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Vintage Radio
By RODNEY CHAMPNESS, VK3UG
The Fisk Radiola 50G battery receiver
Housed in an “Empire State” style Bakelite
cabinet, the Fisk Radiola 50G battery-powered
receiver is capable of both broadcast band and
shortwave reception. It was first produced in
1939 and has a few unusual design “quirks”.
R
ADIO ENGINEER Sir Ernest Fisk
play
ed a vital role in founding
Amalgamated Wireless Australasia
(AWA) and later served as its Managing Director and Chairman. In practice
then, the Fisk Radiola 50G was really
an AWA receiver.
Produced in 1939, this batterypowered receiver used either a 2V
wet cell or an air cell (via a resistor) to
power the filaments. These had a total
current drain of 0.6A but this increased
when the dial lamps are switched on.
However, this extra drain was only
This view shows the excellent condition of the loudspeaker. The 761 bias
battery measures 2V (down from 4.5V) and is overdue for replacement.
94 Silicon Chip
short term, as a switch has to be held
in to actuate the lights.
There’s not a lot of information on
the air cells that were used in this set,
other than that a resistor was needed to
drop their output voltage to 2V. What
little information I can glean indicates
that they have a terminal voltage of
around 1.4V, so two would have been
used in series in this receiver.
The high tension (HT) of 135V was
taken care of by three 45V batteries
connected in series, the current drain
on this line being 13-15mA. In addition, there was a separate bias battery
(type 761) which applied -1.5V, -3.0V
and -4.5V to various sections of the
receiver.
By the way, a variant of the model
50G, designated the 50GV, was also
available. Its circuit was almost the
same but was modified to use a 6V
vibrator power pack.
It’s worth noting that radios at the
start of the 20th century were almost
exclusively battery powered. This
was due mainly to a lack of suitable
filtering components to produce the
pure DC required for the filaments and
plates of the valves.
However, as time progressed, valves
with indirectly heated cathodes made
it easier to design sets for AC mains
operation. At the same time, valves
with lower filament current and voltage requirements were developed
specifically for use in battery-powered
receivers. Eventually, the later dry battery valves that were developed led to
portable receivers using the 1R5, 1T4,
1S5 and 3S4 valve line-up.
In the mid-1930s, valve manufacturers produced many valves that worked
well from a single 2V lead-acid cell
(battery) and three series-connected
45V dry batteries for the HT. In fact,
valves were really coming of age at
that time, with many of the octalsiliconchip.com.au
The Fisk Radiola alongside its shipping carton. It’s quite rare to find the original packaging for old receivers.
based types turning in quite good
performance.
The Fisk Radiola 50G
The Fisk Radiola 50G described here
is as complete as any set I have come
across. It has the original shipping
carton, ancillary items including an
air-cell series resistor and a small aerial
lead, and all the literature that came
with the set. These items make this
particular 50G all the more valuable
and the literature makes interesting
reading.
The 50G and the 50GV (vibrator version) sets used five valves and would
have been quite sensitive receivers
for the time. The valve line-up starts
with a 1C7G converter, followed by
two stages of intermediate frequency
(IF) amplification on 460kHz using two
1D5G valves. This then feeds both a
detector diode and an automatic volume control (AVC/AGC) diode within
a 1K7G valve. Audio amplification is
then achieved using the pentode section of the 1K7G valve which in turn
feeds a 1L5G audio output valve.
These were all octal-based battery valves, used from the late 1930s
through to the early 1950s.
Dual-wave operation
An interesting feature of the 50G is
that it is a dual-wave radio. The origisiliconchip.com.au
The chassis easily fits into the
tall cabinet and is still in good
condition.
April 2006 95
nal versions covered 550-1500kHz on
the broadcast band and 6-18MHz on
the shortwave band but the broadcast
band was later extended to cover 5301600kHz.
Dual-wave operation was quite
pop
ular in those times, with many
Australians interested in listening to
radio stations in Europe and to the
BBC – especially when the test cricket
was on.
Battery sets were mostly used in
areas where a mains electricity supply was unavailable and that usually
meant on farms and on remote stations well away from towns and cities. Receivers like the 50G were quite
reasonably sensitive although they
would have been a little noisy due to
the noise generated by the 1C7G.
Pentagrid converter valves generate more noise internally than triode
hexode valves such as the 6AN7. To
overcome this problem, a substantial
outside antenna would have been required. However, large outside antennas were installed as a matter of course
in those days, so the noise generated
by the 1C7G would usually have been
swamped by strong radio signals.
As with many other receivers, there
was no RF amplifier stage in this set.
This meant that the band-change
switching could be kept simple and
that in turn meant lower cost.
Main features
The above chassis (top) and under chassis views. No components appear to
have been replaced in the set.
96 Silicon Chip
As shown in the photos, the receiver
is installed in a brown bakelite cabinet,
with Empire State styling. This cabinet
was made using three separate pressings. The front plate of the set is one
pressing, the back is another and the
main pressing (body of the cabinet)
holds the chassis.
The cabinet is in extremely good
condition and will need little if any
work done on it (the reflection off the
front panel gives a false impression of
its condition). In fact, the set’s owner,
Brian Lackie, is in two minds as to
whether he will restore this set, as it
has had so little work. It is so complete
that it may be best to leave it in its
original state.
The front-panel controls, from left to
right, are “Tone”, “Volume”, “Tuning
and Dial Lamp” (concentric knobs),
and “Off-On and Wave Change”. The
idea of the wave change and on/off
control being on a 3-way switch has
me wondering why AWA did this, as
there are nine sections to the switch.
siliconchip.com.au
Silicon Chip
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REAL
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AT
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PLUS P
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Fig.1: the circuit of the Fisk Radiola 50G. This battery-powered set used five
valves and was capable of both broadcast band and shortwave reception.
H SILICON CHIP logo printed in
gold-coloured lettering on spine
& cover
H Buy five and get them postage
free!
Price: $A12.95 plus $A7.00 p&p per
order. Available only in Australia.
Just fill in the handy order form
in this issue; or fax (02) 9979
6503; or ring (02) 9979 5644 &
quote your credit card number.
As well as its original shipping carton, the Fisk Radiola 50G also came
with all its supplied literature.
However, one advantage of this
switch mechanism is that in the off
position, the antenna was isolated from
the aerial coils. This meant that with a
big high antenna, there was less likelihood of damage to the aerial-coil due
to nearby electrical storms. The only
error they made here was that the aerial
was not earthed when the set was
switched off (there is a spare contact
that could have achieved this).
The dial lamps were actuated by
pressing the concentric knob on the
tuning shaft. This illuminated the secsiliconchip.com.au
tion of the dial that related to the band
in use. In practice, however, pressing
this control and tuning at the same
time is quite awkward.
The 50G, like most battery sets of the
era, used a “C” bias battery to provide
the necessary operating conditions for
the valves. In this receiver, a 4.5V 761
battery is used with taps at -3V and
-1.5V. The -4.5V rail is used to bias
the 1L5G only.
For some strange reason, when the
set is switched on, a 600W resistor is
placed across the battery, giving a cur-
rent drain of 7.5mA for no good reason
that I can think of. By contrast, the
vibrator-powered version (the 50GV)
does not have a resistor loading the
bias battery.
In fact, bias batteries usually have
no load placed on them and are simply
there to provide the bias voltages. They
will last for years when used that way
but not in this receiver.
A bias of -1.5V is applied to the
grid of the 1K7G, while the -3V line is
connected to the 1C7G’s signal input
grid via a resistor when the set is on
shortwave (instead of the AGC control
voltage that’s applied on the broadcast
band).
Conversely, the second IF stage has
-3V applied to it when the set is tuned
to the broadcast band but has AGC applied to it when on shortwave.
Dismantling the receiver
This set is easy to dismantle. First,
the five knobs are removed, followed
by five screws which hold the back on
and four screws that attach the chassis
to the cabinet. Fortunately, the speaker
and dial-scale are all attached to the
chassis, which makes the job simple
April 2006 97
Photo Gallery: AWA 516MZ 4-Valve Receiver
Manufactured by AWA, Sydney, the AWA 516MZ series was introduced in
1947 and continued in production until 1949. These 4-valve mains-operated
receivers were available in a number of different colours, with the brownwhite mottled set shown here being one of the less common. The valve
line-up was as follows: 6A8-G frequency changer; 6G8-G reflexed IF amplifier/first audio amplifier/detector/AVC rectifier; 6V6-GT audio output; and
5Y3-GT rectifier. Photo: Historical Radio Society of Australia, Inc.
– and it makes service and alignment
so much easier.
Once the chassis is out, the components on top are relatively easy
to access. Similarly, access to the
under-chassis components is quite
reasonable, although access around
the wave-change switch is a little
tight. It appears that no components
have been replaced during the life of
the set and it has had very little use
over the years.
In fact, this set has been very well
looked after and has obviously been
stored in ideal conditions during the
last 66 years. Even the loudspeaker is
in pristine condition, which is rare in
a set of this age.
Restoration
The cabinet will not need anything
doing to it as it has already been polished and is looking good. There are
a couple of small holes in the speaker
cloth though and replacement may be
the only real answer here.
More seriously, the wiring in the
battery loom has perished and if the set
is to be fully restored to working condition, this will also need to be replaced.
I faced a similar dilemma with the
98 Silicon Chip
battery leads when I restored an AWA
battery receiver last year. In that case,
I was unable to slip the woven brown
sheath off the wires, probably because
the perished wiring had adhered to the
inside of the sheath.
Whether Brian will be able to find a
way to remove the sleeve in this case
remains to be seen. Certainly, the set
cannot be made to operate unless the
leads are replaced. The 2V battery clips
also need replacing, as corrosion is
quite evident on them.
The resistors and capacitors will
have to be checked in the usual manner. Usually, the resistors are relatively
close to their nominal values and don’t
need replacement. The capacitors are
a different story – they may be close
to their nominal values but the paper
units are likely to have high leakage
(low resistance).
As a matter of routine, I would replace the audio coupling capacitors
(C30 and C34) and the AGC bypass
capacitors (C5, C7 & C25) without
hesitation but other paper capacitors
may also need replacing.
Keeping up appearances
If this set is to be kept in as near to
original as possible, it’s essential to
preserve its appearance. Although the
capacitors can be replaced with the
newer yellow-coloured polyesters on
the HT lines and with low-voltage disc
ceramic types on the AGC line, these
will not look authentic.
The solution to this problem is to
carefully remove the “insides” of the
defective capacitors and fit the newer
more compact capacitors inside the
casings. The ends of the old capacitor
cases can then be resealed using the
wax or pitch-like material that was
originally used.
From past experience, most (if not
all) the valves will be in good order,
although occasionally a new valve will
be required. The alignment should also
be reasonably close to the original settings but should still be checked.
There are six IF adjustments on
460kHz. The front end is aligned at
600kHz and 1400kHz on the broadcast
band and at 18 metres on the shortwave band. Note that the alignment on
shortwave in this set, like most others
of the era, is very rough and ready. The
set is aligned at 18 metres which means
that the local oscillator and the aerial
coil are aligned for best performance
at this wavelength (which equates to
16.666667MHz).
However, there is no provision for
tracking or accurately aligning the
tuned circuits on shortwave. Instead,
the way to use such sets is to mark
where your favourite shortwave stations appear on the dial and not rely
on the dial calibrations, as they may
be up to 1MHz out. Additionally, at
the 16-metre end of the dial, many
stations will be heard at two spots on
the dial, some 920kHz apart (ie, twice
the intermediate frequency).
Summary
This receiver has a few design quirks
that, although unusual, do not adversely affect its operation. However, when
the set was being designed, I suspect
that problems were encountered with
the oscillator dropping out on both the
shortwave and broadcast bands.
To overcome this problem, padder feedback capacitors were fitted
to both oscillator coils. The relevant
components are C12 & C13 on the
broadcast band and C16 & C17 on the
shortwave band.
In summary, this 50G receiver is a
very worthwhile set to have in any
SC
collection.
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