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Digital Radio
Digital radio
broadcasts will finally start in
Adelaide, Brisbane, Melbourne, Perth and Sydney on 1st May with
71 radio stations (ABC, SBS & commercial) on ten DAB+ transmitters.
This is the first of a series of articles giving you the details on this
complex and completely new radio broadcast medium.
D
igital radios will have excellent sound quality and a lot
of features that are not available on the existing radios we have
listened to over many decades.
For example, to select a station you
will pick its name from a list. There
will be no need to tune across a band.
If you are in a car and move out of
digital signal range, the receiver will
automatically select another digital,
FM or AM signal containing the same
program. When you move back within
range, the receiver will automatically
switch back to the digital signal.
Timeshift will be available so you
can delay listening to broadcasts, just
as you can right now with TV if you
have a suitable recorder. And while
many existing radio programs can be
downloaded as Podcasts, most digital
radios will have flash RAM cards to
store programs.
12 Silicon Chip
So you will be able to timeshift, “rewind” and pause the programs while
recording and “fast forward” after the
recording is complete.
And just as digital TV has an electronic program guide (EPG) so too
will digital radio. EPG will allow automatic recording of programs within
the radio.
Other features
• Dynamic Label Segment (DLS)
DLS will show text information
on a screen. This could be telephone
numbers, website addresses, tracknow-playing and announcer names.
A maximum of 128 characters can be
displayed at a time.
• Multimedia Object Transfer (MOT)
Slideshow
This will include product shots,
studio web cams, weather maps, album cover information, stock market
graphs, racing information and just
about any information that can be
conveyed as a simple graphic image.
A 320 x 240 pixel JPEG image can be
transmitted every 9 – 15 seconds.
• Multimedia Object Transfer (MOT)
Broadcast Website (BWS)
BWS allows for the transmission
of a series of HTML files (along with
corresponding graphic images) to
receivers that have a built-in web
browser. This allows the user to search
the downloaded files. If a receiver has
a built-in back-channel (for example,
a GPRS enabled mobile phone with a
DAB+ radio), it could access links that
would take it to the outside world. If
there are a lot of requests for files then
delays will result due to the restricted
download capacity.
• Traffic Information
Traffic conditions will be transmitted to the car navigation system so
siliconchip.com.au
Is Coming...
by Alan Hughes
that the driver can be routed around
obstructions. The navigation system
will need compatible firmware.
• Conditional Access
DAB+ is capable of controlling who
is able to decode the signal. This can
enable narrow-casting to specific private audiences and to Pay Radio. This
can also apply to data only. Over the
air firmware upgrades for particular
receivers would need to use conditional access.
• Radio for the deaf & hard of hearing
17% of the Australian population
(3.6 million people) have a significant
hearing loss. The text capability will
enable speech to be subtitled. This
applies to emergency announcements,
news bulletins, current affairs, talks
and phone-in programs. The MOT
capability (see above) would allow
the display of Auslan (sign language)
icons.
• Multilingual – SBS Radio and
Ethnic Broadcasters
1.3 million people do not use English at home and 4.4 million were not
born in Australia. The text capability
could be used to add English sub-
titles to foreign language programs.
This could help the foreign language
speakers learn to read English and the
converse is true.
Let us now look at the various types
of digital radio broadcasting.
Types of Digital Radio
• Digital Audio Broadcast DAB+
is transmitted in VHF TV band 3
(containing TV channels 6 – 12) or
using the 1.4GHz ‘L’ band. Note that
this system is incompatible with the
DAB system used in Canada and the
UK. A number of countries, including
the UK, put nine radio stations on a
single transmitter but this produced
sound quality worse than FM stereo.
• DAB+ is 3.5 times more efficient
in compression than DAB and so the
sound quality should not be reduced.
In addition DAB+ uses Reed-Solomon
error correction to reduce the possibility of gaps in the sound that you hear.
All new DAB receivers must be able
to decode DAB+ in Europe.
• DRM (Digital Radio Mondiale) is
used throughout Europe and parts of
Asia. It uses the AM bands of MF and
HF (Short Wave) and in DRM+, the
Channel allocations
Fig.1 shows the proposed channel
allocations for DAB+. All transmitters
will have a maximum of 50kW (effec-
Satellite Based
1450
1460
1480
1470
–
–
–
–
–
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–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
––
–
–
LA
LB
LC
LD
LE
LF
LG
LH
LI
LJ
LK
LL
LM
LN
LO
LP
LQ
LR
LS
LT
LU
LV
LW
Ground Based
FM band as well. Coverage is from a
community to a continent. It’s used
by Radio New Zealand International
to cover the Pacific Ocean.
• HDRadio is a system which adds
a digital sound signal to an existing
AM or FM broadcast. This does not
work as well as those above. This
system involves patent rights to the
Infinity Corporation and is used only
in the USA. DAB+ & DRM do not have
system patent rights.
• Radio programs on digital TV
signals. Examples of these can be
found on ABC and SBS digital TV
broadcasts. The disadvantage of these
program signals is that you need a
digital TV receiver to obtain them
and they are unsuitable for use in car
radios.
• Internet radio is available throughout the world. This is not a public
system and is subject to internet costs.
Internet radio is also unsuitable for
wide area reception.
1490
Frequency (MHz)
1500
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–
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–
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–
–
–
–
–
–
–
–
–
–
–
–
–
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–
–
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–
–
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–
–
––
–
–
––
–
–
–
–
–
––
–
–
–
–
5A
5B
5C
5D
6A
6B
6C
6D
7A
7B
7C
7D
8A
8B
8C
8D
9A
9B
9C
9D
10A
10B
10C
10D
11A
11B
11C
11D
12A
12B
12C
12D
13A
13B
13C
13D
13E
13F
Note: Each DAB+ channel can contain up to 9 radio stations’ programs
180
190
200
6
7
8
9
6
7
8
9
5
6
7
8
210
9A
220
10
10
9
10
11
230
12
240
Digital TV Channels
Old TV Channels
11
11
MHz
12
European TV Channels
Fig.1: channel allocations for DAB+ radio.
Fig.1: Channel allocations for DAB+ radio
siliconchip.com.au
February 2009 13
ANTENNA
Analog to Digital Converter
PROGRAM
MULTIPLEXER
Lr
Microphones
L
DAB+
TRANSMITTER
AAC+
ENCODER
C
R
Rr
STUDIO
Continuous
sequential
switching
between nine
different radio
programs
20 bit
Where else is this program simulcast
Date and Time
Program type
Station Identification
Station Location
Picture and Text
PROGRAM
ASSOCIATED
DATA
Paging
Traffic Information
Conditional Access
Emergency Warning Systems
Network Switching Commands
FAST
INFORMATION
CHANNEL
tive radiated power) using vertically
polarised antennas. Note that not all
transmitters will be at full power in
all directions. This is to avoid interference problems to television reception
outside the listening area.
City
Adelaide
Brisbane
Melbourne
Perth
Sydney
Hobart
Channels
9B, 9C
9A, 9C
9A, 9C
9B, 9C
9A, 9C
12B, 12D
Note that Hobart will start in the
next round which is yet to be announced.
All transmitters are on Broadcast
Australia towers except in Sydney
where the transmitters are on the Willoughby TXAustralia site.
Radio broadcasting history
Before going further, let’s briefly
review the development of radio
broadcasting up to the present.
Amplitude Modulation (AM) was
invented in 1901. It’s an analog system with a frequency range of 30Hz
to 9kHz (or better), however nearly
all available receivers restrict the
high frequency response to less than
4.5kHz due to their use of rudimentary
IF (intermediate frequency) stages.
AM is unable to reject noise in the
transmission path.
The channel width for AM transmis14 Silicon Chip
Fig.2: a typical DAB+
transmitter arrangement.
The program multiplexer
continually switches
between up to nine program
digital streams which are
combined into the one data
stream.
sions is 18kHz, due to the upper and
lower sidebands of the modulation.
Frequency Modulation (FM) was
invented 1933. It’s an analog system
with a frequency range of 30Hz to
15kHz. Multiplexed stereo was added
in the 1960s. Provided there is enough
signal, noise is well suppressed. The
channel width is 200kHz.
Despite the number of FM stations,
even its future is not assured. The UK,
for example, has announced it will
switch off FM radio broadcasting in
2020.
Digital Audio Broadcast (DAB) was
devised in 1987. It’s a digital system
which sends the perceived characteristics of the sound.
In other words, signal processing
and compression is used to reduce
the required amount of data for the
signal.
The frequency range is from 20Hz
to 20kHz. The channel width is
1.536MHz which can carry five stereo
programs with sound quality equivalent to FM stereo broadcasts.
Digital Radio Mondiale (DRM) was
devised 2002. It’s a digital system
which sends the perceived characteristics of the sound (see above). DRM is
capable of “FM stereo” quality sound.
The channel width is 18 or 20kHz
and contains only one music quality
program.
DAB+ is an upgraded version of
DAB which can carry nine stereo
programs per channel. The channel
width is 1.536MHz. The Europeans
have now mandated that all new
radios must be able to decode DAB+
signals.
DRM+ is an upgraded version of
DRM which extends the transmission frequency range from 30MHz
to 120MHz. The channel width is
100kHz. This system would be suitable in the vacated analog TV channels
1, 2 and the FM radio band.
Even if AM and FM radio transmission continues as we know it, to
receive DAB+ and DRM+ signals all
existing radio receivers will eventually need to be replaced with digital
radios capable of DAB+ and DRM+
reception.
DAB+ transmission
In studios and on compact discs,
analog signals are converted to digital
in the recording process and on playback the digital signal is converted
back to analog. Such digital signals
are very high quality but require data
rates of up to 3 Mbits/second. So much
data will not fit into existing radio
channels.
Many digital recording systems
greatly reduce the amount of data required by storing only those parts of
the signal which the brain “perceives”.
Such digital standards include digital
radio, MPEG 2 & MPEG 4 for TV, DVD
& Blue-Ray sound, AC3 (Dolby Digital)
sound and MP3 & MP4 used in iPod
devices.
Some of these standards sound very
good and can be regarded as almost
equivalent to the CD audio while
others, such as MP3, can be notably
inferior, depending on the sampling
rate.
Just how good the DAB+ system
eventually sounds will depend on
many variables, including the quality
of the original recordings, the amount
of data compression, sampling rate
and so on.
In the DAB+ system, AES standard
digital signals are fed into an Advanced Audio Coding Plus (AAC+)
encoder. In addition, program associated data (PAD) is interleaved with the
digitised sound signal.
Prior to the transmitter input a second switch repetitively and sequentially selects the digital audio signal
and its associated PAD from up to nine
different programs.
For example, the “Government”
transmitter will include ABC Local
siliconchip.com.au
ANTENNA
DIGITAL OUTPUT
TUNER AND
AMPLIFIER
DEMODULATOR
AAC+
DECODER
SPEAKERS
MODULATION
SELECT
DIGITAL TO
ANALOG
CONVERTERS
FREQUENCY
CONTROL
STATION SELECT
MICROPROCESSOR
CONTROL
AND DATA
SWITCHING
DRM+/
DAB+/
FM/AM
DISPLAY
SCREEN
Fig.3: here’s the counterpart DAB+ receiver. The microprocessor takes data
from the AAC+ decoder according to the selection by the listener. Depending on
signal strength, the output may be DAB+, FM or even AM in origin.
Radio, Radio National, ABC Classics,
JJJ, PNN and SBS.
A DAB+ VHF transmitter will
convert the combined signal to the
transmission frequency and increase
the power fed to the antenna near the
top of a tower to radiate the signal to
the receivers.
Fig.2 shows how up to nine different
radio programs are combined into the
one DAB+ transmission.
DAB+ reception
In a DAB+ receiver, the signal from
the antenna is filtered to select the
channel requested by the listener.
The signal is amplified and then fed
to the demodulator. The demodulator
converts IF signal back into the data
signal which is similar to the output
of the program multiplexer shown
above.
The same logic circuit can be used
to demodulate all broadcast radio
systems.
If you are tuned to a DAB+ station
and provided the signal level is sufficient for good reception, the selected
program is demultiplexed and fed to
the AAC+ decoder.
The decoder output can either be
converted back into analog and fed
into speakers or the digital output can
feed a home theatre amplifier, particularly if 5.1 sound is being broadcast.
The microprocessor is also fed with
the alternate frequency information
from the program-associated data
(PAD). The processor will monitor the
quality of the DAB+ signal and also
monitors the frequencies containing
an identical program (ie, from FM
siliconchip.com.au
and AM broadcasts). A single tuner
does this by tuning to the DAB+ and
alternate frequencies at a rate which
is too high to be noticed.
If the DAB+ quality is insufficient,
the next option will be selected. When
DAB+ reception returns to acceptable levels, the sound signal will be
switched back.
Fig.3 shows the much-simplified
schematic of a DAB+ receiver. Depending on signal quality, you might
be listening to DAB+ DRM, FM or
even AM.
Broadcast Efficiency
Channel width is spectrum “real
estate” and has an ACMA auctionable price. Effective radiated power is
based on actual transmitter power but
with the efficiency of the transmitter
antenna system factored in.
Transmitter power consumption depends on its efficiency and the power
of the air conditioning required.
At the most inefficient level, AM
radio transmits a carrier which contains no program information; all the
program information is in the 9kHz
sidebands. This is a fixed power which
is one-quarter of the power level transmitted with the loudest sounds. The
channel width is 18kHz.
FM radio uses a channel width
of 200kHz, corresponding to the
maximum frequency deviation of
±100kHz.
DAB+ bandwidth per channel is
171kHz at 2.4% of the FM effective
radiated power per program.
Next month we give more details of
how the DAB+ system works.
SC
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February 2009 15
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