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Vintage Radio
By RODNEY CHAMPNESS, VK3UG
V
Bill Clarke with the author’s fully-restored WS122 transceiver. Bill designed
the modulator and much of the switching mechanism for the WS122, while
two other engineers – Lindsay Cobb and Geoff Frew – designed the receiver
and transmitter sections and the vibrator power supply
Meet a designer of
the legendary WS122
army transceiver
Ever wondered about the people who
designed our vintage radio equipment? Most
of the names have now been lost but not all.
Recently, we were given the opportunity
to talk to one of the engineers who helped
design the Australian Army’s classic WS122
transceiver.
96 Silicon Chip
INTAGE RADIO has several different aspects that are of interest to
its devotees. In the main, it involves
collecting and restoring old radio
receivers but other areas of interest
include the collection of historical
information, advertising material, and
instruction manuals and data books
from the era.
However, there is one area in which
very little interest has historically
been shown – the designers of the
equipment and the circuit designs
they produced.
The original designers of our vintage
radio equipment were something of a
mixed bunch. Many were highly qualified electrical and radio engineers but
they also included many self-taught
people with no formal education in
the electrical or radio fields. But how
many designers have you seen mentioned in vintage radio articles or in
the historical literature? The answer
is “very few, if any”.
Of course, very few of the designers
from the valve era are still alive. They
are a mostly forgotten group of people
but they engineered the many unique
Australian designs that we can rightly
be proud of today.
In the October 2002 issue, I described the WS122 portable high-frequency (HF) radio transceiver built by
Radio Corporation for the Australian
Army during WW2. About a week after
the publication of the article, I received
a phone call from Lewis “Bill” Clarke.
I’d never spoken with Bill before but
he introduced himself and told me that
he was one of the designers of this set.
It was too good an opportunity to
miss. I asked Bill if I could interview
him when I next came down to Melbourne. He agreed and a few weeks
later we sat down for a very interesting
trip down memory lane.
Lewis (Bill) Clarke (VK3ZLN)
Bill turned out to be a sprightly,
very “with it” octogenarian who was
born in 1921. And his theoretical and
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practical knowledge of electronics is
quite extensive.
Bill spent most of his primary school
years in Naracoorte, South Australia.
His father was a bank manager and
as a result they lived in one of the
substantial residences provided for
managers in those days.
According to Bill, the family obtained a battery-operated radio some
time around 1930. As a result, a short
water-pipe mast was installed on top
of the second storey of the residence
to support one end of the antenna,
while another water-pipe mast was
erected in the back yard to support
the other end.
He estimates that the antenna would
have been between 18 and 20 metres
high, which meant that the radio quite
easily received ABC stations 3LO and
3AR from Melbourne. The transmitting power of these two stations at the
time was quoted as 5kW but that may
have been the DC input power rather
than the output power.
At the time, Bill enjoyed constructing
many projects with his Meccano set.
He ponders whether Britain’s ability
in the engineering field deteriorated at
the same rate that Meccano sets disappeared from boys’ lists of “toys”.
At the end of 1932, the family moved
to Ballarat – just after Bill had finished
grade 6. And in one of the rooms of
their new bank residence, there was
a crystal set with a horn speaker attached. Yes, a loudspeaker crystal set
and it did produce quite reasonable
volume. Of course, such sets are rare
but it was also quite rare to live right
across the road from the local broadcasting station. In this case, it was 3BA
which was located on the roof of a bank
building across the street.
The family shifted again in 1934,
this time to Melbourne, where Bill
completed his secondary education
at Scotch College. It turned out that a
friend at the college had a crystal set
and from here on Bill really became
interested in radio, setting the scene
for his life-time interest in the radioelectronics field.
When he had completed his studies
at Scotch College, he entered Melbourne University to study Electrical
Engineering, with particular emphasis
on maths and physics subjects. This
gave the degree a leaning towards the
field of radio. His studies went well
and during holidays, Bill took technical jobs with the railways in 1939-40
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Bill Clarke still has his design notebook from his days with Radio Corporation
and these pages show the notes he made on the transceiver’s power supply.
and with the tramways in 1941-42.
By now, the world was gripped
by war and things were very grim in
late 1941. As a soon-to-be graduate
engineer, Bill could have obtained a
commission in the submarine branch
of the Navy, so he enlisted and continued with his course. But things didn’t
work out that way.
The British government had learnt
from the first world war that there
was no future in sending skilled and
highly-qualified people off to the
trenches to be killed. Australia quickly
followed the British example and in
early 1942 enacted manpower control.
This meant that skills would be used
where they would achieve the best
results for the war effort. The final
year of the course had to be crammed
into half a year as the shortage of engineers was acute and so Bill qualified
in June 1942.
Bill joins Radio Corporation
Bill commented that his long term
interest in amateur radio may have
saved his life, as he was drafted to
work at Radio Corporation alongside
another engineer (John Hill) who had
done the same subjects (no – it wasn’t
the John Hill who previously wrote for
“Vintage Radio”). John was also interested in amateur radio and ultimately
obtained the callsign VK3DAD.
Bill found Morse code difficult to
learn, as many very technically competent people do, but ultimately obtained
This photo shows some of Bill’s notebook diagrams of the modulator he
designed for the WS22 and WS122 transceivers.
July 2004 97
Fig.1: a simplified circuit of the WS122’s transmitter. It had three modes of operation: voice (AM), Morse (CW) and
modulated continuous wave (MCW).
the callsign VK3ZLN. Amateur radio
operators were not allowed to operate
their stations during the war so neither
Bill nor John obtained licences at that
stage.
By now, the Americans were bringing large quantities of radio communications equipment into the country
and these required crystals to suit
frequencies used in Australia. As a result, there was a large backlog of crystal
orders and so Bill’s first position in
Radio Corporation was in the crystal
laboratory. Here, he was responsible
for the final grinding of the quartz
crystals to the correct frequency.
According to Bill, the work load
was so great that three shifts over 24
hours were initially required to catch
up on the backlog. He was fortunate
that his parent’s home had shutters on
the windows, so he could sleep during
the day while working the night shift.
Once the crystal backlog had been
eliminated, Bill was transferred to the
design laboratory. But like many “new
98 Silicon Chip
boys” in a job, he was initially given
a variety of tasks to see what he was
capable of. One of these tasks involved
the development of a pre-heater for
bakelite pellets, prior to moulding.
As we know, bakelite was used extensively for radio cabinets at that time
but not for military equipment. Apparently, Radio Corporation was still
involved in domestic radio production
to some extent, at that time.
He was also given the task of designing and building a 500-watt public address amplifier for the factory and this
ended up using a couple of high-power
transmitter valves to achieve the necessary output power. But perhaps one
of the more interesting jobs at that stage
involved fault-finding equipment that
wasn’t performing as it should.
Often, equipment faults were due to
the use of below specification valves.
To solve this problem, Bill usually
tried substituting good-quality valves
of JAN (Joint Army Navy) specifications in the equipment (note: as many
vintage radio restorers already know,
some valves are marked to indicate
that they meet JAN specifications).
For example, one particular VHF
AM/FM communications receiver
was found to be quite noisy and was
giving quite poor performance. It was
eventually found that the IF stages
had insufficient gain and that the last
IF stage would not saturate on FM signals. This problem was overcome by
changing the screen and bias voltages
in the IF stages to increase the gain.
Bill thinks that the receiver in question was an RT17 and it became quite
a successful piece of equipment in its
modified form. And once a piece of
military equipment had successfully
passed all tests, a handbook had to be
written for it.
Designing the 22/122
Bill’s next job involved designing
the WS22 and WS122 army transceivers (the “WS” stood for “Wireless Set”
and was commonly dropped from the
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This rear chassis view gives some idea of the complexity of the WS122 transceiver. Note the roller inductor tuning coil at the right of the photograph.
type number). There were three engineers on the project: Lindsay Cobb
designed the receiver, Geoff Frew
designed the transmitter and the vibrator power supply, and Bill, the junior
engineer, designed the modulator and
much of the switching mechanism.
Geoff Frew had been an amateur operator (VK3PM) before the war and had
the unusual nickname of “Afternoon
Tea”. Apparently, this came about
because of the “3PM” in his callsign,
3pm being the usual time that people
stopped work for a “cuppa” tea. His
experience with transmitters proved
to be invaluable in designing the RF
section of the set.
In fact, Lindsay Cobb and Geoff
Frew were arguably the best design
engineers in Radio Corporation at
that time, having been there for many
years.
The design criteria for the WS22 and
WS122 transceivers were set down by
the military in general terms. The RF
power output, frequency range, modes
of operation, power source, receiver
sensitivity and ability to load into
certain types of antennas were some
of the parameters that had to be met.
But just how Radio Corporation met
these design requirements was entirely
up to them.
Prior to the development of the
WS22 and WS122 sets, an earlier set
named the “Yellow Band 22” had
been developed which had used a
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grid-modulated transmitter. This set
was an Australian adaptation of the
British 22 set but Geoff disliked the
grid modulating system and set Bill
the task of designing a high level
modulator.
As a result, Bill looked around for
quite some time to find a valve (or
valves) and a practical circuit configuration that would provide 10W of
audio output from the modulator. At
that time, class B amplifiers were not
looked on particularly favourably as
they tended to have high distortion.
For example, the No.19 battery twintriode class-B amplifier was used in a
number of pre-war battery receivers.
Unfortunately, it was unable to provide a low-distortion output, mainly
because it was used without negative
feedback.
Bill decided that the 53 would be
a suitable valve type but its heater
requirements of 2.5V at 2A ruled it
out. The 6A6 could also be used but
the relatively new 6N7 appeared to be
even more suitable.
He rang Max Brodribb, a controller
of valves in the Department of Supply,
to find out the availability of 6N7s. He
was in luck – they did have enough
6N7s for the job.
Having determined that the 6N7
would do the job, Bill then had the
task of designing the modulation and
driver transformers to suit it. Transformers are expensive and heavy
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devices but the design team believed
that the end result of using them in a
class B modulator far outweighed their
deficiencies.
There were no computers in those
days, which meant that slide rules,
charts, technical manuals and many
note books were needed to accomplish
the design tasks. The accompanying
photographs show just a few pages
from Bill’s note books. Some of the information has faded over time but the
test notes and rough circuit diagrams
can still be seen.
The 6N7 was normally used with
July 2004 99
was about to be made obsolete. One
example was the use of a dynamic
microphone, as previously featured
in the predecessors to the WS22 and
WS122.
Tropical proofing
Also in Bill’s notebook are the original test figures on the WS22 and WS122
prototypes.
zero bias but Bill decided to run it
with a bias of -6V to minimise current
drain – even though it may not then
provide 10W output. The 6N7 required
only voltage drive until the audio drive
signal overcame the bias, after which it
required power as grid current would
then be drawn by the valve. This made
the design of the driver transformer
more difficult and made the load on
the 1F5G driver valve (and receiver
output valve) quite variable.
As a result, there would be significant audio distortion.
However, it was found that negative
feedback from the headphone winding of transformer T4A to the grid of
V3A (1H6G) – the second audio stage
– overcame most of this distortion. Capacitor C41A, which was connected
between the plate of V4A (1F5G) and
its grid, also improved matters and
so the combination of current and
voltage feedback proved to be very
successful.
Bill pleaded with the army to leave
out the requirement to have an MCW
transmit facility, as it made the switching extremely complex. In fact, the inclusion of MCW meant that six relays
were required in the set. However, the
military refused to change the requirement and no satisfactory reason was
ever given to Bill for its inclusion.
I subsequently spoke with Tony
Bell in South Australia on this subject
and his thoughts were that MCW was
included so that simpler AM-only
receivers could be used with the 122
if need be.
Geoff Frew and Lindsay Cobb (both
now deceased) relied extensively
on their pre-war experience during
the design phase of the WS122. As a
result, many new designs copied the
best features of older equipment that
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In the early days, there were many
lessons to be learnt about building
equipment for use in hot, humid locations such as New Guinea. It was not
uncommon for equipment to come
back for service with fungus growing
in it and with open-circuit transformer
windings and so on. A lot of this early
equipment became useless in a very
short time indeed.
However, the lessons were learnt
quickly and before the 22/122 went
into service, nylon covered wire and
potted transformers were installed.
In fact, these sets was almost hermetically sealed, as described in the
October 2002 issue. All equipment
for use in the tropics was then tested
in an environmental cabinet at 100%
humidity and 100°F.
The design and prototypes were
accepted by the Australian Army on
14/3/1944. As far as can be determined, each 122 transceiver cost about
1000 pounds, with Bill being paid 6
pounds per week at that time.
And so the design of one of the icons
of portable military radio transceivers
was now complete. Bill’s contribution can be readily appreciated and
gives us an idea of the work that went
into designing this and similar radio
equipment.
Unfortunately, I haven’t been able to
provide any detailed information on
just how Geoff Frew and Lindsay Cobb
went about the design of their sections
of the set. However, it’s obvious that
some very competent engineers were
responsible for the WS22 and WS122
transceivers.
I asked Bill whether he would have
liked to have serviced the 122. His
answer was “No”. For its time, there
was a lot packed into a relatively small
space, so servicing wasn’t easy.
Life after Radio Corporation
Bill subsequently left Radio Corporation in June 1945 and joined the
CSIR, which was the predecessor to the
CSIRO. Although he wasn’t involved
in designing radio communications
or entertainment equipment for CSIR,
he was involved in the design of highpower radio frequency (RF) heating
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units to dry timber and to glue timber
sections together. These units were,
in reality, crude high-power (400-500
watts) radio transmitters.
He worked on many interesting projects while in the CSIRO,
particularly high-precision test
instruments. In many cases, it
was necessary to develop new
techniques to obtain the accuracy
and precision needed.
So, overall, Bill has had an
interesting and varied career in
radio and electronics engineering.
He even became involved with
valve computers around 1969. He
retired from the CSIRO in 1983,
after a career of more than 40 years
in radio and electronics. He is now
living in contented retirement in a
beachside suburb of Melbourne.
Photo Gallery: 1939 HMV 449
One of a series of mantel receivers produced by
The Gramophone Company
(Sydney) in 1939, the HMV
449 was a 4-valve superheterodyne unit fitted with
a 6-inch (150mm) electrodynamic loudspeaker. The
valve line-up was as follows:
6A8-G frequency changer,
6G8G IF amplifier/detector/
AVC rectifier, EL3NG audio
output and 5Y3-G rectifier.
Photo: Historical Radio Society of Australia, Inc.
Geoff Frew & Lindsay Cobb
Bill felt that he was getting too
much of the limelight in this article
(the draft was sent to him for approval)
and believed that as much information about the other two designers of
the WS122 should be included. As a
result, Bill put together some notes
on these two very talented engineers.
In 1943, Radio Corporation had an
RF design department of about 15 staff.
There were many other sections such
as a machine shop, drawing office,
transformer manufacturing section,
etc.
In the RF design section (Research
Section), the main receiver design
work was done by Lindsay Cobb. Lindsay had been with Radio Corporation
for many years and was involved in
the design of radio receivers for the
domestic and other markets. Many fine
designs can be attributed to him and
he stayed with the company until his
untimely death around 1960.
During Bill’s time at Radio Corporation (1943-45), most of the transmitter
design work was done by Geoff Frew.
Geoff had come on strength with Radio
Corporation during the war. According
to Bill, Geoff’s experience before joining Radio Corporation included the
design of car radios and vibrator power
supplies. His qualifications were in
civil engineering but he switched to
radio design, in which he excelled.
Geoff Frew left Radio Corporation
after VJ day (the day of the Japanese
surrender) to concentrate on his own
small private company. He initially
made moisture meters for the timber
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trade under the trade name of
“Techtron” but soon expanded into
making attenuators, audio signal generators (20Hz - 200kHz) and low RF
level vacuum-tube voltmeters.
His crowning glory came when he
made the prototype and production
models of the Atomic Absorption
Spectrophotometer in about 1964 for
the CSIRO. He continued to make
these for world-wide supply until
1967, when his business was bought
by Varian Associates. Geoff was the
complete radio and electronics designer and he died around 1975.
Others who made it happen
Although Lindsay, Geoff and Bill
designed the transceiver circuit, there
was also a team of people who made
the WS22/122 transceiver a reality
when it came to manufacturing the
unit. These people did all the “nuts
and bolts” work on designing the
chassis layout, the wiring looms and
the positions of the front panel controls – and this isn’t a simple task in
a complex piece of equipment like
the 22/122.
It is important that a piece of equipment must work properly under all
conditions and component layout can
be quite critical. Tropic proofing and
semi-hermetically sealing the complete transceiver and power supply
was also a very important activity that
was taken on by this team.
In addition, they devised carrying
cases, wrote an instruction manual and
did lots of other “little” jobs to make
the design a success. Their names have
all probably been lost in history but
without them this highly successful
transceiver would never have been
more than a prototype.
Summary
The brilliant trio of Cobb, Frew and
Clarke designed a cutting edge military
transceiver that was well ahead of
its time in a number of design areas.
In fact, it was still considered quite
suitable for use in many communications services for many years after the
war finished. It only finally became
obsolete when single sideband (SSB)
transmissions became mandatory in
the late 1970s.
Lindsay Cobb and Geoff Frew were
Bill’s mentors, providing him with
invaluable assistance for his future
career. Of course, it would have been
tremendous to have been able to talk
with both Lindsay and Geoff as well
but I’m about 40 years too late.
And so, many thanks to Bill Clarke
for sharing some of the history of radio design in the 1940s. It really was
intriguing to learn how the WS22/122
SC
transceivers were designed.
July 2004 101
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