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Vintage Radio
By Ian Batty
The unique GE 675
5-transistor radio
First marketed in 1955, GE’s 675 radio uses
just five transistors. It features a class-A
audio output stage, has unusual AGC and
volume control circuits, and is powered from
a 13.5V/4.5V battery.
T
HOMAS EDISON began inventing
at an early age but burst onto the
public stage in 1877 with his invention
of the phonograph. His wide-ranging
interests led one author to subtitle an
Edison biography as “Inventing the
Century”.
By 1889, Edison’s output was spread
over many technology companies and
these were eventually consolidated
into the Edison Electric Light Company. The Thomson-Houston Electric
Company, a major Edison competitor, was amalgamated with Edison’s
holdings in 1892 to become General
Electric.
Now a multinational giant, GE was
one of just 12 companies that listed
on the newly-formed Dow Jones Industrial Average in 1896. It’s now the
only one of those original 12 still listed
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today. As an aside, in 1919 Owen D.
Young founded the Radio Corporation
of America (RCA) as the retail arm of
GE. RCA was subsequently spun off
as an independent business in 1930.
In common with several other electronics manufacturers during World
War 2, GE worked on microwave diodes for use in radar receiver mixers.
The company’s eventual entry into
transistor manufacturing began when
Albert Hull, an electrical engineer with
GE, read about Bell Labs’ development
of the transistor and decided that GE’s
extensive diode work gave them the
necessary expertise in that field.
GE’s 675
The GE 675 is a 5-transistor set
with a class-A audio output stage.
Depending on when it was made, it
uses either a diode demodulator or a
class-B demodulator/first audio stage.
It also uses an ingenious “sliding bias”
volume control/bias circuit for the
output stage.
A 5-transistor design may seem
like a recipe for poor performance but
it’s worth noting that a conventional
6-transistor set has only five amplifying stages. That’s because two of its
six transistors are used in a push-pull
audio output stage.
GE’s 675 follows the style established by Regency’s TR-1 (see
SILICON CHIP, April 2013). It’s a stark,
minimalist design and like the TR-1,
it uses thumbwheel tuning but has a
front-operated volume/on-off control.
It’s also similar in size to the TR-1; ie,
it fits into a coat pocket rather than a
shirt pocket.
The set shown here came in its original leather case. Like the Philco T7,
this case opens part way at one end to
allow tuning and volume adjustments
without completely removing the set.
My GE 675 has a black cabinet but
on-line catalogs show that it was also
available in ebony, ivory, red and aqua.
The 675 is a later design than the
TR-1 and has more audio output, as
described below. It uses an air-spaced
tuning gang with a smaller (cut-plate)
oscillator section and as such, has a
tendency to cramp the stations close
together at the top end of the broadcast band.
Circuit details
Fig.1 shows the circuit details of
the GE 675. It’s a fairly straightforward superhet design using four PNP
transistors (X1-X3 & X5) and one NPN
transistor (X4).
Converter stage X1 is conventional,
with collector-base feedback via oscillator coil T2. This stage feeds the
tuned, untapped primary of the first
IF transformer (T3) and its untapped
secondary in turn is coupled to the first
IF amplifier stage (X2).
On my set, X2 is neutralised ussiliconchip.com.au
Fig.1: the circuit of the GE 675 uses just five transistors (X1-X5). X1 is the converter stage, X2 & X3 are IF amplifier stages,
X4 (or diode Y1 in some sets) is the detector and X5 is a class-A audio output stage. Power comes from a 13.5V/4.5V battery.
ing C15. As shown, this capacitor is
connected between X2’s base and the
secondary of the second IF transformer
(T4). However, earlier circuits do not
show this, which meant that early
sets worked without neutralisation of
any kind. This helps explain: (a) the
double-sided PCB used with an extra
ground plane (very unusual in domestic radios), (b) the copper shield covering the set’s entire component side and
(c) the small ferrite rod mounted above
the copper shield. All three methods
are commonly used to improve shielding and reduce feedback.
An unusual design feature is that
X2’s emitter is connected to a 4.5V tap
on the special 13.5V battery that’s used
in this set. Since X2 uses simple series
bias from the main supply via resistor
R4, this is an odd circuit configuration.
There is no DC feedback from the demodulator, so this radio appears to lack
AGC. However, this unusual circuit
is, in fact, the AGC section (see later).
It looks rather like the configuration
used in some valve sets that applied
AGC to the converter alone. This allowed the IF amplifier to draw grid
current (via a high-value grid resistor)
on strong signals and to slide its bias,
thereby reducing the gain.
The first IF amplifier (X2) feeds the
untapped, tuned primary of the second IF transformer (T4). Its untapped
secondary then feeds the second IF
amplifier stage based on transistor X3.
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As usual, this stage works with
fixed bias but without neutralisation.
A brave move? Well, there’s R7 which
is used as a damping resistor across
T4’s secondary. If transistors X1, X2 or
X3 are replaced, then R7 may need to
be adjusted to prevent oscillation (its
maximum value is 500Ω). However,
while this damping effect obviously
prevents oscillation by reducing gain,
adding neutralisation to the second
IF amplifier stage would have given
more gain and eliminated the need to
adjust R7.
The Sams Photofact website (https://
www.samswebsite.com/) states that
demodulator diode Y1 was “used
in late productions only”. Without
it, transistor X4 is biased so that it
functions as a class-B demodulator,
although in practice, it provides both
demodulation and audio gain.
The amount of bias is quite small:
just enough to bias the base into
conduction while eliminating the
incoming IF signal’s negative peaks.
Conversely, the positive peaks are
amplified and then filtered by C11 to
recover the audio signal (the circuit
works similarly with Y1 in place).
Volume potentiometer R11 forms
the DC and AC collector load for X4.
The way in which this pot has been
wired is rather unusual. As shown,
X4’s collector goes to the pot’s wiper
and so X4’s load resistance (and thus
the stage gain) varies with the volume
setting. Even more strangely, the top
of the pot is connected to the base of
output stage transistor X5.
X5 has no constant bias source.
Instead, it’s effectively biased due to
X4’s collector current flowing through
R11 and that bias is modified by the
volume control setting.
So what we have is a sliding bias
circuit. At low volume settings, X5’s
bias is reduced but that doesn’t matter as it doesn’t need much collector
current to reproduce a low-level audio
signal accurately. Conversely, at higher
volume settings, X5’s bias is increased
to allow higher output power without
undue distortion.
Given the power-hungry nature of
class-A stages generally, it’s an elegant
solution to the problem. In the absence
of any signal, X5’s collector current
varies from about 2mA at the minimum
volume setting to 3mA at the maximum
setting. But X5’s collector current also
responds to signal strength since its
bias is controlled by X4’s collector
current. Strong signals increase X4’s
collector current and this pushes X5’s
collector current up as well, to as much
as 25-30mA.
In most sets, it’s common to monitor
signal strength by the drop in the first
IF amplifier’s collector current due
to AGC action. By contrast, the 675
responds to stronger signals by increasing its output stage’s collector current
and I monitor either this or X2’s emitter
September 2015 103
The GE 675 is built on a small double-sided PCB, with the ferrite rod antenna
mounted along one side.
This view shows
the main parts
side of the PCB,
with the major
components
marked. Note the
comparatively
large tuning gang.
quick check of the Sams Photofact
circuit confirmed that the IF should,
in fact, be 455kHz.
As a result, I adjusted the IF coils
and I could then hear some noise
when a 455kHz signal was radiated in
from my test loop. However, there was
still no broadcast-band reception. So
was the 675’s local oscillator working
correctly? I placed another AM radio
nearby, tuned it to 1600kHz and swung
the 675’s tuning dial in either direction
but to no effect.
In practice, there should have been
a whistle from the other set as the
675’s local oscillator swung through
1600kHz, so this oscillator clearly
wasn’t working. A subsequent close
examination of the circuitry revealed
that the lead from the top of the oscillator coil to the tuning gang had gone
open circuit.
Repairing this open circuit resulted
in broadcast-band reception at last.
By the way, if you ever work on one
of these sets, be aware that the flying
leads from the various coils to the PCB
consist of very fine wire. This means
that you have to be very careful not to
break them when working on the set.
Low sensitivity
current during alignment and testing.
Given the elegance of this part of
the circuit, it’s puzzling as to why they
didn’t follow common practice and
use neutralisation in the second IF
amplifier stage to make the set stable.
In addition, given that the 2N44 output transistor (X5) is rated at 250mW
maximum dissipation and there’s
no thermal stabilisation, I’d be wary
of running this set at full volume on
strong stations for any length of time.
Restoration
As it came to me, my GE 675 was
completely dead. Any five or 6-transistor radio should give some converter
noise at full volume or, at least for an
old set, would have a noisy (scratchy)
volume control pot.
The power switch was an obvious
104 Silicon Chip
suspect so I checked this first. It was
open circuit regardless of position
and since it was soldered to the PCB,
I temporarily bridged it out with some
short wires. My intention at this stage
was simply to get the set going and to
replace the switch later.
The set was still dead and further
checking revealed that the earphone
socket had gone open circuit due to
dirty contacts. A light polish with some
wet-and-dry paper fixed that problem.
I then tried injecting 455kHz into
the front-end but the set produced
virtually nothing. A close inspection
of the PCB revealed the probable cause
– the IF transformer slugs had all been
adjusted right to the top of their travel.
By swinging the signal generator’s frequency up and down, I quickly found
a response at some 500kHz-plus. A
Although the set was now working,
its sensitivity was quite low, so it still
had a fault somewhere. However, I
already has a good idea as to what the
problem was – some heavy-handed
person had damaged the second IF
transformer so badly that I was unable
to tune its slug back out to its desired
position. My guess is that someone had
adjusted the IF slugs to their extreme
positions in an attempt to get the set
going, not realising that the fault was
actually in the local oscillator.
At this stage, I decided to take a look
at a second GE 675 set I’d obtained.
This had an open-circuit track to
the output transformer and its ferrite
rod had also come loose, resulting in
broken leads. Once these problems
had been fixed, the set began working and after alignment, it performed
quite well.
Apart from that, the set only required
a quick clean-up. The cabinet was
given a polish, while a wipe-over with
leather preserver soon had the case
looking almost as good as new.
Performance
So just how well does it perform?
First, its output at clipping was only
siliconchip.com.au
about 35mW but even at this low level,
the output stage current drain increases
noticeably. The GE Transistor Manual,
2nd Edition (pages 99-105), shows
several circuits with class-A output
stages. Each of these quotes a significantly higher output of 75mW, while
their sensitivity figures are specified
at an output of just 5mW (which I’ve
used for testing).
The circuit diagram shown in Fig.1
is a composite of several online examples. The component numbering
follows the circuit in Beitmans “MostOften Needed 1956 Radio Servicing
Information” Volume R-16, which is
more detailed than the Howard W.
Sams Photofact. The Beitman circuit
also includes coil resistances but omits
the transistor resistance measurements
in the H. W. Sams document
Be aware also that the Beitman
circuit recommends using a 20kΩ/V
meter for voltage measurements. However, a 20kΩ/V meter gives a misleading low measurement of just -3.5V on
the base of the first IF amplifier (X2).
In addition, the Sams circuit shows
only one voltage for the output transistor’s collector (X5) while the Beitman
circuit shows the expected range according to the volume control setting.
The Beitman and Sams circuits are
both available on Ernst Erb’s website
(see listing at the end of this article).
How does it compare?
The GE 675 is just a little bigger than
Regency’s TR-1 but its greater output
power is noticeable. And because
there are no coupling capacitors in
the signal path, its audio response is
controlled by the IF-stage bandwidth
and the output transformer (T6). In fact,
the frequency response from antenna
to speaker is 160Hz to about 4.3kHz
which is quite good for this type of set.
The IF selectivity is -3dB at ±6kHz
and -60dB at ±65kHz. The audio performance is adequate: at 5mW output,
the THD (total harmonic distortion) is
around 6% at 1kHz, while at 30mW it
rises to around 8%. As stated above, it
begins to clip at 35mW output.
The RF sensitivity at converter X1’s
base is about what you’d expect: 25µV
for 5mW output at 600kHz and around
12µV for 5mW at 1400kHz. Due to its
low-gain IF stages, it achieves this for a
signal-to-noise ratio of about 18dB. By
contrast, the Philco T7 has a sensitivity of about 50-80µV respectively for
a 50mW output.
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The leather case opens at one end to allow tuning &
volume adjustments without completely removing the set.
In practice, the GE 675 provides an
output of 5mW for a field strength of
750µV/m at 1400kHz and struggles to
better 2mV/m for 5mW at 600kHz. The
small ferrite rod is probably the cause
of this problem, as the set’s sensitivity is quite acceptable when signal is
directly applied to X1’s base.
What about AGC? Despite there
being no feedback from the detector
to control IF amplifier X2’s bias (and
thus its gain), its emitter current does
in fact fall with increasing signal. This
results in the output rising just 6dB for
a signal increase of around 25dB.
So how does the AGC work? The answer involves 220kΩ resistor R4 which
provides a bias current of about 40µA
to transistor X2. As the IF signal on X2’s
base increases to several millivolts,
X2’s base-emitter junction (which is
already forward-biased) begins to act
as a rectifier. The resulting current effectively opposes the 40µA bias current
supplied via R4, thereby reducing X2’s
collector current and its gain.
In operation, X2’s collector/emitter
current falls proportionally according
to increases in signal strength. In fact,
it behaves just like a more conventional
gain-controlled stage.
As mentioned earlier, a similar
scheme was used in some valve radios,
with a grid-leak circuit providing gain
reduction on strong signals.
Would I buy any more?
Although this set’s design is rather
unusual, it’s not a remarkable performer. Nor has it the eye-catching
design of (say) the Philco T7. I’m still
puzzled by its poor performance and
it’s possible that some obscure fault
still exists that I’ve yet to track down.
I also think that this was a rushed design. In practice, transistor production
spreads could have been handled by
selecting neutralising components to
match individual transistors. Although
this is time-consuming and adds to the
cost, it’s exactly what Regency did with
their TR-1 and something that GE could
have adopted. If my measurements are
accurate, this set’s RF/IF design badly
lets it down.
That said, the GE 675 is worth having
as an example of early transistor radio
engineering. If you are interested in obtaining one of these unique sets, they’re
often available online at low cost.
Finally, it’s worth noting that the GE
657-678 models are all similar apart
from a few component changes.
Further reading
(1) Thanks to Mark P. D. Burgess for his
outstanding site at https://sites.google.
com/site/transistorhistory/Home/
us-semiconductor-manufacturers/
general-electric-history
(2)The GE Transistor Manual is at:
http://n4trb.com/AmateurRadio/
SemiconductorHistory/GE_Transistor_Manual_2nd_Edition.pdf
(3) Thanks to Ernst Erb for his Radio Museum’s listing of circuits and
other information on the GE 675 at
http://www.radiomuseum.org/r/general_el_675.html
A discussion page is at: http://
antiqueradios.com/forums/viewtopic.
SC
php?f=4&t=208340
September 2015 105
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