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Vintage Radio
By RODNEY CHAMPNESS, VK3UG
The Philco 40-40
4-Valve Mantel Set
Designed as a “wartime special”, the
Philco 40-40 is simple 4-valve receiver
that was manufactured in Sydney in
1940/41. It’s a compact reflexed design
with some interesting features.
R
ADIO RECEIVER design has gone
through many phases, both in
regard to circuit design and cabinet
styling. The very first designs were
basically crystal sets but there were
also sets that used other forms of solidstate detectors. Valves were only just
being developed at that time and in any
case, the early types were much too
expensive for experimenters to buy.
The next phase saw the development of coffin-style radios based on
one or more valves. These were often
built by experimenters, with the parts
laid out on a breadboard. This was
92 Silicon Chip
then housed in a coffin-style cabinet
to protect the wiring.
Coffin-style receivers were superseded in the late 1920s by commercial
receivers built on metal chassis. The
period leading up to WWII was a time
of rapid development in both component and circuit design and many
excellent receivers were produced.
The Great Depression hit hard during the early 1930s and manufacturers responded by producing simple
receivers at low prices. As the depression receded, more elaborate designs
were again produced towards the end
of the 1930s. Then along came WWII
and the emphasis changed again.
Because of military demands, component supplies were restricted during
the war years and manufacturers had
to use whatever they could obtain. As
in the Great Depression, the emphasis
was on austerity. However, radio design had progressed considerably over
this decade and the WWII austerity
models are considerably better than
those of the depression years.
One local manufacturer from that
era was Philco Radio and Television
Corporation (Aust.) Pty Ltd. Based in
Auburn, NSW, they produced radio
receivers from the 1930s through to at
least the mid-1950s. These covered the
complete range, from simple receivers
up to complex multiband sets.
The Philco set described here is an
austerity WWII model, circa 1940-41.
It was designated the “40-40” and is
a 4-valve set with a reflexed IF/audio
amplifier stage.
General details
The Philco 40-40 is basically a
compact mantel receiver. It’s housed
in a Bakelite cabinet but despite its
compact size, it still weighs in at 4.5kg.
This particular set has a cream cabinet
although it’s fairly certain that brown
cabinets would also have been available and there may have been other
colours as well.
As shown in the photos, the dial
scale on the Philco 40-40 is squareshaped. The pointer, however, is attached to the tuning gang shaft and
sweeps through a 180° arc to cover
a nominal frequency range of 5501600kHz. A simple dial-cord drive
couples the tuning control to the dial
drive drum and the dial cord will be
easy to replace when the time comes.
A 5-inch (125mm) electrodynamic
speaker is mounted on the lefthand
front of the chassis and the unit fitted to this particular set was still in
surprisingly good condition. There are
siliconchip.com.au
Fig.1: the Philco 40-40 employs a 4-valve reflexed circuit, with the 6B7 doing
double-duty as both an IF amplifier and a first audio stage. In addition, the
6B7 functions as the detector.
just two controls, located beneath the
dial scale: the volume control at left
and the tuning control at right. There
is no on/off switch – after all, this was
a WWII austerity model.
Crowded house
From the rear of the receiver, it can
be seen that things are quite crowded
above the chassis. In fact, there is only
about 5mm between the tops of some
valves and the inside top of the cabinet. The same applies to one of the IF
transformers. This chassis was really
shoe-horned into the cabinet!
Despite this, the chassis is easy to
remove from the cabinet. It’s just a
matter of removing the two knobs at
the front and the three screws that
go through the bottom of the cabinet
into the chassis. The assembly then
slides out.
I initially didn’t notice that the
cabinet had been repaired during a
restoration several years ago. The repair job was expertly done and only
close inspection reveals the colourmatched fibreglass matting covering
some extensive cracks.
Circuit details
Now let’s take a look at the circuit
– see Fig.1. This is a 4-valve reflexed
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receiver and for those unfamiliar with
the concept, take a look at Vintage
radio for July 2010.
Unfortunately, the way that the
circuit has been drafted leaves quite
a lot to be desired. As an example, resistor 38 and potentiometer 45 on the
cathode of the 6A8G could easily have
been positioned to the left of the valve
and arranged vertically. That way, their
function would have been much more
obvious at first glance.
The antenna coil is a flat basketweave type of the style commonly
fitted to portable receivers. It’s located
at the righthand end of the chassis and
has two tappings so that the most appropriate one can be selected to suit
the antenna being used.
As shown on Fig.1, the output of
the tuned circuit is fed to the signal
grid of the 6A8G which functions as
a converter. In this particular set, a
6J8G has been fitted although a 6A6G
is the correct type to use. The oscillator section uses a single coil winding
(2), with the “earthy” end going to the
relevant valve grid to give the necessary feedback to induce oscillation.
This receiver does not have AGC
so the cathode circuit is connected
to earth via a 300Ω resistor (38) and a
series 7.5kΩ potentiometer (45). The
setting on the pot determines the bias
on the signal grid of the 6A8G and
hence its gain. This in turn controls
the volume of the receiver.
IF stage
The intermediate frequency (IF)
signal appears at the plate of the 6A8G
and is fed through two tuned circuits
in the first IF transformer to the grid of
a 6B7. This functions as the IF and first
audio valve. Here, the signal is amplified and then fed via a single-tuned
IF transformer to one of the detector
diodes in the 6B7.
Note that the circuit indicates that
this second IF transformer is double
tuned, as both windings appear to have
tuning slugs. However, the secondary
has no fixed capacitor across it, so it is
not tuned and there is no adjustment
for that winding (AWA also often used
this same style of IF transformer to
feed the diode detector). Once again,
the draughtsman has been careless in
drawing the circuit.
The detected audio is fed to the grid
of the 6B7 via resistor 37, capacitor
20 and the secondary winding of the
first IF transformer. The resulting amplified audio signal appears across a
100kΩ resistor (41) and is applied via
capacitor 37 (10nF) to the grid of a 6V6
December 2010 93
This front view shows the compact nature of the chassis. Despite this, it
still manages to include a 5-inch (125mm) electrodynamic loudspeaker.
lines in order to be sure that the correct
terminals have been used.
My tests revealed that the transformer has three primary winding
taps to suit voltages centred on 200V,
240V and 260V AC. I also discovered
that the person who originally restored
this set had wired the mains Neutral
to a tap and the Active to the common
transformer terminal. That’s certainly
not the recommended way to do it.
On the circuit diagram, it states that
a 6F7 was originally used in the IF/
audio preamplifier stage but this was
changed to a 6B7 after run 1250. All the
valves in this set are octal except this
one valve but they may have had lots of
6B7s in stock and wanted to use them
(the 6G8G is the octal equivalent). It’s
also possible that some valves types
were unavailable during the war years
and they had to make do with what
was available.
Chassis layout
The chassis is a tight fit, with barely 5mm between the tops of the valves
and the inside top of the cabinet. All the alignment adjustments are
accessible via holes at the back of the chassis.
audio output valve. This then drives
the electrodynamic loudspeaker via a
speaker transformer.
Note that the cathode of the 6V6G
is earthed and its bias is supplied via
a back bias network from the power
supply.
Power supply
The power supply is a little unusual
in that the field coil/filter choke (6) is
wired into the negative lead to earth.
The more conventional method is to
connect it in series with the positive
HT lead from the rectifier filament.
The back bias for the 6V6G audio
94 Silicon Chip
output valve is developed across the
field coil. This bias is applied to the
6V6 via a resistive divider consisting
of a 250kΩ resistor (43) and a 100kΩ
resistor (42). This divider reduces
the back bias voltage to around -12V,
which is optimum for a 6V6G. A 100nF
capacitor (30) filters any hum on the
back bias line.
Note that the earth at the junction
of (42) and (30) is poorly shown in the
circuit diagram (it really is a confused
circuit schematic). The labelling of the
various power transformer input taps
is missing too. This makes it necessary
to measure the voltages on the filament
The components used in this compact mantel set are all full-sized. As
a result, the designers had quite a job
on their hands when it came to shoehorning everything into the available
space. As mentioned earlier, the space
between the valves and the inside top
of the cabinet is just 5mm.
Both the front-end parts and the
power supply components are adjacent to the power transformer which
is mounted under the chassis, directly
below the tuning gang. The oscillator coil is right alongside the power
transformer, while the converter valve
is at the front of the chassis, near the
loudspeaker and the tuning gang.
The 5Y3G rectifier is located at the
back of the chassis next to the tuning
gang, while the 6B7 is at the lefthand
end of the chassis (viewed from the
front) alongside the speaker transformer. The (shiny) second IF transformer
is underneath the chassis, while the
6V6G sits on top of the chassis in the
back lefthand corner.
Because of its layout, this isn’t
an easy set to work on and it can be
difficult to identify particular leads,
especially when they disappear under other parts. The wiring colours
have also faded and this adds to the
difficulty of tracing individual leads.
One quite interesting aspect of the
layout is that all the antenna, oscillator
and IF adjustments are accessible from
the back of the set, without removing
the chassis from the cabinet. In parsiliconchip.com.au
ticular, the trimmers for the antenna
and oscillator circuits are accessed via
three holes along the bottom edge of
the back skirt of the chassis.
The designers must be applauded
for this unique idea, which makes
alignment much easier than otherwise.
Restoration
This receiver had been restored
several years ago, prior to my friend
buying it. This meant that it required
only minor work to get it back to peak
performance.
As can be seen in the photos, the
chassis has surface rust but the set
itself is quite clean. Unfortunately,
stripping it down to remove the rust
would be a huge amount of work. As
a result, it was decided to leave it as
it was and simply restore the circuit
to proper working order.
The mains cord Earth lead had
originally been soldered to the chassis,
which was considered satisfactory in
years gone by. This had subsequently
been changed by terminating the Earth
lead with a crimp connector and fastening this to one of the transformer
mounting bolts (see photo).
I wasn’t happy with this and bolted
the earth lead crimp connector to
the chassis instead. A separate earth
lead was then run from one of the
transformer mounting bolts to a second chassis earth point. In addition,
the Active and Neutral leads were
transposed on the power transformer
by resoldering them to the correct
terminals.
The method used by a previous
restorer to secure the mains cord was
quite primitive and is completely
unsatisfactory. It should be properly
secured using an approved chassis
clamp and the owner will attend to
this when he takes the set home.
The paper capacitors had all previously been replaced, as had the
electrolytic capacitors. I wonder how
the old ones fitted in, as they would
have taken up quite a lot of the space
under the chassis and space really is
at a premium.
Unfortunately, some of the replacement parts have been fitted with their
values obscured. Wherever possible, I
always fit resistors and capacitors so
that their values can be easily read.
This makes it much easier to service
a set should it later require attention.
For some reason, the previous
restorer had installed a 700pF mica
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The parts are tightly packed together on both the top and bottom of the
chassis, although access is still reasonable. Note the primitive method used
by a previous repairer to secure the mains lead. It should be secured using
an approved chassis clamp, while the Earth lead should be bolted directly
to the chassis, rather than secured to a transformer mounting screw.
capacitor in the padder circuit of the
oscillator instead of a 475pF capacitor
as specified. This error was discovered
when I later switched the receiver on
(see below).
receiver with a loudspeaker field-coil
filter. It then settled down to about
250V as the valves began drawing
current.
Initial tests
The next step was to attach an antenna to one of the antenna coil taps.
When I did this, the set immediately
began working. What’s more, it seemed
quite sensitive, with lots of stations
coming in.
Because the Philco 40-40 has no
AGC (automatic gain control), I had to
constantly adjust the volume control
as I tuned across the broadcast band.
AGC certainly has its advantages and
continued on page 103
It was now time to test the receiver. I
began by checking the leakage between
the windings of the power transformer
using my high-voltage tester and this
showed that it was in good order. In
addition, there were no shorts or near
shorts on the HT (high tension) line.
Having completed these checks, I
connected a meter to the HT line and
applied power. The HT shot up to over
400V initially, which is normal in a
Alignment
December 2010 95
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continued from page 95
in this set, could easily have been
applied to the converter stage.
One thing I noticed was that the
stations weren’t quite where they
should be on the dial. As a result,
I decided to start the alignment
procedure with the local oscillator.
Testing revealed that the receiver was tuning even lower in
frequency than the IF (460kHz),
which was decidedly odd. It was
then that I found the 700pF fixed
padder capacitor that had been
fitted by the previous restorer,
instead of the 475pF capacitor
specified.
I replaced the padder with the
specified value and was then able to
correctly align the oscillator stage.
Once that had been done, the stations came in at their correct locations on the dial.
Finally, the loop antenna was adjusted for optimum performance at
around 1500kHz by peaking the associated trimmer capacitor (9). This
was done with a long-wire antenna
connected first to one antenna tap
and then the other.
The old Philco receiver was now
really hitting its straps and it really does perform well for a 4-valve
austerity model set. In fact, on the
strongest local stations, the volume
could only be reduced down to a
comfortable listening level, although
it could be adjusted for zero output
on weaker stations. There’s a good
reason to prefer sets with good AGC
systems and audio stage volume
controls.
Summary
This is an interesting little receiv-
Looking for real performance?
•
•
•
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The antenna coil is a
flat basket-weave type
similar to that commonly
fitted to portable receivers.
er that’s well worthwhile having in a
collection. Despite being a “wartime
special”, it’s quite a good performer
although it would have benefited by
having AGC.
As mentioned above, all the alignment adjustments are accessible
without removing the chassis from
the cabinet. This feature is unique
to this set as far as I know and it’s
certainly very convenient.
Finally, because the parts are so
tightly packed into the chassis, this
would not have been easy to service
when using full-sized components.
The designers certainly did a good
job getting so much into such a small
SC
cabinet.
160 PAGES
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