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“A Lump In
The Coax”
Mini Audio Mixer
We’ve published a number of audio mixers, large and small, over the
years but they’ve all been “general purpose”. Not that that’s a bad
idea – it’s just that when you need one for a specific purpose, you
need a specific purpose mixer!
I
n another life, I do a lot of commentary and announcing at surf lifesaving carnivals and also do my share
of MC-ing at other venues. But I have come across a
problem many, many times and just as often longed for a
solution to that problem. This is it!
So what’s the problem?
presumably well-meaning people who think they know
what they are doing, invariably putting the PA system into
shock (if not cardiac arrest!). You know what they say, “a
little knowledge is a dangerous thing . . .”.
For example, the hirers who want “more sound” and add
in a couple of “real good” speakers from their home hifi.
Except they don’t know that most PA systems are wired
with 100V speaker lines. . .
Others simply “make adjustments” which end up being
maladjustments!
I’m sure that anyone working in small clubs or similar
venues have had this dilemma. Many clubs – as do many
other community centres, halls, schools and so on – have
a reasonable (and sometimes excellent) public address
Lock the PA away!
system installed.
An increasing number of venues which I visit have their
Surf lifesavers use it to warn swimmers of dangers, they
use it to provide information to the beach-going public and PA system firmly locked away in a cupboard so that nofrom time to time it’s there for commentary when the club one except the person responsible for the system can get
at it. And, of course, that person is never
runs a carnival.
The problem is that surf clubs, like Design by Nicholas Vinen around when needed.
The PA often simply has an accesthe vast majority of “public” halls and
Words by Ross Tester sible
on/off switch while all controls
sports venues, suffer badly from knoband Nicholas Vinen
are pre-set to “typical” levels, so that it
twiddlers and system stuff-upperers:
72 Silicon Chip
siliconchip.com.au
really is simple enough for any idiot to use. Idiot being the
operative in many cases.
Even if it isn’t locked up, getting to the business end of
the system to plug anything else in – an MP3 player, for
example – is often near (or totally) impossible.
(I’m sure that manufacturers put all inputs and outputs
on the back of amplifiers not just to tidy up the wiring but
to cause the most frustration!)
Such systems invariably have either an XLR socket
mounted on the locked box or a coax cable emerging from
it, to which is attached a wired microphone (invariably on
a too-short lead) – and that’s it.
Many have given up on wireless microphones, usually
because the mic itself keeps on disappearing and/or they’ve
suddenly found their wireless microphone is suffering from
all sorts of strange interference. (See the feature earlier in
this issue – wireless microphones and digital TV).
So you get to a venue and find all you have to work
with is a wired microphone which doesn’t even reach the
balcony, so you can actually see what’s happening on the
beach (I always carry a long XLRF-XLRM “extension” mic
lead with me these days!).
But that’s it: if you need to add music, all you can do is do
it acoustically (eg, the MP3 player’s speaker to microphone)
which invariably sounds awful.
If you want to use a wireless microphone (for ceremonies,
interviews, etc) away from the system – tough luck! And
if there are two or more announcers, you’re continually
swapping the fixed mic back and forward.
It’s all pretty unsatisfactory – and unless you’ve been
in the situation, you probably won’t appreciate just how
frustrating it all is.
Specifications:
(22Hz-22kHz bandwidth
, unweighted,
50mV RMS in/out unless
otherwise stated)
Signal-to-noise ratio: >65
dB
Total harmonic distortio
n plus noise: 0.06% (1k
Hz)
Common mode rejection
ratio: >40dB (typically 55d
B)
Frequency response: 50H
z-35kHz (-3dB)
Gain: ~1 for microphone
input, 0-0.25 for other inp
uts
Signal handling (microph
one input): at least 1V RM
S
Signal handling (other inp
uts): 0.2-2.5V RMS for 50m
V output
Supply current: 0.5mA (ty
pical)
Battery: CR2032 (3V Lith
ium), 3.7V Li-Po or 9V alk
aline/dry cell
Battery life: 200+ hours
with CR2032, 2000+ hou
rs with Li-Po
Operating voltage: minimu
m 2.1V, nominal 2.7-4.2V
Li-Po charger input: 5V
DC <at> up to 500mA
they wanted extra inputs, here would be the ideal way to
do it. We mention schools here mainly because so many
electronics-savvy teachers have told us that non-savvy
“expert” colleagues are the bane of their lives!
And we also thought of all those venues that have microphone sockets (XLRs) spread around the building wired
back to the PA amp, somewhere, so that mics could be
plugged in and used anywhere. With this Mini Mixer, such
installations would be so much more versatile and usable.
Our ideas
A typical PA system uses either a dynamic or electret
microphone (the latter less usual as they tend to be more
easily damaged). These mics usually have an output in the
region of 10-50mV and any microphone worth its name
uses XLR connectors – there’s a male XLR socket built into
the microphone, the coax mic lead has a female plug to
match and a male plug back at the amplifier to match the
female input socket.
Which started us thinking . . .
What if we were to come up with a mixer which simply
While it’s not something every reader would need to
inserted between the mic lead and the microphone and
worry about (indeed, very few will ever have the problem)
effectively gave a “straight through” connection for that
we thought, “why not come up with a mini mixer specifimicrophone – in other words, act as if it wasn’t there? That
cally designed for this purpose”.
way there would be no difference in the normal operation
Then we reasoned that such a mixer would be popular
of the PA.
with a lot of others who have PA systems – schools, for
It could almost be regarded as a “lump in the coax”.
example – and wanted to be able to lock
But that same mixer could also accept a couple of other
it away so that the twiddlers
inputs – say from an MP3 or CD player for music and from
couldn’t . . . twiddle.
a wireless microphone receiver. The beauty of both
If at any time
of these is that they would be expected to be
much the same output level – perhaps 1V,
maybe less – which would make the
mixer inputs virtually universal.
We would want to make the
mixer battery-operated for convenience so would need a very
low power op amp if we wanted
the battery to last any length of
time. Speaking of batteries, a 3.7V
Lithium-Ion (or even LiFePO4)
would be eminently suitable,
given the right design.
With very low drain, even a
Shown
here not button cell could be used – or we
too far off could use a mobile phone battery
life-size, the Mini which are very flat and give a very
Mixer has XLR input respectable output – that would
and output sockets on theoretically last for weeks, if not
the end and 6.35mm, 3.5mm
months.
and RCA sockets along one side.
siliconchip.com.au
June 2013 73
330pF
330pF
10k
100mF 100mF
100W
4.7k
10k
13
INPUT 1
CON1
1
3
2
100mF 100mF
100W
100k
100pF 100k
12
10k
10k
100pF
IC2d
1mF
9.1k
14
9
MKT
10
8
IC1c
330pF
Vcc
100nF
10k
INPUT 2
CON3
10k
100mF 100mF
10k
6.5mm
100k
100pF
VR1
10k
LOG
100mF
5
6
100k
IC2b
2
22k
7
4
3
IC1, IC2: OPA4348AID,
AD8544ARZ OR MCP6404-E/SL
100mF
5
6
CON4
10k
11
2x
100W
100nF
3.5mm
100k
Vcc
100mF 100mF
10k
100pF
7
IC1b
10k
INPUT 3
1
IC1a
VR2
10k
LOG
100mF
3
2
100k
4
IC2a
1
22k
100nF
Q3
DMP2215L
11
D
S
CON5
4.7k
Vcc
INPUT 4
4.7k
100k
100mF 100mF
100pF
D3
BAT54S
VR3
10k
LOG
100mF
3
100k
ZD1
3.6V
10
9
IC2c
8
A
22k
B
C
Q4
BC549
E
A
SC
100mF
K
D1 1N5819
Ó2013
G
100k
2
1
100k
K
“LUMP-IN-COAX” LOW POWER MIXER
Fig.1: the circuit is quite conventional for an audio mixer, albeit with a few clever refinements (eg low-voltage op amps)
for operating at very low power. Input 4 doubles as a charging connection for Li-Po battery, if fitted. The back-to-back
(series) 100µF capacitors are used because two of these are significantly cheaper than one non-polarised 50µFcapacitor.
And finally, the whole thing would
want to be quite small, with a minimum of controls to make it as foolproof
as possible. Let’s not worry about tone
controls or other “niceties”.
Our design
We’ve come up with a mini-mixer
that fits all the criteria above (and
then some!). In fact, it has some rather
snazzy features and offers performance
that is nothing to be sneered at!
It’s small (built into a 120 x 93.5 x
35mm diecast box). It has minimal
controls – just a “preset”-type gain
74 Silicon Chip
control for each of the three inputs and
these don’t even have knobs (again to
discourage the twiddlers).
We used mini pots with “screwdriver slots” on the end – they emerge just
far enough from the front panel to fit a
fingernail! (OK, use a small flat-bladed
screwdriver if you must!).
There are five sockets: an XLR female and male on the end to accept the
microphone lead and the lead to the
amplifier, a 6.35mm “phono” socket, a
3.5mm mini phono socket and an RCA
socket. The larger phono sockets are
often used on wireless microphones
while the 3.5mm mini sockets are
very commonly used on MP3 and
other small music players, radios, etc,
normally as headphone sockets.
But we’ve been particularly clever
with the RCA socket: feed it with audio
signal, it acts as you would expect. But
if you feed it with 5V DC (eg, from a
USB socket or plugpack), it also serves
as the charging point for the internal
battery; more on this shortly.
The only other control is the power
switch, necessary if you use the onboard CR2032 lithium battery but
almost redundant if you use a larger
siliconchip.com.au
100W
330pF
4.7k
4.7k
100mF
100mF
100mF
100mF
OUTPUT
13
14
IC1d
12
100W
CON2
2
100k
* REG1 ONLY
NEEDED FOR
9V BATTERY –
OTHERWISE
FIT LK1
LK1
POWER
OFF
REG1 MCP1703-5
Vcc
OUT
*
ON
100k
Q1
DMP2215L
S1
IN
S
G
100nF
Balanced input
D
1
GND
100mF
1
3
10M
BATT 2
CR2032
+ BATT 1
–
Li-Po/
9V
2
Q2 BD140
0.22W
C
E
LED
100nF
B
SIGNAL
GROUND
K
A
220W
1
SNS
CC
IC3
8
COMP BQ2057
CSN
4
TS
BAT
STAT
Vss
6
K
5
A
BC549
B
CHARGE A
NTC 1
2
E
l
C
BD140
LED 1 K
B
LI-PO CHARGER COMPONENTS
(INSIDE BLUE BORDER) SHOULD ONLY
BE FITTED IF LI-PO BATTERY IS USED.
MCP1703T
BAT54S
C
GND
D
G
OUT
S
phone battery, as mentioned earlier.
One point to note: a lot of mobile
phones, etc use headphones fitted with
2.5mm ultra-mini plugs. We haven’t
allowed for a 2.5mm socket but 2.5
to 3.5mm adaptors are very common
and very cheap.
Finally, it’s designed to suit dynamic
microphones only and then only those
that use XLR plugs. No provision has
been made for electret phantom power.
Circuit description
The balanced microphone signal
from CON1 is converted to an unbalsiliconchip.com.au
E
OPA4348AID
DMP2215L
IN
3
2
1N5819
2
2.2k
1
1
A
ELECTRICAL
GROUND
7
2.2k
3.9k
ZD1
K
3
Vcc
BQ2057CSN
7
14
1
down to mono. CON5 (RCA socket) is
mono only.
Potentiometers VR1-VR3 are used to
adjust the level of these signals respectively and in each case, the result is
then buffered by an op amp and then
fed to the mixing node.
Why no volume control for the
microphone input? The microphone
volume is adjusted via the PA amplifier, so we just need three pots to set
the relative level for the other inputs.
Now let’s look at the circuit’s operation
in a little more detail.
8
4
1
anced signal which is then mixed with
the signals from the other three inputs.
The result is then again converted to a
balanced signal at output CON2. For
all intents and purposes, the amplifier
won’t even know it’s there!
The gain of the balanced-unbalanced-balanced path is close to unity
while the gain for the other three channels can be varied from one quarter
down to zero.
Inputs CON3 (6.5mm jack socket)
and CON4 (3.5mm jack socket) can
accept either mono or stereo plugs; if
a stereo signal is applied, it is mixed
The balanced microphone delivers
identical but opposite polarity (out-ofphase) signals to op amp IC2d which
is configured for balanced inputs but
has an unbalanced (ie, single-ended
output at pin 14. Both signals pass
through identical RF filters comprising 100Ω series resistors and 100pF
ceramic capacitors while two 100kΩ
resistors provide a DC bias to 0V.
Following the RF filters, both signals
are AC-coupled through back-to-back
100µF capacitors to the inputs of IC2d.
Note that the signal ground for IC2d
(and indeed, all the op amps) has a
different symbol than power supply
ground and is actually at half-supply,
ie, about 1.5-2V.
We have used back-to-back electrolytics here because PA gear can be connected to other equipment that might
have phantom power, might be faulty,
etc. So all inputs and outputs tolerate
±48V DC without damage.
Standard electros though are usually cheaper and smaller than nonpolarised types; two 100µF 50V
capacitors connected in this manner
are equivalent to a 50µF 50V nonpolarised capacitor.
IC2d converts the balanced signal
from the microphone to unbalanced
while largely rejecting unwanted signals picked up in the cable (eg, hum
and noise). The output of IC2d is the
signal from pin 2 of CON1 minus
the signal at pin 3. So an extraneous
signals picked up equally by both
lines in the microphone cable will
be cancelled out or at least heavily
attenuated.
The two 330pF capacitors roll off the
frequency response of this amplifier,
forming a low-pass filter with a -3dB
point at around 48kHz, rejecting signal
which may be picked up that is above
regular audio frequencies but low
June 2013 75
which gives it the same polarity as the
input signal.
Here’s what our mini mixer
looks like immediately
before insertion into its
case. Here we have
used the on-board
CR2032 battery
option.
enough to pass through the RF filters.
Other inputs
The circuits for unbalanced inputs
2 and 3 (CON3 & CON4) are identical.
Two 10kΩ resistors down-mix the
stereo to mono; if a mono jack plug is
inserted, these are effectively paralleled to form a single 5kΩ resistor. A
100pF capacitor in combination with
this forms the RF filter and a 100kΩ
resistor provides a DC path to ground.
The signal is then AC-coupled to
volume control pot VR1 (or VR2). The
output from its wiper is AC-coupled
again to ensure that no DC flows
through VR1, which would cause
noise when the pot is turned. A 100kΩ
resistor sets the DC bias to half-supply
and the signal is then buffered by voltage follower IC2b (or IC2a) before being
applied to the mixer stage.
The signal path from the mono RCA
connector (CON5) is the same as above
but being mono, a single 4.7kΩ series
resistor is used rather than a pair of
10kΩ resistors. Also, CON5 can be
used to charge the onboard Li-Po battery, as we shall explain later. In this
case, dual schottky diode D3 prevents
current flowing into op amp IC2c as
the coupling capacitors charge when
DC is applied to CON5.
The mixer
The four signals are fed to a virtual
earth mixer based around inverting
amplifier IC1c which has a 4.7kΩ feedback resistor from its output (pin 8) to
inverting input (pin 9). Again there is
76 Silicon Chip
Virtual earth
The two remaining op amp stages
out of the eight (IC1a and IC1b) are
used to create and buffer the half supply virtual earth. This is generated
by a pair of 10kΩ resistors connected
across the supply and filtered with a
100µF capacitor, so that it is effectively
grounded for AC signals.
Voltage followers IC1a and IC1b
drive the virtual earth rail through
100Ω resistors with a 100nF capacitor to ground. The capacitor reduces
the impedance of this rail at high
frequencies, where the impedance
of the op amp outputs could be quite
high, while the 100Ω resistors isolate
this capacitance from the op amps to
avoid oscillation.
a 330pF roll-off capacitor for further
attenuation of any signals above the
audio band.
The output of IC2d is applied to the
mixing node via a 9.1kΩ resistor and
680nF AC-coupling capacitor. This
capacitor forms a high-pass filter with
IC1c’s feedback resistor to remove low
bass, giving a -3dB point around 50Hz.
This is primarily to deal with microphone thump, etc but also attenuates
any 50Hz hum which may be picked
up by about 3dB.
The other three inputs are applied
to the mixing node via 22kΩ resistors, giving them a gain of about 0.21
(4.7kΩ÷22kΩ). The signals from these
inputs will generally be at or around
line level, ie, in the range of 0.5-2V
RMS while the microphone signals
will be much lower at around 50mV.
So this attenuation gives VR1-VR3 a
more useful adjustment range.
Note also that the gain in this
stage for the microphone input is
4.7kΩ÷9.1kΩ = 0.52. The following
unbalanced-to-balanced converter has
a gain of two so these cancel out.
The mixed signal from the output
of IC1d is applied to pin 3 of output
CON2 via a 100Ω current-limiting resistor and another pair of AC-coupling
capacitors with a 100kΩ DC bias resistor to ground. The mixer stage (IC1c)
is inverting so its output goes to the
inverted signal pin (pin3) of the balanced (XLR) connector, CON2.
For the non-inverted output (pin
2 of CON2), the signal from IC1c is
inverted again, without gain, by IC1d
Li-Po charger
There are three basic options for the
power supply: an on-board CR2032
Lithium button cell, a 9V battery or 3.74.2V rechargeable Lithium Polymer
(Li-Po) cell. The latter option offers
the longest battery life, potentially in
the thousands of hours, with the bonus
that you don’t have to open up the case
to change the battery if it goes flat.
Instead, you simply apply 5V DC to
the central pin of CON5 (the RCA connector) and an internal charging circuit
brings the cell back up to full charge.
Charge current starts at around 500mA
and drops off as the cell approaches
full charge, so for a typical 1000mAh
cell, a full charge takes up to two
hours. So for a two-hour charge you
could get up to 2,000 hours operation!
When 5V DC is applied to CON5,
schottky diode D1 becomes forward
biased and current flows through 3.6V
zener diode ZD1 and turns on NPN
transistor Q4. Q4 in turn pulls the gate
of P-channel Mosfet Q3 low, allowing
the power to flow through D1 and Q3
into the 100µF supply bypass capacitor
for the battery charger circuit.
This isolates the charger circuit from
any signal applied to CON5 during
normal operation, up to at least 2V
RMS (2.8V peak). When Q4 is off (ie,
no charging voltage is applied), Q3’s
gate is pulled to its source voltage by
a 100kΩ resistor, keeping it switched
off. Similarly, a 100kΩ resistor ensures
that a small amount of leakage current
through ZD1 will not turn on Q4.
IC3 (BQ2057C) is a dedicated
siliconchip.com.au
Lithium Ion/Lithium Polymer charging IC. There are four versions of this
IC, to suit one and two cell batteries
with 4.1V or 4.2V charge termination voltages, depending on the cell
chemistry. Most modern Li-Po cells
can be charged safely to 4.2V so that
is the version we have used (see panel
for details).
Li-Po cells need a constant current/
constant voltage charge cycle with
accurate termination to give a good
life and that’s all handled by IC3. It
controls PNP power transistor Q2 to
regulate the current and voltage to the
cell, with current sensed by the voltage
drop across the 0.22Ω shunt resistor.
IC3 turns LED1 on only while the cell
is charging – the LED does not waste
power in normal operation.
IC3 has provision for an NTC thermistor which can be attached to the
cell to monitor its temperature so it can
stop charging if it gets too high. This
is optional; if you want to fit an NTC
thermistor, it should be a nominally
10kΩ type and wired across the NTC1
terminal. Otherwise, connect a 10kΩ
resistor across this terminal.
Note that all the charging circuitry
from D1 through to Q2 may be omitted
if you aren’t planning to use a Li-Po
battery to power the unit.
Power supply
The Li-Po battery is charged via
P-channel Mosfet Q1 which prevents
damage in case the cell is connected
backwards. With the cell in the correct orientation, Q1’s gate is pulled
to ground while its source goes high
(bootstrapped by its body diode) and
thus it switches on, allowing power
to flow from the cell to the circuit and
also allowing charge current to flow
into the cell from Q2.
Otherwise, Q1’s gate is pulled high
and being a P-channel type, it remains
switched off. In this state, its body
diode is also reverse-biased so no current can flow.
Slide switch S1 controls power to
the mixer but the unit can still be
charged while off as the charging current does not flow through S1.
REG1 is only needed if you want to
run the circuit off a 9V battery, as IC1
and IC2 have a maximum operating
voltage of 5.5V. The MCP1703-5 has
a very low quiescent current so that it
doesn’t spoil the mixer’s low current
drain. If using a Lithium or Li-Po cell,
omit REG1 and fit LK1 instead (but you
siliconchip.com.au
Parts list – “Lump in The Coax” Mini Mixer
1 diecast aluminium enclosure, 120 x 93.5 x 35mm (Altronics H0454, Jaycar HB5067)
1 PCB, coded 01106131, 110 x 85mm
1 PCB-mount right-angle female compact XLR socket (CON1) (Altronics P0875)
1 PCB-mount right-angle male compact XLR socket (CON2) (Altronics P0874)
1 PCB-mount switched 6.35mm stereo jack socket (CON3) (Altronics P0073, Jaycar
PS0195)
1 PCB-mount switched 3.5mm stereo jack socket (CON4) (Altronics P0092, Jaycar
PS0133)
1 PCB-mount switched RCA socket (CON5) (Altronics P0145A, Jaycar PS0279)
1 right-angle SPDT slide switch (Altronics S2070)
2 2-way pin headers, 2.54mm pitch (BAT1, NTC1)
4 No.4 x 9mm self-tapping screws or M2.5 machine screws
1 M3 x 6mm machine screw and nut
1 200mm length 0.7mm diameter tinned copper wire
1 110 x 85mm sheet of insulating material (eg, PET)
1 lid label
Semiconductors
1 DMP2215L P-channel SMD Mosfet (Q1)
2 OPA4348AID* quad rail-to-rail micropower op amps (IC1, IC2) (element14 1706654)
* AD8544ARZ and MCP6404-E/SL are also suitable but with higher minimum operating voltage.
Capacitors
20 100µF 50V (Altronics R4827) (25V may be used with less margin)
1 1µF MKT/polyester (code 1U, 1.0 or 105)
5 100nF monolithic multi-layer [MMC] (code 100n, 0.1 or 104)
4 330pF disc ceramic (code 330p or 331)
5 100pF disc ceramic (code 100p or 101)
Resistors (0.25W, 1% unless otherwise stated)
1 10MΩ
12 100kΩ
3 22kΩ
11 10kΩ
1 8.2kΩ
5 4.7kΩ
1 3.9kΩ
2 2.2kΩ
1 220Ω
6 100Ω
1 0.22Ω SMD 6331 (metric), 2512 (imperial)
3 10kΩ log vertical 9mm PCB-mount potentiometers (Altronics R1958)
Parts needed for CR2032 button cell operation
1 PCB-mount 20mm button cell holder (Altronics S5056, Jaycar PH9238)
1 CR2032 button cell
Parts needed for Li-Po cell operation
1 small 3.7V Li-Po cell with leads
2 2-way pin header plugs with crimp pins
1 BQ2057CSN Li-Ion/Li-Po charger (IC3) (element14 1652449)
1 BD140 PNP transistor (Q2)
1 DMP2215L P-channel SMD Mosfet (Q3)
1 BC549 NPN transistor (Q4)
1 1N5819 1A schottky diode (D1)
1 BAT54S dual series SMD schottky diode (D3) (Altronics Y0075, element14 1467519)
1 3.6V zener diode (ZD1)
1 3mm green LED (LED1)
1 10kΩ NTC thermistor, beta ~4000 (optional)
1 100mm length 4-way ribbon/rainbow cable
1 length double-sided, foam-cored adhesive tape
1 USB cable with type A connector at one end
1 RCA line plug
Extra parts for 9V battery operation (note: battery won’t fit in specified case)
1 MCP1703-5 LDO micropower regulator, SOT-23 (REG1) (element14 1627178)
1 9V battery
1 9V battery snap with leads
1 2-way pin header plug with crimp pins
1 100mm length 4-way ribbon/rainbow cable
June 2013 77
D1
CON5
Q2
3.6V
100k
BUTTON
CELL
HOLDER
4. 7k
100k
INPUT 4
ZD1
BAT2
4. 7k
BC549
100k
Q4
5819
10M
100pF
100nF
3 .9k
2 .2k
LK1
100pF
100k
100mF
BD140
100mF
4nI
T
CON4
100W
100W
10k
330pF
4. 7k
4. 7k
330pF
LED1
4. 7k
9 .1k
1mF
22k
100k
100nF
100k
22k
100k
22k
100W
+
+
10k
10k
INPUT 3
R
S
10k
100mF
100pF
3nI
10k
100mF
100k
CON3
10k
+
100W
100pF
+
100W
+
100mF
INPUT 2
100mF
100mF
100mF
CON1
INPUT 1
100mF
10k
LOG
100nF
+
100k
+
+
POWER
100mF
xaoC nI pmuL
13160110
rexiM derewop-yrettaB
S1
10k
LOG
220W
NTC1
2 .2k
VR3
VR2
10k
LOG
100mF
10k
A
+
100k
+
100mF
VR1
100nF
+
+
100mF
100nF
+
+
100pF
2nI
OUTPUT
100mF
3102
If you want to connect an iPod to
the 3.5mm input socket, you can do
so but you may find that it’s necessary
to provide it with a lower value load
resistance for it to operate correctly.
This might apply to other MP3 players
too although most are happy driving a
100mF 100mF
100mF
100W
tupnI
iPod compatibility
tuptuO
The performance for this mixer is
pretty good considering the low voltage and power consumption.
Lower-power op amps almost
always have more noise and less
bandwidth than their higher-power
counterparts. That is because, to reduce their power consumption, the
standing current in both the input pair
and the voltage amplification stage
(VAS) is reduced.
Dynamic microphones have quite
a low output signal level – typically
below 50mV RMS. That, in combination with the higher input noise of
low-power op amps, limits the signalto-noise ratio of the mixer. In practice
though, 65dB is more than adequate
for PA work.
If you aren’t happy with that, there’s
an easy solution – swap the OPA4348
op amps with noise of 35nV/sqrt(Hz)
for a lower-noise, pin compatible part
such as the TL974 which has just 4nV/
sqrt(Hz). We expect that will improve
the signal-to-noise ratio by around
10dB.
But it does so at the cost of much
increased battery current of 16mA and
somewhat reduced signal handling
capability as the TL974 does not have a
rail-to-rail input. If you decide to swap
the op amps, you will definitely want
to use a Li-Po battery.
330pF
+
Performance and noise
10k
10k
330pF
+
+
100mF
100k
10k
10k
100mF 100mF
+
100k
+
CON2
+
should fit the two bypass capacitors
anyway).
BAT1
+
– +
Fig.2: component layout for the mixer from the top
(component) side. You have the option of using an on-board CR2032 button cell (as
shown here), an external (rechargeable) Li-Po or even a garden-variety 9V type!
high load impedance. The solution is
simple: replace the 4.7kΩ series resistor at this input with a 100Ω resistor
and change the 100kΩ DC bias resistor
to 1kΩ.
This may mean though that input
can no longer be used with other signal
sources, which is why we didn’t do it
that way in the first place.
Construction
The prototype mixer was built on a
single-sided PCB, coded 01106131 and
measuring 110 x 85mm but production
boards will be double-sided, eliminating the need for wire links (shown in
green in the diagram above).
Start by fitting the SMDs, beginning
with op amps IC1 and IC2. Locate pin
1, which is normally indicated with
a dot or stripe. If you can’t find that,
check for a bevelled edge on the PCB
package, also on the pin 1 side. Put a
little solder on one of the IC pads and
while heating that solder, slide the IC
in place.
When it’s lined up with its pads,
double-check that the IC is orientated
correctly then solder the rest of the
pins. Then refresh the first one you
soldered with a dab of extra solder.
Remove any bridges with some solder
wick.
Carefully examine the solder joints
with a powerful light and magnifying
glass; a bad joint at this stage could
cause problems later and it’s quite
easy to get solder on one of these pads
without it actually adhering to the
component pin (something we’ve had
Resistor Colour Codes
o
o
o
o
o
o
o
o
o
o
No.
1
12
3
11
1
5
1
2
1
6
78 Silicon Chip
Value
10MΩ
100kΩ
22kΩ
10kΩ
8.2kΩ
4.7kΩ
3.9kΩ
2.2kΩ
220Ω
100Ω
4-Band Code (1%)
brown black blue brown
brown black yellow brown
red red orange brown
brown black orange brown
grey red red brown
yellow violet red brown
orange white red brown
red red red brown
red red brown brown
brown black brown brown
5-Band Code (1%)
brown black black green brown
brown black black orange brown
red red black red brown
brown black black red brown
grey red black brown brown
yellow violet black brown brown
orange white black brown brown
red red black brown brown
red red black black brown
brown black black black brown
siliconchip.com.au
IC1
IC3
Output
IC2
D3
REG1
Input
2013
In2
In3
Q1
In4
0.22W
Lump In Coax
01106131
Battery-powered Mixer
Q3
Fig.3: the underside (ie, normal copper side) of the PCB has seven SMD devices
on it, as shown here and (partially) in the early prototype pic above right. These
should be soldered in place before you start assembling the top side. While our
prototype was a single-sided PCB, production boards will be double-sided.
happen on more than one occasion). If
necessary, add some heat and/or solder
to any suspect joints.
Now fit Mosfet Q1 in the same manner. It’s smaller but the pins are widely
spaced. The leads should sit on the
PCB surface; if they are sticking up in
the air like a dead cockroach, the part
is upside-down.
If you will be powering the unit
from a 9V battery, fit REG1 in the same
manner.
But we believe that most constructors will want to use the Lithium or
Li-Po options; if you do use a 9V battery, you will have to fit the unit in a
larger case than specified.
If you are using a Li-Po and want
the on-board charging facility, install
the associated SMD components now,
ie, D3, Q3, IC3 and the 0.22Ω shunt
resistor using the same basic technique
outlined above.
Through-hole parts
If you ordered the board from the
SILICON CHIP webshop (or if it was
supplied in a kit), it will already have
the links as the top layer.
Otherwise (eg, if you etch your own
single-sided board), fit the six wire
links now (shown in green in Fig.2)
using tinned copper wire, plus LK1 if
you aren’t using a 9V battery. Follow
with the remaining resistors. Use the
colour-code table as a guide but also
siliconchip.com.au
check their values with a DMM.
Diodes D1 and ZD1 go in next but
only if you are building the Li-Po version. In that case, you will also need
to mount Q2 and Q4. For Q2, Bend its
leads, feed them through the holes and
then use the M3 screw to fasten its tab
securely to the PCB before soldering
the leads. The metal tab goes down,
against the PCB (not as shown in the
photo, which we changed).
Next, fit all the ceramic capacitors
(disc and monolithic multi-layer).
Then solder in the 3.5mm jack socket,
button cell holder (if required), slide
switch S1 and the two 2-way pin
headers.
Follow with the single MKT capacitor and then the electrolytics; these
are all the same value and in the same
orientation, with the positive (longer
lead) to the right side of the board.
You can now mount the larger connectors, CON1-CON3 and CON5, as
well as the three vertical pots. Push
these down firmly into the mounting
holes before soldering the two tabs and
three pins. If building the Li-Po version, fit LED1 now, at full lead length,
with its anode (longer lead) to the left.
The PCB is now complete.
Connecting the Li-Po battery
We recycled a 3.7V 1500mAh “Huawei” Li-Po battery from an unloved
mobile phone (the battery still charged
and held charge). We found (more by
good luck than good management)
that this 42 x 65 x 5mm battery fitted
perfectly inside the case lid, alongside
the pot shafts.
Even if you have to buy a new one,
they’re dirt cheap on ebay – for example, one the same as we used was $3.90
including postage from Hong Kong.
You can get Li-Po cells with leads attached but if recycling an old one, like
ours, identify which pads correspond
to positive and negative and then solder a couple of appropriately-coloured
wires to these (eg, from ribbon cable).
Connect a two-pin header to the
other end of this cable by stripping
the ends of the wire, crimping the
two small pins to them (both to the
uninsulated and insulated sections)
and then pushing them into the plastic
block. We like to solder the crimped
joint too but you have to be careful not
to put much solder on or the pin may
not go into the block.
For a 9V battery, you will need to
attach a 2-pin plug to the wires from
the 9V battery snap using the same
method.
Charging cable
For the Li-Po version, you will also
need to make a charging cable. You can
charge from USB or a 5V DC plugpack
or car adaptor.
To make a USB cable, take a cable
with a Type A plug on one end and
chop the other end off. Strip back
some of the outer insulation, solder
the white and green wires together
and insulate them with small diameter
heatshrink tubing.
Slide the rear of the RCA plug over
the cable then solder the red wire to
the centre pin and the black wire to
the surround. Crimp the cable with
the provided clamp and slide the rear
cover back on. Plug it into a USB port
and use a DMM to check that the centre
pin is at +5V relative to the surround.
If charging from a plugpack, it’s just
a matter of fitting an RCA plug to the
plugpack using a similar method.
If fitting an NTC thermistor to moniJune 2013 79
The Lump-in-the-coax
mixer installed in its diecast case,
ready for the lid (with appropriate label)
to be screwed on.
tor the battery temperature, glue or
otherwise attach it to the cell and run
a couple of short leads back to another
2-pin plug as described above, to plug
into the NTC1 header on the PCB. If
you don’t want to fit the NTC, solder
or otherwise connect a 10kΩ resistor
across the NTC1 header pins.
(this might take a while if it’s quite
flat to start with).
If you built our USB Power Monitor (December 2012) then you can use
this to check that the current draw is
below 500mA and slowly drops as the
cell charges.
Testing it
A drilling template and front panel
artwork can be downloaded from
www.siliconchip.com.au. Use these
to mark the hole positions and drill
them all to the sizes shown.
The holes will need to be accurately
placed as the board only just fits in
the case when they are in the right
positions.
The largest (XLR) holes will need a
tapered reamer – even so, you may still
need to use a round file to finish them
off (many reamers only go to 20mm).
Note that there won’t be much
“meat” left along the rim of the case
where these holes are placed, as the
connectors must mount quite high for
the PCB to clear the bottom of the case.
You’ll also need to file flat the lip of
the case lid where it would otherwise
interfere with the XLR sockets.
Check the unit out before fitting it
into the case. Apply 3-5V DC to the
BAT1 terminals via a spare 1kΩ resistor and measure the voltage across
that resistor with a DMM. You should
get 0.5-0.75V. If it’s much less, check
the supply polarity and failing that,
soldering and component placement
on the PCB. If the reading doesn’t drop
below 1V after a few seconds, that suggests a short circuit or other problem
(eg, incorrectly orientated component)
which you will need to look for.
Assuming all is well, turn the pots
all the way down, connect up the battery directly and attach a microphone
and some sort of amplifier, as long as it
has a “mic” input with either an XLR
socket or you have an adaptor.
Switch on and speak into the
microphone; check that the output
sounds OK.
To test the Li-Po charger, leave the
battery connected and plug in the
charging cable. Unless the cell is already fully charged, LED1 will light.
You can monitor the battery voltage
with a DMM; it should rise to 4.2V
80 Silicon Chip
Drilling the case
Putting it all together
Now for the tricky part, shoe-horning the board into the case. It’s a tight
fit (deliberately!).
First, cut a sheet of thin insulating
material (eg, cut from a PET milk bottle) and place it inside the base of the
diecast box, to prevent the PCB from
shorting to it. If there are any particularly sharp solder joints, you can put
some electrical tape over them which
will stop them from puncturing this
insulating layer.
Next, temporarily remove the locking tab from the female (mic in) XLR
socket by pressing it down and pulling it out.
Now feed the RCA socket through its
hole in the side of the case. It’s then a
matter of rotating the PCB and pushing
it down so as to get the XLR connectors into their holes. Don’t force it; it’s
a very tight fit. You may even need to
enlarge some of the holes in the case
side before it will go in.
You may also find that you have to
bend the XLR connectors a little so
that their lip does not prevent that end
of the board from sliding into place.
Don’t overdo it though as you could
damage the PCB.
If the board doesn’t want to go in,
check that the corner cut-outs have
been filed correctly and that it isn’t
hitting the bottom of the case, which
suggests misaligned holes that will
have to be enlarged further.
Once it pops in, fit the four screws to
hold the XLR connectors in; this also
holds the PCB in place and replace the
XLR locking tab by pushing back in.
The diecast box provides best
shielding against hum and so on if
it is connected to the circuit ground.
This normally occurs through contact
between the shield of the 3.5mm or
RCA connector but depending on how
large you’ve made the holes, they may
not make reliable contact.
In this case, the easiest solution is
to replace one of the XLR mounting
screws with an M2 x 10mm machine
screw and nut and use this to attach a
solder lug on the inside, under the nut.
You can then run a short wire from
this lug to a convenient 0V point on
the PCB below (eg, a resistor lead connected to ground). This is not critical
but it’s a good way to ensure that the
shielding is most effective.
Before putting the lid on, connect
the battery. The Li-Po cell can be
attached under the lid with doublesided tape, in a position where it will
clear the pots and LED. It’s then just
a matter of cutting out the four holes
in the lid label, glueing it onto the
lid, then screwing the lid on and the
assembly is complete.
The mixer is now ready to use.
SC
siliconchip.com.au
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