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Vintage Television
Restoring
Restoring aa Sony
Sony 5-303E
5-303E
Micro-TV
Micro-TV
The Sony 5-303 Micro-TV was revolutionary
in 1962. It set the stage for what Japanese
electronic engineers do very well;
miniaturise things. It was not Sony’s first
miniature TV, though. In the USA, the small
Philco Safari TV beat Sony’s first small
transistor TV, the TV8-301, to market in
1959.
Fig.1: these specifications may not seem anything special today, but in the early
1960s, they were a big deal.
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By Dr Hugo Holden
The Sony Micro-TV sported a new
generation of silicon power transistors
that had temperature specifications
and stability unheard of compared to
the germanium transistors that preceded them. Sony developed these
transistors especially for use in their
own TV sets. The one that was proclaimed to be the mover and shaker
was the 2SC140 (see Fig.1).
Clearly, Sony was very proud of this
transistor and they wanted to show off
its spectacular features. The 2SC140
was used in the vertical output stage
and the horizontal oscillator and horizontal driver.
Oddly, there was a 2SD65 NPN
Germanium transistor buffer stage
between them, the importance of
which will become clear later.
Other silicon transistors used were
the 2SC15 as the video output device
and a 2SC41 as the horizontal output transistor. Generally, the rest of
the transistors in the set are germanium PNP types, including those in
the tuner, IF stages and the push-pull
transformer-coupled audio amplifier.
2SC73 NPN germanium types are also
used.
Other interesting features of this set
include a somewhat retro unregulated
12V DC power supply based on a selenium bridge rectifier (see Fig.2).
The EHT rectifiers were 1DK1 small
tube diodes, a commercial type, wired
as a voltage multiplier to produce 8kV
for the screen. As this EHT voltage is
very high for the screen size (just under
14cm diagonal), the set can produce
amazing high-contrast images even
in bright light; screen brightness is
quoted as 500 lux by Sony.
The CRT (Fig.3) is a 5-inch (13cm)
70° deflection type specially designed
by Sony. Its specifications are shown
in Fig.4. Not mentioned there is the
resolution, which is 300 columns x
400 lines, at 28 columns/cm and 45
lines/cm.
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Fig.2: selenium rectifier stacks are
famous for producing lots of toxic
fumes when they fail. That’s why
many people prefer to replace them
with modern rectifiers. Still, you
have to be careful because modern
rectifiers can lead to much higher
surge currents and have lower
forward voltages.
►
Fig.3: the 5-inch 140CB4 CRT was
designed for this application. It
provides excellent contrast.
Fig.4: specifications for the cathode
ray tube used in the Sony 5-303E
Micro-TV.
Block diagram
It was customary at the time to
include a block diagram in the manual (Fig.5). It shows the arrangement
of the diodes and transistors. The label
at the rear of the TV also says how
many diodes and transistors the TV
contains. Since these were expensive
items, there was perceived value in the
number of semiconductors inside: 25
transistors and 20 diodes (five of the
transistors were silicon types).
The Micro-TV was amazingly sensitive; Sony quoted a maximum sensitivity of 10µV at the input for 10V at
the picture tube cathode. The set also
had a gated AGC system, which was
advanced for the time.
The power consumption was quoted
at 13W on AC operation and 9.6W from
DC (12V). The set weighs in at 3.5kg
(8lbs). I read on a website that this
sets “runs hot”, which is nonsense. At
13W, given the size of the set, it barely
warms up, and there is plenty of convection cooling.
Sony’s goals for this TV were:
1. Be small in size & low weight.
2. Have the lowest power consumption of any mass-produced TV.
3. Operate perfectly as a completely
portable TV set under all conditions.
4. Provide easy servicing.
That last objective has now all but
completely disappeared from the electronics industry. Many items now
are designed for rapid and expedient
assembly at a factory.
Disassembly and repair is another
matter, if it can even be done without
special tools etc. Items are “life cycled”
and the expectation that a customer
would have any items repaired has
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Fig.5: helpfully, Sony provided this block diagram in the TV’s user manual,
showing the role of each transistor and diode.
Fig.6: this diagram shows the minimum and maximum signal levels which can
be expected throughout each stage of the TV during reception.
Australia’s electronics magazine
December 2021 95
faded away, into a new age model of
replacement goods.
Sony claimed that the AGC system
(with its pulse or gated design and
the automatic noise suppression they
dubbed ANS) would maintain synchronisation in a moving car where
the signal strength varies suddenly and
almost continuously, even in the presence of intense ignition noise.
Sony also published a very unusual
and helpful signal level summary that
is seldom seen in other manufacturers’
TV service manuals, shown in Fig.6.
As indicated, the maximum signal
gain is an astonishing 120dB. In practice, I have found that for a stable visible picture and sync, it requires about
100µV input at the set’s 75W input
connector. By about 150-200µV, it is
driven just out of the snow and a superclean video image results.
Two PCBs
Cleverly, to help servicing, Sony
broke the set into two PCBs, one near
the top of the chassis and one below.
They have similar geometry, with a
cut-out near the front for the CRT bulb
and a connector at the rear.
The upper board is shown in
Figs.7(a) & (b). It contains the AFC
(automatic frequency control for the
Figs.7(a) & (b): the upper PCB has the
components for automatic frequency
control/horizontal hold, the horizontal
and vertical scan oscillators and the
horizontal and vertical scan power
output stages.
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horizontal hold system), the horizontal and vertical scan oscillators and
the horizontal and vertical scan power
output stages.
On account of this, Sony created aluminium flanges that extended from the
PCB area to the front metal escutcheon
of the set, to move heat away from the
power output devices.
Fig.7(b) is the overlay diagram from
the manual, with the tracks shown as
if you are looking through the component side of the PCB.
When working on the underside of
the board, it can be useful to scan these
into a computer and flip them over, so
the tracks seen on the diagram match
the tracks that you see on the PCB
surface. That is especially true for the
upper PCB, as it is mounted with the
tracks facing upwards and the components out of view.
The signal board is equally as
impressive for the time, and is shown
in Figs.8(a) & (b).
Restoration
Back in the late 1970s or early 1980s
when I bought this TV, it was defective.
Even by then, nearly all the small electrolytic capacitors had failed, except
for the Alox types (described below).
The large main power supply capacitors were OK (and interestingly, they
still are).
I recapped the set and did a full RF
alignment with a sweep generator and
scope. I found some of my original
notes from that time, where I kept a
record of the video IF response curve
and how the particular IF adjustments
affected it (Fig.9). I also kept notes on
the sound IF alignment.
The sound response and adjustments are ideal when the set is tuned
such that the high-frequency detail in
the video image is optimal.
I adjusted the IF bandwidth of the
set at 3.75MHz (as per Sony specs). I
found that the 3.8MHz bars from my
pattern generator were easily resolved.
The 4.8MHz bars are not visible, as
expected (see Fig.10).
This is the sort of performance you
can expect to get with the video IF correctly set up with a sweep generator
and oscilloscope.
Latter-day TV restorers often try to
set up the video IF by other methods,
but I’m afraid there are no shortcuts
here, and for excellent results there
is no escaping the need for the sweep
generator and scope.
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Figs.8(a) & (b): the signal board carries the remaining TV circuitry not on the
upper “deflection” board.
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December 2021 97
3.8MHz Bars
Fig.10: as you would expect from a set
with an IF of 3.75MHz, the 3.8MHz
bars in this test pattern are distinct
while the 4.8MHz bars simply appear
as a solid grey block.
Fig.9: a redrawn version of my handwritten notes on the shape of the
video IF curve and location of the
adjustments on this set. I made these
some time in the late 70s or early 80s.
Note that while my TV has a VHF
tuner, the Sony Micro-TV was also
released with a UHF tuner. These were
popular in North America.
Fixing it up
Fortunately, the set I acquired had
few mechanical problems. One known
weak point with these sets is the
antenna clip.
The plastic hardens and cracks with
time, as shown in Fig.11. Mine was
a victim of this, so I simply handcrafted a new one from a block of
Nylon (Fig.12).
This little TV sat in its box for about
40 years after I initially recapped it. I
only occasionally used it. Recently, I
pulled it out again. Despite just being
in storage, it had developed some
faults. One fault in particular was
intermittent and very difficult to solve;
it took a few days and a lot of patience
to get to the bottom of it.
1. The vertical deflection linearity
was poor at the bottom of the scanning raster. This was not correctable
with the height and linearity controls.
This is often a symptom of high-ESR
electrolytic capacitors in the vertical
output stage area, but that was not
the case.
2. The horizontal hold was intermittent, with a combination of small
left and right jittery movements of the
horizontal position of the image, intermittently disappearing for some hours,
then returning.
There was also the occasional total
loss of horizontal hold at times, with
a sudden loss of raster width. The
H-oscillator would abruptly run a
much higher frequency than it should,
around 20kHz.
Improving vertical linearity
For #1, I checked the power supply, the resistors and the electrolytic
capacitors in the vertical stages; none
were out of spec or defective, including the vertical yoke coil’s coupling
capacitor.
Fig.13 shows the vertical linearity
problem. The horizontal linearity is
also not ideal; this is discussed later,
as it is intrinsic to the design and not
easy to fix.
As can be seen, the raster lines are
compressed toward the bottom. In this
set, there is plenty of height control
and the raster will easily double in
height, so there is plenty of dynamic
range in the output stage.
However, the vertical linearity control only has a significant effect at the
top of the raster. One might think that
to acquire a linear vertical scan, the
Fig.11 (above): pretty much all Sony 5-303E sets will
suffer from a broken plastic antenna clip by now, as
the plastic becomes brittle over time.
Fig.12 (right): I hand-crafted this replacement
antenna clip (circled in red) from a small block of
Nylon. It isn’t pretty, but it works. I could paint it
grey in future for a more factory appearance.
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current in the vertical output transistor should be a linear ramp, during
scan time at least.
On testing with the scope, with the
raster shown, the transistor’s current
appeared as a near-perfect linear ramp,
but this is not normal. However, to get
a linear scan given the properties of the
vertical yoke coils, the yoke coupling
capacitor and the collector load choke
need to be compensated for.
So the current and transistor base
drive voltage that is required for a linear raster scan needs to flare upwards
toward the end of the scan. This is
shown with the required waveform
(red star in Fig.15) in Sony’s manual.
Sony achieved the upward curve
by placing positive feedback around
the vertical output stage with C707, a
10µF electrolytic capacitor, and R714,
a 620W resistor. This feedback is not
enough to cause the amplifier to oscillate, but resulted in the upward rise of
current in an exponential-like manner towards the end of scan time. The
positive feedback also helped with a
fast flyback.
Yet in my set, with original-value
resistors and capacitors and tested
transistors, the output stage current
was more of a linear ramp, and so the
raster was compressed at the bottom.
Also, the sawtooth voltage developed across 100µF capacitor C702,
by the 330W charging resistor R704,
was closer to 4V peak-to-peak, rather
than the 2Vpp specified in the service
manual.
One aggravating factor here is the
20ms interval with a 50Hz vertical
scan frequency versus the 16.7ms
interval for the 60Hz scan frequency
used in the USA. The voltages here
also agreed with calculations.
This means that, in the 50Hz system at least, the height control needs
to be set at near minimum (larger
resistance).
This reduces the value of the positive feedback signal that is mixed in
with the sawtooth voltage (as it has
to pass via the height control) to the
vertical amplifier’s input at transistor
X17’s base. This aggravates the compression of scan lines toward the end
of the scan, at the bottom of the raster.
I corrected the poor scan linearity
by increasing the value of R704 from
330W to 750W. That reduced the amplitude of the sawtooth voltage across
R704 to 2.4V peak-to-peak, close to
the manual’s suggestion of 2Vpp (with
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Fig.13: after taking my set out of
storage, I noticed that it had very poor
vertical linearity, as is apparent from
the ‘squashed’ blocks at the bottom.
Fig.14: et voila, with a few minor
component modifications, the set
demonstrated far superior vertical
linearity.
Fig.15: the vertical deflection section of the circuit, with expected waveforms. Note
how the waveform at the bottom of C702 is a linear ramp, while the base of X18,
the vertical power transistor, has a modified ramp with an accelerated rise rate
towards the end of the ramp. This compensates for the properties of the vertical
yoke coil, to provide better vertical linearity. My set was missing that spike.
this change, the most negative part of
the sawtooth waveform sits at 6.6V).
This meant that the height control
could be adjusted for a lower resistance (more height). This improved the
positive feedback. To further improve
the situation, I changed C707 from
10µF to 15µF, increasing the positive
feedback.
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Another helpful change was to parallel a 3W resistor with the existing 3W
resistor in the emitter of the vertical
output transistor. Normally, the voltage across this resistor is 0.33V, giving
an emitter current of 110mA. With the
extra resistor added, the voltage drops
to 0.22V across 1.5W, and the new
emitter current is 146mA.
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Fig.16: to track down the faults in
the horizontal sync circuitry, I had
to disconnect one leg of the 3kW
resistor from its pad with solder
wick. That disabled the AFC,
allowing me to figure out whether
the fault was in the horizontal
oscillator or the AFC circuitry (it
turned out to be the latter).
This increase of about 36mA takes
the transistor’s power dissipation from
about 1.32W to 1.75W. Sony advises
that the 2SC140 is capable of 1.75W
without a heatsink, and in this case,
it has a heatsink and only runs warm
to the touch.
Probably, there are some aging
effects on this transistor over time. I
do not want to replace it because of its
historical significance. The result after
these vertical linearity corrections is
shown in Fig.14. I think you will agree
that it’s a big improvement.
Horizontal instability
Once the vertical scan linearity problem was solved, I moved onto to the
horizontal image instability and hold
problems. Solving this was trickier
than usual, as there were actually three
problems. The section of the circuit
shown in Fig.16 helps to explain it.
Firstly, on the simple side of things,
the HOR. HOLD preset was defective
and at a certain point of its rotation, the
resistance value suddenly jumped (not
corrected by cleaning). If it was set near
that position, the resistance value was
erratic. So I replaced it with a modern 10kW preset pot on a small piece
of plated through-hole spot board, as
shown in Fig.17.
Notice that the resistors are radial
types, to stand up off the PCB; most
are 5% tolerance parts. All but one of
these resistors in my set were in excellent condition.
The cause of the sudden massive
change in horizontal frequency was
very interesting. NPN germanium
buffer transistor X22, a 2SD65, was
intermittent. It would suddenly lose
its ability to buffer, and the sudden
loading on the horizontal oscillator
forced the scan frequency up very
high, to around 20kHz, well outside
the capture range of the AFC.
I concluded that one of two things
was happening to this transistor: either
the collector connection inside the
transistor was intermittently going
open-circuit, or the base-to-emitter
terminals inside the transistor were
being intermittently shorted out by
something like a tin whisker. Both
mechanisms result in the same failure to buffer.
Of the two, I’m very suspicious
that it is tin whisker disease, because
I could not detect any voltage drop at
all across the base-emitter junction at
the time of the failure, and one would
have expected about 300mV.
A suitable NPN Germanium transistor replacement for the 2SD65 is an
AC127. In this case though, since it is
a switching circuit and not an analog
circuit with specific bias requirements,
Fig.17: one of the preset pots had gone bad, and since I
couldn’t easily source a replacement, I rigged up a modern
trimpot of the same value to fit in the same location.
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Alox Capacitors
These capacitors are very interesting.
They are potted in a brown resin, somewhat reminiscent of a modern-day tantalum capacitor, but they have a wax
coating over the resin too. They have
a logo I cannot recognise; it has some
similar features to the Siemens logo,
but it is not exactly the same. I copied
it as best possible below.
On testing the leakage properties
of these Alox capacitors, they are very
similar to a Tantalum capacitor.
It is interesting that Sony used
these in their sets, since they had the
advanced technology to make silicon
transistors and might have made their
own capacitors if they had wanted.
The fact these capacitors are all
working nearly 60 years later says a
lot. Presumably, they are some sort of
solid aluminium electrolytic (modern
and the transistors around it are silicon types, I simply replaced it with a
high-quality gold-plated leg vintage
BC107A (Fig.18).
Usually, I would replace a germanium transistor with an equivalent
germanium type, to avoid any other
changes in the biasing. But in this case,
it didn’t matter.
The third fault was where the fun
really began; it took about three days
to locate because it was intermittent.
After fixing the first two problems, I
was initially convinced all was well.
Then, much to my horror, another fault
occurred. The horizontal position of
the locked image had a random jitter;
a few millimetres this way and that.
Then the problem would disappear for
some hours and return.
One problem is with the horizontal
AFC in lock, any changes inside the
control loop from an intermittent component will be partially cancelled due
to the loop behaviour.
So several thoughts crossed my
mind: could the incoming sync pulses
be changing their shape randomly?
Could the phase splitter transistor
driving the AFC diodes be noisy?
Could an AFC diode be noisy? Or
could the old Alox capacitors be defective? Or maybe the horizontal oscillator transistor was defective and noisy,
and having erratic small frequency offsets to cause the effect?
I decided the better move was to
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versions are available). The one
marked 5µF read as 6µF on my meter.
Even though these capacitors
tested perfectly, I replaced the 1µF
and 2µF ones with non-electrolytic
Wima MKP 50V types (the pink-red
colour ones seen in the photo of the
deflection board) and the 5µF with a
6.8µF 50V tantalum.
This will hopefully avoid any future
problems; but who knows, these vintage Alox capacitors may well still be
better than modern types. 57 years is
a pretty good test window.
break the loop (red star in Fig.16). I
fed in a clean DC control voltage to the
horizontal oscillator via R801 (3kW)
and watched the test pattern float by
horizontally. The oscillator appeared
very stable, certainly with no jitter,
so at least that part of the circuit was
ruled out.
Looking at the AFC voltage on the
scope with the broken loop, the fault
was present. The DC level of the AFC
voltage was randomly jumping up and
down about 50-100mV at times.
I also tried feeding clean sync
pulses from the generator directly
into the phase splitter X15, but the
fault remained. At that point, I disconnected the two coupling capacitors
on the legs of the phase splitter output
(green stars on the diagram) using solder wick and a temperature-controlled
soldering iron (these old phenolic
PCBs are very heat-sensitive).
The fault remained, so that ruled
out the phase splitter transistor, its
resistors and the two disconnected
capacitors. At this point, I thought the
most likely explanation was that one
of the IT22 germanium AFC diodes
was defective and probably noisy. I
replaced them one at a time with OA47
diodes. The fault and the jitter on the
AFC output remained.
At this point, I double-checked
all of the capacitors. I had previously replaced Alox capacitors C611
and C607 with high-quality Wima
Fig.18: despite being a silicon
transistor, the BC107A (left) was a
perfectly fine replacement for the
internally faulty germanium 2SD65
(right) in my set. That’s only because
of the way it was used in the circuit
though; it isn’t operated in a linear
manner. If it were, a germanium
replacement with similar properties
would have been required.
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Fig.19: this innocent-looking 100W
5% resistor was the source of all my
frustrations! It measured OK by itself,
but when current passed through it,
its resistance varied wildly.
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The complete circuit of the Sony 5-303E Micro-TV. It’s
astoundingly elegant, using just 25 transistors and 25 diodes for
all functions.
non-electrolytic types. I eliminated
all the other capacitors by desoldering one leg and by substitution. The
intermittent fault still remained.
At this point, I was running out of
ideas, so I started checking the resistors. I was worried that if I heated
them, the fault might vanish. Looking
at the circuit, I could see no reason
why I couldn’t eliminate each one in
a test by shorting it out, avoiding the
need to desolder any. The resistors to
test for noise were R610, R611, R612,
R614 and R615. All of these resistors
had correct values on the meter.
When I shorted out 100W resistor
R612 (Fig.19), the voltage jitter vanished. The intermittent fault causing
the small, yet apparent horizontal
picture shift was due to this resistor.
Inspection of the resistor showed it to
look physically normal, but on testing
and passing a current, its resistance
value was erratic.
it doesn’t have a width control inductor either. That explains why the Sony
Micro TV has those horizontal linearity errors.
If a technician sees these errors and
wants to fix them, without realising
that they are inherent to the design,
they could spend months trying to
improve it. It is quite different with
the vertical scan linearity, which can
be adjusted simply by changing the
drive wave shape to the vertical scan
amplifier.
To correct these horizontal scan
linearity errors would require more
horizontal scan width, meaning an
increased HT with the same line output transformer and yoke, and the
addition of a width control inductor,
an S-correction capacitor and magnetic saturable reactor. So it is not a
practical proposition. In this case, I
thought it better to accept those errors
as a feature of the simpler design.
Horizontal linearity
Raster scanning
Also noted from the screen photos, the horizontal linearity is a little
stretched on the left compared to the
right. In more modern video monitors
and TVs, two things are done to correct horizontal linearity errors. One
is to have an S-correction capacitor
in series with the horizontal yoke
coils; the other is to have an adjustable magnetically saturable reactor
coil in series too.
This set has neither an S-correction
capacitor or a magnetic linearity coil;
I think it was a pretty astonishing
feat that Sony came up with an effective vertical oscillator and scan circuit
that used only three transistors in total.
Because of this, it is not surprising that the adjustments and mix of
currents at the input to the two-stage
vertical scan amplifier (transistor X17
and output stage X18) are critical for
a linear scan.
A more modern TV would contain
at least two or three or more transistors. So I cannot but admire the genius,
Fig.20: Sony’s follow-up was the 5-307 TV, and as you can see here, there are
many similarities with the 5-303 (compare this to Fig.15). But they also made
some well-advised changes, including some which addressed the very same
vertical linearity problems that I encountered in my set.
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simplicity and economy of what Sony
did with the vertical oscillator and scan
amplifier. Later though, they changed
the design.
Sony’s next model, the TV 5-307U,
sported a UHF tuner. It seems that
Sony might not have been entirely
happy with the design of the vertical
scan oscillator and amplifier in the
TV 5-303.
Sony modified the positive feedback loop design in the 5-307 (Fig.20),
as I had to in my 5-303, but in a different way, eliminating C707. They
also used a silicon oscillator transistor, lowered the value of sawtooth
capacitor C702 from 100µF to 20µF,
and used a higher value charging resistor, 2.7kW vs 330W.
On top of this, they modified the
collector-to-base bias resistor R706 on
input transistor X17. It is now split into
two resistors with a 10µF capacitor to
bypass the AC component of the negative feedback. This has the effect of
increasing the AC signal gain of input
(drive) transistor X17. There are also
some other value and transistor type
changes.
Final points
If this set is run from a 12V external battery, it is vital that a resistor of
at least 1-1.5W is placed in series with
the battery. This is also shown on some
of Sony’s diagrams, but not all. The
reason is that a lead-acid battery can
have a very low internal resistance,
especially a car battery.
Fig.21: I added these three
components to protect the CRT from
damage at switch-off due to a bright
spot appearing in the centre of the
screen. It’s caused by the immediate
shutdown of the horizontal and
vertical deflection, while the electron
beam continues for some time. These
components shut down that beam at
switch-off.
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Just how small is this set?
This advertisement from Life Magazine, March 1963, shows this amazing little
TV set. While I didn’t realise it at the time, it was very clever marketing to show
the Micro-TV next to two very young children (possibly around four years old).
It gives you an immediate idea of the size of the set, while also showing a reallife application a parent might benefit from: the entertainment of young children.
Sometimes, advertising agencies actually do a great job. In more recent times,
the field of advertising has been cynically renamed “perception management”.
The text at the bottom of the advert reads:
“People once said Micro TV might happen in the Seventies. Sony research
and engineering made it happen a year ago. This revolutionary set weighs
just 8 lbs, and is about the size of a telephone, yet it outperforms standard
receivers in both sensitivity and durability. And it plays anywhere... on its own
rechargeable battery, 12V auto-boat battery, or AC.”
“You can put the Micro TV beside your bed, on your desk, in your boat, car,
den, patio or picnic basket. High fidelity sound is always assured. Epitaxial
transistors – the powerful, sensitive type used in advanced electronic equipment – give it a matchlessly sharp, clear picture. See it at a Sony dealer. Be
among the many enjoying the Set of the Seventies today.”
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When the heater in the CRT is cold
and has a very low initial resistance,
the surge current can be extreme
enough to bright-flash part of it and
even fuse it.
With the resistor, in conjunction
with the high-value filter electrolytics
in the set, the CRT heater gets a softer
start, and the voltage applied to it rises
more slowly.
Also, on my set (and this problem
affects many TVs of the era), at turn off,
when the CRT’s scan stages initially
stop the deflection, the CRT heater
is still warm and the CRT’s electrode
voltages can stay up for a while. The
intense energy applied to the phosphor near the centre of the screen can
damage it over time, so it loses its sensitivity in that area.
Many TV and VDU manufacturers
added “turn-off spot killers” to prevent this problem. The other thing
that helps is to remember to turn the
brightness to zero before powering
the TV off.
I added a small turn-off spot killer
circuit to my set, as shown in Fig.21.
It charges a capacitor from the power
supply via a diode. This is so that, in
case the TV gets turned off and on rapidly (or has a bad power supply connection), the capacitor charges very
quickly initially.
Then when the power is switched
off, the TV’s 12V supply collapses fairly
quickly to zero. This takes the diode
side of the capacitor to about -12V; then
after a while, the capacitor discharges
via the 33kW and 3.3MW resistors. This
creates a long-duration negative voltage pulse at the CRT grid at turn-off,
helping to extinguish the beam current.
These three components are simply
mounted on the lower PCB connector
pins where the existing 3.3MW resistor
and 0.05µF capacitor reside. There is
plenty of room there.
Another simple method that works
is to increase the charge storage on the
video amplifier circuit’s power rail (in
the case where the video amp drives
the cathode and is directly coupled).
This can be done by powering it via
a series diode and adding an electrolytic filter capacitor on the supply rail.
This way, at turn-off, the cathode
voltage stays high for a while, also
helping to extinguish the beam. In the
case where it is AC-coupled, the same
idea works with some added charge
storage on the brightness control circuit in the cathode.
SC
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