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Need Extreme,
Earth-shattering Power?
Want to unlock immense power from an audio amplifier and speaker?
You can combine this easy-to-build unit with a standard stereo amplifier,
such as our Ultra-LD series, to easily get 400W into a single 8-ohm speaker.
That’s about three times the power that amp would typically manage. With
the right amplifier, you could even get 1000W or more – per channel!
Bridge-mode Audio
Amplifier Adaptor
L
speakers have an 8 impedance, and
et’s say you want to put on a rock concert. You’re
so that amplifier module will only
going to need thousands of watts of power,
achieve a measly 278W into
and it’s a bit impractical to stack up dozens
such a load.
of smaller amplifiers and speakers. What
That’s just not good enough!
you need is something BIG.
The trick is to drive the
You could build a few of our
speakers in bridge mode. If
Majestic loudspeakers, described
you build two of those ampliin the June and September 2014
fiers, plus this little device, you
issues (siliconchip.com.au/Secan drive a single Majestic speaker
ries/275). You would build these
with two of these amplifiers.
using the alternative Celestion
And because the speaker’s impedance is
FTR15-4080FD woofer, giving you
effectively halved when being driven in bridge mode,
very sensitive speakers capable of being
you will get that 500W figure from each. 500W + 500W
driven at levels of up to 1000W.
= 1000W. Rock on!
So that’s the speakers sorted, but how
The way it works is simple. This Bridge Adaptor (often
to drive them?
called a BTL [bridge-tied load] adaptor) splits your audio
The most potent audio amplifier we’ve published is a
signal in two. One output signal is virtually identical to
500W job, in August-October 1997 (siliconchip.com.au/Sethe input, while the other is inverted.
ries/146). As is typical for power ampliSo when you connect those outputs
fiers, it will produce its full rated power
BY NICHOLAS VINEN
to two audio amplifiers (possibly the
output into a 4load. But the Majestic
68
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two channels within a single stereo amplifier), the outputs
swing in opposite directions.
That means the voltage between the outputs is double
that of a single output. This arrangement is shown in Fig.1.
Since the power into a load can be calculated as V2÷R, if
you double the voltage but keep the impedance constant,
you quadruple the power.
Of course, this is assuming your amplifier is capable of
delivering that much power. But if you use an 8 speaker,
since most amplifiers will happily drive a 4 load, it should
be capable of it.
You do have to be careful if using a 6 or 4 speaker
since many amplifiers will not be very happy with a 3 or
2effective load.
Features & specifications
Performance
• Suitable project for beginners
We ran our prototype through a number of tests using our
Audio Precision System Two. We haven’t reproduced any
of the resulting graphs here since the results can be summarised in just a couple of paragraphs. We used a 15V AC
plugpack as the power source during these tests.
The distortion and noise levels are very low. The signalto-noise ratio is 114dB with respect to 2V RMS (a common
signal level from a CD/DVD/Blu-ray player), with a measurement bandwidth of 20Hz-22kHz. The frequency response
is ruler-flat, being only 0.2dB down at 20Hz and less than
0.1dB down at 20kHz.
THD+N is 0.0005% from the non-inverting output and
0.0006% from the inverting output over the 20Hz-20kHz
range with an 80kHz bandwidth.
Measuring with a 20kHz bandwidth, these figures reduce
to 0.0003% and 0.0005% respectively. The distortion across
the two outputs (ie, what you would actually hear) measures the same as the inverting output.
Updated version
We published a Bridge Adaptor in the July 2008 issue. This
one is considerably smaller and will fit into a UB5 Jiffy box
for convenience. But you also have the option of building it
into an amplifier chassis if that’s what you want.
This design also has much more flexible power supply options. It will run off AC, DC or split rails. It also uses parts
that are easier to get, and cheaper, than our last design.
The circuit diagram is shown in Fig.2. The input audio signal is fed in via RCA socket CON1, which has a 100kresistor
• Up to four times the power into a single speaker, using a
stereo amplifier or two mono amplifiers
• Low noise and distortion
• Powered from 9-16V AC, 12-40V DC, 18-32V centre-tapped
transformer or ±6-20V DC (split rails)
• Low current draw – around 10mA
• Fits inside a compact, low-cost UB5 Jiffy box
• Can also be mounted inside an amplifier chassis
• A switch can be used to change amp mode between stereo
and bridged mono
• Uses low-cost, commonly available parts
to bias the input signal to 0V (if it’s floating). That signal then
passes through two “back-to-back” electrolytic capacitors.
We’ve used this arrangement, rather than a single nonpolarised (NP) electrolytic capacitor because the size and
cost of NP capacitors can vary dramatically. By using two
small, low-cost regular electrolytics, we get the same effect
with a low price and small footprint.
The signal is DC-biased to signal ground (more on that
later) with a 10k resistor, and RF signals are filtered out
by a 100pF ceramic capacitor. The signal is then applied to
the non-inverting input, pin 3, of low-noise op amp IC1a.
IC1a acts as a buffer, feeding both non-inverted RCA output connector CON2, and the inverting stage, which is based
around op amp IC1b. The signal to CON2 passes through
another pair of 22µF DC-blocking capacitors and is re-biased
to 0V DC via a 100k resistor.
The 100 series resistor protects IC1a against an output
short circuit and also isolates any cable capacitance to prevent oscillation.
IC1b is configured as a classic inverter with a gain of -1,
set by the ratio of the two 2k resistors. These values were
chosen to keep noise to a minimum without unduly loading the output of IC1b.
After all, it has to drive whatever is connected to inverting RCA output connector CON3 as well. The signal is coupled from IC1b to CON3 in the same manner as described
for CON2 above.
IC1b’s non-inverting input, pin 5, is tied to signal ground
Fig.1: the Bridge Adaptor is connected to two power amplifiers (separate mono amps, or two channels in a stereo or
multi-channel amp) to drive a single loudspeaker. This doubles the maximum voltage across the speaker, and increases
the output power to up to four times the original. Only the active terminals of the amplifiers are connected to the
loudspeaker while the ground terminals are not connected. Note that this will not work with an amplifier that’s already
internally bridged, ie, where both the positive and negative outputs are actively driven!
siliconchip.com.au
Australia’s electronics magazine
May 2019 69
Fig.2: the circuit of the Bridge Adaptor, (also known as a BTL, or bridge-tied load adaptor) without the power supply
(shown in Figs.3&4) . The incoming audio signal is AC-coupled to non-inverting input pin 3 of IC1a, which acts as a
buffer. The buffered signal is fed to CON2 and also IC1b, which inverts the signal and then feeds this inverted version
to CON3. By connecting CON2 and CON3 to two separate single-ended power amplifiers (or left and right channels in a
stereo amplifier), you can almost quadruple the power delivered to a single speaker.
via a 1k resistor. This means both of its inputs (pins 5 &
6) have the same source impedance, as the two 2k resistors are effectively in parallel, given that both are driven
from op amp outputs, which have an effective impedance
close to 0.
Power supply options
You can power the Bridge Adaptor from a 9-16V transformer, standalone or plugpack, or you can use a 12-40V
DC supply, a ±6-20V DC split supply, or an 18-32V centretapped transformer.
That last option is most useful if you’re building this
project into an amplifier chassis. Later on, we’ll show you
how to wire up a switch so that an amplifier can be easily
configured as either stereo or bridged mono.
When the unit is powered from AC or a split rail DC
supply, signal ground is tied to power supply ground by a
0resistor (ie, wire link), as shown in Fig.3.
But if the unit is powered from a single DC supply (eg,
12V DC) then signal ground needs to be around 6V DC, so
that the AC signals have a symmetrical swing.
The power supply section is therefore reconfigured, as
shown in Fig.4, by omitting some components and replacing others with wire links.
In this case, the 0 resistor is instead 10k, and another
10k resistor forms a voltage divider across the DC supply rail, to generate a half-supply rail for signal ground.
A 220µF capacitor between signal ground and power supply ground prevents any ripple or noise on the supply rail
from getting into the signal ground, and thus affecting the
audio signal.
It also presents a low AC impedance to the op amp
feedback divider, so that the unit’s frequency response is
not affected by the resistors used to generate the signal
ground rail.
Before construction
Before you start assembling the board, if you’re going to
be fitting it in a UB5 Jiffy box, place the board in the bottom of the box and use a marker to place dots in each location where a mounting hole is required.
We’ve provided four different PCB overlay diagrams,
to show what components you need for each supply configuration.
Fig.3: this shows a “universal” power supply, suitable for a single ended DC input, a split DC input (ie, +V/0V/–V) or an
AC transformer with or without a centre tap. CON4 is used for single-ended DC or AC since it only has two contacts.
CON5 is used for split DC or an AC transformer with centre tap.
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This photo of the PCB actually has ALL the power supply
components shown in the four overlays. Some are obviously not necessary, depending on the version you build.
(Use the component overlay for your version).
Fig.5 shows the components required for a transformer
with a single secondary (including most AC plugpacks) and
Fig.6 for a transformer with two secondaries connected in
series, or a single centre-tapped secondary.
Fig.6 also applies if you have a transformer with individual secondaries (eg, two 9V or two 12V secondaries). In this
case, the phases of the windings need to be correct: the end
of one secondary is connected to the start of the other secondary to effectively form a centre-tapped winding.
You need to be careful with this connection – measure
across the two windings (ignoring the centre tap) to ensure
you have twice the individual winding voltage.
If you get 0V (or close to it) you have connected the two
windings incorrectly.
Where a split DC supply is called for (eg, +15-0-15V) use
the overlay shown in Fig.7, whereas a single DC supply uses
the overlay shown in Fig.8
Fig.5: here’s the overlay for a single AC supply, from either
a 9-16V transformer or plugpack, plugged in to CON5.
Fig.6: if you have a transformer with a centre-tapped
secondary, use this overlay.
So let’s get building!
Start by fitting the smaller resistors. While these have colour-coded bands indicating their values (as shown in the
parts list), because certain colours can look similar depending on your lighting, it’s much safer to measure their values
with a multimeter before installing them. Use the appropriate
overlay diagram as a guide as to which resistors go where.
Next, fit whichever of diodes D1-D4 are required for your
particular configuration, followed by zener diodes ZD1 and
(if needed) ZD2. In each case, ensure that the cathode stripe
Fig.4: the power supply can be much simpler when the unit
is only to be operated from a single-ended DC supply. Some
components are omitted while others have their values
changed. The negative supply rail for dual op amp IC1 is
connected to 0V via a wire link, while the signal ground is
biased to half supply by a pair of resistors and a capacitor.
siliconchip.com.au
Fig.7 if you have a split DC supply (eg, ±15V & 0V) you will
connect it to CON5 and omit some components.
Fig.8: this overlay is for the single-ended DC supply, as
shown in the circuit diagram at left.
Australia’s electronics magazine
May 2019 71
fore soldering its pins. Be generous with the solder as these
pins are quite large.
Testing
Fig.9: if you’re mounting it in a UB5 Jiffy box, here’s where
to drill the holes required in the sides and base. The PCB is
attached to the base using untapped spacers and machine
screws (see parts list & text).
faces in the direction shown on the overlay diagrams, ie,
towards the top or left edge of the board.
Now install the 1W resistor(s) and a socket for IC1, assuming you’re using one. You can then mount the two 100pF
capacitors and single 100nF capacitor. None of these are
polarised.
Follow with the terminal block, if you’re going to be using it, ensuring that it is pushed down flat onto the board
and that its wire entry holes face the nearest edge.
You can use a 3-way terminal block for all four configurations, however, with two of the configurations, only a
2-way block is required as shown in Figs.5 & 8.
If using a two-way block, make sure to solder it to the
right pair of pads.
Now fit the electrolytic capacitors. These are polarised
and must be orientated correctly. The longer (+) wires go
into the pads marked with a “+” on the PCB, towards the
top edge of the board. The striped side of the can shows
the negative terminal, so the stripes should all face towards
the bottom edge.
There are three different types of electrolytic capacitors
used, so don’t get them mixed up.
Finally, fit the RCA terminals and DC socket (if required).
In each case, make sure the connector is pushed down fully onto the PCB and lined up nicely with the PCB edge be72
Silicon Chip
Before mounting it, it’s a good idea to test the unit. If you’ve
fitted a socket for IC1, you can leave IC1 out until you have
verified that the power supply is working OK.
It’s best to test the unit with the same type of supply that
you will eventually be using, however, if you intend to use
a centre-tapped transformer or split supply, you could use
a 9-16V AC plugpack for initial testing.
Apply power and measure the voltage between GND (eg,
the RCA connector shells) and pin 8 of IC1 (or its socket).
If using an AC supply, you should get a reading of around
+16V DC, or perhaps slightly lower if your AC supply is below 12V. Similarly, pin 4 of IC1 should be at around -16V
DC. Pin 5 should be close to 0V.
If you’re using a DC split supply, you should measure
voltages at pins 8 & 4 of IC1 that are around 0.7V less than
the applied voltages, while pin 5 should be close to 0V. And
if using a single-ended DC supply, pin 8 should be around
0.7V less than your applied DC voltage, while pin 4 should
read 0V and pin 5 should be almost exactly half the reading at pin 8.
If you get readings that are significantly different from
those described above, switch off power and check your
board carefully. Things to look out for are bad solder joints,
incorrectly orientated components or components that are
in the wrong location.
If the power supply checks out, switch off power, short
out pins 4 & 8 of IC1’s socket briefly (to discharge the capacitors) and then insert IC1 in its socket. Re-apply power and
apply a signal to CON1, from a Blu-ray player, iPod, mobile
phone, PC or whatever’s convenient. Connect CON2 to the
input of an amplifier with its volume set to minimum, then
slowly ramp its volume up.
You should hear the input signal being reproduced cleanly. Disconnect CON2 from the amplifier and connect CON3
instead. You should again hear the input signal being reproduced cleanly (the fact that its phase is inverted will
not be audible).
You can now do a final test, with CON2 hooked up to
one amplifier input and CON3 to another, and the speakers
connected across the amplifier outputs, as shown in Fig.1.
Again, you should hear the signal loud and clear. Only
Fig.10: same-size label which fits the UB5 Jiffy box. You
can photocopy this or download it from siliconchip.com.
au/shop/11/4972
Australia’s electronics magazine
siliconchip.com.au
this time, the maximum output power of the combined amplifiers will be
much higher!
Mounting it in a box
As mentioned above, you will need
to drill four 3mm holes in the base of
the Jiffy box. If you forgot to do that earlier (using the PCB as a template) you
could instead make the holes where
shown in the drilling diagram, Fig.9.
You will also need to drill three
9mm holes in one side of the box for
the RCA sockets, plus a 7mm diameter
hole in the opposite side to access the
barrel socket. The positions of these
holes are also shown in Fig.9. You can
copy this diagram, cut out and stick the
copy onto the box and then mark and
drill the holes.
Ensure the template is aligned accurately with the top, bottom and sides
and drill the holes accurately, starting
with a smaller pilot drill and then enlarging to side with larger drill bits, a
stepped drill or a tapered reamer.
This ensures that the unit will fit
nicely in the box and look neat.
Once you’ve made the holes, deburred them and removed any debris from the box, feed the four 16mm
Parts list – Bridge-mode Adaptor for Amplifiers
1 double-sided PCB, code 01105191, 79 x 44.5mm
1 UB5 Jiffy box (optional)
3 PCB-mount right-angle switched RCA sockets (CON1-CON3)
1 PCB-mount right-angle barrel power socket (CON4) AND/OR
1 3-way (or 2-way) mini terminal block (CON5)
All of these components
1 8-pin DIL IC socket (for IC1)
are commonly
4 3mm inner diameter, 6.3mm long untapped spacers
available from your
4 M3 x 16mm machine screws
normal parts suppliers.
4 M3 hex nuts
The PCB (01105191) is
Semiconductors
available from the
1 LM833 or NE5532 dual low-noise op amp (IC1)
SILICON CHIP ONLINE SHOP.
2 16V 1W zener diodes (ZD1,ZD2)*
4 1N4004 1A diodes (D1-D4)j
j only two needed for single AC/
split DC supply
Capacitors
*
only
one required for single-ended
2 470µF 25V electrolytic*
DC supply
1 220µF 10V electrolytic^
^ only required for single-ended
2 100µF 25V electrolytic*
DC supply
6 22µF 50V electrolytic
1 100nF 50V multi-layer ceramic or MKT
2 100pF 50V NP0 ceramic
(code 100n, 104 or 0.1)
(code 100p or 100)
Resistors (all 0.25W, 1% metal film unless otherwise stated)
3 100kΩ
(brown black yellow brown or brown black black orange brown)
3 10kΩ
(brown black orange brown or brown black black red brown)
2 2kΩ
(red black red brown or red black black brown brown)
1 1kΩ
(brown black red brown or brown black black brown brown)
2 100Ω
(brown black brown brown or brown black black black brown)
2 100Ω 1W 5%*
(brown black brown brown or brown black black black brown)
You will go a long, long way to find speakers with anywhere near
the performance of the SILICON CHIP Majestics – certainly in the doit-yourself world, and even compared to ready-built models.
Detailed, blind listening tests confirm they are at least as good as
– and some say better than – speakers costing ten times as much!
At 486(w) x 864(h) x 580(d)mm each, you will certainly reuire plenty
of room for the Majestics. They are most suitable for large listening
areas, especially where you want high levels of crystal-clear sound.
How high? Spectacularly high!
They feature an etone or Celestion 15-inch woofer, teamed
perfectly with a Celestion T5134 diecast horn tweeter and matching
compression driver, plus a two-way first order crossover.
Building the Majestics is well within the capabilities of the average
constructor. They’re not cheap – they certainly won’t leave any change
out of $1000 per pair (and probably a bit more!). But if you want
exceptional power and performance, you can’t go past the Majestics.
siliconchip.com.au
Australia’s electronics magazine
May 2019 73
Here’s
what it looks
like mounted in
the UB5 Jiffy box (sans
lid!), drilled as shown in Fig.9.
If CON5 is used, access holes would
also be needed on that side.
machine screws up through the bottom
of the box and set it on a flat surface
so they won’t fall out. Next, drop the
6-7mm untapped spacers over the screw
shafts and lower the board into the case.
To do this, first insert the RCA socket
barrels through the holes in the case,
then drop the opposite edge down
into the box. You may have to push a
little, getting the box to flex, to get it
into place. Once all four screw shafts
are through the holes on the board, use
thin-nosed pliers to hold a nut on top
and do up each screw one at a time.
This is a bit tricky since initially,
the other three screws will be loose, so
you can’t just lift up the box, or they
will fall out.
We did it by sliding one corner of
the box over the edge of the desk while
holding that screw so it couldn’t fall out,
then carefully rotating it so it threaded
onto the nut, then moving on to another
corner. Each nut you thread will make
it easier to do the next one.
Alternatively, you could use Blutack, silicone sealant or some other
And here
is the finished
device, complete with
a panel (see text). The beauty
of this design is that no extra holes
are required in the panel itself –
they’re all in the box sides.
type of glue to temporarily hold the untapped spacers over the holes in the box
while you insert and do up the screws.
Do them all up tight, then put the lid
on the box and affix the label. The artwork for the label can be downloaded
from the SILICON CHIP website in PDF
format and then printed out.
For information on how to make a
label, see: www.siliconchip.com.au/
Help/FrontPanels
Mounting it in an amplifier
If you want to integrate it into an
amplifier, this is quite easy. You can
use longer tapped Nylon spacers and
mount it to the bottom of the chassis
using eight short M3 machine screws.
It’s then just a matter of wiring up
the AC or DC power supply connections to CON5 and connecting the audio signals using cables terminated with
RCA plugs.
You could make these by simply buying two RCA-to-RCA plug cables and
then cutting them in half and stripping
off the insulation.
Fig.11 shows how you can use a
standard SPDT switch (toggle, latching
pushbutton, rotary or slide) to allow
the amplifier to be reconfigured as either stereo or bridged mono at any time.
Using it
If you’ve built the unit into an amplifier with the switch as described above,
you can apply a stereo signal to the amplifier’s left and right input channels,
with the switch in the STEREO position, and it will operate normally as a
stereo amplifier.
Or apply a single signal to the left
input channel and put the switch in
the MONO position, then connect a
speaker wired as in Fig.7 for the bridged
mono mode.
Or if you’ve built the unit into a Jiffy box, connect it to a stereo amplifier
or pair of mono amplifiers as shown in
Fig.1, for mono mode.
If you want to use the stereo amplifier
in stereo mode, merely disconnect the
unit and wire up the inputs and speakers as you usually would.
SC
Fig.11: this is how you can use an SPDT switch to allow an amplifier to be easily reconfigured as either stereo or bridged
mono. This makes a lot of sense when building the unit into an amplifier; when building it separately into a box, you can
easily achieve the same result by re-plugging cables. The switch is shown here as a toggle type, but it could be a push-on/
push-off, slide or even rotary switched.
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