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SILICON
CHIP
www.siliconchip.com.au
Publisher & Editor-in-Chief
Leo Simpson, B.Bus., FAICD
Production Manager
Greg Swain, B.Sc.(Hons.)
Technical Editor
Peter Smith
Technical Staff
John Clarke, B.E.(Elec.)
Ross Tester
Jim Rowe, B.A., B.Sc, VK2ZLO
Reader Services
Ann Jenkinson
Advertising Enquiries
Lawrence Smith
Benedictus Smith Pty Ltd
Phone (02) 9211 8035
Fax: (02) 9211 0068
lawrence<at>benedictus-smith.com
Regular Contributors
Brendan Akhurst
Rodney Champness, VK3UG
Julian Edgar, Dip.T.(Sec.), B.Ed,
Grad.Dip.Jnl
Mike Sheriff, B.Sc, VK2YFK
Stan Swan
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2 Silicon Chip
Publisher’s Letter
Valve amplifiers and
self-delusion
Well, we certainly seem to have struck a
chord with the publication of the Mudlark valve
amplifier design in the preceding two issues,
August and September. We have had some very
enthusiastic letters from readers. At one level,
I can understand the enthusiasm. With their
glowing valves and the heat rising from them,
valve amplifiers can seem almost animate, in
much the same way as a steam locomotive at
rest can seem almost “alive”.
But on a pure performance level, I really cannot understand the attraction.
Many people claim to love the sound of valve amplifiers, citing their “soft”
overload and tendency to produce low-order harmonic distortion instead of
the “highly undesirable high order” harmonic distortion of modern solidstate amplifiers. Now it is one thing for a musician to prefer a valve amplifier
because of the particular sound it can be made to produce when playing a
guitar. It is quite another for someone listening to CDs to prefer the sound of
a valve amplifier over modern solid-state hifi designs which DON’T suffer
at all from high-order harmonic distortion.
Unfortunately, there is lot of myth-making out there in the hifi marketplace and too many people just swallow it. For example, among some
valve enthusiasts, single-ended amplifiers such as the Mudlark are much
preferred over far superior class-AB push-pull valve designs. Partly, this is
because single-ended valve designs have predominantly second harmonic
distortion which is preferable to higher order harmonics. But what people
do not realise is that these single-ended amplifiers have LOTS of secondharmonic distortion.
Furthermore, if you have high harmonic distortion in a circuit, you will
ALWAYS have high intermodulation distortion. This is never mentioned
when you hear people waxing lyrical about valve amplifiers. Intermodulation
is the product of two different tones fed to a system – sum and difference
frequencies are the result and these are never harmonically related to the
input tones. On complex orchestral and choral music, high intermodulation
sounds horrible.
Interestingly, before the advent of solid-state amplifiers, high quality
push-pull valve amplifiers were the order of the day – single-ended designs
were regarded with disdain.
But forgetting distortion – and many valve amplifier enthusiasts seem
happy to do this – there is a huge amount of nonsense being circulated about
valve amplifiers. For example, printed circuit boards are regarded (by some
self-appointed gurus) as undesirable because they can lead to earth loops
while supposedly, such problems do not exist in amplifiers with pointto-point wiring! In fact, some amplifiers are assembled with silver wiring
because this supposedly minimises earth loop problems. What utter drivel!
By all means, build and listen to valve amplifiers if that is what you enjoy.
They do sound quite different to the best solid-state amplifiers. They can
even sound very pleasant. But to genuinely believe that typical valve amplifiers with low orders of feedback are more “hifi” and sound better than the
best solid-state amplifiers is merely self delusion.
Leo Simpson
siliconchip.com.au
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