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Vintage Radio
By RODNEY CHAMPNESS, VK3UG
The STC 504: a 5-valve
table radio from 1939
Manufactured just before World War 2, the
STC 504 is a 5-valve table receiver housed
in a very attractive timber cabinet. It’s
an interesting circuit that performs well,
especially after a few minor tweaks to its
AGC system.
T
radios used breadboard construction, then came
the coffin style before the large consoles of the 1930s and 1940s became
dominant.
During the 1930s, compact sets that
could be placed on table tops were also
developed, although they were still
usually too large for a mantelpiece.
Many of these sets used a tuning dial
located on a sloping panel on the top
of the cabinet, which meant that they
had to sit on a table or low cupboard.
These days, it’s hard to envisage
such sets sitting on a lounge-room
he very first
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table away from the wall where power,
antenna and earth were available.
However, many were positioned that
way and became the focus of the family’s entertainment.
There is no doubt these table sets
were much more attractive than the
average mantel set. For a start, they
were usually housed in good-quality
veneered timber cabinets. And although their sound quality would
have been inferior to the consoles with
their well-baffled 300mm (12-inch)
loudspeakers, they were considerably
better than the mantel receivers.
This month, we take a look at a typical table radio from the era, the 1939
STC 504. It is a mains-powered 5-valve
superhet design that covers the broadcast band only (ie, no shortwave).
The STC 504 5-valve receiver
The unit featured here is one that I
have on loan and is quite an interesting
set. It’s housed in a nicely-finished timber cabinet which measures 460mm
long, 255mm high and 270mm deep.
The complete set weighs 10kg, so it’s
no lightweight.
Unfortunately, the set is no longer
completely original. The chassis had
been overhauled several years ago,
while the cabinet had only recently
been restored. This restoration work
has not been completely successful
though, as explained later.
An unusual feature of the set is
the mounting arrangement used for
its 200mm (8-inch) speaker. This is
attached to a fairly thick baffle which
is mounted at an angle across the
front lefthand corner of the cabinet.
This baffle is quite effective for such
a “compact” cabinet and contributes
to the set’s sound quality.
The dial-scale is rather elaborate
in appearance and is mounted on the
righthand side. As with many other
dials of the era, it looks quite impressive when lit up at night.
The three controls are mounted
underneath the dial escutcheon. From
left to right, they are: Tone, Tuning
and Volume.
A glance inside the back shows just
how tightly packed the cabinet is, with
the chassis occupying the remaining
space next to the loudspeaker. Apparently, the cabinet didn’t have a back
which was not uncommon in those
days.
Circuit details
Let’s now take a look at the circuit
details – see Fig.1. It’s a typical 5-valve
superhet design for the era, although
there are a couple of quirks.
As shown in the photos, the ansiliconchip.com.au
Fig.1: the circuit is a fairly typical superhet design employing five valves, a 450kHz (later 455kHz) IF stage and an
electrodynamic loudspeaker. The sensitivity control is unusual and was difficult for the average user to master.
tenna terminal is at the far left on the
back of the chassis. From there, the
antenna lead goes through a hole in
the lefthand end of the chassis and
travels along this external edge until
it re-enters the chassis near the front.
This arrangement was used in many
valve receivers and was done to keep
the antenna lead away from the IF (intermediate frequency) amplifier. This
reduced any chance of strong marine
radio signals (which were close to the
IF) breaking through into the IF stages.
The following antenna-tuned circuit is quite conventional, with the
resulting signal applied to the grid of
a 6A8G converter valve. The oscillator
is a little unusual in that padder feedback was used to ensure more reliable
oscillation than a conventional circuit
often gave.
The coils for the antenna and
oscillator tuned circuits are both aircored. As a result, adjustment of the
frequency range and tracking must
be done using the oscillator trimmer
across the tuning capacitor and the
padder capacitor. The antenna-tuned
circuit can only be peaked at the highfrequency end of the dial.
It’s interesting to note that some time
in 1939, STC changed the intermediate frequency used for their sets from
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450kHz to 455kHz. However, although
STC changed the IF centre frequency,
there was no need to change the IF
transformers themselves. That’s because most IF transformers centred on
450kHz will tune easily from around
430kHz to 480kHz without any modification.
The resulting signal from the first IF
stage is applied to a 6U7G IF ampli-
fier, before being fed to the second IF
transformer. The signal is then fed to a
6Q7G (a triode duo-diode valve) where
it is detected. AGC is also obtained
from the detector.
From there, the detected audio signal is fed to a 0.5MΩ volume control,
after which it is amplified by the triode
section of the 6Q7G. The amplified
signal is then fed to a 6AG6G audio
This view shows the back of the set before restoration. The original electrodynamic loudspeaker had already been replaced with a permanent magnet
speaker at some time in the past.
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automotive cut and polish compound,
which brings bakelite up looking almost like new. One knob is obviously
a replacement though and doesn’t
match the other two. The other two
are originals, so it would be quite
practical to get one of the members of
the HRSA who specialises in making
replica knobs to make another.
Chassis restoration
The underside of the STC 504’s chassis (shown here after restoration) is tightly
packed with components, although most parts are easy to access. The sensitivity
control on the rear panel (bottom right) has been made redundant, to make the
set easier to adjust (see text).
output valve which in turn drives the
electrodynamic speaker.
Power supply details
The power supply is quite conventional. The primary of the transformer
is tapped at 200V and 240V, which
covered all the likely voltages used in
Australia at that time. Its high-voltage
CT (centre-tapped) secondary drives
a 5Z4G rectifier and its output is fed
through the field coil of the electrodynamic speaker to derive the HT line.
Two 8µF electrolytic capacitors (one
either side of the field coil) provide
additional filtering.
Like most receivers that use electrodynamic speakers, the power consumption is relatively high at 52W.
One real advantage of using a 5Z4G
rectifier is that it has an indirectlyheated cathode which warms up and
commences conduction at about the
same time as the rest of the valves. As
a result, the peak voltage across the
filter capacitors is much lower than
it would be if a directly-heated 5Y3G
rectifier had been used.
Cabinet restoration
As stated, the cabinet has only
recently been restored but only after
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someone else had “had a go” at it. Unfortunately, the outside of the cabinet
had been rubbed down to get rid of
imperfections but whoever did it was
unaware of just how thin the veneer is
and had sanded it down too far. This
has exposed the lower-quality timber
beneath the veneer.
This sanding down had been done
with relatively coarse sandpaper
across the grain. As a result, the most
recent cabinet restorer had to be very
cautious as to how he approached
the job. In the end, he used some fine
French polishing-grade steel wool to
restore the surface to a good, but not
perfect, condition (some of the sanding
marks are still visible but only if you
are looking for them).
The cabinet was then given a coat of
“Golden Oak” stain after which it was
finished with a pressure pack of 30%
nitro-cellulose lacquer. Six coats were
applied to the top to fill the grain of the
wood, while three coats were applied
to the sides and front. The inside of the
cabinet was spray painted matt black,
as was commonly done with timber
cabinets of that era.
The knobs were a little grubby and
were given a wash in soapy water.
Once dry, they were polished using
Before applying power to the set,
I went through my usual routine of
checking the power transformer and
the HT line. This involves checking
for shorts and excessive leakage in
the transformer using a high-voltage
insulation tester, especially between
the primary and high-voltage secondary windings and the chassis.
Similarly, the isolation between
the HT line to the chassis was also
tested. These tests all indicated that
the set would be safe to turn on after
I’d checked all the other work that had
been carried out.
In fact, this particular receiver
seems to have had a rather chequered
history of restoration, with bits and
pieces carried out by several people.
And although most of the work had
been done to a reasonable standard,
a few things did strike me as being a
little careless. A little extra effort and
the set would have been safer and a
easier to service.
First, all of the electrolytic and
paper capacitors had been replaced.
However, a couple of UCC paper capacitors had been used and these have
been known to become intermittent
and/or leaky over time. I replaced them
to avoid future problems.
In addition, the automatic gain
control (AGC) system is not at all like
the circuit and I’m not sure if this is a
factory modification or if it was done
by the restorer. It has been altered so
that the AGC is now a delayed AGC
system. After some deliberation, I
modified it even further to make it a
little more effective.
In fact, the AGC circuit is now very
much like that shown in Fig.4 on page
92 of the June 2010 issue.
Sensitivity control
A slightly unusual feature is the
inclusion of a “sensitivity” control,
which is the potentiometer located in
the centre-bottom of Fig.1. As the wiper is moved from its extreme righthand
position to the left, the sensitivity of
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the receiver will increase. Eventually,
a position will be found somewhere
along it travel where the sensitivity
is at a maximum.
Note, however, that this occurs
before the minimum resistance point
(0Ω) is reached. That’s because, at
0Ω, the converter and IF amplifier
valves will have no cathode bias, as
the cathodes will effectively be at
chassis earth.
In addition, the return for the detector and AGC diodes is at a positive
voltage, as set by the voltage across
the 6Q7G’s 3kΩ cathode resistor. As
a result, this voltage is applied down
the AGC line to the front-end valves.
In my opinion, the Sensitivity control was not a particularly smart design
feature by STC, as most people would
not understand how to set this control
correctly (it’s a screwdriver adjustment
on the back panel).
The AGC circuit in this particular
set has been modified to overcome
the “positive voltage” problem with
the AGC line. In addition, a previous
restorer had fitted a 330Ω resistor in
series with the wiper of the sensitivity
control, so that the valves still have
cathode bias at the minimum setting.
It was quite a good idea but that
resistor value was too high to obtain
maximum gain from the front-end.
As a result, I substituted a 150Ω resistor and the bias is now correct for
maximum gain with the control fully
rotated to the lefthand end. This effectively makes the Sensitivity control
redundant.
Obscured values
One of my pet peeves is components
that have been installed so that their
values are obscured. Unfortunately,
the previous restorer had done just
that, which is annoying.
It takes so little effort to orientate
components so that their values can
be seen that I cannot understand why
it’s not done – it makes life so much
easier when troubleshooting or checking a circuit.
Speaker replacement
At some time in the past, the electrodynamic speaker had been replaced
with a permanent magnet unit. This
replacement and the associated modifications to the HT filter circuit had
been quite well done and under normal operating conditions, was quite
satisfactory.
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A compact chassis fitted with an elaborate dial scale is used for the STC504 5-valve receiver. The three controls beneath the dial scale are (from
left to right): Tone, Tuning & Volume.
In place of the field coil, the previous restorer had installed a 14 Henry
choke and a series wirewound resistor,
giving a total of 2kΩ in series in the HT
supply line. This matches the resistance of the original speaker’s field coil.
However, if the speaker plug had
been removed when the set was operating, the plate of the 6AG6G would
have had no voltage on it. Conversely,
voltage would have still been present
on the screen and so the valve would
have been destroyed quite quickly
due to excessive screen current being
drawn.
To eliminate this problem, I rewired
the socket and plug so that removal of
the plug removes HT from all sections
of the receiver except for the first HT
filter capacitor.
The power cord was also a problem,
being retained only by a knot in the
lead just inside the chassis. That may
have been acceptable back in 1939 but
it’s certainly not acceptable today. This
primitive anchoring scheme has now
been replaced with an approved cable
clamping system.
Finally, close inspection of the wiring around the 6Q7G revealed a lump
of solder between a couple of the valve
pins. It was removed and fortunately
hadn’t caused any problems.
Test & alignment
With everything under the chassis
now looking shipshape, it was time to
check the set’s performance and do an
alignment.
The first thing to do was to see if
the set actually worked and carry out
some voltage checks, so I connected
an antenna and earth and switched on.
The dial lamps immediately came on
and shortly after the valves started to
glow and noise could be heard from
the speaker. The various voltages
around the receiver were all within
expectation, ie, around 220-250V on
the plate circuits and around 100V on
the screens. The voltages across the
cathode resistors were around 2.5V
on the RF valves and 4V across the
6AG6G’s cathode bias resistor.
Next, I tuned across the broadcast
band and a number of stations were
heard, so the set appeared to be working. As a result, I disconnected the
antenna and attached my RF signal
generator to the antenna input. With
April 2011 97
slightly later sets with iron-dust cored
coils.
Gremlins
The top of the chassis is tightly packed with the major parts. Metal shields are
fitted to the converter, IF and detector/triode valves, while the mains cord is
now firmly anchored with a cordgrip grommet in place of the original knot.
the tuning gang vanes closed, I applied
a strong modulated 455kHz signal to
the set and was rewarded with audio
from the speaker. I then slowly reduced the signal generator’s output,
at the same time carefully adjusting
each of the four IF trimmers for best
audio output.
Note that one trimmer in each IF
transformer is at the full HT voltage
and therefore considerable care is
needed to make sure the screwdriver
doesn’t slip and short the HT to the
chassis (or that you don’t get a shock).
All four adjustments peaked easily
and the performance noticeably improved.
The front-end tuned circuits were
next and these are first adjusted at
the low-frequency end. This initially
involves setting the signal generator
to 600kHz, then tuning the receiver
to 600kHz on the dial. The padder
capacitor is then adjusted until the
signal generator’s signal is heard at
this dial location and then carefully
adjusted for peak output.
That done, the generator is set to
1400kHz and the receiver tuned to
1400kHz at the high-frequency end
of the dial. The oscillator trimmer on
the top of the tuning gang is then adjusted for peak output, after which the
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Having completed the alignment,
a couple of gremlins suddenly reared
their heads. The first fault was an occasional loud crackling sound from the
speaker. It remained with the antenna
removed but disappeared when the
volume control was turned down.
This indicated that the problem
was in the front-end and replacing the
6A8G fixed the problem.
The second fault occurred during
final testing. I had the set upside-down
to allow access to the wiring when
suddenly the HT (high tension) rose
to quite a high level, indicating no
current was being drawn. At the same
time, the dial lamps went out and there
was a burning smell.
I hastily switched the set off, turned
it over and checked the power transformer. The section where the filament
winding was wound was quite hot and
some of the wax had melted.
In the end, this fault was tracked
down to one of the dial lamp sockets,
which was intermittently shorting to
earth. Replacing it fixed the problem
but it’s a good thing that I was on the
spot when this fault occurred, otherwise it could have destroyed the power
transformer. Having fixed these two
faults, there were no further problems
and the set worked well.
Summary
The parts around the detector/first
audio amplifier socket are somewhat
crowded together.
procedure at both the low-frequency
and high-frequency ends of the dial is
repeated several times, until there is
no need for further adjustment.
Finally, the signal generator is removed, an antenna connected and the
set tuned to a distant station close to
1400kHz. The antenna trimmer under
the chassis is then peaked. There is
no corresponding adjustment at the
low-frequency end of the dial but the
sensitivity of the receiver is reasonably
consistent across the band.
Once these alignment adjustments
had been completed, the set performed
quite well although its worth noting
that both the selectivity and gain of
the IF amplifier stage is inferior to
This is a good-looking set with better than average audio, due to good
speaker baffling and a relatively broad
IF bandwidth. However, the AGC and
sensitivity control really weren’t quite
as well-designed as they could have
been. As stated above, the sensitivity
control is now superfluous following a
few modifications to the AGC system.
The chassis also looks like it has
been designed to suit several different
receiver layouts. For example, there
is provision for an additional tuning
gang section, which suggests that a
different receiver with an RF stage
used the same chassis. There are also
two holes in the chassis which have
been covered over and these probably
accepted additional components.
In summary, this is an excellent
example of the state of the art just
prior to World War Two. It performs
well and is certainly worth having in
SC
a collection.
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