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Vintage Radio
By RODNEY CHAMPNESS, VK3UG
Shortwave converters
from the 1930s
Shortwave converters were popular for a
brief period in the 1930s and 1950s. In an
era when money was tight, they provided
a low-cost means of converting a standard
broadcast-band receiver to shortwave
reception.
This view of the AWA C103/43 converter shows the layout on the top of the
chassis. All parts are readily accessible, making it easy to service.
80 Silicon Chip
I
NITIALLY, radio transmissions
were broadcast on frequencies ranging from 100kHz to 1500kHz (ie, on
wavelengths from 3000 metres to 200
metres, respectively). However, there
were some high-power transmissions
below 100kHz.
Basically, all “important” transmissions were licensed or permitted
to operate in this general frequency
range. By contrast, those “pesky”
experimenters and amateurs were
permitted to use any of the so-called
“useless” frequencies above 1500kHz.
Because of this frequency allocation,
they were not expected to be able to
contact each other over long distances
but they quickly proved the authorities wrong!
Radio transmissions for entertainment commenced during the early
1920s and quickly became popular. As
a result, radio manufacturers and home
constructors developed receivers to
operate on both the long-wave and
medium-wave bands (100-1500kHz).
At the time, there was no reason to
have radios capable of tuning above
1500kHz, since those frequencies were
used only by the experimenters.
In any case, the components used in
radios at the time were generally unsuitable for frequencies above 1500kHz,
as was the layout of the sets. That didn’t
deter the experimenters, however. They
immediately set about making the
most of the frequencies that they
were permitted to use and began
by experimenting with ways to
improve both the stability and
the performance of their receivers and transmitters.
In some cases, they were even
known to remove the valve bases so
that the valves could be wired directly
into the circuit. This was done to reduce the inductance and capacitance
effects that limited a valve’s highfrequency response.
By the end of the 1920s, experimenters had convincingly proved that the
frequencies above 1500kHz were not
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useless. In fact, they permitted worldwide communications under the right
circumstances.
The governments of the day soon
realised that these shortwave transmissions could be used for intercontinental communications to suit
their own needs. They could also
be used to broadcast “propaganda”
thinly disguised as entertainment to
people overseas. As a result, shortwave stations were set up and because
components, circuit design and layout
had greatly improved over the decade,
both the receivers and the transmitters worked quite effectively on the
shortwave bands.
Shortwave converters
The introduction of shortwave
transmissions was naturally accompanied by a corresponding demand
for new receivers capable of receiving the new frequencies. However,
not everyone had the money for this
and instead wanted to “modify” their
existing receiver.
The answer was to fit what was
called a “shortwave converter” ahead
of a conventional broadcast-band
(medium-wave) receiver. A converter
stage was, in fact, nothing more than
the front-end of a superheterodyne
receiver and effectively converted
stations on shortwave to the broadcast
band (ie, the IF output of the converter
was in the broadcast band).
In practice, this meant that a tuned
radio frequency (TRF) receiver became
a superhet receiver when a converter
was connected to it, while a normal
superhet receiver became a doubleconversion superhet.
This is the under-chassis view of the AWA C103/43 shortwave converter.
Despite its age, it is still in remarkably good condition and requires little in
the way of restoration.
AWA C103/43 converter
I recently had a chance to examine
two such shortwave converters, one
an Australian design and the other
an American design. Both are circa
1930/3 and neither has been restored
at this stage.
The AWA C103/43 converter is set
up in the following manner. First,
the antenna lead is removed from
the broadcast receiver and attached
instead to the antenna terminal of the
converter. The yellow wire coming out
of the converter is then connected to
the antenna terminal of the broadcast
receiver – this is the converter’s RF
(radio frequency) output lead.
Next, the earth wire to the receiver
remains in place and the black wire
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The AWA C103/43 shortwave converter is housed in a wooden cabinet. This
is also in good condition and will be easy to restore.
April 2008 81
AERIAL
RFT2
BC
S1
RFT3
SW
S4
V2
RFT4
S3
V1
TO RX
AERIAL
TERMINAL
RFT10
C6
TO RX
EARTH
TERMINAL
RFT5
RFT1
S2
X
C1
R1
C4
C2
X
C5
C3
R2
C7
C8
TO RX
B+ (HT)
LINE
RFT6
C10
V3
R4
RFT7
T1
C12
RFT8
X
X
C9
200-260V
AC
R5
The ganged tuning capacitor in the AWA C103/43 has only one variable plate in
each section. This means that the converter tunes over a fairly limited range on
each of its four bands, rather than tuning across the entire shortwave band (ie, it
was designed to tune the four international shortwave bands only).
82 Silicon Chip
R3
C11
S6
S5
RFT9
Fig.1: the circuit of
the AWA C103/43
shortwave converter.
V1 is the RF stage,
V2 is the converter
and V3 is the local
oscillator. The output
frequency is 575kHz
±25kHz and this is
fed to the antenna
input of the receiver.
R6
from the converter is attached to the
same terminal. Also in this batch of cables is another wire coloured red. This
red lead has a 4-pin plug attached to
its end. The 80 rectifier in the receiver
is removed and this 4-pin adaptor is
then plugged into the rectifier’s socket.
The 80 rectifier is then plugged back
into the receiver via the 4-pin adaptor.
Why is this done? Simple – the red
wire is connected to the HT hightension output of the 80 and thus
supplies the necessary HT to the converter. How’s that for cutting costs in
the converter unit?
By contrast, the heater supply for the
converter’s valves is obtained from an
internal 240V to 2.5V filament/heater
transformer.
The final connection simply involves plugging the 240V lead into
the mains. There is no on-off power
switch on the converter and in most
cases there was no on-off switch on the
radios of the era either. So to turn the
system off completely, it was necessary
to turn two power points off (one for
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the converter and one for the receiver),
unless a double adaptor was in use.
The controls
The cabinet of the AWA C103/43
was rather tall and chunky for the time
and has quite a dark colour. The unit
I have is in quite good condition and
requires little in the way of restoration.
The front panel carries three controls and a “peephole” type dial. The
lefthand knob controls a trimmer
capacitor to peak up the performance
on the selected band and this trimmer
is C4 in the circuit diagram (Fig.1).
The centre knob is the tuning control,
while the righthand control is the
4-position wave-change switch. A
broadcast/shortwave toggle switch is
also located on the side of the cabinet.
In practice, the front-panel controls
are well spaced and easy to use. However, it’s a mystery why the broadcast/
shortwave switch was not placed on
the front panel as well.
In summary, the unit is quite neatly
made both above and below the chassis and would not be difficult to work
on if required.
Circuit details
Fig.1 shows the circuit of the AWA
C103/43. The ganged tuning capacitor
is interesting in that each gang has only
one variable plate in each section. This
means that the converter was designed
to tune over a fairly limited range on
each band selected.
The RF stage is broadly resonant
on the shortwave band selected and
has no variable tuning capacitor. This
stage uses a 58 valve (V1), the output of
which is coupled via band-switching
to converter stage V2 (a 57 valve). The
LC circuits between these two stages
are tuned by one section of the tuning gang.
To enhance frequency stability and
general performance, a separate oscillator valve (V3) is employed. This uses
a 56 valve and its cathode output is fed
to the cathode of the converter stage
(V2) via capacitor C11.
The output from the converter
stage is applied to a single IF (intermediate frequency) transformer,
tuned to 575kHz ± 25kHz. Its output
is in turn fed to the antenna terminal
of the receiver via an unshielded
yellow wire.
It’s open to conjecture as to just how
stable this would be and whether stations close to 575kHz would be picked
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As with the AWA unit, the US-made Apex converter is fitted into a wooden
cabinet but has an easier-to-read dial. Note that someone has placed the
wave-change knob on the wrong shaft in the top photo.
up by this unshielded antenna wire.
It was undoubtedly necessary to tune
the IF transformer away from any radio
stations in the 550-600kHz range to
alleviate this problem.
By the way, there is some doubt as
to which valves were actually used
in the converter, as the diagrams, the
circuit and the manual don’t match in
several areas. There was obviously not
much care taken when it came to proofreading and checking the manual.
The bands tuned by the converter
are the 49, 31, 25 & 19-metre international broadcasting bands, which
equate roughly to 6, 9, 12 & 15MHz.
Providing the RF and oscillator coils
are correctly aligned, the converter
should be as easy to tune as the
broadcast receiver to which it is connected. Mechanical band-spreading
is achieved by the single plate gang
sections with their restricted tuning
range.
Apex converter (USA 110V)
The American Apex converter dates
from around 1930 and is different in
several ways to the Australian unit. It’s
attached to the receiver by first removing the antenna lead from the set and
attaching it to the antenna terminal of
the Apex. The output from the Apex
is fed out via a shielded cable and this
goes to the antenna and earth terminals
of the receiver.
April 2008 83
The Apex converter is a snack to service, with all parts under the chassis
easy to access. At top right is the above-chassis view.
Unlike the AWA unit, the Apex converter relies solely on its own power
supply and is designed to plug into
a 110V AC mains outlet. That means
that it is a little easier to connect than
the AWA unit.
The controls
The Apex converter is housed in an
attractive wooden cabinet. As shown
in the photo, the controls and tuning
escutcheon are arranged in an easy84 Silicon Chip
to-use layout on the front panel. The
knobs are somewhat unusual, being
made of wood with a metal insert.
The lefthand control is used to
switch the unit from the broadcast
band to shortwave. It does this using a pair of toggle switches which
are ganged together. In the broadcast
position, all power is removed from
the converter.
The central control is the tuning
control and the dial in this unit is
larger and easier to read than the dial
on the AWA converter.
Finally, the righthand control is a
3-position wave-change switch and
the knob is labelled “H”, “M” & “L”. I
am unsure of the tuning range on this
converter, but suspect that it tunes
from about 2-22MHz as it has three
bands and a full-size 2-section tuning gang.
This converter also has three valves:
a 24 converter stage, a 27 (or 56) which
is used as a local oscillator and an
80 rectifier in the power supply. The
valve types are marked on the sockets
themselves, so only a very careless
person would get the valves mixed up.
The Apex converter has no RF stage,
so it will not be as sensitive as the AWA
unit. Its image ratio may not be as good
as the AWA unit either. However, if the
output frequency of the converter is
close to 1500kHz, instead of 575kHz as
in the AWA unit, the image ratio will
be quite satisfactory.
Another difference between the two
units is that the output frequency of the
Apex converter isn’t directly adjustable. However, if break-through from
a strong local broadcast station did
occur, the output frequency could easily be altered by changing the value of
the fixed capacitor on the output coil.
Unlike the AWA converter, this unit
tunes over quite a wide frequency
range on each band selected. This in
turn means that the tuning would be
quite critical. However, fine tuning
of any station can be achieved by
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Photo Gallery: Mullard 68 (1940-1)
altering the tuning of the broadcast
receiver that it is connected to by a
few kilohertz.
Performance
Although I haven’t used the AWA
converter (as it has not yet been restored), I believe that it would acquit
itself quite well. The bandspread
tuning (over four bands) is certainly
a plus for the unit, as it makes tuning
so much easier compared to sets that
tune over one sweep of the dial.
By contrast, the Apex converter
covers three bands and as previously
stated, is probably a general-coverage
unit that tunes up to around 22MHz.
This means that the two units are designed for slightly different markets.
The AWA unit was designed specifically for tuning four international
broadcast bands whilst the Apex converter would have been more suited
to the amateurs and experimenters of
the day who wanted to tune as much
of the shortwave spectrum as possible.
Both units would be relatively stable, as each uses a separate oscillator
to feed the converter valve. However, I
am not convinced that the unshielded
output lead on the AWA unit was a
good idea. That said, there weren’t
as many broadcast stations around
in 1933 as there are now, so breakthrough may not really have been a
significant problem.
One problem that was not alluded
to in the manual was the possibility of
supplying excessive HT voltage to the
siliconchip.com.au
MADE BY AIRZONE FOR MULLARD IN 1940-41, the 68 was a portable
5-valve superhet receiver with the following valve line-up: 1A7G converter,
1N5G first IF, 1N5G second IF, 1H5G first audio and 1Q5G audio output. The
radio pictured here was recently judged as the best portable at an HRSA
competition, pulling in stations better than the other brands. Photo supplied
by the Historical Radio Society of Australia Inc (HRSA), PO Box 2283, Mt
Waverley, Vic 3149. www.hrsa.net.au
AWA converter. The unit is designed
for a HT voltage ranging from 200220V and this is derived from the 80
rectifier output of the host receiver.
As a result, the voltage applied to the
converter could be as high as 400500V but no mention is made in the
manual as to how this voltage should
be adjusted, a rather serious oversight
in my opinion.
The Apex converter would have
worked well in the USA where stations
are either closer together geographically or are stronger than in Australia.
Its shielded output lead would have
largely eliminated any break-through
of signals from nearby stations in the
broadcast band. However, an ability
to readily adjust the output frequency
would have been a good idea to
completely eliminate this possible
problem.
In summary, converters from the
early 30s are rarely seen and are from
an interesting phase of the development of radio. They are well worth
having in a collection of vintage radios.
Finally, my thanks to Brian Lackie
for the opportunity to look at these
two units. It will be interesting to
hear them in action once they have
SC
been restored.
April 2008 85
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