the chassis. The valves are held in
position by clamps to ensure that they
do not come out of their sockets due
to rough handling.
The power supply is equipped with
a spare vibrator and three fuses. The
set itself has a relay-adjusting tool in
a holder on the back of the chassis; all
very handy.
There are two sets (red and blue)
of mechanical preset tuning adjustments that can be adjusted to allow
rapid selection of two frequencies.
www.siliconchip.com.au
Under chassis view showing the shielded RF section compartment and the
crowded wiring.
The adjustments are similar in concept
to the pushbutton tuning on older
car radios. These are locked with the
screwdriver located on the top right
of the front panel.
With the front protection grille in
place, the set is not easy to operate but
quite OK once it is removed. Most of
us just threw these grilles away.
Certainly it is far from an easy set
to service. Some parts are extremely
difficult to gain access to. However,
considering the amount of parts there
are, the set is quite reasonable to work
on, provided you’re not in too much
of a hurry to get the job done.
Receiver valve line-up
The receiver uses a total of seven
2V battery valves, with a 1D5GP radio
frequency (RF) amplifier, followed by
a 1C7G as a mixer. The intermediate
frequency (IF) stages use a further
two 1D5GP valves while a 1H6G
functions as detector and delayed
automatic gain control (AGC). Note
that the triode section of the 1H6G
isn’t used in the receiver – only in the
transmitter.
The audio stage is an 1F5G audio
output type valve and in the receiver
it only feeds two pairs of headphones.
(The 1F5G has sufficient gain and output to feed a speaker in a modified set.)
In Morse code (CW) mode, the beat
frequency oscillator (BFO) is another
1H6G valve.
The receiver is designed to receive
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AM, MCW and CW transmissions
which it does quite competently. With
careful tuning and attention to the
radio frequency gain, the receiver can
also adequately tune single sideband
transmissions.
One attribute it has which is not
common on portable military equipment is a meter measuring the effect
of the AGC voltage in controlling
the gain of the RF and IF sections of
the receiver. This is very handy for
determining the relative strength of
received signals.
In amateur radio, this feature is usually called an “S-Meter” which equates
to “signal strength meter”. Its reading
is useful in aligning the receiver and
transmitter circuits.
Transmitter valve complement
The transmitter has two RF stages.
The VFO and crystal oscillator is a
6U7G (V5A). This stage drives the
output valve which is an 807 (V7A)
small transmitting tetrode.
The FS6 described in May 2002 uses
grid modulation but the 122 uses the
much more efficient plate and screen
modulation method.
The modulator is much more elaborate than that used in the FS6. The
1D5GP used as the 2nd IF amplifier is
also used as the first audio amplifier
in the transmitter, followed by the
triode section of the 1H6G (receiver
detector/AGC).
The next stage is the receiver audio
output stage and modulator driver
(1F5G). This drives the modulator
valve which is a 6N7 run as a pushpull class-B stage.
To my knowledge, the 22 (Aust) and
the 122 (Aust) were the only portable,
mobile, man-pack military transceivers that used such a sophisticated (for
that time) modulation system, except
for the ATR4.
The transmitter has three modes of
operation: voice (radio telephony RT, AM); Morse (CW) and Modulated
Continuous Wave (MCW).
On voice, a press-to-talk button on
the microphone is used to change over
from receive to transmit.
The microphone has a dynamic
insert which explains why so many
audio stages are necessary to achieve
full modulation; a carbon microphone
has greater output but poorer audio
quality. In addition, the quality of the
audio being transmitted can be monitored through the headphones.
On CW, the Morse key is depressed
and the unit changes over automatically to transmit. It has what is called
“semi-break-in” keying.
A tone (sidetone) in synchronism
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October 2002 83
Photo Gallery: STC Model 5017A
A product of STC (Sydney), the model 5017A uses the same chassis as the STC
5017 but is housed in an alternative cabinet style. This example is from 1936.
This set covers the medium wave band and uses the following valves: 6A7
frequency changer; 6D6 IF amplifier; 6B7 first audio/detector/AVC amplifier;
42 output and 80 rectifier.
with the Morse key is heard in the
headphones. This sidetone makes it
so much easier to check the quality of
the signal. The modulator is inactive
in this mode.
MCW is the same as for CW, except
that the modulator is operating and
a tone is transmitted in synchronism
with the operation of the Morse key.
Vibrator power supplies
The power supply is really two
supplies, both based on vibrators.
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84 Silicon Chip
One supply is used to provide the HT
(150V) for the receiver.
On low power transmit, the same
supply is used and it is switched
to provide 180V to the transmitting
valves. On high power transmit,
the two vibrator power supplies are
connected in series to provide 250 to
260V on MCW and voice and 320 to
360V on CW. It is well-filtered which
reduces vibrator hash to a very low
level.
General Overhaul
As mentioned earlier, my 122 had
been modified to suit work on the
Country Fire Authority radio networks. Some of the modifications
could be easily reversed but some
had to be left “as is”, hence the non
authentic look of the set in places.
Generally, the components in the
sets have been quite reliable and very
few needed replacement. If you are
going to work on one of these sets it
is imperative to obtain a handbook,
as the sets are very complex (for their
time) and difficult to work on.
In the back of the transceiver case is
a circuit diagram of the set and in the
power supply is a copy of its circuit.
These are better than nothing but are
hard to follow.
I replaced a few paper capacitors
in the audio sections. On transmit,
I found I could tune the transmitter
up and obtain good output but then
the output would just die away. The
plate current of the 807 was dropping
but the HT voltage was remaining
constant.
The problem was that the 807 had
lost its emission and a replacement
soon fixed that. I suppose that after
40-odd years it was entitled to be
tired.
The 1D5GP receiver RF valve was
also slightly weak and was replaced.
The 1F5G valve seems to be the one
most likely to require replacement
from my experience. Every other valve
has proved very reliable and long-lasting, despite being bumped around
in a vehicle for many thousands of
kilometres.
The “crash limiter” is a pair of diodes wired anode to cathode so that
any voltage AC or DC above around
0.2V is clipped to that level. It can be
switched across the headphone output
and is designed to limit the effect of
static crashes.
This it does but it also severely
limits the audio output and distorts it.
Radio amateurs thought it was useless
and I didn’t use it.
I wired another four diodes (1N4148)
in the same way as the original diodes
and put these in series with the existing ones. This improved the audio
quality while still retaining the static
reducing ability.
I decided that it would be a good
idea to check the alignment of the
transmitter and receiver circuits. I
tackled the receiver first.
I found that the intermediate frequency (IF) alignment was peaked
on 460kHz so it was left alone. That’s
close enough to the designed 455kHz
anyway. The RF and oscillator sections
are not so easy to get at, particularly
for the 2 to 4MHz band.
The slugs are horizontal, going
into the large below-chassis shielded
enclosure and are well down in the
chassis amongst a lot of components.
Great care is needed to avoid
shorting anything. I couldn’t even
get a screwdriver onto them and had
to use a pair of long-nosed pliers to
laboriously rotate the slug cores; a
bit of butchery but the only way of
adjusting these coils. The 4 to 8 MHz
cores are accessible for use with a
screwdriver.
www.siliconchip.com.au
Surprisingly the adjustments were
quite close, only requiring a touchup.
The alignment of the transmitter
involves making sure that the receiver
and transmitter tuned circuits, particularly the respective oscillators, all
track one another.
I won’t go into all the procedure
necessary to achieve this, suffice to
say the alignment and adjustment
details are straight-forward and
unambiguous.
As some of the tuned circuits are
common to both the receiver and the
transmitter, it is necessary to make
sure that the compensating networks
within the equipment are adjusted
correctly too, otherwise the transmitter
and receiver do not operate on quite
the same frequency under some circumstances.
Note that the transmitter variable
frequency oscillator (VFO) (receiver
equivalent is the local oscillator)
runs at half the output frequency.
This prevents the transmitter output
getting back into the VFO (if it was
on the same frequency) and causing
instability.
On receive, I found the 122 would
quite effectively detect CW signals
down to around a microvolt – it’s not
as sensitive as modern day sets.
The transmitter came up very well.
On low power the radio frequency
output was around 3W. On high power
AM and MCW, the output was around
7W and on CW, 13W.
The modulation waveform was not
marvellous as observed on the oscilloscope but 100% modulation was quite
easily obtained.
Summary
Many vintage radio buffs who
collect military equipment, find this
set very interesting and well worth
having.
The 122, like virtually all military
sets, will not win any beauty contests
but then they were never intended
to. It is a credit to Radio Corporation
(Eclipse) that this set, old as it is, is
still capable of doing work to the same
standard as when it was made.
While its facilities and circuit
techniques are now obsolete, it was
a very advanced military transceiver in its day and it has a number of
facilities that were not incorporated
into amateur radio equipment until
SC
the 1960s.
www.siliconchip.com.au
Vintage radio feedback
As an old radio man who cut his
teeth on valve radios, I always enjoy
Rodney Champness’ “Vintage Radio” feature. But Rodney, my un-met
friend, something you said in the June
2002 issue is driving me bananas
because I don’t understand it.
In describing the Tasma M290
superhet radio, you point out that
the local oscillator padder capacitor
works best if placed where the Tasma M290 has it, in series with the
oscillator tuning gang rather than
in series with the earthy side of the
oscillator coil.
What’s the difference? In either
case, the oscillatory circuit consists of
the oscillator coil with two capacitors
in series across it. Seeing that the
oscillator is not “tickled” into activity
by phase changes across the parallel
resonant circuit (it has a separate
tickler coil), what does it matter to
circuit operation where the earth
point is placed in the circuit? That’s
the only physical difference I can
see, the effective placement of the
earth point.
The only technical difference I can
see is that the padder placement you
call “best”, in fact puts the dynamic
Miller capacitance of the valve grid
across the whole oscillator circuit
instead of (with the other padder
placement position) across just one
of the series capacitors (the tuning
gang). For circuit constancy, wouldn’t
it be better to put the padder capacitor in series with the earthy side of
the oscillator coil to slightly improve
the dynamic stability of the oscillator
circuit?
Stan Hood,
Christchurch, NZ.
It is always good to get comment
from readers and I appreciate Stan
Hood of New Zealand for taking the
time to do so. At the outset I certainly don’t claim to be the font of all
knowledge on vintage radio or design.
These are my thoughts on why the
local oscillator does work better when
the padder capacitor is in series with
the capacitor and not the earth end
of the oscillator coil. One side of
the original padders was earthed,
therefore using them in the earthy
end of the coil was convenient and
it worked. When fixed padders became common most manufacturers
carried on the convention. However,
some put the padder in series with
the tuning capacitor.
I used to wire all my receivers with
the padder to earth just as “Radio &
Hobbies” had done. I accepted is as
“the” way to do it and never questioned it. However, I ran into trouble
with a receiver that would drop out of
oscillation on the low frequency end
of the dial. All I did was to shift the
padder to be in series with the tuning
capacitor and the problem vanished.
I’ve since done this modification to
a few receivers and the results have
all been favourable.
It may be remembered that 2A7s
and 6A7s were prone to drop out of
oscillation on the low frequency end
of tuning ranges. This modification
has cured any sets that I’ve had
this problem with. It also seems to
improve the sets’ sensitivity.
I do believe that either the phase
of the feedback is changed or the
amount of feedback is reduced or
maybe both. The effect may also
vary depending whether the feedback winding is near the grid end
of the tuned winding or near the
so-called earthy end. Looking at the
typical circuit redrawn, it does look
like a cross between a Colpitts and
a “tickler” feedback type circuit.
With the tuning capacitor fully
meshed, the coil would appear to
be “centre tapped”. When tuned to
the high end, the electronic tapping
point has moved down near to the
padder capacitor. With the padder in
series with the tuning capacitor the
coil always has the bottom of the coil
referenced to earth and therefore the
feedback would be more predictable.
All I can say it works better with
the padder in series with the tuning
gang.
Rodney Champness,
Mooroopna, Vic.
October 2002 85
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