This is only a preview of the June 2008 issue of Silicon Chip. You can view 34 of the 104 pages in the full issue, including the advertisments. For full access, purchase the issue for $10.00 or subscribe for access to the latest issues. Items relevant to "DSP Musicolour Light Show":
Items relevant to "USB Power Injector For External Hard Drives":
Items relevant to "Balanced/Unbalanced Converter For Audio Signals":
Purchase a printed copy of this issue for $10.00. |
Review by
LEO SIMPSON
ALTITUDE 3500-SS
Stereo Valve Amplifier
Amplifier
Some readers may be annoyed by the sight of a review of a
valve amplifier in SILICON CHIP – but we often get requests
to publish a modern design. So we thought it would be useful
to put this model through our usual performance testing.
L
et’s get one thing straight: we are
biased! Most readers will already
know that as we have always
stated our preference for solid-state
amplifier designs, even though quite
a few people are interested in valve
amplifiers.
Having noted our bias, let’s try to set
it aside while we check out the impressive Altitude 3500-SS amplifier.
This very well presented amplifier is
siliconchip.com.au
made by Fountek Electronics Co Ltd, in
China but has been carefully tweaked
for our market by the noted Australian
designer, Russell Storey, on behalf of
WES Australia.
It is fairly conventional in layout,
with the valves on top of and toward
the front of the chassis while the very
large power and output transformers
are at the back. These transformers
have cylindrical housings but they
are unlikely to be based on toroids
– they are too tall for that. We think
they probably have conventional E-I
laminated cores.
The chassis itself is especially impressive, being made from interlocking aluminium extrusions 7mm thick
while the top and bottom plates are
3mm thick aluminium secured with
multiple stainless steel countersunk
screws. Everything has been precision
June 2008 73
Underneath, the Altitude 3500-SS is very neat, just like the top side. The only real giveaway that it is a valve amplifier are
the sockets on the PC board (and possibly the absence of ICs and transistors!). This shot also gives a good idea of the rear
panel input/output layout with its gold-plated sockets.
machined for close fit of all sections.
The valve sockets are recessed into the
top of the chassis and they sit on a large
PC board underneath. The front panel
knobs also fit into machined recesses
on the panel.
The valve line-up is two 12AX7 and
two 12AT7, both twin triodes, and four
EL34 pentodes, used as matched pairs
in each channel.
The valves are branded ElectroHarmonix, a US-based company but
they are labelled “Made in Russia”,
as are most valves these days. By the
way, that is not a back-handed comment on quality – Russian-made valves
are equal to the best that were made
in the past.
74 Silicon Chip
As far as we can tell, each channel
uses the 12AX7 as a direct-coupled
cascode preamplifier stage and the two
triodes in the 12AT7 are used for the
phase-splitter driver to the push-pull
pentode output stages. The pentodes
appear to be connected in simple
push-pull and not ultra-linear, which
implies transformer primary connections to the pentode screens.
The output transformers have secondary taps for 4W and 8W connections
so there are three gold-plated binding
post terminals for each channel on
the back panel.
Also on the back panel are four pairs
of gold-plated RCA sockets which are
intended for line level signals and are
labeled CD, Tuner, Aux1 & Aux2.
The mains power connection is
made via a 3-pin IEC socket, the
same as used on computers and a lot
of consumer electronics equipment
these days.
The front panel is very clean and
simple, with two large knobs, Selector and Volume, flanking the centrally
mounted push-on push-off power
switch and the four LEDs which indicate the selected source.
An interesting feature on top of the
chassis is the inclusion of two stainless steel vertical plates which deflect
heat from the valves away from the
transformers. This is one of the modifications for the Australian market.
siliconchip.com.au
We asked Russell Storey for some
details about the modifications for the
local market. Apparently the stainless
steel plates have two advantages. First,
they greatly reduce the heat rise of the
power transformer (“by at least 22°C”)
and second, they reduce the induction
of 50Hz hum into the output pentodes
which has resulted in less output hum
and intermodulation.
Another significant difference in
the Australian version (referred to as
Altitude 3500-SS) includes a change
to the power transformer primary voltage from 230V to 240V which has the
effect of reducing filament voltages
to the correct range for longer valve
life and also reduces overall power
consumption by about 9%.
Other changes to the circuit include
improved amplifier slew rate, matched
EL34 valves and factory selection of
the 12AX7 and 12AT7s for low noise
and optimum gain.
By the way, for those not familiar
with valve amplifiers, they do get
stinking hot. This will be quite obvious for old-timers familiar with valves
but newcomers will be astonished.
The output pentodes get hot enough
to give you a serious burn if you are
not careful.
As the owner’s manual states: “Keep
out of reach of children. Valves get
hot!”
Under the chassis
Most of the circuitry under the
chassis is mounted on a large doublesided PC board, as mentioned above.
Audio Precision
The only components mounted on the
topside of the PC board are the ceramic
valve sockets and the board is mounted
so that the tops of the pentode valve
sockets just sit flush with the top surface of the chassis.
The smaller ceramic triode sockets
sit lower so that the valves end up
being slightly recessed into the chassis. There is a small vertical PC board
associated with the RCA input sockets
and this carries four double-pole relays
and the associated transistors which
are switched by the front panel rotary
switch.
All the power supply components
are on the mains PC board, apart from
the iron-cored choke which is mounted underneath the chassis. There are
also small PC boards associated with
the rotary selector switch, the dual
ganged volume control and the four
front panel LEDs which indicate which
source is selected (1-4).
Good quality components are used
throughout and the overall standard
of workmanship is excellent.
The Altitude 3500-SS sits on three
large feet, two at the back and one in
the front, more or less corresponding
to the heavyweight transformers.
As an aside, we found that the
feet are too hard and as a result, the
amplifier will slide quite easily on
hard surfaces. In fact, at one stage we
almost had the amplifier slide off a
small coffee table. We hate to think of
the consequences. . .
Apart from that little drawback, the
Altitude 3500-SS ticks the boxes for
Frequency Response 8 Ohm (1W) 04/18/08 10:38:25
The frequency response is very flat, less than –1dB down at
50kHz and ruler flat at the low end to below 10Hz. Those
output transformers must be exceptionally good.
siliconchip.com.au
Audio Precision
all the right features; it really is most
impressive in its presentation.
Specifications
The Altitude 3500-SS is rated at
32 watts per channel into 8 or 4-ohm
loads, for a rated total harmonic distortion of 0.63% at 1kHz. Its frequency
response is 15Hz to 50kHz ±0.5dB
(1W), while its power bandwidth is
10Hz to 90kHz at the -3dB points. Its
signal-to-noise ratio is -76.2dB unweighted, with respect to full power
(32W). Input sensitivity is quoted as
375mV RMS for full power.
These are very respectable specifications for a valve amplifier, particularly with regard to signal-to-noise
ratio. This is one of the quietest valve
amplifiers we have ever come across
and there is certainly no hum evident
from the speakers – the noise is just a
faint hiss.
Significantly, there does not appear
to be any sign of microphony either. To
explain, microphony is a problem in
high gain audio valve circuits and is
an audible ringing heard through the
loudspeakers, when any of the valves,
particularly those in the small signal
stages (ie, 12AX& etc) are tapped.
Performance
The six graphs included in this article give a pretty good picture of the
amplifier’s performance. In general,
we would have to state that it has
come very close to meeting all of its
specifications.
We have also included a number of
Cross Talk vs Freq 8 Ohm (1W) 04/18/08 10:35:40
The separation between channels. This demonstrates
commendably low crosstalk in the small signal stages and
very little crosstalk via the power supply rails.
June 2008 75
The amplifier operating in the mid-power range with a
1kHz sinewave: the yellow and green traces show both
outputs while the purple trace is the residual harmonic
distortion from one channel, at around 0.5% THD.
digital scope waveform grabs to illustrate the amplifier’s typical distortion
performance. For example, the scope
grab immediately above shows the
amplifier driven with a 1kHz sinewave
at 25W into an 8-ohm load. The top
two traces (yellow and green) show
the outputs from both channels while
the blue trace shows the harmonic
distortion waveform which consists of
mainly lower order harmonics (about
0.6% THD).
Other scope waveforms are included
to show the performance with square
waves at 1kHz and 10kHz (at 5W into
8-ohm loads), with and without a 2mF
capacitor shunting the load. The 2mF
capacitor is a severe test of amplifier
stability and while it causes noticeable
Audio Precision
The square wave response of the amplifier at 1kHz. The
yellow trace is the input signal while the green trace is the
amplifier output. As you can see, the wave shape is pretty
good with only modest overshoot and minimal ringing.
ringing on the waveform the amplifier’s performance is commendably
stable. No problems there.
We should also note our measurement for signal-to-noise ratio. This
was measured with respect to 32W
into 8-ohm loads and gave a result of
-76dB unweighted, with a measurement bandwidth of 22Hz to 22kHz.
That’s a very good figure for a valve
power amplifier.
As always when we test an amplifier, we check its damping factor,
particularly at low frequencies. Damping factor is the ratio of the nominal
loudspeaker impedance to the output
impedance of the amplifier and is an
indication of how well the amplifier “controls” the loudspeaker’s cone
THD+N vs FREQ 4 Ohm (25W) 04/18/08 10:42:43
Audio Precision
excursions, particularly within the
“piston” range below about 500Hz.
Solid-state amplifiers generally
come up with very high figures for
damping factor and this is partly due
to the fact they employ high orders of
negative feedback and partly due to
the fact that they are inherently low
impedance sources which can provide
lots of drive current.
By contrast, valve amplifiers employ
output transformers and these limit the
amount of negative feedback which
can be applied before instability becomes a problem.
The Altitude 3500-SS evidently
uses very high quality output transformers but they still have the same
limitation.
THD+N vs FREQ 8 Ohm (25W) 04/18/08 10:43:30
These two graphs show the distortion versus frequency at a power level of 25W into 4 and 8-ohm loads. Interestingly, one
channel (red trace) was significantly better than the other, although both were within specifications.
76 Silicon Chip
siliconchip.com.au
This scope grab shows the square wave response of the
amplifier at 10kHz. The upper trace (yellow) is the input
signal while the lower trace is the amplifier output. This is
very good for 10kHz and any ringing is very well damped.
We measured damping factor at a
power level of 1W into an 8-ohm load
and the result is 1.68 at 1kHz and 1.64
at 100Hz. These figures are equivalent
to an output impedance of about 4.7W
(using the 8W connection). If the 4W
connection is used, this output impedance should be halved.
Power consumption
We measured the power consumption of the amplifier at around 135W
with no signal present, rising to around
230W with both channels driven to
full power (32W; ie, a total of 64W).
This level of power consumption is
about what you would expect from an
amplifier of this power rating.
As an aside, we were pleased to
Audio Precision
Finally, this shows the amplifier driven with a 10kHz
square wave with the output shunted by a 2mF capacitor.
This is a stiff test for any amplifier and demonstrates a
high level of stability with any ringing still well damped.
note that the owner’s manual recommends against leaving the amplifier
permanently switched on. This would
not only waste electricity but greatly
reduce the operating life of the valves.
Also noted in the manual is the fact
that the valves will need replacing after
several years, depending on how much
use they get – this applies particularly
to the output pentodes which should
all be replaced at the same time, as
matched pairs.
Sound quality
We spent quite a lot of time listening
to this amplifier with a range of CDs and
feeding a pair of very good loudspeakers. And while this was never going
to change our overall opinions about
THD+N vs Power 4 Ohm 04/18/08 10:46:28
Audio Precision
valve versus solid-state amplifiers, we
have to state that this particular valve
amplifier performs very well.
As already noted, it is particularly
quiet and it gives a good account of
itself on a wide range of musical programs. If you are attracted to the sound
of valve amplifiers, you will really like
this one.
Recommended retail price of the
Altitude 3500-SS is $1899.00 including
GST. It is available direct from Wagner
Electronic Services Australasia, 138
Liverpool Road, Ashfield, NSW 2131.
Phone (02) 9798 9233. www.wagner.
net.au
The amplifier can also be purchased
from Stones Sound Studios www.
stonessoundstudio.com.au
SC
THD+N vs Power 8 Ohm 04/18/08 10:48:44
Here is the distortion versus power for both 4 and 8-ohm loads, at a frequency of 1kHz from 50mW up to the level of
clipping (where the THD values rise rapidly). Again, one channel is significantly better than the other
siliconchip.com.au
June 2008 77
|