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Vintage Radio
By RODNEY CHAMPNESS, VK3UG
Those troublesome capacitors, Pt.1
Capacitors – especially paper capacitors –
have long claimed the crown for being the
most troublesome components in vintage
radios. They are even more troublesome than
valves, which are often made the scapegoat
for other faults in a set.
Confronted with a faulty vintage
radio, the first thing many restorers
look for is a faulty valve. Perhaps it’s
because they look more fragile than
other components or perhaps it’s
because they’re easier to replace than
a “wired-in” component like a paper
capacitor.
Often however, the problem lies
elsewhere and paper capacitors are
notorious for causing problems in vintage radios. As a result, many vintage
radio enthusiasts spend a great deal of
time checking and replacing capaci-
tors when restoring a set.
In fact, some take a blanket approach
and replace most, if not all, capacitors
in a set. However, that’s not always
the best approach – some will almost
certainly need replacement but generally not all.
Radio servicing
Many years ago, when I was a radio
serviceman, paper capacitors were just
as troublesome in valve radios as they
are now. Typically, the set’s sound
would gradually distort over a period
of approximately an hour, or the sound
would become intermittent, fading out
over a minute or so and then suddenly
blaring out at full volume again.
Although it was possible to painstakingly check each stage and eventually
locate the offending component, this
usually wasn’t the best approach. In
those days, we didn’t have the range of
quality test instruments that we have
today. Of course, it was always pleasing to find the offending component,
if at all possible (Sherlock Holmes
had just successfully solved another
mystery). However, this approach was
usually very labour intensive and time
consuming.
I also reasoned that if one paper
capacitor was faulty, then others were
likely to become defective within a
short time. And that could mean that
the set would be back with the “same
fault” after just a few weeks or months
and my reputation would suffer.
As a result, I quickly came to the
conclusion that it was more economic
to replace all the paper capacitors in
one fell swoop. The fault would be
fixed (but I wouldn’t know which
component was faulty) and a batch of
new capacitors would give years of
trouble-free service.
Or would they? Unfortunately, at
that time, the replacements were the
Ducons and UCC capacitors of the
1950s and early 60s. These proved to
be quite troublesome in service.
Capacitor faults
Capacitors that are deformed should be replaced. However, if a capacitor
appears OK, it may still be used in many circuit locations even if it is leaky.
90 Silicon Chip
So what faults did paper capacitors
have? Basically, there were three different types of fault that occurred.
The most common fault was leakage
resistance which varied with voltage
and temperature. This could vary from
a few thousand ohms up to hundreds
of megohms, depending on the capacitor and its manufacturer. As a result,
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These old paper capacitors have obviously seen better days and have been
replaced. If you want to maintain authenticity, you can often use the “shell” of
an old capacitor to hide a modern replacement.
the capacitor looked like a capacitor
with a parallel resistance.
The second type of fault involved
poor contact between the end plate in
the capacitor (attached to the pigtail)
and the coiled ends of the capacitor
plates. In that case, the capacitor
would intermittently go open circuit
but just touching a test prod almost
anywhere in the set would cause the
capacitor to temporarily “come good”.
This type of fault was difficult to track
down to a single unit.
The third type of fault was somewhat more common in early paper
capacitors. A paper capacitor is made
of sheets of specially treated paper,
with two foils in between the sheets.
These are wound rather like sticky
tape on a roll and the foils may only
be attached to the pigtail at one end
of the wound layers.
A capacitor made this way (or heading this way in service) can be quite
inductive and will not do a good job
in RF circuits. It may test perfectly for
capacitance and leakage but it won’t
work in the circuit. Again, this can be
a tricky fault to find.
It will be quite obvious to those who
read the “Serviceman’s Log” that bulk
replacement of some components is
done today, even though most will be
quite OK. The fact is, it’s far more economical to replace many small components that could cause a particular
fault rather than spend time tracking
down an individual culprit.
Of course, it will be obvious which
component is at fault in many cases.
However, it pays to replace “innocent”
components that could be intermittent
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and which may have caused the other
parts to fail.
Restoring old radios
To ensure high reliability in vintage
sets, all the paper capacitors can be
replaced with modern (and much
more reliable) polyester or styroseal
capacitors. In fact, this is often done
as a matter of course by many vintage
radio buffs. It’s also a technique that’s
often employed by less experienced
restorers to fix a problem they are not
familiar with.
I was initially guilty of this approach
too, probably as a result of my servicing experiences. However, sometimes
I didn’t have enough capacitors to do
the complete job and I eventually began to wonder if it really was necessary
to replace all paper capacitors.
The answer to this is “no, it isn’t”
and the reason is quite simple – many
are not in positions where they can
cause trouble, despite having measurable leakage. Of course, the exact
amount of leakage that is tolerable in
any location is an elastic figure – it all
depends where the capacitor is located
in the circuit. In short, “if it ain’t broke
don’t fix it”!
In addition, needlessly replacing all
the original paper capacitors detracts
from the set’s authenticity – at least
when it comes to appearance. There
is an alternative though and that is
to remove the innards of the paper
capacitors and hide polyester capacitors inside the vacated cases. That way,
the capacitors look authentic but now
work reliably.
For further information on how to
A high-voltage insulation tester is
useful for checking capacitors out of
circuit.
do this, the Historical Radio Society
of Australia magazine “Radio Waves”
had an article in its January 2004 issue
on this very subject.
The decision to replace a paper
capacitor will depend on its leakage
resistance, its location in the circuit
and the component values around it.
However, there are some capacitors
that must have negligible or unmeasurable leakage resistance. These are
the audio coupler between the plate
of the first audio stage and the output
valve grid and the AGC/AVC bypass
capacitors. I routinely replace these capacitors without even bothering to test
them, particularly the audio coupler.
Cathode bypass capacitors can be
extremely leaky and still be “satisfactory” as far as the circuit is concerned.
However, if their leakage resistance
is below around a megohm or two, I
would still replace them as the leakage
may be due to another fault which then
needs to be tracked down.
Example sets
It has always been my philosophy
to place the least strain possible on
components within a receiver. This
sometimes involves making slight
alterations to circuits to achieve this
aim, as detailed for the two example
circuits presented below and in Pt.2
next month. The less strain on a part,
the more reliable it is likely to be.
October 2004 91
Electrolytic capacitors can also be unreliable and need to be carefully checked,
both for leakage and for capacitance value. Again, you can hide modern units
inside the “shells” of the originals to keep the appearance authentic.
My first example is the Healing
R401E/S401E, a simple 4-valve superhet receiver. This set places relatively
little stress on its capacitors and is also
quite tolerant of leakage resistance.
Pt.2 next month covers the Healing
505E, a 5-valve superhet. By contrast
with the 401E, this set has a number of
capacitors that are either under significant stress or are in places where very
little leakage can be tolerated.
The Healing R401E/S401E
The R401E has no AGC and only one
audio stage, so that greatly simplifies
matters. Generally, bypass capacitors
(such as a screen bypass) can have a
leakage resistance of 10 times the value
of the screen dropping resistor and the
performance of the set will be little
affected (if noticeable at all).
In practice, I prefer to limit the
leakage resistance to something like
20 times, with a minimum of around
2MΩ. In this case, screen bypass capacitor C8 could have a leakage of 20
times the value of R5 (20kΩ) which
is 0.4MΩ but as just stated, I would
replace it if it were below 2MΩ just
to be on the safe side.
Note that C8’s voltage rating is
400V, although the operating voltage
is around 116V. However, the voltage
across this capacitor could be as high
as 330V just after switch-on, as the
5Y3GT is operating and supplying
peak DC voltage well before the other
valves start drawing any current.
C3 is used as an RF bypass and
is connected to potentiometer R1
which has a resistance of 50kΩ. Even
with R1’s moving arm at the centre
of its travel, the maximum resistance
to earth is around 14kΩ and so the
maximum voltage across C3 is only
about 35V. As a result, C3 isn’t highly
This photo shows
a couple of old
Ducon paper
capacitors. They
were notoriously
unreliable.
92 Silicon Chip
stressed and it can be quite leaky at
perhaps 300kΩ and still cause no
problems in the set.
C9 is the cathode bypass for both of
the radio frequency (RF) valves (6A8G
& EBF35). This capacitor is in parallel
with R3 which in turn is in series with
R4 and R1 in parallel. As a result, the
resistance from the cathodes of these
two valves to earth is around 3kΩ
and so the leakage across C9 could
be as low as 60kΩ without causing
problems.
By contrast, C10 is a mica capacitor
and it must have very low leakage – ie,
greater than 20MΩ internal resistance.
In practice, mica capacitors generally
have extremely low leakage (high resistance) and rarely need replacing.
Next, we come to the critical audio
coupler – capacitor C11. Resistor R7
has a value of 1MΩ, so as a rule of
thumb, I would expect C11 to have
greater than 20MΩ of resistance or
I would replace it. There’s not much
voltage across this capacitor though, so
it’s quite unstressed in this circuit.
The voltage across C10 will vary
from around +35V to perhaps +20V,
depending on the setting of the volume control and the strength of the
received station. Assuming that C11
has a resistance of 20MΩ, this means
that the voltage at the junction of R7
and C11 will be just under +2V. This
voltage is applied to the grid of the
6V6G and will cause it to draw more
current, so the voltage across R8 rises
by almost 2V to almost bring the stage
back to its correct bias.
In greater detail, the normal bias
on a 6V6G running from a 250V HT
supply is around 12.5V. If it has +2V
on the grid, the cathode voltage has to
rise to 14.5V to cancel the effect of the
positive grid voltage. As a result, the
valve will draw 14.5/12.5 times its intended current, or about 16% more (of
course, this increase would be much
greater with a valve that requires just
5V of bias).
In this set, a 20MΩ leakage across
C11 is probably acceptable as the valve
is not being pushed hard. However, I
would still replace it if it were below
50MΩ leakage resistance. Note that
although the maximum voltage across
this capacitor is only 35V, it is rated
at 600V!
Next on the list is C13 which is
wired from the plate of the 6V6GT to
its screen. It acts as an elementary tone
control (so that the set doesn’t sound
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Fig.1: the Healing R401E is a fairly simple 4-valve superhet
receiver. Most of its paper capacitors are in non-critical
locations when it comes to leakage.
“screechy”) and as an RF bypass to filter
out any residual 455kHz energy in the
audio amplifier. Once again, there is
only around 40V DC and about 150V of
audio impressed across this capacitor
which is also rated at 600V.
R9 and output transformer T2’s
primary are connected in series across
C13 and have a combined resistance
of about 4.5kΩ. Once again, this capacitor could theoretically be quite
leaky at around 20 times this value (ie,
90kΩ) without having any real affect
on the set.
Photo Gallery: Breville 621 Pick-Me-Up-4
Only C8 is stressed
In summary, there’s only one paper
capacitor in this set that’s under any
real stress and that’s screen bypass
capacitor C8. The others all have
quite an easy life and can have quite
high leakage without upsetting the
operation of the receiver. This means
that you may not have to replace any
paper capacitors when restoring this
set (except for C8), which is contrary
to what many people have believed
in the past.
Next month, we’ll examine the
paper capacitors in the Healing 505E
receiver. This set is far less tolerant
of leaky capacitors than the 401E, as
we shall see.
SC
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Introduced in 1947 by Breville Radio, Sydney, the 621 was housed
in a painted metal cabinet fitted with a carrying handle. However,
the set wasn’t really a portable, being designed for mains-only
operation. The valve line-up was as follows: EK2G frequency
changer; 6G8-G reflexed IF/audio amplifier/AVC rectifier; 6V6-GT
audio output; and 5Y3-GT rectifier. Photo: Historical Radio Society
of Australia, Inc.
October 2004 93
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