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Vintage Radio
By RODNEY CHAMPNESS, VK3UG
The rare Edison R6 console receiver
Built into an ornate timber cabinet, the Edison
R6 console was a high-performance TRF
receiver with nine valves. It’s quite a rare
receiver with some interesting design features.
D
ESPITE HIS well-known association with the cylinder phonograph,
the name “Edison” is not usually associated with radio receivers. Indeed,
most people are completely unaware
that Edison was ever involved in the
manufacture of radio equipment.
Edison’s association with radio
manufacture came about when his
company purchased the Splitdorf
Radio Corporation of Newark in New
Jersey, USA around 1928. Along
with many other manufacturers in
the 1920s, Splitdorf had been caught
out producing too many radios for a
contracting market at the beginning of
the depression. As a result, the nearbankrupt company was taken over by
Edison to become the Radio Division
of Thomas A. Edison Inc.
The RF chassis (top) sits on a shelf, while the audio output/power supply chassis
rests on the bottom of the cabinet. Note the retrofitted 240V-to-110V mains
transformer at bottom right.
94 Silicon Chip
Edison himself was not directly involved in the Radio Division, having
apparently delegated that responsibility to his son Theodore. Their venture
into radio manufacturing was to be
short-lived however, with production
ceasing by the end of 1930. Hence, only
relatively few sets were produced by
Edison and they are now quite rare.
Early history
Protectionism was rife during the
Edison era and the importation of radio
sets was curtailed by the Australian
Government around about 1930. This
meant that local manufacturers had an
easier time, as they had no effective
overseas competition.
However, it also meant that the
quality designs from overseas had little influence on the Australian market, except where some licensing arrangement could be reached. This
meant that Australians were denied
the chance of owning quite a few very
good receivers, such as the R6 Edison
described in here.
This particular receiver was one of
three imported in 1930 by A. R. Harris Company of Christchurch, New
Zealand. The fate of the other two is
unknown but this one was used by the
Harris family for many years before being put up for auction in Christchurch.
There has been more horse-trading
since then and the set is now part of
a collection on the north coast of New
South Wales, where I believe it will
remain for a long time. It had been
quite skilfully restored by a previous
owner and the only “modification”
is the installation of a 240V-to-115V
transformer to the right of the power
supply/audio output stages, as viewed
from the rear of the set.
Main features
The R6 is built into a timber console
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cabinet which is on turned wooden
legs. By contrast, its R7 sister receiver
is in a lowboy cabinet but shares the
same electronics.
The cabinet is quite attractive and
would have complemented the decor
of the typical 1930s lounge room. It has
two doors which are folded out when
the receiver is in use. In addition, it
features a fancy loudspeaker fretwork
cut-out that looks rather like a large
4-leaf clover and sets the speaker section
of the cabinet off very nicely.
Immediately above the speaker
section is the dial scale and the five
controls. These are, from bottom left
to right, volume, on/off and tone; and
from top left to right, local/distance
and tuning. The “Light-O-Matic” is a
fancy name for the dial-lamp switch. It
is a mechanical switch that illuminates
the dial lamp when the set is tuned
to a selected station. This switching
is accomplished by a contact on the
dial drive system.
They certainly had some rather flash
names for some of the very ordinary
facilities on the radios of the time!
A rear view of the set reveals two
large chassis mounted at different
levels of the cabinet. The upper chassis contains the radio frequency (RF)
amplifiers, the detector, automatic
volume control circuit (AVC/AGC)
and two stages of audio amplification.
The lower and much heavier chassis
houses the power supply and the audio output stages. Both chassis are in
quite good condition, despite the set
now being 75 years old.
This front view shows the Edison R6 console with the cabinet doors open.
R6 circuit details
At the time it was made, TRF
(tun
ed radio frequency) receivers
were the only sets being produced
by manufacturers in large quantities,
with superheterodyne receivers still
largely in the experimental stages.
Some TRF receivers were better than
others and the Edison R6 with its
nine valves shows its quality in terms
of sensitivity, selectivity and audio
performance.
The RF (radio frequency) section
uses no less than three tuned circuits
before the 224 (24) first RF amplifier
stage. Following this stage is another
tuned circuit and a second 224 RF
amplifier. A third 224 RF amplifier
is tuned in the grid circuit but the
plate circuit has what appears to be
a broadbanded circuit which feeds a
227 diode detector and AGC circuit.
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A close-up view of the audio output/power supply chassis and the large electrodynamic loudspeaker. The added 240V/115V transformer looks out of place.
May 2006 95
Fig.1: the Edison R6 is a 9-valve TRF receiver with three RF amplifier stages (224) and a diode detector based on a
227. Two more 227s act as audio stages, while the final audio stage consists of two 245 valves operating in push-pull.
The 80 valve is the rectifier.
The 227 is actually a triode but in
this circuit the plate is earthed (as a
shield) and the grid acts as the diode
plate. Using a diode as the detector can
be considered an advanced feature in
this set. Most other sets used either
anode bend or grid detectors.
Another innovative feature was the
use of AGC on the three RF valves.
AGC was a rarity around 1930. Only
partial AGC is applied to the third
RF amplifier – the 224 is a relatively
sharp cut-off valve and applying a lot
of AGC bias to this stage could cause
distortion. As it is, a local-distance
switch is fitted to alleviate the problem of overloading the RF valves with
strong signals.
Following the detector, two more
227 valves amplify the audio signal
which is then fed to a push-pull audio transformer. This then feeds the
grids of a pair of 245 valves operating
in push-pull, which in turn drive an
output transformer and an electrodynamic speaker.
96 Silicon Chip
To minimise hum in the audio, the
two 245 valves each have a potentiometer across the filament transformer
windings. These two pots have a
ganged moving arm which goes to
earth and is adjusted for minimum
hum in the output.
Power supply
The power supply is conventional,
with considerable attention paid to
filtering. The primary of the transformer is tapped at 105V, 115V and
125V, hence the use of an additional
stepdown transformer in this particular unit.
One interesting feature is the provision of a capacitor on the primary side
of the transformer. The idea here was
that this could be connected to the
aerial (antenna) terminal, so that the
mains could act as an aerial. However,
this type of aerial system was usually
quite noisy due to electrical interference on the mains. In addition, there
was always a risk that the capacitor
could break down and apply mains
voltages to any external antenna, with
possibly fatal results.
Leaving this capacitor disconnected
and using a separate outside antenna
was certainly a much better (and far
safer) idea!
The HT secondary of the mains
transformer is fed to an 80 rectifier
valve (the 80 and 5Y3GT are electrically equivalent). The resulting DC is
then applied to a tapped choke in the
positive supply line, along with three
filter capacitors. The field coil of the
electrodynamic speaker acts as a filter
in the negative line.
Finally, there are four filament
windings on the secondary of the
transformer, one five volt for the rectifier and three 2.5 volt ones for the rest
of the receiver.
Alignment
The five RF circuits are tuned by
two separate tuning capacitors (one
3-gang and one 2-gang), which are
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A close-up view of the Edison R6’s control panel: from bottom left to right,
volume, on/off and tone; and from top left to right, local/distance and tuning.
mechanically coupled together. Although I have never had to align this
receiver, I suspect that it would pay to
carefully follow the correct procedure,
otherwise the performance could be
very mediocre.
There are trimmers across the five
tuning gangs and these would all be
peaked at the high-frequency end
of the tuning range. At first glance,
there don’t appear to be any adjustments at the low-frequency end of
the dial. However, I wonder what the
trimmer capacitors at the bottom ends
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of the RF primary windings on the
two inter-stage transformers are for?
It’s quite possible that these alter the
performance at the low-frequency end
of the dial by changing the apparent
inductance of the two tuned windings.
The first three tuned circuits do not
have this feature. Personally, I would
be tempted to note the positions of the
trimmers and try adjustments at both
ends of the dial to see what happened.
If it all became pear-shaped, at least
they could be set back to their original
positions.
Check it out to see how many you still have.
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first week of the month, contact us at
silchip<at>siliconchip.com.au
In this case, it was unnecessary to
fiddle with the alignment, as the set
is quite sensitive, has good selectivity
and produces good quality audio.
Replacement parts
Most of the fixed capacitors in this
set were replaced in the not too distant
past. In this case, the old capacitors
had been removed from their cases
and the new ones substituted to keep
the chassis looking original. Certainly,
this job has been extremely well done,
the step-down mains transformer beMay 2006 97
The parts on the underside of the RF chassis are very neatly laid out and easy to access. Note the row of coils at top.
Photo Gallery: Healing 527E 5-Valve Console
MANUFACTURED BY A.
G. Healing, Melbourne, in
1946, the model 527E is an
early post-war broadcast
band console receiver. It
featured a large rotating
“barrel” type dial and a
30cm loudspeaker and
combined good performance with attractive
styling. A companion
model, the 577E, was also
produced and this included a shortwave band
that tuned from 7.89MHz
to 24MHz.
The valve line-up was as
follows: 6J8-G frequency
changer; 6U7-G IF amplifier; 6B6-G detector/audio
amplifier/AVC rectifier;
6V6-G audio output; and
5Y3-G rectifier. Photo:
Historical Radio Society
of Australia, Inc.
98 Silicon Chip
ing the only item that’s obviously a
“ring-in”.
Access under each of the chassis
is quite good, with, all components
neatly laid out and quite easy to get at.
Access to the RF coils is also good, and
the coil winding is still in excellent
condition after all these years.
Summary
This is indeed a rare receiver and
is probably the only one of its kind in
Australia. It has a high-quality timber
cabinet and when complete with the
works, is a job for two people to lift.
Both the chassis work and the wiring
is also of good quality.
The set’s performance is superb
and is still quite useful in today’s
world, with stations quite close together in frequency. In summary, the
Radio Division of Thomas A Edison
Inc. produced a fine receiver. If their
other models were of the same quality, they would have been excellent
receivers – although rather expensive, I suspect.
Finally, my thanks to Brian Lackie
for providing the information necesSC
sary for this article.
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