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At last, a worthy adversary to vanquish the CHAMP and Pre-CHAMP!
The Champion
. . . a tiny audio amplifier
module that can deliver
7W peak power!
By Nicholas Vinen
Have you built one of our CHAMP or PreCHAMP modules? They
have been extremely popular but we have to admit that their
audio performance is (was?) pretty ordinary. Now there’s a new
kid (module) on the block and we have dubbed him the Champion
because his performance is far superior. In fact, he can deliver
up to 7W of peak power whereas the now-deposed CHAMP would
struggle to deliver more than half a watt.
B
OTH THE CHAMP and Pre-CHAMP
have had a very long run since
they hit the scene in the February &
July 1994 issues of SILICON CHIP. In
fact, many thousands of each have
been built.
That’s because they were cheap,
easy to build and did the basic job
required of them – to give just about
anything the ability to drive a speaker
and make a sound, be it a radio, sound
effects generator, music player, communications receiver – whatever. But
while they will no doubt continue to be
popular, they are now over-shadowed
by our new module, the “Champion”.
24 Silicon Chip
It dances all around the CHAMP,
evading all of its jabs and delivering
a knock-out combination of convenient connectors, higher power, lower
minimal operating voltage, much
lower distortion and noise, mute and
standby features and input mixing.
Actually, the Champion doesn’t
have it all over the CHAMP. Sometimes
the old guys have a few tricks up their
sleeves. The young and energetic
Champion is a bit hungry, with a quiescent current of around 30mA while
the older and cunning CHAMP picks at
its meals with a quiescent current of
just 4mA. Still, the Champion again
wins out because it has a logic-level
standby control pin to shut it down to
a negligible 1µA!
New amplifier IC
The heart of the Champion is the
AN7511 audio amplifier IC from Panasonic. The CHAMP’s LM386 was born
in the mid-1970s and that makes it an
old geezer by now. By comparison, the
AN7511 isn’t even a teenager yet, having been released in late 2001.
One of the main advantages of the
AN7511 over the LM386 is the fact that
it drives the speaker in a bridge-tied
load (BTL) configuration. This allows
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the IC to deliver twice the RMS voltage to the speaker, for up to four times
the power.
Thus, as already noted, the Champion punches well above its class,
giving around 7W peak power into an
8Ω load from a 12V supply. Mind you,
the Champion can’t deliver that sort
of power continuously. The small DIP
chip package simply can’t deal with
the dissipation under those conditions
continuously and thermal limiting
quickly kicks in, even if a heatsink
is fitted.
The continuous power available (depending on supply voltage) is around
2W. That’s still quite a bit better than
the LM386.
The LM386 also needs more external
components than the AN7511, despite
having fewer features. The LM386
needs a “Zobel network” at its output
(resistor and capacitor) for stability
whereas the AN7511 doesn’t. The
LM386 also needs a large DC-blocking
capacitor between its output and the
speaker but because the AN7511
drives the speaker in bridge mode,
no DC blocking capacitor is required.
All we really need to build a working
circuit around the AN7511 is a bypass
capacitor, AC coupling for the signal
input and some RC filters for the mute
and standby control pins.
In standby mode, the AN7511’s current consumption drops to just 1µA
so if used in combination with (say)
a microcontroller, the AN7511 won’t
draw any power unless you are actually using it. The mute and standby
Features & Specifications
Features
•
•
•
•
•
•
•
•
Wide operating voltage range
Bridged output gives high power at low supply voltages
Low parts count
Low distortion
Preamplifier compatible with microphones & electric guitars
Preamplifier has two inputs, mixed 1:1
Mute and standby control
Over-temperature protection (auto-limiting)
Specifications
Operating voltage range: 4-13.5V
Output power: up to 4W continuous (see Fig.3); 7W peak
Music power: 3W <at> 9-12V
Signal-to-noise ratio: ~65dB
Frequency response: -2.5dB <at> 20Hz, -0.3dB <at> 20kHz (see Fig.5)
THD+N, 1kHz: ~0.25% (see Fig.4)
Gain: 34dB for Champion, up to 58dB with Pre-Champion
Input sensitivity, Champion only: 52mV RMS <at> 5V, 125mV RMS <at> 9-12V
Input sensitivity, Pre-Champion + Champion: 2mV RMS <at> 5V, 5mV RMS <at> 9-12V
Quiescent current: 2mA (Pre-Champion) + 30-60mA (Champion)
Standby current: 2mA (Pre-Champion) + 40-120µA (Champion)
features are designed to avoid clicks
and pops when the unit goes into and
out of standby, too.
The Pre-Champion
As good as the Champion is, we
know that many readers will want a
companion preamplifier to go with it,
just as the CHAMP had the Pre-CHAMP.
But whereas the Pre-CHAMP was a
very basic 2-transistor circuit, the
preamplifier for the Champion is a
special low-voltage op amp IC that has
considerably better performance. This
will enable you to use the Champion
with a microphone or many musical
instruments, such as electric guitars.
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January 2013 25
Parts List
Pre-Champion
1 PCB, code 01109121, 57 x
41mm
1 10kΩ log PCB-mount 16mm
potentiometer (VR1) OR
1 10kΩ mini horizontal trimpot
(VR2)
4 mini 2-way terminal blocks
(CON1-CON4)*
1 8-pin DIL socket
4 M3 x 10mm tapped Nylon
spacers
4 M3 x 6mm machine screws
Semiconductors
1 LMC6482 dual op amp (IC1)
(Jaycar ZL3482)
1 LP2950-5 5V LDO regulator
(REG1) (Jaycar ZV1645)
1 1N5819 schottky diode*
Capacitors
2 100µF 16V electrolytic
2 10µF 16V electrolytic
accommodate the Champion and its
companion preamp. If you don’t need
the preamp, you can cut off that section
to make the PCB quite a bit smaller.
Circuit description
Fig.1 shows the complete circuit
of both the Pre-Champion (left) and
Champion (right). The signal is applied to either CON2 or CON3. If you
apply a signal to both, they will be
mixed together with a 1:1 ratio, ie, the
apparent volume of both signals will
be the same. This could be useful, for
example, if you want to down-mix stereo to mono or if you want to combine
music and voice. The two signal paths
are identical until they are mixed.
Each signal passes through a lowpass filter consisting of a 100Ω resistor and 100pF capacitor, designed to
attenuate RF signals. There is also a
2.2MΩ bias resistor to pull the input
signal to ground. If you are going to feed
the unit with an iPod or similar player
you may need to reduce the value of
that 2.2MΩ resistor dramatically, to say
1kΩ, to provide it with sufficient load
current. However, as presented, the
high-impedance inputs will suit microphones and some musical instruments,
as well as general line-level signals.
The signals are then AC-coupled
with 100nF capacitors and 2.2MΩ bias
26 Silicon Chip
3 100nF MMC
2 100pF ceramic
2 10pF ceramic
Resistors (0.25W, 1%)
4 2.2MΩ
2 2.2kΩ
2 22kΩ
2 1kΩ
2 10kΩ
2 100Ω
Champion Amplifier
1 PCB, code 01109122, 42 x
41mm
4 mini 2-way terminal blocks
(CON5-8)*
1 micro-U TO-220 heatsink, 12.7 x
19mm (Futurlec Cat. TO220S,
Rockby Cat. 36255, Altronics
Cat. H0628 [with pin cut off])
1 TO-220 heatsink pad or thermal
transfer compound
4 tapped nylon spacers
4 M3 x 6mm machine screws
1 M3 x 10mm machine screw
2 M3 nuts
resistors which go to a 2.5V half-supply
rail. This biases the incoming signal so
that it has a symmetrical swing within
the supply rails of dual op amp IC1,
running off a 5V rail. The two 2.2MΩ
bias resistors for each channel, on
either side of the 100nF AC-coupling
capacitors, are in parallel as far as the
signal source is concerned, setting the
unit’s input impedance to around 1MΩ.
IC1a buffers and amplifies the signal
from CON2 while IC1b does the same
for the signal from CON3. Gain is set at
23 times (27dB) by the 22kΩ and 1kΩ
feedback resistors. The 10pF capacitors reduce the gain for high-frequency
signals, giving a little extra stability
and noise filtering.
Note that this high gain suits relatively low level signals such as those
from microphones or musical instruments. To feed the unit with line-level
signals, you will either need to knock
back the gain for that channel by reducing the value of the 22kΩ feedback
resistor or else connect the signal to its
respective input via a potentiometer.
The latter solution is probably the
best one. It not only provides for a
wide range of input signal levels but
also lets you adjust the ratio by which
the two audio input signals are mixed
(eg, by using a similar arrangement to
that shown in Fig.6).
1 M3 split washer
2 M3 shakeproof washers
Semiconductors
1 AN7511 bridge output amplifier
(IC2) (Jaycar ZL3388)
1 BC557 PNP transistor (Q1)
1 1N5819 Schottky diode*
Capacitors
1 470µF 16V electrolytic
1 10µF 16V electrolytic
1 1µF 16V electrolytic
1 470nF MMC
1 100pF ceramic
Resistors (0.25W, 1%)
1 1MΩ
3 10kΩ
2 100kΩ
1 100Ω
* If building both the Pre-Champion
and Champion on a single PCB,
omit one 1N5819 diode and four
2-way terminal blocks
The outputs of the two op amp stages
are mixed using a pair of 2.2kΩ resistors
and then AC-coupled to potentiometer
VR1 or VR2, depending on which is
installed. One is a trimpot and the other
is a full-size pot. Regardless of which is
installed, they do the same job, allowing the output level to be adjusted. The
100µF coupling capacitor is specified
for good low-frequency performance as
this capacitor forms a high-pass filter,
in combination with the pot’s track
resistance (10kΩ).
The LMC6482 dual op amp was
chosen for this application because
it can run off low voltages and has a
rail-to-rail output swing. For example,
when running from 5V, its output can
be over 1.5V RMS while a standard op
amp would be limited to about 0.5V
RMS if it could operate from 5V at all.
The aforementioned 2.5V rail, which
effectively acts as the signal ground
in this circuit, is derived from the 5V
supply rail by a pair of 10kΩ resistors
acting as a 1:1 voltage divider. This rail
is filtered with a 100µF capacitor, to
reduce noise and keep its impedance
low so that the feedback dividers can
work effectively.
IC1 is powered via an LP2950 5V
low-dropout regulator (REG1). This
regulator is fed from either CON1 or
CON8 via Schottky diode D1 or D2
siliconchip.com.au
siliconchip.com.au
OUT
K
1N5819
A
CON5
* ONLY ONE OF VR1 (16mm POT) OR
VR2 (TRIMPOT) TO BE INSTALLED
VR1*
10k
LOG
VR2*
10k
100 F
CON4
PREAMP
OUT
AMP
IN
1
2
100
1M
470nF
100pF
100k
C
Q1
BC557
2.2k
2.2k
C
B
E
10 F
1 F
10k
B
E
GREEN DASHED LINE INDICATES
WHERE BOARD CAN BE CUT TO
SEPARATE AMPLIFIER AND
PREAMPLIFIER SECTIONS.
NOTE THAT IF BOARD IS NOT
CUT APART CON1, D1, CON4
AND CON5 CAN BE OMITTED.
100 F
SC
2013
2.2M
100pF
2.2M
CON3
CHAMPION AMPLIFIER & PREAMP
+2.5V
10pF
1k
IC1b
22k
7
IC1: LMC6482
5
6
2
2.2M
100nF
100
1
PREAMP
IN2
10pF
1k
2.2M
2
1
100
PREAMP
IN1
CON1
4
2
100pF
100nF
10 F
2
CON2
8
3
10 F
IC1a
22k
1
100nF
+2.5V
10k
OUT
GND
IN
+
9-12V
DC
–
Fig.1: complete circuit diagram for the Pre-Champion (preamplifier) and Champion (amplifier). Dual op amp IC1 provides some gain for microphones
and musical instruments connected to inputs CON2 and/or CON3. The signals are then mixed and either potentiometer VR1 or VR2 is used to adjust the
volume. The signal then passes to the amplifier section at right, where IC2 provides a further 34dB of gain and drives the speaker in bridge mode.
3
Mute Gnd
4
IN
2
5
100k
1
SBY Vcc
OG
BC557
7
8
6
Out+
IC2
AN7511 Out–
10k
470 F
16V
10k
IN
GND
LP2950
CON7
1
2
SPEAKER
OUT
MUTE
2
CON6
STANDBY
1
AMP
CONTROL
1
CON8
9-12V
DC
–
+
AMP
PWR
A
K
V+
10k
+5V
REG1 LP2950
V+
K
D1 1N5819
1 A
The signal from the volume control pot is fed via CON5, an RF filter
network (100Ω/100pF) and a 470nF
capacitor to IC2, the AN7511 chip
input. This time, the input bias resistor is 1MΩ and there is no bias resistor at input pin 2 of IC2 since it has
internal biasing (30kΩ to ground). The
combination of the 470nF coupling
capacitor and a 30kΩ input impedance
gives a low-frequency roll-off of -3dB
at around 11Hz.
The balanced outputs from IC2 are
at pins 6 and 8. The pin 6 output signal is in-phase with the input signal,
while the pin 8 output is inverted.
The overall gain is typically 34dB, so
a 30mV input will give an output of
around 1V RMS or 125mW into 8Ω.
Note that due to this bridged output configuration, the recommended
minimum speaker impedance is 8Ω.
Pin 1 of IC2 is the standby input
(SBY) which, if pulled low, shuts
down the amplifier and puts IC2 into
a low-power mode where it consumes
around 1µA rather than the typical quiescent current of 30-60mA. This can
be controlled using an SPST switch or
by a microcontroller.
The 10µF capacitor from pin 1 of IC2
to ground, combined with the associated 100kΩ resistor, forms a “soft start”
circuit which prevents clicks and
pops from the speaker when power
is first applied. The 10µF capacitor
is initially discharged and so pin 1 is
held at ground, enabling the standby
feature. This capacitor charges through
the 100kΩ resistor and so IC2 comes
out of standby a short time after power
is applied, when the circuit voltages
have had time to settle.
Similarly, the 10kΩ resistor from pin
1 of CON6 to pin 1 of IC2 limits the
rate at which the shutdown feature is
enabled, preventing a sudden transition which would cause the output to
also generate a transient, resulting in a
loud sound from the speaker.
Note that these resistors consume
some additional current in standby
mode (VCC ÷ 110kΩ), giving a total
standby current of up to 120μA at
maximum supply voltage.
There is also a separate mute input
at pin 4 of IC2. This allows the output
PREAMP
POWER
Amplifier
D2 1N5819
2
which protect against reversed supply
polarity (note: D1 is not installed if the
preamp is built on a single PCB with
the amplifier).
January 2013 27
5819
* FIT EITHER VR1 OR VR2,
NOT BOTH
Q1
10k
1 F
CON7
470 F
BC557
+
+
Speaker
Power
CON8
IC2
AN7511
10k
Mute
+
+
5819
+
+
100k
REG1
LP2950
100pF
Input
Standby
100k
10k
+
CON5
Out
CON4
22k
10 F
+
+
Power
Champion
01109122
D1
10pF
470nF
D2
100 F
VR2*
1k
10k
+
CON6
100nF
10k
+
VR1*
10pF
tor plus a Schottky diode for reverse
polarity protection. If the two units are
built on a single PCB, power can be applied to CON8 for both the Champion
and Pre-Champion. In this case, CON1
and D1 may be omitted. CON4 and
CON5 can also be left out as the output
tracks from the Pre-Champion feed
straight into the input of the Champion.
(OPTIONAL
HEATSINK)
1M
100
+
CON1
1k
2.2M
2.2M
100 F
CON2
IC1
100
100pF
+
100nF
22k
CON3
2.2M
2.2M
2.2k
100nF
LMC6482
2.2k
+ 100pF100
In 2
In 1
2013
10 F
01109121
Construction
The PCB measures 100 x 41mm and
is coded 01109121/2. If you wish to
build the Champion and its preamplifier separately (or build just one
of these), cut the board between the
dashed lines using a hacksaw.
The following instructions apply
whether you are building one or both
of the PCBs; simply repeat for each
separate board.
Fig.2 shows the parts layout on the
PCB. Start by fitting all the resistors.
A colour code table is provided for
convenience but you should check
each one with a DMM before fitting
it as some colours can be difficult to
distinguish.
Follow with D2 but note that D1
will also have to be fitted if you build
the preamp separately. Make sure that
the diode(s) are orientated as shown.
Next, fit the ICs with the pin 1 dot
or notch in the direction shown, ie,
towards the top of the PCB. You can
use a socket for the op amp but for best
heat dissipation, the AN7511 should
be soldered directly into circuit. Make
sure that it’s sitting all the way down
CUT BOARDS APART HERE
IF REQUIRED
Fig.2: PCB overlay diagram for the Pre-Champion (left) and Champion
(right). Potentiometer VR1 can be used for an externally accessible volume
control or trimpot VR2 can be fitted instead for a one-time adjustment. A
small heatsink is normally fitted to amplifier IC2 as it can dissipate quite a
bit of power at higher supply voltages and output power levels.
Below: the PCB should only take about an hour to
assemble. Take care with component orientation
and don’t get the ICs mixed up.
to be shut off while leaving the amplifier running, in case you just want to
temporarily shut off the sound. This,
however, is an active high function,
ie, pin 4 is pulled up to VCC to enable the muting. For convenience, we
have arranged the circuit so that the
two control inputs at CON6 are both
active-low and can be driven in the
same manner.
The capacitor from pin 4 (mute)
to ground is a lower value than for
standby, at 1µF, but the 100kΩ pulldown resistor is the same value as the
100kΩ pull-up resistor for the standby
pin. This ensures that when power is
removed, the mute function engages
before the amplifier goes into standby,
preventing switch-off thumps.
IC2 has its own 100µF bypass capaci-
Table 2: Capacitor Codes
Value µF Value IEC Code EIA Code
470nF 0.47µF
470n
474
100nF 0.1µF
100n
104
100pF NA
100p
101
10pF
NA
10p
10
Table 1: Resistor Colour Codes
o
o
o
o
o
o
o
o
o
No.
4
1
2
2
2
2
2
2
28 Silicon Chip
Value
2.2MΩ
1MΩ
100kΩ
22kΩ
10kΩ
2.2kΩ
1kΩ
100Ω
4-Band Code (1%)
red red green brown
brown black green brown
brown black yellow brown
red red orange brown
brown black orange brown
red red red brown
brown black red brown
brown black brown brown
5-Band Code (1%)
red red black yellow brown
brown black black yellow brown
brown black black orange brown
red red black red brown
brown black black red brown
red red black brown brown
brown black black brown brown
brown black black black brown
siliconchip.com.au
THD vs Power, 1kHz, 8Ω, 22kHz BW 11/27/12 10:21:06
10
5
5
2
2
1
1
THD+N %
THD+N %
with Pre-champion
10
0.5
0.2
0.5
0.2
0.1
0.1
4V supply
5V supply
6V supply
0.05
7.5V supply
9V supply
12V supply
4V supply
5V supply
4V no preamp
5V no preamp
0.05
0.02
0.02
.2
.5
1
Power (Watts)
2
Fig.3: distortion vs power for the Pre-Champion/
Champion combination for various supply voltages. With
a higher voltage supply, the power output increases and
distortion drops except for 12V. This curve is unusual
because the increased dissipation resulting from the
higher supply voltage causes thermal overload and the
chip’s self-limiting kicks in, reducing the power output to
prevent damage. Maximum continuous power is therefore
at a lower voltage, ie, around 9V.
on the PCB before soldering its leads,
otherwise the heatsink won’t mate
properly when it is fitted later on.
Next fit the LP2950 regulator (REG1)
and the BC557 transistor (Q1). You
may need to bend the leads with small
pliers to match the pad spacing on the
PCB. Follow with all the ceramic and
monolithic ceramic (MMC) capacitors.
The 2-way terminal blocks are next.
These must be installed with their
wire entry holes towards the adjacent
outside edge of the PCB. There are four
per board and this holds true even if
you are building the two sections as
a single unit. In other words, if you
are building a single unit, leave out
the terminal blocks in the middle of
the combined PCB (ie, CON1, CON4,
CON5 & CON6).
The next step is to decide whether
you want to fit potentiometer VR1 or
trimpot VR2 to adjust the volume from
the Pre-Champion (you can fit one or
the other but not both). If you intend
using trimpot VR2 to set the volume,
solder it in now. You can then fit all
the electrolytic capacitors, except
for the 470µF unit. In each case, the
longer (positive) lead goes into the hole
marked with a “+” sign.
The Pre-Champion section of the
board can now be completed by fitting potentiometer VR1 (if this is to
siliconchip.com.au
0.01
5
20
50
100 200
500 1k 2k
Frequency (Hz)
6V supply
7.5V supply
9V supply
12V supply
5k
10k 20k
Fig.4: distortion vs frequency with a number of different
supply voltages. As is typical, distortion increases with
frequency. The output power level is 500mW in each
case except with the 4V supply, where the output power
is 200mW. Note that the THD performance vs frequency
is much the same for the various supply voltages. Refer
to the panel on the following page for an explanation as
to why distortion increases at low frequencies when the
preamp is used.
Fig.5: the frequency
response for the
Pre-Champion
and Champion
combination. It’s
quite flat from 20Hz20kHz, being down
by just 0.3dB at
20kHz and around
2.6dB at 20Hz.
+3
Frequency Response, 0.5W, 80k BW 11/27/12 09:57:12
+2
+1
0
Relative Power (dBr)
0.01
.1
THD vs Frequency, 10W, 80kHz BW 09/28/12 12:37:20
-1
-2
-3
-4
-5
-6
-7
-8
-9
-10
10 20
50 100 200 500 1k 2k 5k 10k 20k
Frequency (Hz)
be used instead of VR2), plugging op
amp IC1 into its socket and attaching
M3 x 10mm tapped Nylon spacers to
the corner-mounting positions using
M3 x 6mm machine screws.
Attaching the heatsink
For the Champion, the next step is to
attach the heatsink. This is not strictly
necessary but allows for a higher average output power level before the chip
goes into thermal limiting.
A small TO-220 heatsink is specified
and this is clamped on top of the DIP
package. To do this, start by passing an
M3 x 10mm machine screw up from
100k
the underside of the board, through
the hole next to IC2. Fit a nut to hold
this screw place, then place a split
washer on top of this nut and then a
shakeproof washer.
Next, spread a little thermal transfer
compound on top of the IC. Alternatively, you can use a TO-220 thermal
pad to ensure efficient heat transfer.
This thermal pad is simply fitted over
the screw shaft and pushed down so
that it sits on top of the DIP chip.
That done, place the heatsink on
top of the chip and thread a second
nut onto the end of the screw. Do it
up tightly with small pliers, while
January 2013 29
5819
1 F
470 F
BC557
CON7
+
+
Speaker
Power
Champion
01109122
10 F
Q1
10k
+
D2
Mute
+
+
CON8
10k
100pF
Input
Standby
100k
10k
10k LOG
POT
IC2
AN7511
470nF
100k
+
CON6
LINE LEVEL
SIGNAL
SOURCE
(OPTIONAL
HEATSINK)
1M
100
CON5
1 F MKT
CAPACITOR
Fig.6: for higher level signals (eg, line level), the Champion can be used on
its own. In this case, you will normally still need a volume control, wired
as shown here. Even if the volume will be fixed, you will still usually need
a pot otherwise higher level signals will overload the input.
holding the heatsink so it can’t rotate.
Check that the heatsink sits flat
against the IC when the nut is fully
tightened. If it’s sitting proud, then
remove the star washer.
Now solder the 470µF capacitor in
place. This will be too large to fit right
down onto the PCB, especially with
the heatsink alongside. If so, it can
just sit on top of the adjacent diode.
Simply angle its leads down through
their holes, then push it down as far as
it will go before soldering it in place.
Finally, fit the tapped spacers to this
PCB using M3 x 6mm machine screws
and the PCB assembly is complete.
Wiring it up
For the speaker, simply connect its
two wires to the corresponding terminals on CON7. The polarity doesn’t
matter if you are building a single
Champion. If using two modules for
stereo, ensure that the speaker polarity
is the same for each.
The DC power is fed in via CON8; ie,
if you have a combined Pre-Champion/
Champion then both units get power
from the same connector.
If you are using the Champion by
itself, you will probably need to fit
some kind of volume control/input
attenuator. This can be arranged using
a 10kΩ log pot and a 1µF capacitor
as shown in Fig.6. Even if you don’t
need an externally adjustable volume,
it’s still a good idea to have this pot in
order to match the input signal level to
the input sensitivity of the Champion.
For a stereo amplifier, you can use a
dual 10kΩ log pot.
The mute and standby pins of CON6
can be left open, in which case the
amplifier will run while ever power is
applied. If you do want to use either
or both of these control inputs, simply
pull that pin to ground to activate the
associated feature. Remember that
both pins normally sit near VCC so if
you want to drive them with a micro
and it’s running off a different supply,
then you will need to drive these pins
using NPN transistors.
Be sure to use shielded cable to
the signal input(s), especially for the
Pre-Champion as its inputs are very
sensitive and will otherwise pick up
noise and possibly also mains hum.
If using the Pre-Champion separately,
you will also need to apply power to
Smear thermal grease over the top
of the audio amplifier IC (or use a
TO-220 thermal pad) before fitting the
heatsink. Make sure the heatsink sits
flat against the IC when the mounting
nut is tightened (see text).
CON1 and then run the output from
CON4 to the Champion’s input, again
using shielded cable.
Note that if you’re using only one
input on the Pre-Champion, it’s a good
idea to short the other one out with a
wire link or low-value resistor, as this
reduces the output noise.
If the gain of the Pre-Champion is
too high, it can be reduced by reducing
the two 22kΩ feedback resistors. The
gain is calculated as R ÷ 1kΩ + 1 (where
R is the feedback resistor value), so if
you use say 2.2kΩ resistors, then you
get a gain of 2.2kΩ ÷ 1kΩ + 1 = 3.2.
Microphone bias current
The Pre-Champion is a relatively
simple design and doesn’t have onboard support for balanced microphones, electret bias current and so
on. However, most mics have a built-in
power supply or require no bias, in
which case you can just connect them
straight to one of the inputs
If you do want to use an electret,
you could wire a 10kΩ resistor between the regulator’s +5V output pin
and terminal 1 (the upper terminal) of
SC
either CON2 or CON3.
Low-Voltage Performance
If you look at the graph of distortion
vs frequency (Fig.4), you will see that for
supply voltages below 6V, there is a large
increase in distortion at signal frequencies
below 1kHz. This is only an issue if you are
using the Pre-Champion; if you look at the
low supply voltage distortion figures without
the preamp (orange and lavender lines), it
is actually quite good.
The reason for this is that when the
supply is below about 5.3V, REG1 enters
dropout and this allows ripple on the supply
30 Silicon Chip
line, due to the current demand of amplifier
IC2, to affect the operation of op amp IC1. It
only has a limited amount of supply rejection
and so a small amount of the supply ripple
makes it though to its output. This is further
amplified by IC2, producing the relatively
large amount of distortion.
The easy solution, if you are going to use
the Champion and Pre-Champion at 5V or
below, is to change REG1 to a 3.3V LDO
regulator such as the LM2936-3.3 (Jaycar
Cat. ZV1650). The pin-out is identical so
it’s just a matter of substituting one for the
other. The supply rail for IC1 should then
remain in regulation down to the minimum
supply of 4V.
This will reduce the maximum signal
handling of the Pre-Champion but you are
only likely to be using this combination with
low-level signal sources anyway (eg, microphones) so it should not be an issue. It will
not affect the amount of power the amplifier
can generate, nor should any other circuit
changes be required.
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