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Vintage Radio
By Associate Professor Graham Parslow
Tecnico 1950 Model 1050
At 9.6kg, this is a heavyweight table radio and
it has suitably imposing
styling. One could even
accuse it of belonging
to the early Brutalist
period. Fortunately,
the splendid walnutcharacter Bakelite case
with decorative slots
rescues it from being
overly austere.
In the Australian context, the iconic
styling of this model is unique. However, Tecnico was in partnership with
Bendix USA at the time, and the features of contemporary American Bendix radios influenced this radio.
The perforated metal speaker grille
copies Bendix radios and is painted in
dappled shades, like military camouflage. Continuing with this theme, the
case has the look of a World War Two
concrete ‘pillbox’. (Military structures
of the WW2 were a major inspiration
on Brutalism).
Other post-war manufacturers also
offered radios with military-themed
styling, particularly in portables. The
mellow tone of the baffled Rola 6-9H
speaker is in harmony with the impressive image of this radio.
In keeping with the new demand for
colourful radios at the time, the case
was also available in shades of cream,
green and blue with various degrees
of mottling. The model shown here
has four front panel knobs for power
on/off (full DPDT switching), volume,
tone and tuning.
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Silicon Chip
A smaller case on the styled-alike
Model 1140 had only two knobs, offering control of volume and tuning (see
the book Radio Days by Peter Sheridan
& Ritchie Singer, p243, https://trove.
nla.gov.au/version/46138998).
The only resemblance between the
models is in the case. The smaller
Model 1140 has four valves, all different from the Model 1050, and the
chassis is at 90° to the base.
You might like to compare this set
to the 1946 Tecnico Aristocrat (Model
651) I described recently, in the February 2020 issue (siliconchip.com.
au/Article/12350). You will find that
the power supply and output stage
are virtually identical, however, the
front-end valve lineup is different and
some of the circuit details are varied
between the two sets.
Circuit details
The circuit for this set is shown in
Fig.1. The Model 1050 circuit is an
evolution of previous Tecnico designs,
but modernised with miniature valves
for the RF section.
Australia’s electronics magazine
The HT rectifier and pentode output
remain as octal-based valves. The circuit diagram also appears in the Australian Official Radio Service Manual
(AORSM) volume 9 for 1950.
There is no shortwave tuning, so
the aerial feeds into a single aerial
coil with a tuned secondary. This
then feeds into the grid of the 7-pin
6BE6 converter valve. The 6BE6 was
released in 1946 by RCA and was subsequently used over many years, manufactured under licence by various
companies. The 6BE6 in this radio is
a Philips Miniwatt.
The remaining valves were sourced
from AWV, a subsidiary of AWA (in
turn affiliated with RCA).
A Hartley oscillator is used, shown
below the 6BE6, with a single tuned
coil feeding the oscillator signal into
the 6BE6’s oscillator grid. A tap on the
oscillator coil connected to the cathode sustains oscillation. The 455kHz
heterodyne signal passes to the first
IF transformer.
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negative feedback of the higher audio
frequencies (passed by C27, 0.05µF)
via 500kW potentiometer R17, as a
tone control. The more of these highfrequency signals are fed back, the
greater the top-cut. This works well,
as judged by my ears.
The HT of 280V from the 5Y3 dual
rectifier cathode is filtered by C26
(8µF) and C31 (16µF). The total power
consumption of this radio was 54W.
With a rated maximum of 120mA, the
5Y3 is well suited to the set’s 75mA
HT requirement. The 5Y3 is an octal
repackaging of the widely-used 4-pin
type 80 from the 1930s.
Construction
The rear of the Tecnico 1050 chassis showcases the miniature valves, power
transformer, tuning gang, 9-inch speaker etc.
The 6BA6 IF amplifier is a 7-pin
miniature remote-cutoff pentode, used
as an RF amplifier in standard broadcast and FM receivers. It was also released in 1946. The low value of gridto-plate capacitance minimises regenerative effects, while high transconductance provides good signal-tonoise ratios. Gain for this stage is up
to 200 times with optimum grid bias.
The output of the second IF transformer (L7) is detected by one of the
diodes housed in the 6AV6 valve. The
demodulated signal is then passed by
R6 (50kW) and the PU shorting link to a
500kW volume-control potentiometer
(R7). Audio then feeds to the grid of
the 6AV6 triode for preamplification.
The PU shorting link can be removed to allow audio from an external
source to be fed directly into the set’s
audio path, allowing it to be used as
an amplifier/speaker, without the radio front-end.
The second 6AV6 diode receives
signal from the RF section via C21
(25pF). The negative voltage at this diode is proportional to signal strength,
and this provides negative feedback
to the grids of the first two valves via
R8 (2MW).
This automatic gain control (AGC)
voltage is modified by the small reverse potential (relative to Earth) generated across R9 (15W). This provides
a default grid bias for the 6BE6 and
6BA6 valves and delays the onset of
AGC-reduced amplification until a
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signal of moderate strength is tuned.
For the output stage, Tecnico used
a configuration inherited from other
Tecnico designs (eg, the 1946 Model
651 described previously), with a 6V6
operating in Class-A. This design uses
The rear of the chassis has five
spring-clamp terminals: Aerial, Earth,
Earth, PU input and Radio output (for
linking to PU input). The radio was not
originally Earthed via the mains supply.
The output transformer is mounted on the elliptical Rola model 69H
speaker. The speaker is secured to the
front panel, thereby providing some
baffling. Rola also provided the power
choke that is mounted below the chassis. The choke is stamped “OCT 1950”,
so this radio can be firmly dated.
This side view shows the 5Y3GT rectifier valve
with the 6V6G output amplifier adjacent. The
speaker is mounted on a flat sheet of Masonite,
and the curved decorative grille is in front of that.
The control spindles are custom-made with
extended length, to reach forward from the
conventional rectangular steel chassis.
The set also had two small lamps
to provide a backlight for the dial;
these aren’t shown on the
circuit.
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April 2020 91
Fig.1: the Tecnico Model 1050 circuit diagram. The printing for this
diagram was a lot clearer than the 651, so it has been reproduced without
alteration. Much of the circuit is similar, but note the jumper labelled PU below the
6AV6. This allowed external audio to be fed into the radio when removed.
Restoration
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Silicon Chip
Australia’s electronics magazine
The case was in excellent condition
and was given a rub-over with Armor
All protectant to enhance the gloss.
The electrical restoration proved more
demanding.
Tecnico manufactured the radio with
a figure-8 two core flex held against the
inside of the chassis by a simple knot.
This was standard practice at the time.
A length of new black cotton-covered
three-core flex was installed as the
mains lead, clamped to the chassis.
This cord is a modern reproduction to
retain a period look, but has the contemporary colour codes for each wire.
At initial switch-on, the power draw
rapidly rose to 110W, so I promptly
switched it off. The rapid increase to
such a high power is possible because
the 5Y3 is directly heated (the heater
and the cathode are the same filament).
Indirectly heated rectifiers, like a 6V4,
take more time to warm up to conduct
high currents.
The high power use suggested the
failure of an electrolytic capacitor connected between the supply rails, ie,
a filter capacitor. C26 had been previously replaced with a Ducon type
common in the 1960s. This was cold
to the touch, but C31 (made by United
Capacitors) was slightly warm.
The reason this was warm but not
hot is that with a low DC resistance,
due to failure of the dielectric layer,
most of the power is dissipated in the
5Y3 valve and choke L8. Either the
valve or the choke can fail in this circumstance. Happily, they survived.
I replaced both C26 and C31 with
new 22µF 400V electrolytics. The
power consumption then dropped to a
much more normal 59W. The 6V6 grid
measured 5mV, indicating no leakage
through C22 (0.05µF). The 6V6 plate
was at 222V, and the screen measured
240V. The 250W cathode resistor (R19)
generated a grid bias of -10.6V.
That all seemed right, but the radio
sounded sick. There was intermittent
distortion and the volume alternated
between high and low of its own accord. Sometimes there was crackle.
Both the volume and tone controls did
little much of the time.
I was immediately suspicious of the
volume control potentiometer’s wiper contact resistance. So I removed
the pot (made by Tecnico) and overhauled it. This resulted in faultless
performance of the potentiometer on
the bench.
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To double-check whether it was the
pot that was at fault, I soldered a new
500kW unit in, but the symptoms were
unaltered. So I reinstalled the original
pot, because it has a long shaft tailored
to reach the front panel.
The paper capacitors were my next
suspects. Progressively replacing
them produced no audible change,
although the power use did fall from
59W to 54W.
This left the mica capacitors as the
next in the line of usual suspects. Eureka! The first mica to be replaced
was C19 (100pF), manufactured by
Simplex. The result was dramatic,
with everything now performing as it
should. That faulty mica was stamped
100pF but measured 220pF with a series resistance of 100kW. With 100V
across it, it showed intermittent failure, passing up to 3mA.
C19 bypasses any unwanted RF in
the audio output of the 6AV6 plate to
Earth. Because it was so leaky, it had
been shorting the audio and the plate
HT as well, thereby generating all of
the symptoms.
As others have noticed, mica capacitors are now increasingly failing, after
up to 90 years of fault-free service. If
a vintage radio has crackle then, as I
need to remind myself, a mica capacitor should be the first suspect.
Mica is a silicate mineral that can accommodate small numbers of various
metal atoms in a matrix of silicon and
oxygen atoms. 37 chemically distinct
forms are recognised. The crystalline
structure of mica takes the form of layers that can be split with nearly perfect
cleavage into thin sheets.
Silver can be plated onto opposite
faces of a thin wafer of mica and joined
to pig-tail leads either by soldering
or simple physical contact to make a
mica capacitor. Mica is possibly most
familiar as the support sheet used to
retain the heating wire in old electric
toasters. Mica has generally high resistance to electrical breakdown under
high voltage, dependant on thickness.
Failure of mica capacitors over time
can be due to (1) defects in the mica
(mica has many grades from poor
to high quality), (2) growth of silver
whiskers from the electrodes, (3) failure of the pig-tail to silver joint and (4)
ingress of moisture or reactive gasses
into the encapsulated capacitor.
The mesh behind the rear grille bars
restricts heat transfer, so the gap
below the handle at the top is the
major ventilation port.
All of these become more likely
with increasing age. For a rigorous
treatment of the causes of failure, see
the paper titled “Some mechanisms of
failure of capacitors with mica dielectrics” at: siliconchip.com.au/link/aav9
I feel that the 12 capacitors replaced
in this restoration represented good
value, restoring full function and guaranteeing future reliability. The result
was an iconic radio that delivers a
pleasant listening experience.
But wait, there’s more!
Shown below is the underside of the 1050’s chassis after all the paper and some of the mica capacitors were replaced.
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Australia’s electronics magazine
April 2020 93
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