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Vintage Radio
By Maurie Findlay, MIE Aust, VK2PW
A look at the Radiola Model
573-MA Receiver
to Australian technicians at the time
and were much smaller than their predecessors which had octal and other
plastic bases. They were of all-glass
construction, with seven pins at one
end providing all the connections.
Circuit details
Manufactured in the early 1950s, the
AWA model 573-MA is a 5-valve superhet,
designed for the 540-1600kHz broadcast
band. It features an attractive plastic case
and a large straight line dial with stations
for all Australian states clearly marked.
B
EFORE THE INTRODUCTION of
television to Australia in 1956,
radio and gramophone records were
a prime source of entertainment.
Typically, a household would have
a radio and maybe a gramophone in
the lounge room and the family would
gather in the evening to listen to the
radio or records.
With the war some years away and
economic conditions improving, the
dream of having several radios in the
household became a reality for many.
In addition to mains receivers, there
were battery-powered portable sets
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but these were expensive to run and a
good many did not work all that well.
The Radiola Model 573-MA operates from mains power and requires
only 40W. Furthermore, this set has a
very effective inbuilt antenna and can
be shifted around to wherever there
is a power outlet without having to
install an antenna wire. This could
be the kitchen, the bedroom or the
outside workshop.
The set was manufactured by
Amalgamated Wireless (Australasia)
Ltd and the valves by their associated
company, AWV. The valves were new
Fig.1 shows the circuit diagram of
the set. It’s a superheterodyne design
with five valves: a frequency changer
(V1), an intermediate frequency (IF)
amplifier (V2), a detector/audio amplifier (V3), an audio power amplifier (V4)
and a rectifier (V5). It’s pretty much
a standard line-up for medium-wave
receivers designed at the time.
There are a few special features
about the design. These include a ferrite rod antenna, a neutralising circuit
for the IF amplifier, simple rather than
delayed AGC (automatic gain control)
and a negative feedback circuit with
associated treble cut and boost.
The frequency changer is a 6BE6
which has a simplified geometry in
order to fit all the connections within
the 7-pin limitation (the screen grid
serves as the plate for the local oscillator). This valve actually provides
more conversion gain when used on
the broadcast band than some earlier
octal based types.
Intermediate frequency (IF) amplification at 455kHz is achieved using a
6BA6 which is a variable-mu pentode
with AGC applied to the grid. It also
has the potential for higher gain than
earlier octal-based valve types. Again,
looking at the circuit, early versions
of the set used a cathode bias resistor
without a bypass capacitor in order to
reduce the gain. Later models included
the bypass capacitor as well as a neutralising circuit.
The detector/amplifier stage (V3)
is a 6AV6 which has two diodes and
a triode in the one envelope. One
diode detects the 455kHz intermediate frequency signal and at the same
time provides the AGC voltage. The
other diode is not used and is simply
connected to earth. The triode section
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Fig.1: the circuit is a fairly standard superheterodyne design with five valves: a
frequency changer (V1), an intermediate frequency (IF) amplifier (V2), a detector/
audio amplifier (V3), an audio power amplifier (V4) and a rectifier (V5).
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provides substantial audio gain and
is a commonly-used circuit. The grid
return resistor (R9) is 10MΩ while its
plate load resistor (R12) is 0.22MΩ.
The the 6AQ5 valve (V4) is the fasiliconchip.com.au
miliar beam-tetrode in miniature form.
It provides gain and the audio power
to drive the loudspeaker. R14, a 47kΩ
resistor in the grid circuit, is there as
a precaution against parasitic oscilla-
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October 2011 95
Despite the set’s age (about 60 years), the chassis is still in good condition. It was one of the first Australian-made sets to
use the new 7-pin “miniature” valves (also Australian-made).
tions at frequencies outside the audio
range. The valve must be operated in
a linear mode for low distortion and
negative bias is provided via R17, a
150Ω resistor in the supply line.
V5, a type 6X4, rectifies the AC
output of the transformer to provide
240V DC for the plate of the 6AQ5. It
also provides, via dropping resistor
R16 (5kΩ), 165V DC for the screen of
the 6AQ5 and the plates of the other
valves.
A special feature of the 6X4 is that
it has insulation between the heater
and cathode elements, designed to
TABLE 1: DC RESISTANCE OF WINDINGS
Ferrite Aerial Assembly:
Primary (L1)
Secondary (L2)
<1Ω
1Ω
Oscillator Coil (L3)
3.5Ω
IF Transformer Windings
Power Transformer (T2):
Primary
15Ω
50Ω
Secondary
350Ω
Loudspeaker Transformer (T1):
Primary
525Ω or 430Ω
Secondary
<1Ω
The above readings were taken on a standard
chassis but it should not be assumed that
a component is faulty if a slightly different
reading is obtained.
96 Silicon Chip
withstand the high-tension (HT) voltage. The heater can be operated from
the same supply as the heaters for the
other valves, ie, with one end connected to earth.
Restoration
The old Radiola Model 573-MA
receiver pictured here originally came
to me complete in its plastic case and
with a copy of the AWA service data.
This included the specifications, circuit diagram, alignment procedure,
a table showing the resistance of the
various coils and transformers, and a
table of the valve socket voltages.
Bearing in mind that the set was
nearly 60 years old and might have
had all sorts of faults, there was no
question of immediately plugging it
into 230VAC and switching it on.
Nothing in the service data described how to get the chassis out
of the plastic case but after observation and some thought, I began by
removing the knobs by pulling them
straight out from the front. The back
of the case proved more elusive. It is
held by two screws, recessed at the
top and another two screws towards
the back and underneath the case. In
the process of removing the back, the
brackets holding the back broke away
from the case. They were later repaired
using epoxy cement and 3mm screws,
just to make sure.
At this stage, the chassis was still
firmly attached inside the front of the
case by another two screws underneath
the case. These were also removed and
the metal chassis was then slid out of
the case to reveal a broken dial cord.
Fortunately, the service data includes
a diagram which shows how to string
the cord and attach the pointer.
A thorough visual check above and
below the chassis revealed nothing out
of order, apart from a generous layer
of dust. As far as reasonably possible,
this was carefully removed with a
soft brush
Next, using a digital multimeter, the
resistance of the primary winding of
the power transformer was measured
(see the manufacturer’s table “DC
Resistance Of Windings” reproduced
here). This was within specification.
The next measurement, the resistance
between the primary and the chassis,
was of the utmost importance. It was
greater than 10MΩ which is very good.
In addition, the resistance of the primary of the loudspeaker transformer
winding was measured to ensure the
safety of the 6AQ5. If this winding
goes open circuit, the screen grid of
the valve will draw excessive current.
Next, the resistance between the
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high-tension line and the metal chassis
was measured. It was more than 0.5MΩ
which suggested that the electrolytic
capacitors were possibly in reasonable
condition and that it may be safe to
switch on the mains power.
The 573-MA was originally fitted
with a 3-pin plug and a 2-wire figure-8
power flex. This is simply not satisfactory for safety these days. So, before
switching on, a 3-core flex was fitted
and the earth wire securely attached
to the metal chassis. This was done by
crimping the earth wire to an eyelet
lug which was then secured using a
machine screw, nut and shakeproof
washer. Do not rely on a solder joint
to the chassis.
In addition, a cable clamp was fitted to secure the mains flex in place,
along with a grommet where the cable
exits the metal chassis. This ensures
that the outer insulation of the mains
cord is not damaged by external strain.
With the above precautions, a fault
in the primary power circuit will either
cause the earth leakage circuit breaker
at the switchboard to disconnect the
power or will cause the fuse to blow,
thus ensuring safety.
Surprise, surprise. With the power
applied, the set worked perfectly,
receiving all local and one or two
distance stations in daylight! Not a
single component was changed and
not a single adjustment moved. What
a contrast with the recent experience
with the Hotpoint J35DE receiver (SILICON CHIP, July-September 2011)
The service data states that “all
adjusting screws are sealed”. Except
for the aerial trimmer (C3, 27pF), it
means exactly what it says.
Performance
I was left no alternative but to resort
to the “big guns” in the form of laboratory instruments to get some quantitative idea of performance. The signal
gathering performance of the ferrite
rod antenna is not easy to measure,
It’s basically a function of the volume
of the rod and the “Q” factor.
The reddish-brown metal plate at the front of the set is used as a crude
baffle for the oval-shaped loudspeaker
It is possible to arrange a known
field strength using a signal generator
and an inductor placed at a specified
distance from the ferrite rod. However, this is fairly cumbersome and
is hardly justified when weak station
performance has been demonstrated.
The manufacturer’s alignment table
states “a coil comprising three turns
of 16-gauge DCC wire and about 12
inches (30cm) in diameter should be
connected between the terminals of
the test instrument, placed concentric
with the rod aerial and distant not
less than 1 foot from it.” No expected
sensitivity figures or settings of the
AWA modulated oscillator are given.
My aim was to measure the bandwidth of the intermediate frequency
(IF) channel and the overall audio
response of the set. To do this, a
laboratory RF signal generator and an
audio signal generator were pressed
into service.
Unfortunately, the AWA arrangement would make it very difficult to
maintain constant coupling between
the RF generator and the ferrite antenna. To circumvent this, I simply
wound three turns of hook-up wire
around the end of the ferrite rod. The
relative signal strength was measured
using a digital multimeter connected
between the junction of R3 and R18
and earth. Obviously, the circuit was
detuned but this does not make any
difference to the intermediate and
audio response.
For most local stations, without the
signal generator connected, the meter
read about -4V. Bear in mind that the
ferrite rod antenna is directional and
has least signal gathering capacity
when pointed end-on in the direction
of the station. However, the reserve of
sensitivity is considerable and when
turning the chassis around while
tuned to local stations, the minimum
pick-up orientation is usually noticed
only by a slight increase in background
noise.
Why simple AGC?
This brings me back to an interesting
point about the circuit: why did the
designer choose a simple automatic
gain control system when the usual
delayed AGC system would have involved only a couple of inexpensive
components?
I believe that the answer is related to
the ferrite rod antenna and its proximity to the power transformer. When the
set is tuned away from a station, hum
TABLE 2: SOCKET VOLTAGES
Valves
6BE6 Converter
6BA6 IF Amplifier
6AV6 Detector/Amplifier
6AQ5 Output
6X4 Rectifier
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Cathode To
Chassis Volts
–
1.5
–
–
250
Screen Grid To
Chassis Volts
85
85
–
165
–
Anode To
Chassis Volts
165
165
80
240
235/235 AC RMS
Anode Current
mA
2
4.5
1
20
–
Heater
Volts
6.3
6.3
6.3
6.3
6.3
October 2011 97
All parts under the chassis are easy to access. The original 2-core power cable was replaced with a 3-core cable so that
the chassis could be earthed.
can be heard in the speaker. But tune
to even a very weak station and the
hum immediately stops. Had delayed
AGC been incorporated, hum would
be present on weak stations.
Another design feature of the set,
unusual for the 1950s, is the negative
feedback and tone control system. The
feedback is taken from the secondary
winding of the output transformer, via
C22, R11 and R10 in series and developed across R8 (100Ω) at the lower end
of the volume control (R7). In addition,
the junction of R10 and R11 is connected via C18 to one end of the tone
control potentiometer R13 (100kΩ). Its
moving arm (wiper) is earthed, while
the other end is connected to the plate
of V3 via C19 (0.01µF).
When the set is first switched on,
C19 bypasses the plate of the 6AV6,
resulting in severe treble cut. However,
with R13 fully rotated, C18 (0.25µF)
is connected to ground, reducing the
negative feedback at higher audio frequencies and hence providing treble
boost. Very clever!
The tone control is the small knob
at the front left of the set, while the
volume control is the larger concentric
knob behind it. The on/off switch is
operated by the tone control. When
you first switch on, you make the decision: leave it with a “mellow” tone
or rotate the knob fully and be able to
understand speech!
Audio response
The measured centre frequency of
the IF amplifier is very close to 455kHz
Fig.3: this graph
shows the audio
response of the
set at switch-on
and with the
tone control
turned fully
clockwise (the
on/off switch
is integrated
with the tone
control).
RADIOLA MODEL 573-MA AUDIO RESPONSE
dB
0
FULLY CLOCKWISE
–2
–4
TONE CONTROL
POSITIONS
–6
SWITCH ON
–8
100
98 Silicon Chip
1k
10k
and the -6dB bandwidth is 7kHz. The
overall audio response with the tone
control fully clockwise is only -2dB
down at 3kHz. Although this is poor
compared with modern digital or FM
sets, it still makes for pleasant listening. The response curves are reproduced in Fig.3.
The audio power output is a little
less than 1W RMS at the point of clipping when fed into a 3-ohm resistive
load. I double checked this and also
checked the emission of the 6AQ5,
as the service data sheet claims 3W
undistorted. Even so, the 1W of audio
is more than enough for the sensitive
permanent-magnet speaker which is
mounted on a metal plate. This certainly does not provide a good baffle
for the lower audio tones.
So, 60 years later, are there any
improvements to be made to the
circuitry? Answer: none that would
make a really worthwhile improvement. However, over-coupling of the
1st IF transformer and damping of the
primary of the second IF (see SILICON
CHIP, September 2011) would extend
the audio response.
In addition, the current drain and
hence heat dissipation could be reduced by slightly increasing the value
of the back bias resistor (R17, 150Ω).
Finally, capacitors C17 (0.1µF), C23
(25µF electrolytic) and C25 (25µF electrolytic) were replaced in the interests
SC
of long-term reliability.
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