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Vintage Radio
By Associate Professor Graham Parslow
STC’s Type 500A 5-Valve Mantel Radio
STC’s 1938 Type
500A is a well-made
5-valve mantel radio
which was housed in
a handsome timber
cabinet. The unit
featured here was
obtained in quite good
condition and required
relatively little work
to restore it to full
operation.
T
This STC 1938 500B tombstone model still
has it original speaker grille and knobs.
Exactly the same grill and knobs would
have been installed on the model 500A
pictured above but these parts have been
changed at some stage during the set’s life.
92 Silicon Chip
HE 1938 STC Type 500A mantel
radio is among the author’s favourite radios. The attraction started with a
visit to the palatial Como House (now a
National Trust building) in Melbourne.
One member of the wealthy family that
previously lived in Como House was
an avid radio listener and an STC Type
500A radio is displayed (in working
condition) in her bedroom. It made a
lasting impression on me at the time,
well before radio collecting became
a passion.
Some years later, the Type 500A
radio featured here was offered on
eBay and I duly purchased it (in 2006)
for $300. Since then, it has occupied
a prominent place in my home and
has always been appreciated for its
outstanding craftsmanship. STC’s pro
motional material at the time stated
that the “two-tone cabinet” was made
from “specially selected highly-figured
walnut veneers, hand rubbed” and
with a “full piano finish”.
I’m certainly not the only person
to appreciate its qualities because my
Type 500A radio came with an inter-
esting story. It turned out that it had
spent a long life of active service on a
farm in the Illawarra region of NSW.
When the farmer died, the radio was
passed on to his son who kept it as a
treasured memento before reluctantly
deciding to sell it because he was moving to the US. We exchanged a number
of pleasant emails during the transaction and when the radio arrived, I felt
that I had inherited an obligation to
get it going again and to look after it.
Prior modifications
In deference to its history, the radio
hasn’t been fully restored though. To
keep the radio functional and “updated”, the previous owner had had
the knobs, speaker and speaker grille
replaced at some stage, probably during the 1960s. The speaker is mounted
on a baffle-board which is angled at
30° to the front face at one end of the
cabinet. Its relatively easy to remove
this to gain access to the grille material.
The speaker itself was originally an
electrodynamic type and was plugged
into a 5-pin socket on the rear of the
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chassis. Two wires ran to the remotelymounted output transformer, two were
for the electromagnet and the fifth wire
was an earth lead.
The speaker grille fabric had probably been replaced when the permanentmagnet loudspeaker was installed.
This ‘new’ speaker was a Rola 6-inch
(150mm) type H of 1950s vintage. It
had been installed professionally, presumably by a local serviceman, and
the work included adding a 2kΩ 20W
resistor to replace the electromagnet
in the HT filter circuit. The HT filter
electrolytics (C10 & C11, both 8µF) were
also replaced at the time.
The grille fabric and knobs originally used on the 500A were also used
on the 1938 STC tombstone model
500B. This set is shown in one of the
accompanying photos and is another
of the author’s prized radios. It’s displayed next to the 500A and clearly
demonstrates what the 500A’s original
grille fabric and knobs look like.
I’ve left my 500A just the way it
came to me though, as I consider the
replacements to be a genuine part of
the radio’s history.
The chassis of the old Type 500A was in good order but required cleaning.
The back-lit dial uses two 6.3V globes that shine through a green transparent
sheet and a second opaque sheet with transparent station call-signs.
STC aimed high
STC stands for Standard Telephones
and Cables and the company began life
in London as International Western
Electric in 1883. It became STC in
1925 when it was taken over by ITT of
the USA. Two important high-points
for the company involved supplying
the radio systems for the Queen Mary
and Queen Elizabeth ocean liners
(1936-39) and patenting pulse code
modulation (PCM) in 1938.
STC’s Australian operations date
from 1923 when Western Electric set
up a manufacturing subsidiary in Sydney. Local manufacturing expanded
significantly in 1936 following the
construction of a new factory at 252274 Botany Road, Alexandria, Sydney.
This new factory employed some 700
people and was involved in building
domestic radio receivers (such as the
Type 500A), commercial transmitters
and military equipment.
The sales motto for STC was “for
tone it stands alone”. All pre-war radios were high-specification models
and this included both the cabinet
work and the electronic circuitry. As
a result, these radios were aimed at
the higher end of the market and were
relatively expensive. This changed
after the war when the “Bantam” range
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Most of the original components had survived in this radio, the exceptions
being the loudspeaker, the output transformer, the celluloid dial cover, two
8µF HT filtering capacitors and two other coupling capacitors.
of domestic radios was introduced to
compete on price.
Circuit details
Fig.1 shows the circuit details of
the STC Model 500A. The ‘A’ suffix
describes the case type. On the other
hand, the chassis is labelled 500-I and
the ‘I’ defines the circuit used and its
features.
For this particular circuit, the 1938
STC sales manual lists the features as
including automatic volume control,
tone control, a clearly marked tuning
dial, a chromium dial escutcheon, an
electromagnetic moving-coil loudNovember 2014 93
Fig.1: a 5-valve superheterodyne circuit with a 450kHz IF stage is
used in the Type 500A. Valve V1 is a 6A7 frequency converter stage,
V2 is a 6D6 IF amplifier, V3 a 6B7 diode-pentode detector/amplifier
stage, V4 a type 42 output pentode and V5 a type 80 rectifier.
speaker and a “threshold sensitivity”
control.
The circuit itself is a 5-valve super
heterodyne type using a 450kHz IF
stage. It includes a 6A7 frequency
converter (V1), a 6D6 IF amplifier
stage (V2), a 6B7 diode-pentode detector/amplifier stage (V3) and a type
42 pentode (V4) for the audio output.
The 450kHz IF stage employs two
metal dust core transformers and STC
state that resistance coupling is used
between the detector/amplifier (V3)
and output stage (V4).
The last claim is a bit odd though,
because C3 provides conventional
capacitive coupling to the type 42
output pentode.
Potentiometer AS11-R (50kΩ) acts
as a top-cut tone control in conjunc-
tion with C2. The volume control pot
(500kΩ) is labelled AS11-G and this
alters the gain of the 6B7. The top of
the volume pot also accepts signals
from a gramophone pick-up, with the
signal fed in via terminals on the rear
of the chassis (see photo).
The threshold sensitivity is adjusted
by a trimpot marked as SP5130 on
the circuit diagram and located at
the lefthand rear of the chassis. This
trimpot alters the RF gain of the 6A7
converter valve.
The final valve in the line-up is a
type 80 rectifier. This provides fullwave rectification of the high-voltage
secondary output of a conventional
mains transformer to provide the HT
line. This HT line is filtered by capacitors C10 & C11 (both 8µF) and the
The original twin-flex mains cord ran to a plug to the right of the speaker socket
and this plug was used to select between a line voltage of 200VAC or 240VAC
(see Fig.1). This warning label on the rear panel advises the user to check that
the plug position correctly corresponds with the supply voltage .
94 Silicon Chip
HT coil in the electrodynamic loudspeaker. As previously mentioned, in
this particular set, the latter had been
replaced by a 2kΩ 20W resistor.
Restoration
Despite the set’s age, the cabinet
was in good condition. It was polished
with O-Cedar wood polish but was
otherwise left unchanged. However,
the celluloid dial window was nearly
opaque due to oxidation.
The original celluloid was blowmoulded to clear the rather-stylish
dial pointer which stands out from
the back of the metal escutcheon. This
means that a flat replacement window mounted behind the escutcheon
would have fouled the pointer, so an
alternative method had to be found.
Unfortunately, when I first acquired
this radio I didn’t have the skill to
duplicate a blow-moulded window
profile (although this is a technique
that has subsequently been learnt). As
a result, for this radio, a clear-plastic
section was carefully cut from acetate
sheet to fit the profile of the outer rim
of the escutcheon. It was then carefully glued in using a few small dabs
of super glue.
The result was agreeably satisfactory and allows the green back-lit dial
to continue to impress more that 70
years after it was manufactured. The
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The STC Type 500A radio has pick-up terminals to accept the output from a
record player. The pick-ups used in 1938 were either large magnetic types or
piezo-electric crystals as shown in this advertisement from Levenson’s Radio.
dial back-lighting is achieved using
incandescent dial globes which shine
through a layer of green backing positioned behind an opaque dial-plate
with transparent call-signs.
the 1930s but each room had a light, so
double-adapting from the light fixture
was fairly common. Users who wanted
a switch had to install their own.
Mains cord replacement
Although it appeared to be in reasonable (but dusty) condition, the
radio was ‘dead on arrival’ (DOA) with
no audio output. This was due to an
open-circuit primary on the output
transformer and this was quickly es-
The original 2-core mains lead installed in the 1960s is now illegal in
this type of equipment. In addition,
this cord was terminated in a loose
socket that made poor contact and this
socket had to be orientated to match
the mains voltage. This meant that the
200VAC tap on the power transformer
could be incorrectly selected.
As a result, the 2-core mains lead
was replaced with a modern 3-core
lead which was directly connected to
the 240VAC tap on the power transformer. This cord will be substituted
with a cloth-covered cord in the near
future, so that it is more in keeping
with the set’s age.
It is interesting to note that 2-core
mains leads were common in 1938 and
most radios, including this one, had
no mains switch. This was because if a
switch was installed, it was obligatory
to switch the Active lead. However,
many users spliced the power cord
into a light bayonet socket using a
2-pin B-22 plug, so there was a random chance as to which lead would
be the Active.
A DPDT switch would have overcome this problem but that would have
added to the cost and users generally
didn’t demand this feature. Wall sockets were only sparsely installed during
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The same punched chassis was used
by STC for a range of radios and this
explains the rather unusual use of a
3-gang tuning capacitor frame with
one section missing. A 3-gang tuner
would have been necessary in models
with an additional tuned RF stage.
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November 2014 95
This view shows the Type 500A after restoration. The new 3-core mains cord bypasses the voltage selection plug (to the
right of the loudspeaker socket) and is wired directly to the transformer. It also allowed the chassis to be safely earthed.
tablished because there was no plate
voltage on the type 42 output pentode.
In addition, the cathode heater of this
valve was glowing red but the valve
itself remained cool.
The usual cause of a blown output transformer is excessive current
through the output pentode (and thus
the output transformer). This can be
caused by changed resistor values in
The pick-up terminals are on the
rear of the chassis, directly above
the antenna terminal. There’s no
provision to switch out the RF section
when using the record player; instead,
the user has to tune to a quiet spot on
the dial, to avoid interference.
96 Silicon Chip
the grid bias circuit or failure of the
audio coupling capacitor (C3 in this
circuit), leading to a more positive
grid than is healthy and increased
power dissipation. It’s also common
to encounter both faulty resistors and
a faulty capacitor together.
A replacement transformer was installed and the radio then performed
perfectly. There is a quick way to
check power dissipation in the output
pentode and that is to simply remove
it. With the 42 pentode in circuit, the
power consumption is 51W and this
drops to 38.5W after it’s removed. A
dissipation of 12.5W for the components associated with this stage is
acceptable, so the stage appeared to
be running normally. Importantly,
the replacement output transformer
wasn’t running warm – they can get
quite hot when excess current flows.
Nevertheless, true peace of mind required direct checking and the results
were all good. First, the wirewound
400Ω cathode resistor was checked
and its value found to be spot on.
This resistor sets the grid bias voltage
on the output pentode (the grid itself
is tied to earth via R11, which holds
the grid negative relative to the positive cathode). The cathode measured
+11.7V with +223V on the anode plate.
Coupling capacitor C3 (0.01µF)
was also checked. This was a Ducon
replacement of 1960s manufacture
and it measured OK. The fact that it
was a replacement meant either that
the original had failed or the repairman who had worked on the set had
substituted it as a precaution.
The final check involved measuring
the DC voltage across the output transformer’s primary. This measured 15V
DC while the DC resistance measured
600Ω, giving a calculated power dissipation of just 0.38W.
Pick-up terminals
The 500A’s back panel features two
screw terminals to accept the output
from an external turntable pick-up (see
the advertisement from Levenson’s
Radio). These two terminals connect
to the volume control (AS11-G) in the
first audio stage but note that there’s
no switch to switch the RF front-end
out of circuit. Instead, the radio was
tuned to a quiet part of the dial when
the record player was being used.
In operation, the pick-up may have
produced as much as 1V, so sensitivity
wasn’t a problem. It’s worth noting that
many valve radios included provision
for a pick-up during the 1950s and
even into the 1960s before portable
transistor radios took over.
Finally, despite its age, this the radio still looks good and it still sounds
good. It may not be completely original
but it’s still well worthwhile having in
SC
a collection.
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