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Vintage Radio
Calstan Model 559M2 AM/SW
superhetrodyne
By Fred Lever
This set is an important part
of Australian radio history,
yet it’s a bit of a mystery. I can
find little information on this
model and it looks very hastily
made, especially the timber
cabinet, which seems to have
been thrown together. However,
it’s a decent performer and
mostly just needed cosmetic repairs.
I
purchased this radio (serial number 10538) from eBay in a non-
working condition. From the photos
in the eBay listing, I could see that
some of the knobs and back-plate were
missing and the dial was not in good
condition. In summary, the radio was
looking a bit sad (see Figs.1 & 2), so I
decided to rescue it.
My first move was to remove the
chassis and have a closer look (Fig.3).
The chassis was complete, with 1960s
style components and no thought
given to neatness; it was just wired
point-to-point (see Fig.4).
The first repair I undertook was
to sort out the dial stringing, as the
pointer had fallen off the top of the
dial and was hanging loose. All that
I really needed to do was free up the
seized spindle and pulleys and put
the pointer back where it came from;
that returned it to operating condition.
Unable to find any details of this
model, I sketched the circuit diagram
(Fig.5) and found it to be close to that
of a previous model 549 but with an
updated IF valve, changed from the
6BA6 type to a 6N8.
The type of components used suggests the set was made in the late 1960s
or early 1970s. The Rola 7000/3-5 output transformer has a date stamp of
30 October 1968 (Fig.6), and there are
plenty of model numbers
on the chassis, but there is no
ARTS&P sticker. The set uses an MSP
8C oval speaker, labelled MSP 6.4/M
A/3 50018.
Who was Calstan?
Calstan was a brand name for testing equipment designed and made by
Charles Slade pre-1939 for the radio
Figs.1 & 2: the Calstan (also known as Slade) 559M2 radio was initially
provided in ‘worn’ state, with some knobs missing and the dial a bit scuffed.
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industry. It is said that the name
Calstan is short for “Calibrated Standard”, which suits the excellence of
the products made by Slade. Neville
Williams wrote an article for Electronics Australia about Charles Slade
(November 1992, pages 14-17).
Post-war, Slade concentrated on
selling radios from Slade Radio Pty Ltd
in Lang St, Croydon in Sydney (near
Burwood and, interestingly, quite
close to the site of a Jaycar store today).
It is said that the Zenith Radio Company were also involved, and there are
references to later Calstan radios being
produced by Zenith.
Whoever made it, this radio is a
sound design electronically, but the
cabinet is very crude with no frills
in the design or construction. It does
not look like a receiver Zenith would
have made. The whole thing shouts
low-volume and possibly even madeto-order.
Fig.4: the underside of the chassis had been assembled using pointto-point wiring, despite the radio looking like it was produced in the
1960s.
Getting it going
This set had not been powered for
a long time, so it took some time to
reform the filter capacitors using a low
applied AC voltage via a variac. With
that done, the set worked, but it had
very weak volume. A simple resistor
check revealed that the 470kW plate
resistor on the 6AV6 was open-circuit.
It was one of those tiny half-watt IRC
carbon resistors, so I replaced it with
a 1W resistor.
The set then worked normally. Its
performance is quite good; I didn’t
measure its sensitivity, but the set is
very lively and capable of generating
Fig.3: a quick look at the topside
of the chassis showed that it
was complete, without any parts
noticeably missing.
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May 2022 103
Fig.5: this circuit diagram for the
Calstan model 559M2 is very similar
to the previously released model
549 from 1954. Note the available
connections for both an internal and
external speaker.
up to 18V on the AGC line, with an
ample sound level. Luckily, that was
the only electronic repair I had to
make.
The converter is a conventional
set-up using a 6BE6 pentagrid with
tuning gang control and a changeover switch to select between the AM
(broadcast) and SW (shortwave) bands.
The full valve lineup is 6BE6, 6N8,
6AV6, 6AQ5 and 6V4. The intermediate frequency transformers (IFTs) are
AP1008 52 types.
I noted that the IFTs have damping
resistors on the primaries; presumably,
that was done to broaden the response
of the coils by lowering their Q figures.
The first three valves run with
grounded cathodes and bias is applied
by the AGC feedback line to all control grids. The intermediate frequency
(IF) amplifier valve is a 6N8, using the
pentode section with the two internal
diodes unused.
The set has a simple AGC system,
with the voltage derived from the
diodes residing in the 6AV6 audio
amplifier that also demodulate the IF
to produce the audio signal. Audio
is fed, via the volume control, to the
6AV6. That then feeds a self-biased
6AQ5 which drives the 7kW coupling
transformer.
The tone control circuit is quite
complicated, being part of the negative
feedback loop with both low-volume
bass boost and a top-cut roll-off control. A phono/radio switch is fitted,
allowing for a ‘pickup’ feed-in socket.
The power supply is standard,
with a 6V4 full-wave rectifier feeding a ‘T’ filter with two RC pi filters
to smooth the 180V HT supply and
Fig.6: the output transformer had the
date 30 October 1968 stamped on it.
Fig.7: the words “WARD 1. P.P.C” can
be seen pencilled into the case.
Fig.8: I cleaned and re-glued the
cabinet as it was showing its age.
Circuit design
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also a 220V tap-off point to power the
output stage.
Repairing the cabinet
With the set going, I turned my attention to the cabinet. It is just a timber
box with no frills, 350mm wide and
200mm high.
It’s possible that there never was a
rear panel as the whole thing looks
“cheap as”. I found the inside of the
box was interesting as the maker had
pencilled markings on it and did not
bother to remove them, including one
mysterious label which reads “WARD
1. P. P. C.” (Fig.7).
Some of the plies were separating
from the base timber, so I added some
strengthening bits, glued the lifting
plies down, bogged it up and sanded
the whole thing back – see Fig.8.
The front cloth cleaned up nicely
with fabric cleaner, looking almost new.
I applied a turps-based sealer and, once
dry, a same-brand gloss coat to the timber. The wretched thing fish-eyed with
something leeching through the sealer,
disturbing the gloss coat badly (Fig.9).
Talk about disasters in the paint shop!
While that was drying, I brushed a
turps-based black coat on the inside
(Fig.10). I finished it off by spraying
the knobs gold and cutting a piece of
scrap Perspex for a back panel to prevent burnt fingers (shown below).
I tarted the chassis and speaker up
a bit by cleaning them and applying
some gloss spray, then reassembled the
set. The gloss coat took about a month
to harden, so that was another painting disaster! I still need to add Letraset
labels for the controls onto the front of
the refinished cabinet. The knob functions from left-to-right are tone control,
volume control, power switch, band
switch and tuning.
I have seen pictures of Calstan radios
with white letter transfer legends above
the controls and a cast gold-coloured
metal logo, but this set had neither. I’ll
have to put something on the controls,
but I won’t worry about the logo as the
dial has the Calstan logo at the top.
Fig.9: a fabric cleaner was used on the
front panel cloth, and a gloss coat to
the timber cabinet.
Fig.10: a black coat of paint was then
applied to the inside, and the front
knobs sprayed gold.
Fig.11: the chassis was then remounted inside the cabinet with the MSP speaker,
measuring 9 x 6-inches and rated at 15W. After mounting the chassis, the rear of
the cabinet was sealed with a piece of clear Perspex as a safety measure (see the
photograph below).
Conclusion
I think this set is an important part
of Australian radio history. I have not
seen another one of this model. It was
probably among the last made with
the Calstan name, possibly from leftover stock and scrap parts, hence the
awful woodwork. Still, it’s worth preserving, I think.
SC
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