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Vintage Radio
By Associate Professor Graham Parslow
AWA 1948 compact
portable model 450P
The AWA Radiola 450P is quite unusual
for a portable and looks more like a small
suitcase than a radio. At just 220 x 110 x
100mm, it is roughly comparable in size to
an average mantel radio of the time. Most
contemporary portables were much larger
and built into a fabric-covered timber case.
From the 1920s onwards, there was
a market for portable radios that had
a role roughly analogous to contemporary mobile phones, as a form of
portable entertainment. You can see
its intended uses in the illustrations
on the cover of the product booklet
reproduced above.
The 450P model has become a collectors’ item. Although they are reasonably common, they rarely come
up for purchase. My good fortune in
acquiring this example was due to the
break-up of a remarkable radio collection, necessitated by the collector’s
poor health. Sadly, many other collections will likewise soon be broken up
due the ageing demographic of most
radio collectors.
The 450P opens up a bit like a 1940s
fridge. However, there is a larger AWA
mantel radio model 520MY that lays
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genuine claim to the fridge title. Iconic radios generally have a descriptor
and being known as “the fridge” adds
resale value.
But either through ignorance or
commercial motivation, the 450P and
other related models have been described this way too. So the 450P is
often referred to as “the AWA Fridge”.
The booklet shows a model 450P
in cream. The Bakelite case is made
of three moulded pieces: the lid, the
top and the bottom. AWA made all of
these parts in cream, black and brown.
They offered the radio with all pieces the same colour or as a two-toned
version with the top being a different
colour from the rest.
It weighs 1.8kg without batteries, so
it is not too heavy to carry, at least not
compared with contemporary portables. The lid has a restraint that only
Australia’s electronics magazine
allows it to open by 90°, protecting the
hinges from damage from overextension. But it looks odd if the radio is carried while switched on; it switches off
automatically in the closed position.
Other portables of the time had
provision for the lid to slide away,
to leave an unobstructed front panel
during use.
The unit I restored has a replacement carry strap. The original handle,
which is shorter, can be seen on the
cover of the product booklet.
Circuit description
The 450P is a minimalistic 4-valve
superhet radio with a conventional
line-up of battery valves. There is no
RF amplification and only one IF amplifier stage. This minimalism, combined with the mass-produced moulded case, kept the price modest. It resiliconchip.com.au
Circuit diagram for the AWA Radiola 450P portable. It’s a conventional 4-valve superhet set with no RF amplification and
one IF amplifier stage (1T4 pentode) with an intermediate frequency of 455kHz.
Source: www.kevinchant.com/model-numbers-401---500.html
tailed for £20.15s.9d.
The circuit here is reproduced from
Volume VII of the Australian Official
Radio Service Manual (AORSM). V1
(1R5 pentagrid-converter) is the mixer/oscillator, V2 (1T4 pentode) is the
IF amplifier, V3 (1S5 diode-pentode)
provides audio demodulation and preamplification and V4 (3S4 pentode) is
the audio output stage, which operates
in Class-A mode.
The large loop aerial is mounted
inside the set’s lid, behind the panel
holding the station logging card. Interestingly, the electrical connections to
the loop are made via the lid hinges.
One wonders how reliable that would
have been. Tuning is via a full-size dual-gang tuning capacitor (which only
just fits in the case) that ranges from
12pF to 450pF.
The oscillator employs a tuned cirsiliconchip.com.au
cuit based around transformer L2/L3
(which has a tuned primary), fixed capacitors C4 & C5 and tuning gang variable capacitor C6. The transformer primary is coupled to the second control
grid (labelled “OG”) of the 1R5, while
the secondary winding is connected to
the screen grids (“SG”) and DC-biased
by the HT supply, decoupled by resistor R3 and capacitor C10.
As the tuned signal from the aerial is
fed to the main control grid pin (“G”),
this is mixed with the oscillator signal and the result appears at the anode/plate (“P”). The gain of this stage
is regulated by AGC fed through the
aerial coil and resistor R2 (6.3MW). The
resulting 455kHz signal passes to the
IF amplifier, V2, via the first IF transformer, L4/L5.
After further amplification, the signal then passes through the second
Australia’s electronics magazine
IF transformer L6/L7 and is fed to the
diode within the 1S5 envelope for demodulation. Capacitor C13 removes
the IF signal and the audio is then
fed to 1MW volume control potentiometer R4. The signal at its wiper is
AC-coupled by capacitor C14 to the
grid of the 1S5 pentode, for further
amplification.
The audio signal at its plate is then
AC-coupled via another capacitor,
C17, to the grid of the 3S4 pentode
output valve, operating in Class-A.
Unlike the more common 3V4 valve,
it is designed to operate reasonably
efficiently from the 67.5V B battery.
Power switch S1 is a spring-leaf type
which is actuated by a metal pushrod.
This protrudes into the opened case
by 5mm, immediately behind the lidlocking catch. The switch’s construction achieves two beneficial outcomes.
December 2018 95
The B battery holder is located at upper left and the two A batteries on the right. This model was designed with a 3S4
pentode valve for the audio output stage, but due to its scarcity at the time, many models used a 1S4 instead.
Firstly, it serves as a double-pole
switch to separately switch each battery. This is necessary because the HT
battery does not connect directly to
ground but instead, to 800W resistor
R9, which provides grid bias for the
3S4 (around -7V). The switch’s second function is to provide a spring
release for the lid. When the catch is
released, the lid pops up and the radio switches on.
Battery life
Most of the power consumed by
this set is in the Class-A output stage
based around the 3S4 output valve.
That includes 5mA from the HT supply (more than half the 8mA total) and
100mA from the A battery (out of a total of 250mA).
As it’s portable, the unit uses relatively small batteries. Fortunately, the
low HT current means that the expensive B battery has a reasonable life.
According to the Service Instructions in the manual, the B battery
would last four times longer than the
A battery. Advertising for the radio
claimed that the batteries would last
for months of casual use.
Restoration
Despite looking cluttered, most of
the components are more accessible
than in many larger sets. The only difficult component to access is the 1R5
valve (V1), which is tightly boxed in
by the B battery tray.
In their service notes, AWA provided the following procedure for chassis removal:
“Remove the back lid and withdraw
The front of the chassis is adorned by just the 3.5-inch speaker and tuning knob, with a tuning range of 540kHz-1600kHz.
The volume control protrudes at lower left of the chassis.
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Silicon Chip
Australia’s electronics magazine
siliconchip.com.au
The lid functions as an automatic on/off switch and the loop aerial antenna is taped to a wooden insert which screws onto
the inside of the lid. The radio is typically shown standing upright, but here it is horizontal, with the volume knob at left,
and the tuning knob on the right.
the batteries from their compartments.
Open the front lid and pull the knobs
straight off their spindles.
Remove the four mounting screws
from the front panel and withdraw the
chassis from the cabinet. Care should
be taken when removing the chassis
that the plunger operating the ON/
OFF switch does not fall out and become lost.”
I first powered up the radio using
bench power supplies and the radio
was utterly mute. It intermittently
drew between 1-5mA from the HT
supply, with the filament current varying between 100-150mA at 1.4V. The
AWA manual states that the HT current should be 8mA and by summing
the valve data, the total filament current should be 250mA.
Cleaning the oxidised valve pins restored the filament current to 250mA
but the HT drain remained at 5mA and
the radio was still completely silent.
The modest HT current at least
meant that the HT filter electrolytic capacitor C16 was still serviceable (a Tecnico 20µF 200VW in a white cardboard
sleeve, mounted above the chassis).
Jiggling the valves (something that I
did almost subconsciously) increased
the HT current to 10mA but the radio
remained silent.
Most capacitors in this radio are
MSP types, colloquially described as
“melted chocolate”. They are notorious for having cracked cases, resulting
in no contact between the axial leads
and the capacitor foils.
In this radio, all the capacitors
looked to be in excellent condition
and indeed none needed replacing. A
The underside of the chassis is primarily populated by the resistors and larger capacitors. The MSP capacitors, which
surprisingly still worked in this set, are coated liquorice-black and marked with “MSP” and their capacitance value. The
leaf-spring power switch can be seen at the bottom centre.
siliconchip.com.au
Australia’s electronics magazine
December 2018 97
handy feature of the MSP capacitors
is that the capacitance value is clearly
visible, as it is moulded into the case.
Editor’s note: MSP stood for Manufacturers Special Products, a division
of AWA which made a very large range
of radio hardware items; tuning gangs,
all sorts of switches, loudspeakers
and significantly, those “chocolate”
capacitors.
While the majority of MSP devices
have stood the tests of time, the capacitors are generally cracked and have
very low insulation resistance; that is,
if they work at all. That this set had
MSP capacitors which were OK is surprising indeed.
So why was the radio silent? The
most common reason for this is an
open-circuit output transformer primary winding because the fine wire
is highly prone to corrosion and going open circuit.
I was dreading this because the
small transformer was going to be a
challenge to replace. Fortunately, I
measured almost the full HT voltage
at pin 2 of the 3S4 (the anode), indicating an intact output transformer
primary.
I used an old-fashioned analog resistance meter to check the continuity
of the secondary of the output transformer, which gave a reading of around
1W, as expected. Significantly, there
was no crackle from the speaker as
I made contact with the meter leads.
Close inspection showed that one fly
lead to the speaker voice-coil was corroded and open-circuit.
There was battery-leakage corrosion close by on the metalwork, so the
speaker was collateral damage.
I hoped that I could fix this without replacing the 3½-inch speaker as
it was unlikely I would find an exact
replacement and would have to make
some changes to accommodate a different speaker.
Fortunately, I was able to temporarily solder a new fly lead to the voice
coil and the speaker then crackled
encouragingly when tested with the
analog resistance meter.
The replacement lead was fed
through a hole in the speaker cone
and soldered to the small tail of the
voice coil wire emanating from the
felt centre cap (see the two photographs above).
This restored the audio section.
Feeding audio input from a CD player
to the 3S4 grid produced surprisingly
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Silicon Chip
A lead was fed through a hole in the speaker and soldered to the voice coil lead
to restore the audio section.
clear audio, so the speaker was working very well.
This repair will do until I can find
a suitable replacement, a very light
multi-strand wire which is able to cope
with the vibrations of the speaker cone.
The 3S4 grid bias was -7.0V (textbook perfect) but I still couldn’t tune
in any stations. I then discovered that
a lead from the grid of the 1R5 mixer
valve to the loop aerial was shorted to
ground because the rubber insulation
had failed and bare wire was touching the chassis. A replacement lead
restored the set’s operation but there
was a lot of noise and low sensitivity,
making for unsatisfactory listening.
My next thought was that there was
a dry solder joint, compromising the
signal path. I then prodded various
solder joints with a multimeter probe,
simultaneously checking voltages and
also the mechanical integrity, as I was
listening to see whether there was
any change in the set’s behaviour as
I did so.
Contact with a couple of joints produced a miraculous transformation to
excellent performance but it was not
a dry joint problem. Simply providOperation
Connect high side of generator to:
ing an extra antenna at the front end
(ie, the multimeter leads) was what
made the difference. The antenna effect was better at the plate of the 1R5
than at the grid.
I discussed this puzzling situation
with Ian Batty (my fellow Vintage Radio contributor). Ian took the radio
and confirmed my observations. Serendipitously, Ian resolved the problem
by simply aligning the IF stages (see
table below). With hindsight, I should
have done this myself.
The aligned radio handily produced
the 150mW output that the 3S4 is capable of on local stations. The promotional advertising for the radio
claims “beautiful tone and exceptional range”.
The sound is fine but the “exceptional range” claim is hard to credit,
given the limitations of the bare-bones
circuit and small antenna.
In summary, it is an interesting set,
not so much for its very basic circuit
but for its unusual presentation in that
polished Bakelite case.
Few people would recognise it as
a portable radio, at the time or now,
many decades later.
SC
Tune
generator to:
Tune receiver
dial to:
1
2
3
Adjust for maximum peak output:
L7 (core)
Aerial section of gang (front
portion)
455kHz
540kHz
4
L6 (core)
L5 (core)
L4 (core)
Repeat above adjustments until the maximum output is obtained
5
6
7
Inductively coupled to loop
[A coil of 3-turns of 16-gauge
D.C.C wire about 75mm in diameter
should be connected between
the output terminals of the test
instrument and placed co-axial with
the loop]
600kHz
600kHz
1500kHz
1500kHz
LF oscillator core adjustment (L2)
[rock tuning control back and forth
through the signal]
HF oscillator adjustment (C6)
HF aerial adjustment (C2)
Repeat steps 5-7 until the maximum output is obtained
Alignment steps for the AWA Radiola 450P, from the service manual.
Australia’s electronics magazine
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