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SILICON
SILIC
CHIP
www.siliconchip.com.au
Publisher & Editor-in-Chief
Leo Simpson, B.Bus., FAICD
Production Manager
Greg Swain, B.Sc. (Hons.)
Technical Editor
John Clarke, B.E.(Elec.)
Technical Staff
Ross Tester
Jim Rowe, B.A., B.Sc
Nicholas Vinen
Photography
Ross Tester
Reader Services
Ann Morris
Advertising Enquiries
Glyn Smith
Phone (02) 9939 3295
Mobile 0431 792 293
glyn<at>siliconchip.com.au
Regular Contributors
Brendan Akhurst
Rodney Champness, VK3UG
Kevin Poulter
Stan Swan
Dave Thompson
SILICON CHIP is published 12 times
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E-mail: silicon<at>siliconchip.com.au
ISSN 1030-2662
Publisher’s Letter
DAB+ radio broadcasting has
a long way to go
This month, we have a couple of letters discussing
DAB+ and the main one is from Joan Warner, CEO of
Commercial Radio Australia, promoting the cause of
DAB+ against those who would argue that it has been
a disappointment. From my point of view, DAB+ is a
disappointment because its sound quality is usually
nowhere near as good as it can be. This topic has been
raised in our Mailbag pages several times since the introduction of DAB+ and nothing has changed to cause a reassessment of that view.
The basic problem is that most broadcasters have elected to use too low a
data bit rate and therefore audio quality is severely compromised.
While this may be of no real consequence for stations that are mainly talkback and sports-oriented, it is pretty poor for stations that mainly broadcast
music, whether it is classical, rock, country & western or whatever. Perhaps
the worst example is the DAB+ station ABC Classic which broadcasts the
same program as ABC Classic FM. Sadly, the sound quality from the FM stereo
broadcasts is clearly superior to that from DAB+. This is a pretty poor effort
from the national broadcaster.
Furthermore, as bad as it is, sound quality is not the main issue. DAB+ can
be an advance for listeners in areas of reasonable signal strength where existing reception from AM or FM broadcasts is noisy and subject to interference.
AM radio seems to be particularly subject to interference from digital services
such as ADSL and pay TV where there are above-ground cables present and
DAB+ can be a revelation by comparison. The fact that there are many extra
stations available to listen to is a bonus.
But DAB+ reception in cars or in the canyon-like streets of major cities is a
major problem. Whereas FM may be subject to multi-path distortion or rapid
variations in signal strength which can make reception quite noisy, DAB+ just
drops out completely. One moment you have clear reception and the next you
have nothing or maybe words or parts of words sputtering on and off. In this
situation, you just switch off in disgust – or go back to FM, if you can. Of course,
DAB+ radios normally do not even give you the option of listening to AM!
So DAB+ signal strength in many metropolitan locations is simply not good
enough to generate good car radio sales in the future. Commercial Radio Australia may not be happy about that statement but it would difficult to argue
against it. There is also a further impediment to acceptance of DAB+ in cars and
that is that sound equipment in cars made over the last five years or more is so
closely integrated that it is difficult, if not impossible, to upgrade to an aftermarket system, whether it is DAB+ or not. And if car manufacturers are aware
of the poor reception of DAB+, why should they make any effort to change?
We have another reason to be critical of DAB+. We put a great deal of development work into the DAB+ tuner that we featured in the issues from OctoberDecember 2010 and which has been made available as a kit by Jaycar Electronics.
That design potentially delivers the best sound quality that you can get from
any DAB+ signal. If we had known that music stations would generally select
such poor data bit rates, we would probably not have committed to all that
design work which was a major investment on our part. Other organisations
who have developed good-quality DAB+ products must feel exactly the same.
Leo Simpson
Recommended and maximum price only.
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