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Vintage Radio
By Rodney Champness, VK3UG
Restoring an AWA B15
AM broadcast receiver
Housed in a unique plastic case with a
concave front panel, the AWA B15 Radiola
is a 5-valve set that’s easy to troubleshoot
and restore. This particular set had several
unusual faults though.
T
HE AWA B15 is a typical 5-valve
mantel receiver from the 1960s.
Designed towards the end of the valve
era, it’s a conventional superhet design
with a converter stage, an IF (intermediate frequency) amplifier, a detector
with AGC (automatic gain control),
two stages of audio amplification and
a power supply using a valve rectifier.
For many manufacturers of that era,
marketing such receivers often came
down to cabinet styling. A couple of
unusual cabinet styles that are now
highly sought after were used with
the Healing “scales” and the Astor
“football” receivers and these now
fetch quite high prices on ebay and
other auction sites. Some sets even
came in different colours like green or
blue or with different coloured flecks
90 Silicon Chip
in the finish, the cost of such radios
now varying according to rarity.
The AWA B15 is not quite in this
league. It has a rather unique concave
front panel which looks interesting but
it doesn’t generate as much excitement
as the Healing “scales” and the Astor
“football” receivers. That’s not to say
that the B15 and many other receivers of the era don’t look good. They
do but they don’t fall into the “must
have” category.
That said, I have two such sets in
my collection and I described the
restoration of one of these sets back
in the June 1999 issue of SILICON CHIP.
Another restoration
Just recently, I was asked to restore
another one of these sets. Its owner
claimed that it only required a new
dial cord (the original had broken)
and a new dial lamp. Apart from that,
he thought that the set was in working order.
Despite this, I gave him an estimate
as to what I thought it would cost to
completely overhaul the receiver. He
was rather taken aback at the amount
but I explained to him that, based on
my experience, it wouldn’t end with
the dial cord and lamp. Instead, lots
of other components (such as capacitors) would also have to be replaced,
especially as this particular set had
been sitting in a shed for many years
exposed to dust, moisture, mice, moths
and various insects.
My policy is that any receiver I work
on must be returned to its owner in
good condition. That means it must
be reliable, it must work correctly and
the cabinet must be clean and intact.
And of course, it must be safe to use.
Some restorers only give a “footpath
warranty”, whereby the set is only
guaranteed to operate until such time
as it leaves the property. On the other
hand, I’m prepared to give several
months’ warranty on the work I do
and the parts I replace. However, as
I always explain to the customer, I
cannot give a warranty on any other
parts in the set as they may be up to
90 years old.
I’ve yet to come across anyone who
doesn’t accept this as being reasonable. And because I’m always careful
to check and test the set thoroughly,
I rarely have a return due to a fault.
In this case, the owner accepted the
quote and left the set with me. Fortunately, the B15 is a set that’s easy to
work on – the chassis is easy to remove
and all parts under the chassis are easy
to access.
Circuit details
Fig.1 shows the circuit details of
the AWA B15. It uses a fairly standard
5-valve line-up, a ferrite rod antenna
and 455kHz IF stages.
As shown, an external antenna
siliconchip.com.au
Fig.1: the circuit is a standard 5-valve superhet design using a converter (V1), an IF amplifier (V2), a detector & first
audio stage (V3), an audio output stage V4 and a full-wave rectifier (V5).
and earth (if used) are connected to
a “link” winding on the ferrite rod
and this is inductively coupled to the
main tuned winding on the ferrite rod.
These windings are on a former that
can be slid along the rod to achieve
best performance at the low-frequency
end of the tuning range. Note too that
the ferrite rod is mounted high on the
chassis, so care needs to be taken when
turning the set upside down for servicing to ensure the rod isn’t damaged.
The converter valve (V1) is a 6BE6
pentagrid and the oscillator coil (L1)
is wired into the cathode circuit, with
the cathode being connected to a tap
part way up the coil. The resulting
455kHz signal from this converter
stage appears on the anode and is
fed via 455kHz IF transformer TR2
to the grid of V2 (a 6BA6) where it
is amplified and fed to the second IF
transformer (TR3).
Following TR3, the signal goes to a
detector diode in V3 (a 6AV6) and the
resulting audio signal filtered by C19 is
fed to volume control RV1 via resistor
R8. The audio signal at RV1’s wiper is
then fed to the grid of the 6AV6 where
it is amplified and then fed via an RC
network (C23 & R13) to the grid of V4, a
6AQ5 audio output stage. This in turn
drives the loudspeaker via speaker
transformer TR4.
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The AWA B15’s chassis is easily removed from the cabinet and all parts are
readily accessible. This photo shows the unit with it new dial cord in place.
Only simple AGC is applied in this
set, with the DC voltage developed
across RV1 and R7 applied via R6
and R1 to the converter and IF amplifier stages (V1 and V2). The IF stage
is neutralised by the combination of
C15, C12 and (to a lesser extent) C16.
The audio output stage includes
negative feedback. This feedback signal is derived from transformer TR4’s
secondary and applied to the top of
R7 via C27, R14 and R10. Bias for
V4 is derived from the voltage across
R15, the back-bias arrangement in the
power supply.
Finally, the power supply uses a
conventional mains transformer and
a 6X4 full-wave rectifier to derive the
HT rail. This is filtered by C28, R16
and C29. A separate 6.3V secondary
July 2013 91
Despite its age, the AWA B15’s chassis was still in good condition, although
some corrosion was evident. The antenna coil former hid a break in the
ferrite rod which made the set rather insensitive.
All the parts under the chassis are easy to access and the work here mainly
involved replacing six of the paper capacitors that were in critical locations.
The original 2-core mains cable shown here was also replaced with a 3-core
cable so that the chassis could be earthed.
winding on the transformer is used
to power the valve heaters and the
dial lamps.
Mechanical restoration
I didn’t spend a lot of time on the
mechanical restoration, as the owner
is quite capable of doing some of this
and wanted to keep the cost down. As
a result, I gave the chassis a quick clean
with a kerosene soaked rag, which got
the worst of the muck off and left a film
of oil on both the chassis itself and the
transformer metalwork.
That done, I turned my attention
to the broken dial cord. Most people
don’t like re-stringing dial mechanisms and often find it difficult to work
out the layout. Of course, many service
sheets show how the dial-cord is run
but AWA didn’t do that with this set.
92 Silicon Chip
Fortunately, I didn’t have to waste
time figuring it out for myself. Instead, it was just a matter of quickly
checking the arrangement in my own
B15 set. The dial cord installation
subsequently went without a hitch,
after which I oiled all the pulleys
and the bearings on the tuning gang.
I also lightly smeared the dial pointer
slide with grease so that it operated
smoothly.
The blown dial globe was then
replaced and the valve socket pins
sprayed with Inox (a contact cleaner/
lubricant) to eliminate any contact
resistance that may have developed
during the set’s many years of storage
in less than ideal conditions.
Initial tests
My next step was to test the power
transformer using a high-voltage insulation tester. The tester I use is a
SILICON CHIP design and has a 1000V
output. The transformer is tested by
measuring the resistance between
each side of the transformer primary
and chassis.
In this set, the leakage resistance
was initially around 50MΩ which is a
little on the low side. This is basically
the leakage resistance from the mains
leads to the transformer frame, heater
winding and the secondary winding.
Because the set had been stored in
a shed for some time, it was probable
that the transformer has absorbed
moisture over the years. Accordingly, I
replaced the set’s original 2-core power
lead with a 3-core lead so that the chassis could be earthed, then removed all
the valves and applied power. I let it
run for several hours, then re-checked
the transformer’s leakage resistance.
It had climbed to around 100MΩ
which is quite a satisfactory figure
and indicated that the transformer had
“dried out”.
At this stage, the transformer was
only slightly warm to touch. The AC
voltages between pins 5 & 6 and pins
6 & 7 of the transformer (ie, on either
side of the centre-tapped HT winding)
were then checked. They were identical, which is how they should be.
The voltage across the 6.3V winding
(between pins 1 and 8) was slightly
higher than 6.3V but that’s only to be
expected when it’s unloaded (ie, with
the valves removed). In fact, in many
sets, it can be as high as 7V unloaded.
Having verified that the transformer
was OK, my next step was to test and
replace any paper capacitors in critical
positions in the receiver (ie, in locations where low leakage is critical).
I ended up replacing C3, C12, C20,
C22, C23 & C26. The remaining paper
capacitors were in low-impedance
circuits where leakage is not critical
and were left in circuit.
For example, C16 (in parallel with a
220Ω resistor in V2’s cathode circuit)
could have an electrical leakage as
low as around 2kΩ before upsetting
the operation of the IF amplifier stage.
Even quite leaky capacitors will generally have a leakage resistance of more
than 1MΩ, so it’s not a problem in this
situation.
In this set and in others of the same
era, low-voltage paper capacitors had
a minimum voltage rating of 200V.
However, C3, C12 & C20 were all resiliconchip.com.au
placed with 50V ceramic capacitors,
since the voltage across each of these
capacitors is unlikely to exceed 20V.
By the way, it’s not always necessary
to substitute a capacitor with the exact
same value, provided it isn’t too different. For example, if the original circuit
used (say) a 10nF (0.01µF) capacitor as
an audio coupler, substituting a value
as high as 22nF or as low as 6.8nF
would generally have no apparent
difference on the performance.
Capacitor C26 isn’t critical as far
as leakage is concerned but it was
replaced because many capacitors in
this position go short circuit. If it’s
connected from the plate of the output
valve to the screen grid, then it’s not
a critical failure (although the set will
stop working). However, when it’s connected between the plate and earth as
it is here, the speaker transformer can
burn out if the capacitor goes short
circuit.
In this circuit, it has 230V DC across
it to which is added the audio voltage
which, if the valve is never cut off, can
rise to a peak of around double the DC
voltage – 460V in this case. And it can
rise considerably higher than this if the
valve is suddenly driven into cut-off
by the input signal at its grid. For this
reason, this capacitor is usually rated
at 600V DC.
Modification
A small modification can be made
to B15 sets to make them slightly more
sensitive and more stable. While the
circuitry from the detector onwards is
supposedly only involved in amplifying the audio signal, this is not strictly
true as it also amplifies the 455kHz IF.
There isn’t a great deal of IF amplification but it is enough for a significant
amount of the IF signal to appear at the
plate of the audio output valve.
This signal is radiated and feeds
back into the front end of the set
where it can cause problems. However,
adding a 47pF capacitor between the
junction of R6 & R8 and the chassis and
another from pin 1 (or 7) of the 6AQ5
output valve to the chassis, reduces
this unwanted IF signal at V4’s plate by
20-30dB. In fact, this simple modification will benefit most domestic valve
AM radio receivers.
Other parts
A quick check with a digital multimeter (DMM) showed that all the
resistors were within tolerance, so no
replacements were required. In addition, the electrolytic capacitors looked
to be in good condition but running
the set would prove this one way or
the other.
Initially, I simply used my DMM
(set to a high ohms range) to check
the resistance between the positive
terminal of the first electrolytic and
the chassis. This showed that there
was an initial low-value resistance
to earth but this quickly climbed to
quite a high value. That meant that the
electrolytic capacitors had had some
capacitance and that there were no
obvious shorts to earth.
Those checks completed, I plugged
the rectifier valve in but left the other
valves out for the time being. I then applied power to the set while monitoring the voltage across the electrolytic
capacitors and checking to ensure
that nothing untoward was happening
inside the rectifier.
No faults showed up in the rectifier
and as soon as the HT voltage started
to rise, I switched the set off. I then
waited for the capacitors to discharge
and the powered the set up again for
a short time, this time letting the HT
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Removing the back of the cabinet gives good access to the valves and to other
parts on the top of the chassis. The original loudspeaker still worked but
foreign matter had found its way into the voice coil assembly and it had to
be replaced to improve the sound quality.
voltage rise a little further. After repeating this procedure several times,
I found that the electrolytics now
discharged quite slowly, which meant
they had quite good capacitance and
did not have excessive leakage.
This procedure effectively reforms
the electrolytic capacitors, so that
they function normally after being left
unused for many years. In this case,
the capacitors proved to be OK but
if they had discharged quite quickly
after switch-off, they would have had
to have been replaced.
This test also proved that there were
no shorts on the HT line due to component breakdown under high voltage.
The speaker and speaker transformer were tested next, although it’s
usually best to test these parts earlier in
the restoration process. The test itself
is quite simple – select a low-ohms
range on a moving coil multimeter and
connect it across the primary of the
speaker transformer. When that was
done, there was a healthy click from
the loudspeaker which indicated that
both it and the transformer were OK.
Mains lead
As mentioned earlier, the original
2-core mains lead was replaced with a
3-core mains cable so that the chassis
could be earthed. This new cable was
securely clamped into position using
the existing through-hole cord clamp
grommet.
Tracking the gremlins
At this stage, the other four valves
94 Silicon Chip
were inserted into their sockets, and
the set switched on. I then connected
the negative lead of my multimeter to
the chassis via a clip lead and proceeded to check all the relevant voltages in
the set to see how they corresponded
to the published figures.
As I did so, the set started operating and stations could be heard at low
volume as I tuned across the dial. All
voltages were reasonably close to the
published figure except for the bias
on the 6AQ5 – it was only about -5V
instead of -8V, indicating that one or
more valves weren’t drawing as much
current as they should.
At this point, the set suddenly
stopped but it could be made to sometimes come on briefly if the chassis was
jarred or by moving the 6AQ5 in its
socket. A quick check of the voltages
around the set soon revealed that the
6AQ5’s grid was at +146V, the same
as the screen.
This indicated that the grid and
screen had shorted together and so
the valve was replaced. And that fixed
the problem; the bias voltage was now
correct and the audio output had significantly improved. The internal intermittent short had obviously caused
the faulty valve to draw more current
than normal and it had lost most of its
cathode emission.
After running the set for half an
hour or so, I turned it off and carefully
felt all the capacitors that I hadn’t
replaced, to see if they were hot.
Any undue temperature increase can
indicate excessive electrical leakage,
which means that the capacitor would
have to be replaced. In this case, the
only ones at all warm were the electrolytic capacitors and this was because
they physically are located close to the
6AQ5 and 6X4 valves. In short, their
locations are not the best, which is a
bit of a design failure in this set.
By now, the set was now operating
reasonably well, although its sensitivity was lower than I expected and there
was some buzz in the sound at high
volume. To get to the bottom of this,
I first aligned the two IF transformers
(TR2 & TR3) and but this gave only a
slight boost to the performance.
Next, I turned my attention to the
oscillator circuit. I adjusted the dial
pointer on the scale and found that
the oscillator circuit was almost perfect across the band. It required only
a small amount of tweaking to tune it
correctly.
Finally, I took a look at the antenna
circuit and found that this tuned to an
apparent peak at the low-frequency
end of the dial as I slid the coil along
the ferrite. However, the trimmer
capacitor adjustment at the highfrequency end of the dial didn’t end
up where I would expect it to be for
best performance.
Broken ferrite rod
Although all the tuning adjustments
appeared to be working as they should,
the set’s performance was still lacking.
Physically, all looked well with the
loop-stick antenna but it was as if the
coil didn’t have enough inductance.
Eventually, I decided to slip the ferrite
rod out of the coil former for a closer
look. When I did this, half the rod
stayed inside the coil – it had broken
in two inside the coil former at some
stage in the past!
Broken ferrite rods can be repaired
by gluing the pieces together. To do
this, I laid the two parts on a piece of
Glad Wrap on the workbench, then put
some super glue on the ends, pushed
them together and wrapped the Glad
Wrap partly over the rod. I then placed
a ruler along the side where I had
wrapped the Glad Wrap to ensure that
the rod was straight in all directions.
Once the joint was dry, I added
some more glue to make the join more
permanent. This was then allowed to
dry, after which the excess glue was
scraped off and the rod reinserted
into the coil former. The antenna coil
was then adjusted at the low-frequency
siliconchip.com.au
end of the dial for best reception,
while the antenna trimmer was adjusted for best performance at the
high-frequency end.
As expected, the AWA B15 was now
performing like it should, with quite
good sensitivity – hardly surprising
since the ferrite rod antenna was now
picking up much more signal. And
with an outside antenna and earth connected, the set now really performs.
So if a set lacks sensitivity for no
apparent reason and it has a ferrite
rod antenna, always check that the rod
hasn’t broken inside the coil former.
Fixing the noise
Both the volume and tone controls
were noisy so each was given a good
spray of Inox to get rid of any muck
that was adhering to the tracks. That
fixed that problem but I wasn’t happy
with the quality of the sound from the
speaker.
By gently pressing on the speaker
cone, I could feel voice coil grating
against dust and other debris. As a
result, I removed the speaker and
peeled back the felt cover over the
centre of the speaker so that I could
take a look inside.
There was quite a bit of dust and
some rather sharp grains of abrasive
material in there. This was removed
but foreign material was still present in
other sections of the voice coil/magnet
assembly. In the end, there was nothing for it but to replace the speaker.
As shown in the photos, the speaker
is a special type with large mounting
holes that go over plastic spigots on
the rear of the front panel. However,
as luck would have it, I just happened
to have a spare on hand. It had been
salvaged from an identical receiver
with a burnt-out power transformer
some years ago and I had saved the
ferrite-rod antenna as well.
The new speaker worked perfectly
and I could have also substituted the
ferrite rod if the original had been
beyond repair.
The lesson here is that old sets not
worth restoring can often be a very
useful source of bits and pieces when
restoring another receiver. However,
if you dismantle an old set, always
be sure to clearly mark the parts
and, if necessary, mark how they
are connected. For example, IF
transformers have primary and
secondary windings and the pin
connections can vary from one
type to another.
With the restoration now completed, the set was run for several
hours to make sure there were no other
gremlins lurking in the works. This
is always a good idea because many
intermittent faults are heat-sensitive
and will only show up after a period
of prolonged operation. In this case,
the AWA B15 passed with flying colours and was eventually returned to
its owner.
Summary
Restoring this set was quite straightforward, even though there were some
unusual faults, ie, the short in the
The faulty loudspeaker was
replaced with an identical unit
salvaged from another B15
chassis that was unrepairable.
6AQ5 valve, the broken antenna rod
and the damaged speaker. It’s an easy
set to work on, with good access to
all parts, and the restored set works
quite well.
There was also an element of luck
in the restoration in that I had a spare
loudspeaker from a junked identical
set. Keeping the critical parts from
junked sets sure pays off when it comes
SC
to restoring old radio receivers.
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