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Vintage Radio
By Charles Kosina
HMV’s 64-52 Little Nipper
Charles Kosina has always enjoyed reading
Vintage Radio every month in Silicon Chip.
But rather than being simply nostalgic about
his former job after school repairing radios,
he decided to restore a valve radio that he
purchased online, a 5-valve HMV Little
Nipper, model 64-52.
F
or something of a nostalgia kick,
I decided that I would try restoring a valve radio. On eBay there are
numerous old radios for sale, some at
quite ridiculous prices.
After several unsuccessful attempts,
I finally won an auction for an HMV
Little Nipper 5-valve set which dates
from about 1954.
It is housed in a chocolate brown
Bakelite cabinet and has a 5 x 7-inch
oval loudspeaker which gives reasonable sound quality. As picked up, the
radio was not working. It was reasonably clean but had some damage to
the case and front panel. Also part of
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the trademark Little Nipper logo was
missing.
Fortunately, data for this set is easily
obtained via the internet and I managed to download everything I needed. Fig.1 shows the complete circuit
diagram which is a quite conventional
5-valve design.
An internal ferrite rod antenna is
tuned by one section of the tuning
gang over the AM broadcast band and
the signal is connected to grid 3 of the
6BE6 pentagrid converter, otherwise
known as a heptode.
It operates as a self-oscillating mixer,
with the local Hartley oscillator func-
tion tuned by the second section of the
twin-gang capacitor. A fixed padder capacitor of 460pF is used in series with
the tuning capacitor. Provision is also
made for an external antenna coupled
to the ferrite rod by three turns (L2)
and via loading coil L1.
The output from the plate, pin 5, is
fed to the first double-tuned IF transformer which is peaked to an intermediate frequency of 457.5kHz. It feeds a
6BA6 remote-cutoff pentode. I noted
with some interest the 10pF neutralisation capacitor from the plate of the
6BA6 to the bottom end of IFT1.
The second IF transformer is connected to the 6AV6 demodulator and
AF amplifier. The demodulator function is provided by one of two diodes.
One of these could be used for AGC
(automatic gain control) and the other
for audio detection.
In this circuit, only one of the diodes
is used and its filtered negative voltage appears across the volume control,
VR7. Further filtering is provided by
R4 and C7 and is used as AGC for both
the 6BA6 and the 6BE6.
The signal from the wiper of the
volume control is fed to the grid of
the triode section in the 6AV6 and
its plate signal is fed to the grid of
the 6M5 pentode, which operates as
a class-A stage driving the speaker via
transformer T2.
Negative feedback is applied from
the secondary winding of output
transformer T2 via the 25µF capacitor C20 to the cathode of the 6M5, to
reduce distortion. Potentiometer VR2
and the associated capacitors provide
a simple treble-cut tone control.
The power supply uses a centretapped transformer feeding a 6X4 rectifier, the output of which is filtered by
16µF capacitor C19 for the 6M5 output stage and by two 10kW resistors in
parallel (R10/R11) and 16µF capacitor C15 for HT to the preceding stages.
Initial switch-on
With some trepidation, I plugged it
in and turned it on. That’s not really a
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Fig.1: the circuit of the Little Nipper is quite conventional. It
uses a ferrite rod antenna and its signal is coupled to grid 3 of
the 6BE6 heptode, which functions as a self-oscillating mixer.
good idea without some initial resistance tests. But it was a non-event, with
no dial lamps but no smoke, which was
a good start! Taking the back cover off
I noticed that the cathodes were glowing on all but the 6BA6 valve.
I have a collection of valves from
decades back and I rummaged through
these looking for a 6BA6. No luck
but I came across a 6AH6, which is a
sharp-cutoff pentode with an identical pinout.
Well, let’s try that I thought and
plugged it in. This brought success,
of sorts, and the radio sprang to life
but every station had a heterodyne
whistle. With care, tuning to a zero
beat produced a reasonable sound.
The reason for the heterodyne
whistles was obvious; too much gain.
The 6BA6 has a transconductance of
4400µ℧ (µmhos) and a grid-to-plate
capacitance of 0.0035pF. Contrast this
with the 6AH6 which has 9000µ℧ and
grid-plate capacitance of 0.03pF.
Editor’s note: µ℧ (micromho) refers
to the unit of conductance which is
the reciprocal of resistance. That term
came from spelling ohm backwards
and is written with the upside-down
capital Greek letter, omega. Conductance, typically referred to as “mu”, is
used as a measure of gain in a thermionic valve (specifically triodes),
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expressed in terms of amps/volt or the
amount of plate current which flows
for a given grid voltage. One micromho
is equivalent to 1µA/V. More typically,
gain was expressed in “millimhos”,
equivalent to 1mA/V.)
With double the gain and ten times
the capacitance it was not surprising
that the IF stage became an oscillator.
As a quick test, I removed the cathode bypass capacitor, C8. That move
reduced the gain enough so that the
stage no longer oscillated.
But this was just an interim measure as I wanted to keep the set as per
original. Looking on eBay, one can
obtain 6BA6 valves but at a price rather
higher than I was willing to pay, as
well as being far away so delivery
could take some time. This is where
friends come in.
An email to a long-time friend
resulted in him sending me a list of
valves that he had been hoarding for
many years and this included some
6BA6s. He very kindly posted me a
couple, and when they arrived two
days later I was able to plug one in.
Sure enough, the circuit then worked
well with no whistles.
Being in a Melbourne outer suburb,
all the metropolitan stations could be
received well. The dial markings are
obviously out of date as many stations
have moved or disappeared but 3LO
and 3AR are still approximately on the
same dial spots, now renamed 774 and
RN (Radio National).
The blown dial lamps are rated 6.3V
at 0.3A. Jaycar had replacements rated
at 0.25A, which is close enough. It’s
amazing that after so many years, near
identical 6.3V lamps with screw bases
are still available.
The first modification I made was
to replace the 2-core power flex with
a 3-core double sheathed cord, to
properly earth the chassis. The way to
anchor the 2-core flex in those days
was a knot inside the grommet;
illegal and unsafe by today’s standards.
I used a much better clamping system,
as can be seen in the photos.
Then I left the set running for some
time, watching for any overheated
components. None showed any signs
of distress but I could not trust any of
the high voltage capacitors. The filter
capacitors, C15 and C19, are actually
a dual electrolytic in one case. They
showed no signs of distress but I have
doubts about how long they would
last. These will be replaced when I
can get suitable new ones.
All the paper capacitors subjected to
high voltage were replaced with modern ones of the same or higher capacitance. I left the low voltage ones in
May 2017 99
The top view of the set shows a pitch-covered output transformer, to the right of the power transformer. This photo
was taken before the top of the chassis was cleaned.
The rear cover of the set had damage around the mains outlet hole and so this was covered by the blue label, since
the mains cable exits through the bottom of the set. This case cover was used in a number of Little Nipper models. The
short black and white wires emerging from the back are for external antenna and earth.
100 Silicon Chip
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At this stage of restoration, only two of the electrolytics had been replaced. The dual 16µF electrolytic on the left-hand
side will have to be replaced, as well as the wax-covered paper capacitors. Some of the carbon resistors will also have
gone high in value and will need to be replaced. Note the 3-core mains cord which has been properly anchored.
place as I figured any leakage would
not matter much.
Cosmetic restoration
Then it was time to fix the mechanical details. Internally, the chassis was
reasonably clean. Using circuit board
cleaner and a brush, I managed to clean
off the accumulated grime on top of
the chassis.
The photo of the underneath of the
chassis shows the construction techniques of the day which consisted of
point-to-point wiring, with components wired to valve sockets and tag
strips.
Compared with today’s neat circuit
boards it looks ugly but that is the way
it was done then when we still had
factories producing radios in Australia. Despite the untidiness, radios
worked quite well.
So far the restoration had been
straightforward. However the Bakelite
case presented some major challenges.
This was something that I had never attempted before so I had to very quickly
come up to speed on Bakelite restoration. The case had suffered damage in
its past and there was a crack in the
bottom right hand corner of the case.
This had been glued together, but
there was excessive glue and the broken piece was not quite in correct
alignment. I decided that to break the
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glue line and reglue it was too much
of a risk, so decided to leave it as is.
But I did remove the excess glue very
carefully. The back cover had a piece
missing next to the “Mains Outlet”
hole. The cover is obviously designed
to fit different models as the mains cable did not come through it anyway.
What to do about it?
Trying to reconstruct it was too hard
and not really worth it. I opted instead
to make a label cover with 300gsm photo paper to fit over the hole.
Finally, I spent a fair while polishing the cabinet using car polish and a
soft rotary brush on my electric drill.
There were numerous tiny scratches
and a few slightly deeper ones. Polishing made a huge improvement to
the appearance although some of the
deeper scratches are still there. With
a lot more time, it could be improved
further but that is an example of diminishing returns.
The plastic escutcheon was a more
difficult problem. It also had a repaired
crack and only half the ‘Little Nipper’
logo was present. The repaired crack
also had excess glue and the best option was to carefully remove it. As
for the logo, the ideal way to fix this
would be to make a replacement using
a 3D printer. That’s a job for the future.
At least the set had all four of the
original knobs. Three of them were
OK but the fourth was damaged and
would not fit tightly on the shaft. I got
around this by cutting a small rectangular piece of thin aluminium sheet
and fitting it inside the knob so that it
locked on the shaft flat. This was fitted on the least-used shaft, the tone
control.
Testing & alignment
I decided to check the voltages to see
how they compared to specifications.
With a mains voltage of 234VAC the
DC output from the 6X4 rectifier was
250V, with a ripple component of 16V
peak-to-peak.
This was close enough to the
design figure of 280V±15%. Despite
the amount of ripple on the DC voltage,
there was no noticeable hum coming
from the speaker. Likewise, the filtered
voltage at C15 was 170V, compared
with 185V in the specification.
Finally, I decided to do a complete
realignment. Fortunately, the downloaded data included a complete realignment procedure. Feeding in a
signal generator, I discovered the IF
was detuned to about 440kHz, not
457.5kHz as per the specification. Why
was it 457.5kHz instead of the normal
455? Who knows?
After tweaking this up, I then set
the oscillator coil slug (L4) and trimmer (TC2) to have correct calibration
May 2017 101
102 Silicon Chip
+2
AF Frequency Response for the Little Nipper 64-52
Fig.2: the Little Nipper’s
audio response was pretty
typical for the day. It's
quite far down at 5kHz
and this is largely a result
of the narrow IF response,
which was desirable to get
high sensitivity and good
selectivity.
0
-2
-4
-6
dB
at 600kHz and 1500kHz, and peaked
the antenna trimmer (TC1) at 1500kHz.
I don’t have the equipment to measure the sensitivity in terms of field
strength as µV/m. My Meguro signal
generator is calibrated in dB starting
at 1µV, into 50W. Connecting to the antenna terminals does not give a good
result as L1 is in series with the signal
and heavily attenuates it.
I wound two turns around the
ferrite rod (L3), and by measuring the
open-circuit and connected voltage, I
calculated that the impedance seen by
the signal generator was about 272W
at 1000kHz. Measuring the voltage at
the top of L3 indicated a voltage stepup ratio from the signal generator of
22 times.
Tuning the receiver to a quiet spot
near 1000kHz, and setting the generator to the lowest setting of 1µV (0dB)
with 50% modulation at 400Hz, the
tone was clearly audible.
Because of the step-up ratio, this
would represent about 18µV RMS
at the control grid of V1. I decided
to measure the maximum RF gain of
the set, so first I disabled the AGC by
shorting it out at C7, and measuring
the rectified DC voltage at the top
end of VR1.
With the signal generator setting of
+40dB relative to 1µV (this would be
-8
-1 0
-12
-14
-16
-18
20
50
100
200
500
1k
2k
5k
10k
20k
Frequency (Hz)
approximately 169µV RMS) the DC
voltage is -12.56V. This represents a
gain of 74,300 or 97dB. Re-enabling
the AGC, the output was -4.0V with
the same input.
I don’t have a direct way of measuring signal-to-noise so an estimate was
made by measuring the peak-to-peak
output voltage across the speaker terminals with an unmodulated carrier,
followed by 400Hz modulation set
to 50%. This gave me an S/N ratio of
-32dB at 1µV + 30dB input, and -42dB
at 1µV + 50dB.
The audio output appeared adequate and the measured power into
the speaker was 1.1W before there
was any noticeable distortion of an
input sinewave. I also did a frequency run on the set from the antenna to
the speaker and this is shown in Fig.2.
Using 1000Hz as the 0dB reference
level, the -3dB point is about 1700Hz
and at 3000Hz the audio response is
9dB down.
Getting such an old radio working
and looking reasonable was quite a
rewarding task. Of course, the investment in time was way out of proportion to the final outcome but it provided an enjoyable trip down nostalSC
gia lane.
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