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Vintage Radio
By Associate Professor Graham Parslow
Astor 1952 Hybrid GP/PS
Portable Radio
Astor’s hybrid portable
is a combination of the
model GP’s case with
the later model PS
circuit. It incorporates
an RF preamplifier
stage for excellent
sensitivity, which is
crucial for a portable
radio. It’s also notable
for its 8-inch loudspeaker;
quite large for a portable.
Sir Arthur Warner was a giant in the
history of Australian radio. In 1922
he became a partner in a small Melbourne basement store that imported
telephone equipment and radio parts.
The outlet was the beginning of an industrial and commercial empire, best
known by the Astor brand name.
Warner became chairman and managing director of Electronic Industries
Ltd (Astor) in 1939. He died aged 67 in
1966, but packed what looks like ten
lifetimes of parliamentary and industrial achievements into his time. Warner’s Australian Dictionary of Biography entry can be read at siliconchip.
com.au/link/aajs
Sir Arthur merits a mention because
he was famed for his approach to containing costs and minimising waste.
If Astor had a stock of 10kW resistors
they would be used in a radio circuit
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that may have specified 20kW (as long
as they worked).
The radio shown here looks like the
Astor model GP introduced in 1948
but it is clearly date-stamped “21 FEB
1952”. In 1952 the current Astor portable radio model was the PS which did
away with the former discrete speaker
grille fabric and used a moulded PVC
mesh, integrated with the case.
Incidentally, this case is not Bakelite
but is thermoplastic (thermosoftening
plastic). Because of this, heat generated from the internal components has
caused quite apparent distortion.
But Sir Arthur apparently had some
GP model cases that he was reluctant
to discard, so this radio is a hybrid of
the model GP case and the model PS
circuit. Even so, his frugality did not
mean cutting the quality of the components. For example, the speaker
Celebrating 30 Years
transformer in this radio is a large,
high quality unit paired with the best
speaker available at the time.
Why was it so easy to create such a
hybrid? Again, it was a matter of being economical. The metalwork of
this chassis is identical to other Astor
portables, dating from the timbercased 1946 model KP. In 1955 the
metalwork for Astor valve portables
was changed to support knobs on the
front face.
Everything in this radio’s circuit is
true to the Astor model PS. It is a highperformance radio with an RF preamplifier stage.
This is immediately apparent from
the three-gang tuning capacitor and is
also indicated by the number 6 on the
ARTS&P licensing decal (radios without an RF stage were licensed with
number 5).
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The Astor circuit has an number of interesting aspects such as the RF preamplifier (important for a portable set) and a
tapped volume control to give a loudness effect (bass boost at low volume settings). But the ability to use 240VAC mains
instead of batteries was a cheap and nasty approach since no power transformer was provided. Diode #71, highlighted in
green, is a selenium rectifier stack.
Circuit details
The circuit starts with the internal
loop aerial that is lattice wound on a
plastic former, characteristic of a decade of Astor radios. Unlike the preceding model GP, the PS circuit has
external aerial and earth connections
terminating in sockets in the middle
of the plastic lattice aerial former. The
sockets are accessible from the back
of the case.
The loop aerial is easily detached
from the chassis by removing two
screws. However, the connecting wires
are short and it is not practical to
work on the set until longer wires are
patched in so the aerial can be moved
further away on the bench. Fortunately, the tether to the 8-inch speaker is
long enough to leave the original wiring in place.
By 1952 almost every Australian
manufacturer of valve portables was
using the same valve line-up as in this
radio. RF preamplification is provided
by a 1T4 pentode fed by the first tuned
circuit, comprising the aerial coil and
tuning capacitor.
As in many portables, there is no
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dial cord in this radio but a reduction gear allows the tuning knob to
rotate through 270° while the tuning
capacitor shaft rotates through 180°
to provide easy and precise station
selection.
The output of the 1T4 pentode is fed
to the control grid, pin 6, of the 1R5
mixer-oscillator. Its grid bias is set by
the AGC voltage derived from the diode in the 1S5 valve.
Since all the valves in this circuit
have directly-heated cathodes, the
overall grid-cathode bias for each
valve is the difference between the
grid potential (typically close to 0V)
and the individual positive cathode
voltage (between 0V and 9V) provided by the series heater string from the
LT 9V battery.
The transformer coupling the RF
stage to the 1R5 is housed in a square
section aluminium can identical to
the subsequent IF transformers (all
three cans are on top of the chassis).
The small local oscillator coil is under
the chassis, close to the 1R5 valve, and
feeds into pin 4 of the 1R5.
The intermediate frequency is
Celebrating 30 Years
455kHz and the circuitry around the
1T4 IF amplifier is conventional.
The 1S5 diode-pentode demodulates the RF signal (the diode’s anode
is at pin 3) and the resulting audio
appears across the 1MW potentiometer and is fed to the control grid of the
pentode section at pin 6. So the pentode in the 1S5 functions as an audio
preamplifier.
The DC component of the demodulated audio signal to the volume control also becomes the AGC voltage to
be fed back to the grid of the 1T4 RF
preamplifier and the 1R5 mixer-oscillator.
Loudness control
The output from the audio preamplifier’s plate is fed to the grid of the 3V4.
This pentode drives the single-ended
transformer-coupled output stage and
loudspeaker. Negative feedback is applied from the transformer’s secondary winding to the bottom end of the
1MW volume control potentiometer.
But the main reason for this feedback is not to simply reduce harmonic
distortion in the preamplifier and outJune 2018 91
The original 8-inch, 13W loudspeaker in the set is in very good condition.
put stages. Have another look at the
1MW volume control (#58) which has
a tap on it connected to the chassis via
a 40kW resistor (#43). This provides
a degree of bass boost at low volume
settings, ie, when the wiper is on
the section of the element between
the fixed tap and chassis.
In a normal loudness circuit you
would expect to find a capacitor in
series with the 40kW resistor from the
tap connection.
So how does the bass boost come
about? That appears to be a function
of the negative feedback connection
to the bottom of the volume control
potentiometer and its interaction
with the .03µF capacitor shunting
the 40kW feedback resistor from the
output transformer’s secondary winding. Backing up this notion is the fact
that the 40kW/.03µF RC network has
a +3dB corner frequency at 100Hz.
In any case, it is unusual to find a
loudness control in a valve radio circuit, particularly a portable set such
as this one. Loudness controls were
reasonably common in higher-end
valve radios and stereo amplifiers but
typically they did not provide loudness compensation at low volumes
(ie, bass and treble boost) but bass
boost only.
The 3V4 output valve is capable of
sending 250mW of audio to the speaker. This is fine for most listening situations when coupled with the highefficiency Rola model 8M speaker.
AC & DC supplies
This view of the chassis reveals the two brass prongs (lower left-hand corner)
for the 240VAC input. That multi-pole switch in the foreground has live 240VAC
present when the mains voltage is applied.
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Celebrating 30 Years
In common with many portable radios of the day, this Astor portable
could be run from its batteries or the
240VAC mains supply. In fact, this radio can work from high voltage AC or
DC mains, as well as batteries.
Two 45V batteries provide the 90V
high tension rail and a 9V battery provides current to the series connected
valve filaments, as shown on the circuit diagram. A switch accessible at
the bottom selects battery or mains
power. On-off is linked to the volume control.
However, while other portables of
the time usually had a mains transformer, this set is transformerless and
that means that, depending on the
house wiring and the wiring of the
input plug, the chassis could be operating at the full 240VAC potential.
In other words, if you have access
to the chassis for repairs or alignment,
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you are working in a potentially lethal
situation. In this situation, you really
should connect the set via an isolation
transformer.
The mains input socket is at the bottom of the case and as can be seen there
is no possibility of polarisation (both
pins are the same) and if there were,
that would not prevent the chassis
from becoming live if the Active and
Neutral wires were swapped.
The incoming mains supply is fed
to a selenium rectifier stack, ie, it is
a half-wave rectifier. The stack comprises ten elements meaning that any
single element rectifies only 24V AC.
This is close to the peak inverse voltage limit of selenium diodes.
The DC produced by the selenium
rectifier (when new) would have been
about 270V, allowing for the 5V or so
of forward voltage drop for each element in the stack. That voltage is then
progressively reduced by a series of
wirewound resistors to produce the
90V HT and a further dropping resistor to produce the 9V for the seriesconnected directly-heated cathodes
of the five valves.
Selenium rectifiers were a significant improvement on valve rectifiers
when they were introduced, especially
in portables because they needed no
heater current and their forward voltage is considerably less than a valve
diode at the same current. However,
once silicon power diodes were introduced, they quickly rendered selenium rectifiers obsolete.
Editor’s note: regardless of which
way you look at it, the mains input to
this portable set is dangerous. Apart
from the chassis having high voltages
present, if the mains is applied and the
radio is turned on with the 3V4 valve
out of its socket, the voltage across all
the electrolytic filter capacitors in the
circuit will be quite high and will probably cause immediate failure.
The selenium rectifier in a 66-year
old circuit would also be suspect and
likely to fail, with the risk of fire. We
would strongly recommend that the
240VAC terminals in the recessed
socket be removed to avoid any possibility that someone might attempt to
power the set from the mains.
Before restoration the cabinet was in a unkempt state with a tear in the plastic
at the lower left-hand corner.
The restoration
This radio was purchased some
time ago at an auction and had been
stored on an upper shelf in a shed for
some years.
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The lattice-wound loop aerial gives good signal pickup. External antenna
connections are provided on the rear of the cabinet.
Celebrating 30 Years
June 2018 93
Then a possum discovered that she
could nest with her joey a bit further
along that shelf on a comfortable mat
of bubble wrap and other packaging.
The possum entered by way of a small
gap between the wall and roof that led
to the shelf. I decided to be tolerant
at first; after all, they looked so cute.
Then the radio was knocked off
the shelf but it fortunately had a soft
landing. Then possum smells became
evident and other objects were dislodged, as the possum explored the
environment.
Enough was enough; the hole was
blocked. Rather than put the set back
on the shelf, I decided that it was the
next candidate for restoration.
The cabinet was quite grubby and
had a tear in the plastic at the lower left
corner. This was patched with Araldite
and a missing Astor swan badge was
replaced from my spares bin.
The aluminium base-plate had been
corroded by batteries left in the radio
probably decades ago. After a thorough clean the plate was painted with
acrylic silver paint to make it presentable. Little of that plate is normally
seen anyway.
Removing the chassis is straight
forward. The knobs at the top are removed by loosening grub screws. The
yellow plastic dial plate requires only
two nuts that hold it to the chassis to
be removed. Then two screws at the
sides of the chassis can be removed
to let the chassis slide out.
All the components looked
intact. The first operation
was to clean the pins of
each valve. Experience has
shown that with near certainty one or more valves
in portables will not
function due to pin-socket corrosion (oxide-creep).
Bench power supplies were hooked
These two views of the underside of the show the battery compartment and the
chassis base-plate together with the recessed 2-pin socket for the 240VAC mains
input. The cover for the socket is missing.
up to the battery plugs. A good sign
was that the 9V supply drew 52mA,
indicating good connection of the series-connected valve filaments.
Ramping up the high tension initially
showed much higher current than expected, but the current decreased with
time. This was due to the electrolytic
filter capacitors reforming their dielectric layer.
After some time the voltage reached
90V at 5mA but the radio was dead.
The current should have been close
to 10mA.
Using a signal tracer to check for
tuned stations at the volume control
produced an absolute zero. Both the
RF and audio sections were dead. So
I focused my attention on the audio
section and fortunately, the speaker
and output transformer checked OK.
I then found that the 20nF coupling capacitor from the 1S5’s plate
was leaky and this brought the 3V4
grid to +20V.
Normally this would cause excessive current drain on that stage but
oddly, the HT current drain remained
low after the capacitor was replaced,
bringing the 3V4’s grid back to 0V.
(In fact, as shown on the circuit, the
series heater connections mean that
the negative bias to the 3V4 grid is arrived at because the directly heated
cathode is connected to the positive
terminal of the 9V battery connection,
ie, the grid is -9V with respect to the
cathode.)
Audio from a signal generator now
came through the speaker when injected into the 3V4’s grid (pin 6) but
nothing came through when audio
was injected into the 1S5 diode or
grid.
Pin 4, the screen of the 1S5 measured 11V instead of the 5V shown on
the circuit although I will come back
to that point. The 50nF screen decoupling capacitor was found to be leaky
and the screen voltage limiting resistor
was around 10MW; not 1MW as shown
on the circuit.
Replacing the defective resistor and
capacitor restored function in the 1S5
and signal injected at the 1S5 diode
now responded to the volume control
as expected. So the audio section was
now functioning.
Voltage measurements
Now back to that point about the
voltage on the screen of the 1S5. All
the voltages shown on the circuit are
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Celebrating 30 Years
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Most of the wax-impregnated paper capacitors on the unrestored chassis (above)
needed to be replaced due to high leakage. A few of the carbon resistors had also
gone high in value and so were replaced. Since there’s no power transformer, the
chassis can become live if the Active and Neutral connections are swapped.
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Celebrating 30 Years
what would have been found with
1000 ohms/volt meter.
Such a low meter sensitivity was
normal in those days but the screen
voltage was actually much higher,
even after allowing for the very
small screen current that would
normally flow. In fact, measurement with a modern digital multimeter with an input resistance of
10MW gave a value of 50V.
While the audio stages were now
working, there was still no RF output. All plate voltages were correct
except the 1T4 preamplifier valve
which was sitting at 9V, not 90V.
The 50nF capacitor shown as
component 5 was down to 30W
and was pulling the HT low. Fortunately the 5kW decoupling resistor (#48) survived being shorted to
earth. The plate came back to 90V
with a replacement capacitor.
Then the first IF transformer
(#59) was found to have an opencircuit secondary. It was replaced
from an Astor chassis I had on the
spares shelf. The associated 50nF
capacitor and 1.75MW resistor were
also replaced; the resistor had gone
high in value.
A signal generator injecting modulated 455kHz still did not produce any detectable output on an
oscilloscope along the chain of RF
components.
This was baffling until I decided
to do what I probably should have
done earlier and replace all paper
capacitors in the main circuit (the
filament circuit capacitors were left
in place as they have less than 10V
applied to them).
The final key to restoring the radio turned out to be replacement of
the short-circuited 100nF capacitor
(#3) that decouples the screens of
both 1T4 valves.
With no screen voltage both 1T4
valves were dead. After that, the radio worked as it should, drawing
8mA <at> 90V. My take-home lesson
– measure all valve voltages, not
just the plates.
I then set the radio up to check
the alignment. However, the tuning
slugs did not move under moderate
force and rather than persist, the
alignment was abandoned. Still, the
set works reasonably well and has
now been moved to a display shelf. I
should probably thank the possums
for initiating the restoration.
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