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Building the
ULTIMATE
When we ran out of space last month, we were just about to start
installing the electronics. So let’s get that finished and start blasting
the neighbours . . .
B
elow the speaker “box” is the
space for the electronics assembly. Inserted from the rear,
it consists of (a) the amplifier; (b) the
preamplifier; (c) the master volume
control; (d) the amplifier power
supply (including transformer, fuse
and on/off switch); (e) the notebook
computer power supply; and (f) the
USB hard disk drive (or maybe even
two – there is plenty of room).
These are all mounted on a 2mm
aluminimum plate measuring 435 x
350mm, with the longer edge bent up
90° at the 50mm mark.
A 125mm cutout is made in the
middle which allows the heatsink to
mount on the outer (vertical) surface
and the amplifier PC board on its 10mm
standoffs on the horizontal plate.
Refer to our photographs and diagrams to see the layout. In general,
the “noisy” bits – the transformer and
computer supply – are kept well away
from the amplifier input.
The amplifier itself mounts with its
heatsink on the outside of the bent-up
section and is secured to it with two
3mm screws (we tapped the heatsink
for convenience). Two screws from the
underside mate with the 9mm tapped
standoffs holding the amplifier firmly
in place.
By the way, we’re assuming you
have built the amplifier module and
set it up as per the instructions (including setting the quiescent current
with resistors), so we are not going
to re-invent wheels here! Similarly,
the ±40V and ±15V power supply:
it’s pretty-much self-explanatory and
we don’t envisage anyone having any
problems putting this together. Fairly
obviously, you need to have this completed to set the amplifier quiescent
current!
By the way, the -15V supply is not
used. We know it’s a waste of a few
cents worth of components but if you
got them in a kit, you might as well
put them in anyway. You never know
– one of these days you might need a
±15V supply!
With only the mains transformer
connected, confirm that you do indeed
have +40V, 0V & -40V and +15V, 0V
& -15V at the appropriate terminals.
The Ultimate Jukebox in block diagram form. The green blocks are pre-existing SILICON
CHIP projects, with the obvious exception of the notebook computer and its peripherals
and the commercial speaker crossover. Note that the PreCHAMP is slightly modified
from the published design – this is fully explained in the text.
88 Silicon Chip
siliconchip.com.au
JUKEBOX
Part 3
by Ross Tester
Better to find a power supply error now
than have the power amplifier tell you
in spectactular fashion!
The preamplifier
This really is a very simple preamp.
Follow the instructions with your
PreCHAMP kit but make the following changes: the 100kW resistor in the
voltage divider in the base of Q1 should
be increased to 120kW and Q1’s 100W
emitter resistor should be increased
to 560W.
If for some reason you find you do
need more gain, this resistor could be
decreased to, say, 330W.
Before use we’d suggest that you
measure a couple of voltages to be
sure, to be sure. First, with nothing
connected except power (+15V and 0V
from the power supply board), measure the DC voltage across the output
terminals. It might first of all indicate
a small voltage but quickly settle down
to close to zero (anything up to a few
tens of millivolts).
Second, check the voltage at the input terminals: again, it should be next
to nothing (anything higher than this
The output from the computer headphone socket is stereo – two 5.6kW
resistors sum this to mono and prevent
interraction between channels. We
used 1/8W types – but 1/4W should also
(just!) fit inside the plug. Make sure
neither short to each other nor to earth!
siliconchip.com.au
February 2006 89
Apart from the speakers, crossover and computer, everything mounts on an aluminium chassis or “tray” with a 50mm
vertical lip on one edge. It’s shown here without the safety cover over the mains wiring. Compare this picture with the
drawing at right. Yes, there are a couple of minor differences (eg, the earth wire is routed slightly differently)!
indicates a fault which could damage
your notebook computer).
Finally, measure the voltage between
Q2’s collector and 0V (eg, across the
2.2kW resistor). It should be pretty close
to half the supply voltage (our supply
voltage was 15.2V and we measured
7.8V). With these checks all OK, you
can be pretty confident your preamp
is working fine!
plate with “U” brackets made from the
piece we cut out of the top aluminium
plate – so both were already carpet
covered (and hence wouldn’t damage
the units underneath).
Finally, along the front “lip” is
mounted an IEC connector with integral mains fuse and the on/off switch
(illuminated type), with their heatshrink-insulated wiring connecting to
Putting it all together
Refer to both the photographs and
the diagram opposite.
The power supply mounts on its
standoffs immediately behind the
amplifier board, with the toroidal
transformer alongside.
Behind the power supply is mounted
the notebook supply (in case we want
to use the notebook outside the jukebox
in the future, we bought a spare supply
for the jukebox on eBay for $25).
The supply, along with the USB hard
disk, is held onto the aluminium base90 Silicon Chip
Here’s the “PreCHAMP” preamplifier from our July ’94 issue – an oldie but a
goodie! The green text and components show the altered/added components
from the original. They’re basically to throttle the gain somewhat and also
allow the circuit to run from a higher voltage (15V vs 12V originally).
siliconchip.com.au
The complete “electronics” section of the Ultimate Jukebox, which fits into an L-shaped chassis or tray in its own
compartment underneath the speaker “box”. Not shown on this diagram (for clarity) are the lengths of heatshrink tubing
which protect all the 240V AC connections (they are clearly visible in the photo). To be doubly sure, the entire area
(IEC socket, switch and terminal block) is then protected with U-shaped aluminium cover which prevents any possible
contact with mains wiring. Remember, this area is open to the back of the jukebox so you cannot be too careful.
siliconchip.com.au
February 2006 91
the transformer via a mains terminal
block, insulated from the aluminium
underneath by sitting it on a piece of
blank PC board (just in case of a stray
strand of wire!).
There is a good reason for using
a IEC connector instead of a captive
mains cord: safety. We didn’t like the
idea of a flailing mains cord when the
jukebox is being transported so we
made it removable.
On the opposite side of the lip is
mounted a 10kW pot which becomes
a master volume control (volume is
set on screen but this is effectively an
over-ride to ensure noisy parties can
be limited by the host as people keep
on turning up the on-screen control).
Take care with the mains wiring,
especially the earth wiring – follow our
diagrams to the letter and remember
to cover all mains connections (eg, to
the IEC socket and mains switch) with
heatshrink tubing!
When everything is completed, some
form of mechanical barrier needs to be
fitted covering the mains connector, on/
off switch and terminal block – ie, all
the bitey bits. We haven’t shown this in
either the diagram or the photographs
because we wanted to make sure you
could see everything underneath. Don’t
you forget it, though!
Connecting it all up
We’ve already covered the output
(speaker) wiring – all you need do
is connect the crossover input to the
amplifier output.
The audio line coming down from
the notebook computer headphone
socket connects to the preamplifier
input. Its output goes to the master
volume pot. From the wiper of the
pot, the audio line goes to the amplifier input.
Back up the top (notebook) end, the
audio line connects to the headphone
socket via a 3.5mm stereo plug. This
has two 5.6kW resistors (one per chan-
The notebook computer sits in a
“well” made from a U-shaped piece
of 32mm craftwood. This depth
suited this particular notebook
perfectly; other notebooks might
need a deeper or shallower well so
the craftwood thickness would be
adjusted to suit. When the jukebox
is complete, a carpet-covered
aluminium sheet screws over
the top of the craftwood, hiding
everything but the notebook screen
and giving a place for the trackball
to sit.
nel) to sum the stereo signal into mono
before sending it down to the preamp.
These resistors also prevent any interaction between the channels.
We used 1/8W resistors and were
able to mount them inside the 3.5mm
plug, with the solder connection
between them and the shielded audio cable insulated with a length of
heatshrink tube. Standard 1/4W types
should fit – but they’ll be tight.
USB cable & notebook supply
A USB cable also comes up from
below, connecting the USB hard disk to
one of the computer USB ports. In our
case, the hard disk cable wasn’t quite
long enough to make it so we had to
use a USB A-A extension cable.
While this worked fine, we did find
it introduced some computer noise
into the system when the wick was
wound up (on no signal). Still, for a
jukebox, it would hardly be noticed
(if at all).
The computer power supply also
has its output coming up through the
same holes as the USB cable. In this
case, it was long enough.
Finally, the trackball or mouse connects to the appropriate socket: if it’s
a serial device, it will need to go into a
serial socket (if you have one) or via a
USB-to-serial converter to a USB port. If
it’s a USB trackball, it plugs (of course)
straight into the USB port.
Testing it all out
First testing should be done without
the notebook connected (ie, no music
source). Turn the system on for a
smoke test and if none escapes, try the
“blurt” test – turn the master volume
control up a little (not a lot!) and touch
your finger to the tip of the 3.5mm
audio plug. You should be rewarded
with a nice, healthy “blurt”.
Turn the master volume back down
(otherwise you’re going to get a real
crack and thump from the speaker)
and plug in the 3.5mm plug. Most
PC operating systems include some
sample music which you can play to
prove that everything is OK. Or you
could play a CD.
Running “Ultimate Jukebox”
By now, we’ll assume you have
downloaded at least the trial version
of Ultimate Jukebox software (see last
month) and have become conversant
with it.
If so, it’s just a matter of turning
on the system, loading the music
you want on your hard disk(s) from
CD, download, etc, and then telling
The tray for the electronics and the notebook cover plate start out the same size but require cutouts – and the tray needs a
90° bend to support the heatsink and house the power input socket, switch and master volume control. The cutout in the
notebook cover plate depends on the specific notebook computer you use. Don’t throw any scraps away – they’re handy
for brackets to hold the notebook power supply and USB hard disks, along with the mains area safety cover.
92 Silicon Chip
siliconchip.com.au
The view underneath shows the two castors along with the
timber “foot” (camouflaged a bit by the carpet!). Speaker
corner protectors are also added – for protection!
Ultimate Jukebox to add it to the
playlist. When you’ve done this, you
can select the tracks you want to hear
and include them in your playlists, or
choose random, etc.
The software is very powerful once
you get to know it – and you’ll only
learn how to do all this by playing with
it, so play away! Just remember that
when you disconnect the notebook or
turn it off, you should turn down the
master volume control first. The beeps
and other noises that the PC makes
as you do anything can be downright
disconcerting at high level!
Making it lively!
If you saw the Ultimate Jukebox
photo in Part 2 (last month) you would
have to say that yes, it looks impressive
but no, it doesn’t look too “partyish”.
As we mentioned right at the start of
this series, “real” jukeboxes of the
past always had lots of chrome and
flashing lights! The chrome is a bit of
a tall order but the flashing lights we
could handle easily!
But which way to go? We thought
about including some form of “Discolight” controller and including some
coloured lights behind translucent
panels. We also gave that idea away
as overkill!
What we did in the end is simplicity
itself: we (very carefully!) attach ed a
whole swag of ropelight to the edges
of our jukebox using some fine panel
pins. The ropelight we used came
from Jaycar Electronics (Cat. SL-2820
<at> $34.95). At 10m long, it is arguably
siliconchip.com.au
Here’s our towel-rail “handle” – it makes moving
the jukebox that much easier. It’s both stronger
and cheaper than individual handles.
too long for this application. But you
can’t shorten it, so we were stuck with
what we had.
We wound it around and around,
up and down – and then connected
it to the mains terminal block on the
amplifier tray.
It comes with its own little controller which allows you to set a variety
of patterns, so we arranged things to
make this accessible (alongside the
notebook computer) for the punters
to play with!
Driving it from iPODs, etc
We’ve already been asked several
times: can the Ultimate Jukebox be
driven from, say, an iPOD or other personal audio devices?
The answer is a resounding yes!
Just in case you haven’t twigged,
if you don’t want to use a notebook
computer, the modified 3.5mm plug
can also be used with just about any
other audio device with a headphone
socket. Because we have added a
preamp, anything that normally drives
Jaycar’s SL2820 Ropelight is 10m
long, 240V operated and has a variety
of light patterns (set by the black box).
headphones should drive the jukebox
perfectly.
We think you will be pretty surprised by the grunt the Ultimate Jukebox delivers. Despite having “only”
a nominal 50W amplifier, when you
team that up with the sensitive speaker
specified you will have more than
enough power to rock your socks off!
Given that the sensitivity of typical “hifi” speakers is in the 88-90dB
range and the woofer we chose is some
97dB, we’re already starting at least
6dB higher – so the 50W amplifier will
perform as well as a 200W amplifier.
And also given the fact that the
SC480 has a “music power” of 77W
into 8W, it’s that much better again.
It’s finished . . . I think
Well, it’s finished as far as the jukebox itself is concerned. It does exactly
what I wanted it to – and does it very
well! And it sounds really great!
But the first time we used the
Ultimate Jukebox was at a surf club
Christmas Party and it was when I was
dragging the PA amplifier out that I
realised the jukebox could have been
just that much better had I included
a PA function.
Nothing particularly elaborate – provision for a microphone with its own
preamp/mixer, possibly with a wireless microphone á lá the PortaPAL PA
System (SILICON CHIP February 2003).
It would also add significantly to its
usefulness for weddings, parties, etc.
So guess what I’m going to work
on next?
SC
February 2006 93
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