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SERVICEMAN'S LOG
Fixing a guitar amp is an enjoyable task
Which would you rather do, solve a problem
with a laptop PC or fix a large guitar
amplifier, and in the process maybe play
a few riffs? It was a pretty easy choice and
involves work which is almost my hobby.
I’ve said it before and I’ll say it again;
the computer repair business is a
sunset industry. The golden years
of computer-repair guys skilfully
assigning IRQs and IP addresses are
long gone and those of us trying to
eke out a living doing computer work
really only have two choices: give it
away altogether or diversify into a
similar trade and hope that we can
make some use of the skills and tools
we’ve amassed over the years.
To that end I’ve started taking on
musical instrument and amplifier
repairs in an effort to shore up the
bottom line. I also assemble
kits and troubleshoot projects for builders who have
trouble getting their stuff
working. I’ve done this
sort of work as a hobby for
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the last 40-odd years anyway, so my
thinking was that I might as well go
‘pro’ and try to make a living out of it.
When I say musical instrument
repairs, I’m not just talking guitars,
although as a guitar player, naturally
that has been the focus of work I’ve
done previously. However, since I’ve
Dave Thompson*
Items Covered This Month
•
•
•
Guitar amplifier repair
Car battery charger
Westinghouse oven repair
*Dave Thompson runs PC Anytime
in Christchurch, NZ.
Website: www.pcanytime.co.nz
Email: dave<at>pcanytime.co.nz
been advertising as doing this type
of work, I’ve had several different
instruments through the workshop,
from keyboards to saxophones as well
as the usual busted guitars, faulty
amplifiers and effects pedals. This
variety makes things very interesting
and to be honest is a welcome respite
from the same old computer gripes I’m
more used to dealing with.
Most amplifier issues I’ve encountered revolve around flaky valves or
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dodgy input sockets. So tightening up
the sockets and replacing the valves is
often all that’s required to get things
humming again. It isn’t surprising that
input sockets give out; guitar cables
typically have 6.5mm mono plugs at
either end and these can exert an awful
lot of strain on the sockets mounted
in the chassis of an amplifier.
They can get especially strained
when the guitarist gets carried away
and runs out of cable, or tries those
fancy moves where the player throws
the guitar back and over their shoulder, relying on the strap-locks to hold
everything together until the instrument
completes the circle and ends up back
in the playing position.
YouTube is full of videos where
this manoeuvre fails, usually
spectacularly, with the guitar either
flying off out of shot and landing
off-stage somewhere or worse,
ending up taking out one of the other
musicians on-stage or tangled up in
the drums and cymbal stands.
Getting smacked with a flying guitar is not something to be brushed off
lightly; it is only luck that none have
hit me over the years! This is exactly why I didn’t attempt any of those
showy tricks as a guitar player.
For one, I didn’t fancy two grands’
worth of my guitar sailing through the
air to the inevitable (and expensive)
smash-landing and two, it just looks
stupid, whether the player pulls it
off or not. If the cable suddenly runs
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out during these stage shenanigans, it
tears at the sockets at both ends and
you end up damaging the amplifier
and the guitar.
Input sockets (and speaker sockets,
many of which are also simple 6.5mm
mono sockets) get a hammering even
in normal road use, so tightening or
replacing these and replacing dead
or dying valves are the sort of breadand-butter jobs that keep guitar and
amplifier repair guys going. Occasionally though, there is a problem outside
the square and it is these jobs that make
the day more interesting.
A few weeks ago, a client brought
in a 6-year-old solid-state 100W guitar
combo amplifier complaining of two
faults; one was very noisy controls and
the other was a dodgy reverb effect.
As part of my job booking-in
procedures, I powered the amp up
while he was there, partly to assess
these problems so we both know
exactly what I am expected to fix and
also to make sure there aren’t any other
problems the client might have forgotten to mention.
I’ve been around the block too
many times to fall for those old:
“well, it was running perfectly when
I dropped it off to you” routines. The
best way to make sure there are no
surprises is to fire it up and take the
time to check it properly. I can recall
a few instances over the years when
I went to run up a machine and the
client suddenly remembers there are
other, more serious faults. Nice try,
but not on my watch.
After making sure the volume
controls were all set to minimum
before switching the amplifier on, a
wise precaution with all solid-state
amps that typically power on instantly,
I flicked the switch. It was very quiet
for a guitar amp, even with the master
volume controls wound up half way,
but merely touching one of the two
channel volume pots caused some
very loud and aggressive-sounding
static to come from the on-board
12-inch speaker.
This wasn’t just some minor
crackling; this was the sort of boneshaking, full-volume amplified noise
that you just knew could do some
serious damage to the speaker or even
the output components.
The control, labelled ‘Growl’ on this
particular amp, also didn’t feel right
and would likely need to be replaced.
The only way we could get it to settle
down was to isolate that input channel
and use the second input. That would
definitely need to be looked at.
While it was running properly I
wound in a bit of reverb to test that
effect and the resulting sound was,
well, just not right. Usually, the builtin spring reverb circuits on guitar
amplifiers give reasonable effect depth
and sound output quality but this one
sounded like there was something
physically wrong with the reverb
itself, being very muted and with a
muddy sounding output.
While some modern amps boast
numerous reverb sound types as part of
a digital effects chain, older and more
traditional methods involve the use of
a spring tank, typically mounted in the
bottom of the speaker cabinet.
The theory of how it works is relatively simple; a small transducer sits
at each end of a 12-inch long (300-mm)
spring. These transducers work somewhat like the voice-coil of a speaker,
with a wire coil wrapped around a
suspended and movable centre core.
The body or coil of the transducer is
physically fixed to each end of the tank
while the spring attaches to the movable inside parts.
When an audio signal is fed into the
input transducer, the sound is converted to movement by the transducer
and these physical waves travel back
and forth, up and down the spring and
produce corresponding signals at the
other end, the output of the spring,
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Se
ceman’s
man’s Log – continued
which are then fed back into the
amplifier and mixed with the original
signal. Since the signal that travels
along the spring is somewhat delayed
compared to the original, and it has
several reflected components as the
sound waves bounce up and down the
spring, a realistic room reverberation
effect is produced.
Mixing in more of the delayed signal increases the overall depth of the
effect and while it sounds quite primitive, the system works very well; good
spring reverbs sound remarkably natural and are often preferred over digitally-created reverb effects. Once again,
YouTube has some very interesting
videos of DIY spring tanks made from
speaker voice coils and all manner of
springs, including a very large one
made from a Slinky!
Editor’s note: for a comprehensive
description of spring reverberation,
have a look at the project article in the
January 2000 issue: www.siliconchip.
com.au/Issue/2000/January/
Spring+Reverberation+Module
One of the main disadvantages of the
spring reverb is that the tank system
is somewhat microphonic. That is,
bumping the amplifier with reverb
dialled in on the controls usually
results in a corresponding
“boing” from the system as the
lightly-tensioned springs are
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physically moved about in the tank
and strike the sides.
This usually isn’t an issue, as most
instrument amplifiers sit on-stage and
don’t usually get whacked by anything
(except when the guitar player tries
that flying guitar trick!). Whatever was
causing this amp’s reverb issues, I’d
have to dig deeper and look into it.
Most instrument amplifiers are
heavy beasts, especially the combos
(those with built-in speakers) and this
one was no different. I’d conveniently forgotten about that side of the job!
Oh well, it’d give me a good workout
lifting these things up and down from
the workbench.
Removal of the amplifier part of it
is relatively simple; four long screws
hold the metal chassis in and these go
down through the top of the cabinet.
A portable drill-type screwdriver is a
necessity when removing these long
screws.
Once removed, the chassis slides
out to the front of the cabinet. Inside
is what you’d expect from any highpowered audio amplifier. The
heavy bits are the power
supply transformer, which
in this case was a large
toroidal type, preferred for
their lower hum signature,
and a rather significant
heatsink, required to keep
the output amplifier cool under heavy use.
Being solid-state, there are no large
output transformers like you would
get in a valve-based amplifier. This
is why solid-state amps are often
significantly lighter than their valve
counterparts.
You may not think it makes much
difference but to a jobbing musician,
who has to pack his or her own gear
up and down of a night, it can make
all the difference. Lugging 50 kilos of
guitar amp around at 2am, especially
after a few cold ones with the bar
owners, is not the rock-and-roll ideal.
This is why the Rolling Stones need
five jumbo jets – to cart all their guitar
amps and other gear around!
In this amplifier (back in the real
world), a single PCB held all the
relevant components. All the potentiometers and input sockets were
mounted along the front edge, while
the output and switch-pedal sockets
were mounted along the back edge.
The preamp is typically mounted
on this board as well and depending
on the amp’s size and architecture,
this board can also hold the output
transistors or modules as well.
In this case however, the output
module was mounted on its own small
PCB and this was secured to the large
aluminium heatsink by a couple of
small bolts and copious amounts of
heatsink compound, which appeared
to have been applied with a trowel.
Why the people assembling these
things or the quality-control engineers
in the Chinese factory can’t take a bit
more pride in their work is one of the
reasons they are so behind the eightball in global engineering standards.
While in this case it is purely
cosmetic and doesn’t have any
effect on the sound or operation of the
amplifier, it does make a difference
to me. My thoughts on the noisy
potentiometer would be that I’d hit it
with some contact cleaner and if that
didn’t clean it up, I’d simply replace
it. As the chassis comes out all in one
piece, the controls are all still in place
and labelled so locating the suspect
pot was easy.
It also didn’t take much skill to see
the cause of the issue. The back cover
of the pot had parted company from
the front, making it next to useless for
controlling anything; more like whimper than Growl! Surprisingly, all the
pots were high-end components and
not the bargain-basement types I was
expecting. Perhaps my assumptions
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were a little harsh on this easternmade amplifier.
I have to say the PCB and internal
components were very well-made and
professionally wired up, using bestpractices to reduce hum and interference. A replacement pot for this would
likely cost a few dollars, so as always,
I looked for another solution.
I remember back in the day taking
pots apart when they got a bit noisy
to clean them out; this was before the
widespread use of aerosol contact
cleaners and besides, my pocket money
didn’t quite stretch to such luxuries.
These pots, like those of yesteryear,
were assembled and held together with
four clasps that are part of the back
cover. When mated with the front half
of the pot, these clasps are then folded
over to hold the thing together.
This pot looked to have taken a bit
of a hit, which had driven the knob
and shaft backwards into the back
housing and popped a couple of the
clasps clear. This is why it made
terrible contact, as there was no
tension holding the wiper to the
carbon track in some places, and too
much in others. No wonder it didn’t
feel right.
I eased the remaining clasps clear
and pulled the back free. The shaft
had pushed back through, popping a
circlip, with only the knob itself stopping the shaft and wiper from coming through further. I pushed back on
the shaft and with a bit of pressure,
forced it back into position. The circlip
clicked into place and the control now
moved quite smoothly. I gave all the
controls a good squirt of cleaner while
cranking them around; easy enough to
do when the openings are accessible
inside the case.
After sitting the amp on the top of
the cabinet and wiring up the speaker and a power cable, I fired it up and
touched the pot. Nothing, that is, no
noise. I plugged in a guitar and gradually wound it up; the static had once
again become a growl. A quick check
of the other controls confirmed they
were all functioning correctly. That
was one issue down; one to go.
With the amplifier chassis out of the
cabinet, accessing the spring tank was
a lot easier. In this amp, as in many others, the tank is screwed directly to the
floor of the cabinet and is enclosed in
a leatherette bag, mainly to keep out
dust, cigarette butts, roaches, beer and
broken glass. This one was held in with
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two rather long wood-type screws and
was easily removed.
Two shielded cables connect it to
the rest of the amp via RCA plugs and
sockets; one input and one output. The
leads protrude through the folded flap
of the bag and with the flap open the
tank slides straight out.
Once again, it didn’t take a brain
surgeon to spot the cause of the problem. Half way down the top of the
tank was a large dent. When I turned
the tank over, I could see the springs
were fouling on the dent and this is
why the reverb sounded a bit weird.
The bottom of the tank is open, and
as I didn’t really want to disturb the
transducers at either end, I simply held
the springs apart either side of the dent
with a small piece of plastic cut from
an ice-cream container (what would
we do without them?). From there
it was a simple panel-beating job to
flatten the top of the tank and restore
sweet reverb once again.
The open back of a combo amp is an
inviting repository for power cables,
guitar leads, effects pedals and other gig-related detritus. Someone had
dropped something a bit too heavy into
the space and had impacted into the
top of the tank. I advised the owner to
be careful of what he carried in there
from now on. Rock and roll!
Car battery charger
When switchmode power supplies
fail, they can often generate a string
of faults. K. G., of One Tree Hill, SA
methodically tracked them down in
a faulty battery charger that came his
way . . .
This repair job involved a 12V, 14A
battery charger with a switchmode
supply circuit. Designated model CC1214, it was assembled by Wialki Electronics in Perth, WA and was about the
size and shape of a PC power supply.
The internal PCB was branded
MeanWell model ESC-240N-R7. This
brand is frequently seen on power supplies and their website shows a huge
variety of models and types, ranging
from open frame units to complete
bench supply units.
This particular unit was bought
on spec by a friend of mine at a
garage sale, the seller advising him
at the time that it didn’t work. Not
much money changed hands and
my friend subsequently opened the
unit up, hoping that it might be
an easy fix. He discovered that the
mains fuse had blown but when he
replaced it and applied power, the fuse
immediately blew again.
That was as far as he was prepared
to go with the investigation, probably
due to the high voltages which he knew
existed in this type of power supply.
And so he handed it on to me saying I
could have it if it was of any use to me.
I’ve had quite a bit to do with
switchmode power supplies (SMPS),
mainly involving modifying cheap PC
supplies to deliver a single output of
13.6V at 20A or so for amateur radio
transceiver use. And over the years,
I’ve accumulated a few test equipment
items which make working on these
units easier and safer. These include
a variable auto-transformer (or Variac)
and an isolation transformer which
enables the negative side of the highvoltage DC supply in an SMPS to be
grounded.
This is a great help if you want
to look at waveforms in that part of
the circuit with an oscilloscope, for
example. Another useful device is an
electronic load. Mine is home-built and
will sink 50A or more for short periods.
I also have a plastic box with a 40W
incandescent light globe mounted on
it, wired so that it can be placed in series with the mains supply. A switch
is provided so that the globe can also
be shorted out, allowing the full mains
supply to be applied directly to the
power supply as normal.
With the globe in series with the
mains, you can tell immediately if a
fault in the power supply is causing a
high current to flow. The globe comes
on at full brilliance with a dead short.
This saves on fuses and possible damage to other components.
Getting back to the charger, my
friend had removed both its lid and the
screws holding the PCB inside the case
(he had thoughtfully put the screws in
a zip-lock plastic bag).
With the unit on the workbench, I
could see that the quality of construction was of a high standard, with a
double-sided PCB and good quality
components. This is in contrast to the
average PC power supply made to a
much lower budget.
I began by checking the fuse and it
was indeed blown. I then replaced it
and connected the device to the mains
via the aforementioned light globe unit.
As soon as I applied power, the globe
went to full brilliance, confirming
the presence of a short circuit.
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man’s Log – continued
Westinghouse GGP475WNG gas wall oven
Recently, John W., from Hillarys, WA,
was looking forward to freshly baked
muffins but the cook reported that there
would no muffins unless he could do
some repair magic. He managed to
conjure up a cure . . .
When I got the call from my
daughter about her non-working
oven, I thought it would be as simple as turning the power off for 30
seconds to reset the electronics but it
was not to be. I then pulled the oven
out from the cupboard, rested it on
a chair and removed the top cover.
I found a circuit diagram on
the top cover that seemed rather
simple except for the section marked
“ignition module”. This was a small
PCB with a microprocessor and
looked rather complicated for the
job it was supposed to do.
The board was labeled Tytronics
DSI230 so I investigated on the
net to find some basic information
but could find no circuit diagram.
Using the circuit from the top
cover, I proved that the thermostat was working and that it was
providing 230VAC to the thermostat pin on the PCB when the oven
was turned on.
The other terminals on the PCB
went to mains Active, Neutral and
the gas solenoid. After removing the
PCB I traced out some of the circuit
that was connected to the input pins
and found that the 230VAC was fed
via two separate capacitors, 100nF
(C12) and 1.5µF (C1), to a switchmode power supply which provided
10V DC. A partial circuit is shown
in Fig.1.
Fig.1: This partial circuit of the supply on the microprocessor PCB shows that
the DC supply could be derived from two capacitors, depending on whether the
oven was in standby (C12) or operating (C1).
I removed the mains plug from the
wall socket and waited a minute or
so for any capacitors to discharge,
though with a short-circuit in evidence
not much voltage would have been
applied to any capacitors. I then gave
the unit a close visual examination.
The first thing I noticed were
bulges in the tops of the two low-
voltage electrolytic capacitors in the
charger’s output section.
In each case, the bulge wasn’t severe
and there was no sign of leaking electrolyte but they were clearly faulty. I
removed them and tested their ESR
(effective series resistance) using my
trusty “Electronics Australia” ESR
meter. They each gave an ESR reading
Servicing Stories Wanted
Do you have any good servicing stories that you would like to share in The Serviceman
column? If so, why not send those stories in to us?
We pay for all contributions published but please note that your material must
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Please be sure to include your full name and address details.
62 Silicon Chip
When 230VAC was applied to the
oven there was no DC present from
the supply but when I bridged across
to the thermostat terminal, there was
10V across the 1000µF capacitor and
a LED was flashing, possibly indicating an error code.
So should there be 10V when the
oven had power applied or did the
circuit only require the thermostat
input to be live?
I measured the value of capacitors
C1 and C12 to find that C12 which was
marked 0.1µF was in fact only 9nF.
Thinking this must be the problem,
I replaced C12 and put the PCB back
in the oven. But I still had no gas
valve operation or spark to ignite
the gas. I decided that the muffins
would have to wait and went out
for a coffee with the family.
Next morning I rang Westinghouse
and found that a replacement board
was $180 with a wait of two weeks;
not acceptable. I then found a business that advertised secondhand
oven parts so took the board there
and purchased another for $110,
on condition that if it did not work
I could bring it back.
Well it did not work and on the
next trip to the shop I brought home
three boards to see if any of them
would work. One did work, so I now
had a working oven and returned it
to its spot from the middle of the
kitchen. I resolved to return the two
of about five times the expected value
and so they were replaced.
Then I did another quick test,
although I didn’t really expect the
short circuit fault to have been cured.
Sure enough, the globe again lit to full
brilliance when the battery charger
was powered up.
Next on the list of suspects were the
two high-voltage switching transistors. They can be tested in-circuit but
I like to remove them so that no other
parts can confuse the test. It was easy
enough to remove them and I then
checked them on my semiconductor
tester and this indicated a “short
circuit” between all three leads on
both transistors.
siliconchip.com.au
Above: this part of the circuit diagram located on the top cover
of the Westinghouse oven was used for troubleshooting.
Left: this microprocessor board seemed to be more complicated
than needed considering its simple functions. Capacitor C12 is
the grey block above the 5-way connector while C1 is the large
blue block immediately to the left of the connector
non-working boards to the shop the
next day but overnight the penny
dropped after seeing the oven working as it should.
I realised that when the mains was
applied the circuit was activated
via C12 and the micro performed
some tests on the circuit including,
as I found, testing the DC resistance
of the gas solenoid. The result of
the tests was displayed by the LED
flashing on the PCB.
I had an idea that I might have a
bit more luck with one of the boards
if C12 was a common problem. I
rigged up a test circuit with a 220W
resistor instead of the solenoid and
a temporary spark plug.
I then replaced C12 in each PCB.
The first one did not work but the
second one was a success so I went
back to the shop and they gave me
my $110 back in exchange for the
working board.
I had a chat with the owner and
found that he had another seven
such boards and he did not know if
they were working, so I measured
C12 on each one and found them
all to be low, under about 30nF. I
took them home and tested them
with a good capacitor tacked across
the faulty one and found that five
of seven worked after C12 had been
replaced.
The owner of the shop was
delighted that he now had six boards
that were tested and working and he
paid me a nominal sum for replacing
five capacitors.
So my oven was repaired for free
and I made a bit of pocket money
along the way.
It seems that there could be a lot
of these units from gas ovens and
heaters that are being thrown out
simply because a $1.00 capacitor has
become faulty.
The transistors were both type
2SC3320 and a search on the net revealed that this device is rated at 400V
and 15A, a very conservative current
rating for this power level. I didn’t
have any exact equivalents but I had
some with a 400V 9A rating that had
been salvaged from a 300W PC power supply. This current rating was
still ample and so I decided to give
them a try.
I soldered the replacement devices
into the board but initially left off the
heatsink, as I planned to run the power
supply at only a light or with no load
until I was sure that it was working.
Unfortunately, when I applied power, the lamp again immediately went
to full brilliance, so there was still a
problem lurking somewhere.
The next thing to test was the bridge
rectifier, something I really should
have checked before previously
applying power. As it turned out, this
single package device had a dead short
across its AC terminals. I replaced it
and checked the resistance between
the AC terminals. This was initially
low but quickly rose to a higher
value as the electros charged, so that
was encouraging.
12V was then applied from a bench
supply to the mains input terminals.
The power supply also passed that
test and I felt justified in applying
mains power again but still with the
light globe in series.
This time, the globe lit only briefly and the charger’s DC-powered fan
began running. I checked the output
voltage and it measured 13.8V, so the
unit was back up and running again.
A check again on the net revealed
the original transistors were available
quite cheaply and so I ordered a pair.
My aim was to return the battery charger
to its original state with the conservatively-rated devices rather than leave
the lower-rated devices I’d substituted
to get the unit running.
The replacements duly arrived and
were installed, after which I gave the
unit a thorough test before putting it
away for future use.
SC
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