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These speakers are retro, stylish and surprisingly good performers. They’re
also pretty easy to make and don’t cost the Earth. My wife liked them so
much that she actually wanted me to put them in the living room!
By Phil Prosser
H
ere is our take on the IKEA salad
bowl speaker concept that has
been spreading around the internet,
which we think came out really well.
This article describes a fully functioning pair of desktop/bookshelf speakers
and gives some suggestions for tweaking the design to suit your needs.
What initially attracted us to this
idea was the mix of an old-school
spherical speaker with extreme ease of
construction. While the initial motive
for building these was style and looks,
it quickly became apparent that these
little cuties had more to offer than that.
Those who make speakers will be
quick to comment that a sphere should
be highly resonant; however, our tests
show this is not the case. The fact that
the driver forms a significant portion of
the surface area of the sphere results in
the Q of the internal resonance being
relatively low. As a result, our measurements don’t show resonant peaks
in the response.
Another benefit of a spherical
speaker is that it has no edges. Or
is it all one edge? Either way, concerns like edge diffraction and baffle
effect are avoided. The fact that these
speakers are spherical makes them
extremely rigid.
Edge diffraction is the effect of
sound waves propagating from the
driver across a speaker’s front panel,
then hitting the edge, which forms
a discontinuity from propagation in
‘half space’ to ‘free space’. This change
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Silicon Chip
causes diffraction at the speaker edges,
affecting the frequency response and
off-axis behaviour.
There are many ways a spherical
speaker can be mounted. Without creating a solution to this, they will tend
to roll around! We have come up with
a couple of options, including feet for
the desk version and “rocket” floor
stands, both shown in the photos. The
desktop version uses three small doorknobs as feet.
The loudspeaker driver used is the
SB Acoustics SB12PFCR25-4-COAX, a
bass/mid driver with a coaxial tweeter
(mounted in the centre). This allows
us to achieve really good performance
from about 70Hz upwards. These work
brilliantly as desktop speakers and
would also match well with any of our
subwoofers crossed over at 80-100Hz.
If you’re interested in matching
these speakers with a subwoofer,
check out my Tapped Horn Sub design
(September 2021 issue; siliconchip.
au/Article/15028), which is inexpensive and easy to build. You could also
consider the very high-performance
Active Subwoofer (January & February 2023; siliconchip.au/Series/390).
We chose this specific SB Acoustics driver because it incorporates the
tweeter, and neatly addresses the challenge of finding somewhere to mount
the tweeter. The only other solution
we could think of was to mount the
tweeter externally, which we did with
the floor-standing version, but it was
a real hassle.
We have added a port to our enclosure. This allows us to extend the
lower frequency response to about
70Hz, with some useful output below
that. That is a good result for such a
small speaker and is reasonable in
its intended applications of desktop
usage or placement in a small room.
Don’t try to run a dance party using
these speakers, though.
There is a bit of a hump in the frequency response in the 100-200Hz
region. This is a result of the port
and helps fill out the bottom end,
given the roll-off below 80Hz. The
black line in Fig.2 shows the low-
frequency response you will achieve
Features & specifications
–
–
–
–
–
–
–
–
–
Compact full-range loudspeakers with a unique appearance
Simple construction
Spherical enclosure minimises diffraction
Coaxial tweeter for good off-axis response
Can be desk or floor mounted (the latter with a simple stand)
Frequency response: 70Hz to 20kHz (±3dB typical)
Power handling: 50W RMS per channel
Impedance: nominally 4Ω
Relatively low total cost
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Fig.1: the modelled response of these Speakers with a 90mm port (green curve)
or tuned for 58Hz with a 160mm port (orange curve). The longer port gives more
output below 70Hz, but trades that off against reduced output between about
70Hz and 200Hz.
if you simply omit the port. If you use
these on a desk backed up to a wall,
omit the port.
We used a 25mm port from Wagner
Electronics, cut to 90mm in length.
This tunes the system to resonance at
74Hz. In practice, the vent ends close
to the driver magnet, so its effective
length is over 90mm. This tuning gains
us a couple of decibels of extra bass in
the roll-off region.
In an ideal world, this port would
be 160mm long, tuning the enclosure
to 58Hz, but there is not enough room
in the enclosure for that - see Fig.1.
Cost
While these speakers are designed to
be relatively inexpensive, we are using
high-quality drivers from SB Acoustics that cost around $90 each. We also
can’t avoid some relatively expensive
air-cored inductors in the crossover,
meaning the total cost to build these
speakers will be about $350. Still, it’s
hard to buy a decent pair of speakers
for less than that.
You might be able to build a pair
for around $300 or perhaps a bit less
if you take some shortcuts, eg, if you
come up with alternative feet and wind
your own air-cored inductors.
Crossover
The crossover we’re using is based
on that recommended by SB Acoustics with some minor modifications.
This is a third-order electrical crossover at 2.2kHz. Third-order is a higher
order than we would generally want
to use. Still, given that the tweeter
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resonance is at 1300Hz, it’s necessary
for the crossover to occur at a sensible frequency.
Our measured frequency response of
the driver in the spherical enclosure
(Fig.2) is very close to that SB Acoustics provides. The only notable difference is that our tweeter was 1-2dB less
sensitive than theirs.
Fig.2 is a raw measurement of the
driver with no processing at all. We
are looking for spikes and dips that, if
present, will colour the sound. Happily, the response is actually very
smooth. We will discuss that chasm
at 12kHz or so later; the short answer
is that it disappears off-axis. Those
wobbles in response at the bottom end
are due to floor and room interactions.
We were about to start a fresh crossover design when we noticed that SB
Acoustics published a recommended
crossover circuit. When a manufacturer publishes a reference design, it
is usually a great starting point. We
duly tested it.
Given the tweeter’s small diameter,
a third-order design was appropriate.
It is important to drive as little energy
at 1.2kHz into that tweeter as possible. The woofer also has a third-order
crossover, which makes sense from a
symmetry perspective. This driver is
well-behaved, as shown in Fig.2. So,
if not for the tiny tweeter, a second-
order crossover may have been better.
The resulting system response is
shown in Fig.3. This is very flat
through the main audio range, up to
10-15kHz. The dip between 10kHz
and 20kHz can be seen to move as you
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You could repurpose a couple
of coat racks as speaker stands
since the Speakers are small and
light, or build similar stands from
MDF or other timber. We used a
driver without a coaxial tweeter
and mounted the tweeter under
the enclosure, but it doesn’t look
great and is fiddly to assemble. We
therefore recommend you stick
with the coaxial drivers.
September 2023 19
20dB
10dB
0dB
-10dB
-20dB
-30dB
50Hz
100Hz
200Hz
500Hz
1kHz
2kHz
5kHz
10kHz
20kHz
Fig.2: the measured frequency response of the SB Acoustic SB12PFCR25-4
driver without any processing or smoothing. The woofer response is in black,
while the tweeter is in red. The dip above 10kHz is discussed in the text.
20dB
10dB
0dB
-10dB
-20dB
-30dB
50Hz
100Hz
200Hz
500Hz
1kHz
2kHz
5kHz
10kHz
20kHz
Fig.3: the overall Speaker frequency response with 1/6th octave smoothing,
with on-axis response in black and 15° off-axis in red. This is very good for
such a simple design. The dip at about 12kHz is a consequence of the tweeter
location. As the crossover is optimised for a 15° off-axis response, that dip has
disappeared in the red curve.
move off-axis. This is likely a consequence of the coaxial tweeter and varying path lengths from the exit of the
coaxial tweeter to the woofer voice
coil former.
It is important to note that there is
no sign of the crossover at 2.2kHz in
the frequency response plot. In short,
this crossover works very well with
the driver.
The following hypothesis hasn’t
been proven, but the wavelength of
12kHz is about 27mm, and destructive interference will occur for a path
difference of 10-15mm. Given the
location of the tweeter cone relative
to the coil edge, the dip makes sense.
It also explains why the dip changes
in frequency and disappears as you
move off-axis.
This ripple in response is at a frequency near the limit of what most
people can hear, so it is not a big deal.
Our frequency response plot was
made 1.2m above the floor at a distance
of 30cm, the same distance at which
the manufacturer’s response plots
were made. When used on a desk, as
we expect these will be, there is no sign
of that dip. It’s only apparent when
the driver is measured in free space.
There are all sorts of other artefacts
in the plots, which, in our test location, resulted from our monitor, keyboard and probably even coffee cup!
These peaks and dips move all over
the place as you move around the
Speaker. Running the risk of being told
to clear our desk, Fig.4 shows several
measurements of the Speaker in different locations.
Subjective evaluation
20dB
Fig.4: the frequency response of a Salad Bowl Speaker with 1/6th octave
smoothing and reflex port installed at various locations. The black curve is
about 15° off-axis, red is straight on, blue is elevated about 400mm and again
about 15° off-axis, and purple is on the other side of the desk at a similarly
elevated location. The low-frequency ripple from the room is very evident.
These speakers sound pretty darn
good using the standard crossover. We
did make two minor changes, though.
Firstly, we reduced the tweeter attenuation resistor to boost treble by 1dB.
Also, the OEM design used a 0.4mH
series inductor for the woofer. We had
a bunch of 250µH units available, and
calculations showed it would make
a negligible difference, so we went
with that.
Given how well these measured, we
shelved any idea of redesigning the
crossover. Why break something that
works? The final crossover is shown
in Fig.5.
The change from 2.2W to 1.5W for
the tweeter series resistor will increase
the tweeter output by about 1dB and
slightly improves damping. Given the
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10dB
0dB
-10dB
-20dB
-30dB
50Hz
20
100Hz
200Hz
Silicon Chip
500Hz
1kHz
2kHz
5kHz
10kHz
20kHz
Fig.5: the crossover circuit provides a third-order high-pass filter (HPF)
for the tweeter and a third-order low-pass filter (LPF) for the woofer,
crossing over at about 2.2kHz. There is no phase inversion. We have made
the resistor 1.5W as that provided better balance in our speakers than the
suggested 2.2W. Still, if your tweeters are less or more sensitive than ours,
you may wish to tweak its value.
frequencies involved, it is not likely
that the reduced sensitivity is a consequence of the spherical enclosure; it
could be that our samples are slightly
less efficient than average (or the ones
they tested were above average in efficiency).
When building yours, consider
experimenting with values of, say, 1W,
1.5W and 2.2W to see which results in
the most natural sound in your application.
Practical considerations
The mounting location for the crossover was a bit of a head-scratcher.
Usually, we would make a PCB and
screw it to the enclosure. That is not an
option here as, being spherical, there
are no flat surfaces to use. There is
also precious little room to play with.
So we made a PCB with rounded
edges that you can glue into the
speaker base. It just fits through the
driver hole, and we have placed the
1.5mH inductor so that you can snug
this up against the port and glue
them together – see Photo 1. We used
neutral-cure silicone sealant to glue
the crossover PCB to the enclosure, as
it will stick to just about anything, and
once it sets, it is very resilient.
Building the speakers
The sole ‘tricky’ part of building
these speakers is cutting the bottom off
one bowl to accommodate the driver.
If you have a router or can borrow one,
it will be much easier than you might
think. We reckon it would be possible
to use a tenon saw and do this by hand
if you clamp the bowl well, as the bowl
wall is only 8mm thick.
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When we cut off the bottom of the
bowl to accommodate the speaker
driver, we need sufficient material
left to screw into. To achieve this, we
took an MDF off-cut and cut it into
two 120mm circles using a jigsaw. We
then used an 80-grit sanding disc in a
drill to get them to be rough fits to the
bowls – see Photo 2. The fit does not
need to be perfect; we will glue it in
with acrylic filler.
Use an N95 mask and work outside
(if possible) when cutting and sanding
MDF. Having a vacuum cleaner pick
up the sawdust as you make it is also a
good idea. MDF dust is a health hazard.
Once you have roughed the wood
so it fits with a gap under, say, 5mm,
apply acrylic filler liberally around the
sloped section and squeeze it into the
bottom of the bowl, as shown in Photo
3. It is a good idea to drill a hole in the
middle of the MDF to allow air out as
you stick it in. Leave it for a week to
really set.
Photo 1: you can see how the
port, driver and crossover fit into
the spherical enclosure that was
made by gluing two salad bowls
together. You can also just see the
MDF reinforcement ring behind
the circular driver cutout.
Photo 2: we roughly cut two
120mm MDF discs from off-cuts
(left), then used an 80-grit sanding
disc in a cordless drill chuck to
shape it to fit in the bottom of the
bowl (right).
Routing
We used our circle jig (described
on page 61 of the January 2023 issue)
and a router to expand the flat portion
of the bowl base to an outer diameter of 122mm, matching the diameter
of the SB12PFCR25-4-COAX driver.
We placed the bowl top-down on the
workbench and drilled a hole in the
middle of the base to centre the router.
Make this route in two or three cuts,
and do not cut too deep.
Briefly, the circle jig is a length of
aluminium bar with holes drilled in
it to allow it to be bolted to the router.
There are other holes drilled in it at
various distances from the router.
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Photo 3: the reinforcement disc is
glued into the bottom of the bowl
using acrylic gap filler. Before
doing this, ensure it is a close fit,
leaving gaps less than 5mm wide
all around.
September 2023 21
After loosely screwing one of these
into a centre hole drilled in the bowl,
the router will rotate about that point
and make a perfect circle.
We are pretty sure that a steady
hand, some clamps and a tenon saw
would do the job, and might actually
be easier and make less mess.
You need to cut 10mm off the Wagner 25mm port to make it 90mm long;
otherwise, it will interfere with the
speaker magnet later. We made the
hole tight enough that we had to push
the port in forcefully. If your hole is
too big, glue the port in using some
acrylic filler.
Cutting the speaker hole
Speaker connectors
The driver fits into a 102mm hole
in the base, visible in Photo 4. Mark
this with a compass and cut it with
either a handsaw or jigsaw. The hole
is fairly small, so only a little elbow
grease would be expended doing this
by hand. Check that your driver fits,
and if necessary, fettle (a fancy word
for bodge) the cutout so that the terminals do not interfere with the hole.
We used very simple combo banana/
binding posts. The speakers’ power
handling does not warrant anything
massive, but we think these are better
than the cheap spring-loaded terminals. The location of the connectors is
largely a matter of convenience; ours
are shown in Photo 5.
These need an 8mm hole, although
we prefer to start smaller and use a
file to get a good fit with the chamfered keying on the threaded section.
That stops them from coming loose
and spinning.
Our experience building the prototype showed that it is possible to solder to these terminals once they are in
the assembled Speaker, but it is fiddly.
We recommend you pre-install the
input wiring to these terminals. Solder 300mm lengths of black and red
wire to each pair and add 6mm diameter heatshrink tubing over the solder joints. You can trim the wires to
length once you have attached them
to the crossover.
Fitting the port
If we were using these on a desk,
pushed back against a wall, we would
omit the port. The boost in low frequencies using the Speaker in a corner will be sufficient, and you will be
better off without the port. If you’ve
already added the port, you could put
a sock in it for such use cases.
If you will use the speakers in more
‘free space’ and without a subwoofer,
include the port, as the low-frequency
output will benefit from it.
If adding a port, drill the hole now.
We used a 32mm hole saw and filed
the hole to the required 33mm. We
centred the hole 50mm below the centreline of the bowl see (Photo 5). This
results in the port pointing upwards
inside the Speaker.
Photo 4: the result of cutting a
102mm diameter hole in both the
base of the bowl (already routed
to have a larger flat area) and the
MDF reinforcement disc, leaving
just a ring.
22
Silicon Chip
and were easy to fit. They are not individually that expensive, but there are
six, so it does add up. You might come
up with your own solution.
The feet are visible in Photos 5 & 6.
They fit through 4mm holes drilled
as shown in Fig.6. Whatever feet you
choose, make sure you place them so
the Speaker is stable; their placement
must consider the centre of gravity
being pulled forward by the weight
of the driver magnet.
The Bunnings knobs come with long
bolts that you can cut and then file the
ends smooth to ensure they thread
onto the knobs without sticking. You
can use a metal file to do that.
Gluing the pieces together
As mentioned earlier, they need feet
for desktop use. We used brass knobs
because we thought they looked nice
Sticking the two salad bowls
together is as simple as it sounds.
We used 120 grit sandpaper to take
the gloss off the rim of the bowls and
around the inside of the bowls. This
ensures there is a good surface for the
glue to adhere to.
We then mixed five-minute epoxy
(Araldite), a teaspoon full or less per
bowl. Use a piece of thin wire, 1mm in
diameter or so, to apply a small bead
around the top rim of the base bowl.
Our tips are:
● Do not use too much glue, or it
will ooze out around the joint.
● Get everything ready before you
start applying the glue. It will set in
less than five minutes, so you don’t
have time to muck around.
● Be ready to clean up spills; have
cloths and isopropyl alcohol/white
spirits ready.
Photo 5: the flat part of the base
opposite the driver cutout provides
a place to mount the two binding
posts, while the port is offset so it
fires downwards and clears the
internal crossover assembly.
Photo 6: the finished speakers
look classy, if a bit unusual. Fans
of post-modern art could paint
them white and add red wiggly
radial lines around the drivers to
make them look like eyeballs!
Adding feet
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● Know how you want to align the
bowls. Ours were so random that we
kind of gave up, but you might be more
discerning than us.
Once you have a thin bead on the
bottom bowl, gently place the top
bowl over it. Very gently wriggle it to
ensure both sides are wet, and check
that everything is aligned. Set it aside
for a while.
Once the main joint is set, mix
another batch of glue and, using an
icy pole stick or similar, run a bead of
glue around the joint inside the glued
bowls to ensure the final result is airtight. With the roughened surface, the
epoxy bond will be extremely strong.
Assembling the crossover
The crossover PCB with chamfered
corners is coded 01109231 and measures 98 × 104mm – see Fig.7.
We etched the PCBs shown in the
photos ourselves as the design is simple. PCBs for sale will be the usual
green commercial products, but otherwise identical to these.
Our photographs show yellow polypropylene 15μF capacitors, which are
overkill; we simply used them as they
were on hand. We have specified 15μF
100V bipolar electrolytic capacitors as
they will work perfectly well and are
what we would buy if building another
pair of speakers.
We have left room for a 400μH
inductor to be used in place of the recommended 250μH inductor. All testing was done with 250μH, but you can
experiment; we don’t expect much difference in performance over the range
of 250μH to 400μH.
If you want to experiment, run
wires from the drivers out through the
port to the crossover. Get the crossover as you want before gluing it into
the Speaker.
Assembly is straightforward. Fit
the screw terminals first; still, you
might want to simply solder flying
leads and save on this cost. If you
choose to do this, solder 300mm flying leads to the bass and tweeter connectors and label them so you know
what goes where. The input wires
should already be soldered to the
input connectors.
Next, mount the resistor. This does
not need to be proud of the PCB, as if
this is getting hot, your tweeter will be
in serious trouble. So it’s OK to push
it down flat before soldering and trimming the leads.
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DIAGRAMS ARE SHOWN
AT 61.5% SCALE
Fig.6: these views of an assembled Speaker should give you a good idea of the
relative locations of the driver, feet, port, crossover and terminals. You could
vary some of these slightly but we feel our design is pretty close to optimal.
Australia's electronics magazine
September 2023 23
Install the capacitors next, none
of which are polarised. Put a dab of
neutral-
cure silicone sealant under
each to stop them from vibrating.
Finally, solder the inductors in
place. Note that these are all at right
angles to the others to ensure the magnetic fields don’t interact. Make sure
you stick to this arrangement. Again,
glue each in place with a solid dab of
neutral-cure silicone.
With all the components mounted,
check your soldering and that everything is in the right place before moving on. Let the silicone cure before
moving on to final assembly.
Final speaker assembly
The prototype crossover was simple enough that we made the PCB
ourselves. We recommend using electrolytic crossover capacitors instead of
the two large 15μF polypropylene capacitors shown here.
Before you glue everything in place,
let’s check that everything works, as
it is diffcult to remove the crossover
afterwards. Do the following on the
bench. Strip a short length of all the
flying leads and connect the leads
from the input connector to the input
terminals.
Next, connect the bass driver and
tweeter to their respective inputs on
the crossover but connect only the
ground wires at the driver end at this
stage. We want to just touch the positive wire for the test. You can tell
which is which as the bass driver connections have heavy-duty tinsel going
into the spider on the driver while
the tweeter connections run to thin
wires going to the rear of the magnet
assembly.
Apply a signal to the inputs and
touch the positive bass wire to the terminal on the driver. You should only
hear the lower-frequency parts of the
test signal. It won’t have any real bass
with the driver on the bench.
If you hear treble instead, or nothing, check your connections.
Next, touch the tweeter positive
wire to the terminal on the speakers.
You should hear ‘hissy’ treble. It will
not be loud. If there is nothing or all
you hear is muted sound, check your
wiring and component values.
Assuming that it all checks out,
test-fit the crossover into the enclosure. Photo 7 provides a pretty good
view of how to install it. You need
to align the thin axis with the hole
and put the 1.5mH inductor in first,
as we need this at the back to make
room. We also need the weight at
the back to improve the balance of
the Speaker.
Once you are sure you know how
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Fig.7: the crossover PCB is straightforward to assemble. While we’re
showing the capacitors as axial polyester types, axial crossover bipolar
electrolytic capacitors are considerably cheaper, especially for the 15μF
cap, and will work fine. Ensure the inductors are mounted as shown so their
magnetic fields won’t interact (much).
24
Silicon Chip
Parts List – Salad Bowl Speakers
Pair of desktop speakers
2 SB Acoustics 120mm coaxial speakers [Wagner SB12PFCR25-4-COAX]
2 25mm diameter, 100mm-long PortBASS reflex ports [Wagner PORT1X4L]
4 IKEA salad bowls
[BLANDA MATT 20cm bamboo serving bowl, 002.143.41]
2 16mm MDF sheets or off-cuts, at least 120×120mm each
2 red captive head binding posts for speaker terminals [Altronics P9252]
2 black captive head binding posts for speaker terminals [Altronics P9254]
6 doorknobs for feet [Bunnings Prestige 15mm Brass Ball Knob, 4021268]
3 2m lengths of heavy-duty hookup wire (white/blue, black and red)
[Altronics W2270, W2272 & W2274,
Jaycar WH3050, WH3052 & WH3040]
1 100mm length of 6mm diameter heatshrink tubing
8 6G × 20mm countersunk head wood screws (ideally black)
2 400 × 150mm (approximately) pieces of 50mm-thick acrylic wadding or
similar
1 small tube of 5-minute epoxy [eg, Araldite]
1 310ml tube of White SikaSeal Acrylic 100 Gap Filler [Bunnings 1670226]
2 crossover boards (see below)
Crossover board – parts to build one board
1 single-sided PCB coded 01109231, 98 × 104mm
2 250μH air-cored crossover inductors (L1, L3) [Wagner AC20-25]
1 1.5mH air-cored crossover inductor (L2) [Wagner AC201-5]
2 15μF 100V non-polarised electrolytic crossover capacitors
[Wagner 15RY100, Jaycar RY6910]
1 5.6μF 100V metallised polypropylene crossover capacitor
[Wagner PMT5.6, Jaycar RY6955]
3 dual mini terminal blocks, 5.08mm pitch (optional; CON1-CON3)
1 1.5W 5W 5% resistor (can be varied to adjust treble balance; see text)
you will get things in and out and that
there is room (fettle the hole if necessary), we are set to finalise the wiring.
Trim the input and output wires
so that, with the driver in front of the
enclosure, you have sufficient length
for the crossover to be glued in place.
Solder the connections for the bass,
tweeter and input. It is important
to put some 6mm heatshrink on the
speaker terminals when you connect
the wires. These terminals are close
to the crossover, and we do not want
them shorting to it.
Now put solid dabs of neutral-cure
silicone sealant on the underside of
the PCB at each of the rounded corners. Then install the board, with
some tissues/rags handy to clean your
fingers. Carefully insert the crossover into the Speaker enclosure. As
you will have found, it is a little like
a puzzle, but it does go in and sits
alongside the port.
Make sure there is silicone still
under the PCB, and where you inevitably rub some onto the enclosure,
clean up immediately.
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We used a long screwdriver to
add some extra silicone between the
enclosure wall and the top of each
corner of the PCB to ensure it won’t
move later.
Leave it to cure; don’t be tempted
to rush this, as silicone has no
strength until it cures. We used a
small piece of leftover acrylic wadding as damping for the Speaker, as
shown in Photo 8.
Anything like open-cell foam,
acrylic wadding or the contents of a
disused cushion would do. Lightly
stuff the enclosure and ensure the port
is not completely blocked. Now where
did that cushion go?
Finally, install the driver. We
mounted the driver with the terminals
horizontal. This ensures that the terminals cannot rub against the crossover
components.
Ensure each driver has the same
rotation so the screws line up. They
will look silly if the screws are all over
the place. We drilled a 1.5mm pilot
hole for each screw and used 6GA
wood screws. Do these ‘gently hand
Australia's electronics magazine
Photo 8: the Speaker just before
we finally attached the driver,
with acoustic wadding loosely
stuffed inside.
tight’. These simply need to secure
the driver well enough to achieve an
air seal.
Testing and setup
Now for the fun! You will note that
the acoustic output is night and day
between the driver on the bench and
in the enclosure. We were surprised
at the bass output these little speakers deliver.
Start gently and play some program
material, verifying that there is output
Photo 7: this close-up shows how
the crossover board is orientated
so the closest inductor just misses
the port tube.
September 2023 25
Refrain from facing the speakers
straight at your listening position,
though this is less of a concern on a
desk. The crossover is optimal for a
slightly offset listening position.
Observations
The Salad Bowl Speaker
(not shown at actual size).
from the tweeters and bass drivers. If
there is anything odd, now is the time
to check. Once everything is good, you
are set to find where to put them!
Often you have little discretion in
the placement of a speaker. Try to
find a spot with free space around
and behind the Speakers. We found
that when placed right up against a
wall/desk junction, there was a reinforcement of bass, with a pronounced
peak in the bass region. As mentioned
earlier, blocking the port(s) should
reduce that.
Our most ardent critic at home loves
the style. We think it is interesting,
both visually and in terms of a speaker
free from diffraction, and we see this
in the plots.
The coaxial driver really met our
expectations, with a consistent sound
experience at a wide range of angles.
The low end surprised us. It is not
a disco speaker but does a fine job for
moderate listening. As the measurements suggest, the sound is clean and
free from annoying characteristics.
We could hear the elevated bass
when we used the Speaker in a corner, so we would use no port in such
a location.
While we have rated them at 50W,
you should show some discretion if
playing deep bass through them. These
are intended for small rooms, on computer desks and similar.
While the impedance is nominally
4W, they present a fairly benign load
with a higher-than-rated impedance
over most of the audio range. Any
modern amplifier will happily drive
them. Our inexpensive, compact Hummingbird amplifier module is ideal
(December 2021 issue; siliconchip.au/
Article/15126).
These speakers provide useful output from 70Hz to 20kHz and some output below 70Hz. Over the majority of
this frequency range, they are quite
SC
flat, operating within ±3dB.
Dual-Channel Breadboard
Power Supply
Our Dual-Channel Breadboard PSU
features two independent channels each
delivering 0-14V <at> 0-1A. It runs from
7-15V DC or USB 5V DC, and plugs straight
into the power rails of a breadboard, making it
ideal for prototyping. Photo shows both the Breadboard
PSU and optional Display Adaptor (with 20x4 LCD) assembled.
Both articles in the December 2022 issue – siliconchip.au/Series/401
SC6571 ($40 + post): Breadboard PSU Complete Kit
SC6572 ($50 + post): Breadboard PSU Display Adaptor Kit
26
Silicon Chip
Australia's electronics magazine
siliconchip.com.au
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