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Vintage Radio
By RODNEY CHAMPNESS, VK3UG
The Raycophone BroadcastBand “Pee-Wee” Midget
Manufactured by Raycophone around 1933, the Pee-Wee
Midget is an early superhet receiver with a regenerative IF
stage. It’s an interesting set but is does have a few design
problems that limit its performance.
I
N THE 1920s and into the early
1930s, tuned radio frequency (TRF)
receivers were the norm. Experimenters and manufacturers were still
feeling their way with radio receiver
design and felt comfortable with TRF
circuits despite their increasingly
obvious limitations.
80 Silicon Chip
By then, however, the more adventuresome were experimenting with
superheterodyne receivers. In fact,
a few superhets such as the RCA 26
(see SILICON CHIP, August 2008) were
already being sold in Australia and
overseas. Despite this, superhets were
very thin on the ground, as very few
people understood this “tricky” new
technology.
The Raycophone company
One interesting Australian company
at that time was Raycophone Pty Ltd.
This company was run by Raymond
Allsop who was both the director and
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the chief engineer. Radio was just
one aspect of his involvement with
electronics, his main interest being
with sound movie equipment in the
pre-WW2 era.
At that time, Raycophone was still
relatively unknown as far as radio was
concerned. And despite some considerable research, I have been unable
to discover when they commenced
operation and when they closed. The
only reference to the production of
radio receivers is in the “Radio Trade
Annual and Service Manual” for 1939,
which contains circuits and rudimentary technical information on several
receivers produced by Raycophone
in 1933.
However, I have been unable to find
any circuits in the “Australian Official
Radio Service Manuals”.
Raycophone Pty Ltd was located at
Booth and Trafalgar Streets, Annandale, NSW. During WW2, they produced Fortress amplifiers, signalling
lamps, anti-submarine equipment,
movie (sound) projectors and cathoderay oscillographs.
As an aside, Raycophone projectors
are still in use at a cinema in Swanpool
(a small township south of Benalla in
Victoria), even though they were built
in 1948.
The Raycophone “Pee-Wee” is a compact unit that’s housed in an attractive
wooden cabinet. The lack of a dial and indistinct markings around the tuning
knob makes it difficult to tune to a wanted station.
The Raycophone “Pee-Wee”
I first saw a circuit of this 1933
receiver several years ago and wondered whether I would ever see one.
Recently, however, I found out that
one of our local vintage radio club
members had a working unit and he
readily agreed to lend it to me.
As shown in the photos, the set
is installed in a fairly small cabinet
which is made of quite heavy timber.
The cabinet is quite attractive when
viewed as a mantel receiver, although
the underside of the cabinet is untreated bare timber. It would have been
better if some small buffers had been
fastened to the bottom of the cabinet,
so that it could be made to look like
the rest of the cabinet.
The front of the receiver is quite
attractive, with the speaker in the
centre and two controls (tuning and
volume) either side of it. In this set,
the tuning control is on the left and
the volume control on the right, which
is the opposite to that used on other
sets (the right hand is normally used
for tuning). Both controls have some
indistinct lettering near them.
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The chassis is easy to remove but care must be taken to avoid damaging the
under-chassis components.The parts mounted on the top of the chassis are all
easily accessible.
Strangely enough, the volume control is wired to increase in volume
as it is turned anti-clockwise, which
is somewhat annoying. The tuning
control is fitted with a medium sized
knob. This is connected directly to the
shaft of the tuning gang, which makes
tuning rather critical.
There are no markings on the knob
and this, coupled with the indistinct
markings on the surround, further
complicates tuning. Basically, it’s impossible to know what station or part
of the band the set is tuned too.
A glance inside the cabinet shows
that there is little spare space, with
the components squeezed quite close
together. It’s easy to remove the chassis from the cabinet, however. All you
have to do is remove the two knobs
and four bolts on the underside of the
cabinet. The chassis then slides out.
September 2008 81
Fig.1: the circuit is a 4-valve superhet with the first stage functioning as an
autodyne converter (ie, it functions as both a local oscillator and a mixer).
The components used in the early
1930s were quite large by today’s
standards. As a result, the large components mounted on top of the chassis
nearly fill all the available space.
Most of the components on the
underside of the chassis are mounted
on a large component board. This is
neatly done but it does make it difficult
to access the valve pins underneath
it without first disconnecting quite a
few leads.
The aerial and oscillator coils and
the regenerative intermediate frequency (IF) transformer are all located
under the chassis. None of them are
shielded in any way and care must be
taken to ensure that none of their leads
are broken when working on the set.
Circuit details
Fig.1 shows the circuit details of the
receiver. Basically, the Pee-Wee was
an “austerity-model” 4-valve receiver
built towards the end of the depression
of the 1930s. The set’s basic circuit
design was commonly called a “SuperGainer” in amateur radio circles.
As shown in Fig.1, the signal from
the tuned antenna circuit is presented
to the grid of a 57 pentode. This functions as an autodyne converter stage
– ie, it functions as both a local oscillator and a mixer.
82 Silicon Chip
Note that because the valve is being used as an autodyne converter,
its cathode resistor (R1) is considerably higher than it would be if the
valve was simply configured for RF
amplification.
The IF output from this stage is
at 465kHz and this is fed to an IF
transformer. It is then fed via a potentiometer to a second 57 valve which
functions as a fixed tuned regenerative
detector. The potentiometer functions
as the volume control (V.C.).
In operation, variable capacitor C5
feeds back a portion of the amplified
RF signal (ie, from the plate), which
is then re-amplified. This capacitor is
adjusted so that the receiver does not
go into oscillation due to excessive
feedback when the volume control is
fully anti-clockwise.
In addition, the audio signal on the
plate of the second 57 is fed out via R4
and C9 to the 2A5 audio output valve.
Note that R4 and C7 act as an RF attenuator to prevent IF signals getting into
the audio output stage.
The 2A5 is connected as a conventional cathode-biased audio output
stage. It drives a 5-inch (127mm) electrodynamic loudspeaker via a speaker
transformer.
The power supply is quite conventional with two filament windings,
one at 2.5V and the other at 5V. The
high-voltage secondary drives either
an 80 or a 280 rectifier valve. This
functions as a full-wave rectifier with
two 8mF electrolytic capacitors and
the speaker’s field coil filtering the
rectifier’s output.
Restoration
As supplied to me, the receiver had
only quite recently been restored to
working order. The cabinet had also
had work done it and looked to be in
good order.
The circuit details indicate that
all but one of the low-value fixed capacitors are mica types but they are,
in fact, mostly paper types. As usual,
they were all quite leaky and had been
replaced, some with polyester types
and others with silver mica capacitors.
The electrolytic capacitors had also
been replaced. However, the high-voltage chassis-mount units had been left
in-situ to maintain the above-chassis
appearance. Instead, they had simply
been disconnected and replaced with
much smaller modern pigtail types
mounted under the chassis.
A couple of out-of-tolerance resistors had been replaced as well. Finally,
a new 3-core power cord had been fitted and anchored into position.
At this stage, I decided to apply
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The parts are laid out quite neatly under the chassis but the long component strip is difficult to remove. This means that
the parts under it can only be accessed for service after a lot of work.
power and see how well the set performed. Well, it worked but not as
well as expected. Even local stations
were quite weak and the set oscillated
in many places across the broadcast
band.
Troubleshooting
It was time for some troubleshooting. First, I checked the “start-up”
voltage at the output of the rectifier
and got a rather unpleasant surprise.
During warm-up, the voltage on the
electrolytic capacitors rose to just over
500V. However, one of the electrolytics
fitted was rated at 350V, while the
other had a 450V rating (the person
who originally drew up the circuit
diagram had neglected to note any
of the voltages expected within the
receiver).
I certainly could not leave those
capacitors in circuit or a rather dramatic failure would occur within a
short period of time. Unfortunately, I
didn’t have any 8mF 500V capacitors
but I did have some 4.7mF 500V capacitors. I placed one 4.7mF capacitor on
the output of the 80 rectifier and connected another two in parallel across
the HT line after the field coil.
Note that the voltage ratings of the
capacitors that had been fitted were
quite adequate once the set had commenced operating. Directly heated
rectifiers like the 80, 5Y3GT, etc are
operational within a couple of seconds
of switch on.
By contrast, indirectly heated valves
take up to around 15 seconds to start
to draw current and during this time
there is no voltage drop to speak of
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September 2008 83
There’s not much room left inside the cabinet when the chassis is slid into
place, although the valves can still be replaced. Note the thickness of the
timber used to make the cabinet.
across the rectifier or across components such as the field coil.
This means that the peak voltage
that the supply can deliver on no-load
is substantially more than the loaded
voltage. It is therefore necessary to allow for the very high start-up voltage
which occurs at switch-on.
Curing the instability
The instability (oscillation) problems in the RF sections of the receiver
proved difficult to fix. And although
I have made major improvements, I
have not been 100% successful.
First, resistor R1 had previously
been replaced with a wirewound unit
which would be inductive. As a result,
I replaced it with a carbon resistor and
this reduced the instability somewhat
with the set no longer oscillating at all
times in certain locations.
Next, I tried adding extra filter
capacitors to the HT line for both 57
valves and this gave a further slight
improvement in one of the locations
(ie, to the first 57). I then tried swapping the two 57 valves but this made
no difference.
My next step was to examine the
set’s earthing arrangement. This revealed that all stages are earthed via
an insulated lead that runs from one
end of the chassis to the other. That
meant that the RF section was earthed
at the furthest end of the chassis and I
felt that this could be contributing to
instability problems.
As a result, I separated the earth wire
part way along the component strip
board. The front-end was then directly
earthed to chassis near the converter
stage, using a much shorter lead.
This simple modification again improved the stability but it still wasn’t
the complete answer.
Alignment checks
This view shows the unshielded
465kHz IF transformer windings. The
leads are easily damaged when the
chassis is removed.
84 Silicon Chip
Next, I took a look at the alignment
and this proved to be a bit of a mess,
probably due to the age of the set.
The problem here is that none of
the coils can be adjusted, as iron-dust
adjustments slugs were still to become
popular when this set was made.
The receiver tuned from around 5501500kHz and I extended this to around
1550kHz to cater for a local station.
In practice, the set will tune to
above 1700kHz if the oscillator trimmer capacitor is reduced almost to its
minimum value. However, the aerial
stage cannot be peaked for best performance if this is done.
This led me to suspect that the aerial
coil had too much inductance. The
wire used to wind this coil is quite
fine and its location makes it difficult
work on without risking damage, so I
decided to leave it alone.
In the past, I’ve noticed that coil
inductance can increase in some
very old sets, perhaps due to moisture ingress into the coil former. As a
result, the alignment of the aerial and
oscillator coils in this set are a bit of
a compromise.
The secondary winding of the IF
transformer also gave quite a broad
response, with only a slight peak.
However, the owner had fitted a 50kW
volume control potentiometer across
the winding in place of the 500kW unit
that had originally been fitted.
Initially, I reasoned (incorrectly)
that the lower resistance would damp
out any tendency for the stage to oscillate, as I couldn’t turn C5 to reduce the
regeneration feedback. I was wrong
and after fitting a 500kW potentiometer, the IF winding peaked nicely and
the set’s tendency to oscillate dropped
dramatically.
However, it would still oscillate on
some stations and it turned out that
there were further problems, which
came to light later.
Special potentiometer
The original potentiometer was apparently a special unit and was possibly an anti-log type. However, I didn’t
have a direct replacement. With some
of the potentiometers I tried, earthing the frame (ie, when the pot was
mounted) reduced the performance of
the set. Apparently, the tuning of the
IF transformer’s secondary was being
affected by the capacitance between
the potentiometer’s elements and its
frame (which is earthed).
In addition, only a very small portion of the pot’s travel was having any
effect on the volume.
In the end, I decided to go back to
the 50kW potentiometer and install
a 390kW resistor in series with its
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“earthy end. This arrangement gave
440kW of resistance across the winding
and allowed the pot to vary the volume
over almost all of its travel.
As before, I found that earthing the
frame of the potentiometer had the
undesired effect of reducing the volume. As a result, I insulated the pot’s
frame from the chassis using insulated
washers and an O-ring. I then retuned
the secondary winding of the IF transformer and this fixed the problem.
It’s worth noting that conventional
potentiometers are not rated for RF
work so it was not surprising that I
struck this problem.
Following these modifications, the
set is now probably performing as
well as it did when new. However, it
is very much an “austerity receiver”
and its performance is only reasonable.
It has no AGC so the volume control
has to be manually adjusted to reset
the level when tuning between weak
and strong stations.
In practice, weak stations are not
worth listening to, although the set
would probably work better if the
aerial coil had the right inductance.
What’s more, it still shows signs of instability when tuned to some stations.
Photo Gallery: Philips Model 112E Receiver
Made in the Philips’ South Australian factory in 1949, the Model 112E was a
4-valve mantel set housed in a pale-blue bakelite cabinet. An unusual feature
was the dial glass which protruded from the top of the set. The valve line-up
was as follows: 6X5GT rectifier, ECH35 converter, EBF35 IF amplifier and
EL33a audio output valve. This radio was restored by Tony Lightfoot of the
HRSA. Photo by Kevin Poulter.
Summary
The Raycophone “Pee Wee” is an
interesting little set but like most
“austerity receivers”, its performance
is nothing remarkable. I have always
been interested in superhets that use a
regenerative IF stage and they can perform quite well if properly designed
and constructed.
In this set, direct access to parts under the component strip is almost impossible (unless the strip is removed).
This can make servicing it difficult. In
addition, the clearance between the
bottom of the chassis lip and many of
the parts mounted under the chassis
is only a millimetre or so. The coils
in particular are quite vulnerable to
damage when sliding the chassis in
and out of the cabinet.
Another problem is that some sections of the set that are working at
RF have quite long leads, This is bad
design practice and can cause instability. The tuning is also quite touchy
due to the direct-drive coupling and
the relatively small control knob. This
is made worse by the lack of a tuning
indicator.
With more thought given to its design and component layout, this little
set could have been much better than it
is, both in terms of stability and overall
performance. It could have been made
easier to service as well.
In summary, the Raycophone Pee
Wee has a number of design inadequacies that compromise its performance and make it difficult to use
SC
and service.
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September 2008 85
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