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By Allan Linton-Smith
Workman
1000W loudspeaker
T
his design follows on from our
1000W IRAUDAMP9-based amplifier, published in the October & November 2023 issues
(siliconchip.au/Series/405). Finally,
you can build a speaker that the
amplifier can actually drive to its full
potential! This quality loudspeaker
can safely handle 1000W RMS for
extended periods.
The speaker is housed in a sturdy
US-built DeWalt transportable 233L
toolbox (DWST38000) that measures
99×59×62cm. That makes it light, portable, rugged and very easy to build,
requiring only minor modifications
to the toolbox/case as purchased. The
DeWalt toolbox is available pretty
much worldwide!
The result is a portable but powerful speaker with many applications.
As for the drivers, it uses the 8W,
15-inch (381mm) Celestion FTR154080FD (or FTR15-4080HDX) woofer
rated at 1000W coupled with an 8W,
1-inch (25mm) Celestion compression
tweeter (CDX1-1745) rated at 75W,
attached to a Celestion “No Bell” horn.
When set up correctly, these drivers
can easily handle a combined 1000W
for up to two hours.
The only catch is that our 1kW
IRAUDAMP9-based power amplifier
can only deliver its full-rated power
into 2W. Our Class-D amplifier will
drive one of these Workman speakers
at 400W before clipping. That might
seem low, but the speaker is very efficient at 97dB at 1W/1m (96dB for the
HDX driver), so it will still be incredibly loud at that power level!
If you need to drive this loudspeaker
at the full 1000W, you could build two
of our Class-D 1kW amplifiers and
drive it in bridge mode. Each amp will
‘see’ a ~4W load, and they can each
deliver 575W into 4W (or 500W with
lower distortion), so they achieve the
full 1kW configured like that. We published an amplifier bridge adaptor in
the May 2019 issue (siliconchip.au/
Article/11626).
Design considerations
72
This seriously powerful and efficient full-range
loudspeaker can deliver a tremendous amount of sound,
and it doesn’t sound half bad, either. It can be used for
public address, DJ and music applications (if you happen
to own a stadium!).
I decided that a PA speaker needed
to be light, portable and ideally transportable by the average person. I have
no trouble loading it into and out of my
Hyundai hatchback by myself, so I consider that goal to be met. The DeWalt
box is light, has built-in wheels, is very
tough and is water resistant, with an
IP65 rating.
Australia's electronics magazine
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Silicon Chip
The prototype crossover was smaller
than the final one. Either way, there is
plenty of space left in the box.
The IP65 rating is ruined by our
installation of the speakers in the box
but, with speaker drivers installed, if
the box is covered by a large plastic
bag (eg, a garbage bag), it should survive a shower during transportation.
It could even be used with a bag over
it, although the sound quality may
suffer a bit!
The box is rated for a maximum load
of 70kg. The woofer, tweeter and crossover together weigh about 13kg, and
there is still plenty of room inside, so
you could even use the box to transport stuff like cables, microphones
and so on (although you’d want to be
careful they wouldn’t move during
transport and possibly damage something inside).
If you’re careful, you could fit a big
amplifier inside the box (even our
big 1000W amplifier would fit), and
together with a preamplifier, it could
become a very good mobile PA system. Just be careful you don’t move
it in such a way that any large, heavy
items inside will shift around!
The finished speaker can sit on the
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ground or be suspended via chains or
wires through its two strong steel vertical handles or the telescopic carry
handle at the top. That could be very
useful at outdoor functions, theatres,
discos, churches or other public areas.
You can padlock the box shut at a
venue so nobody is tempted to poke
around inside.
I designed the loudspeaker using
the box as a sealed enclosure, mainly
to simplify construction over a more
complicated ported design. That also
makes sense because the woofer has
a VAS of 140L (111L for the HDX version), so it is not a problem to run it
in a sealed 233L box. In a sealed box,
the woofer had a measured resonance
of 40Hz, only marginally higher than
its 38Hz free-air resonance.
The priority was to create a design
that’s really easy to build, even if you
only have rudimentary woodworking
and soldering experience. You can
make this over a weekend for around
$1k (about $1 per watt)! That might
seem expensive, but try pricing a commercial speaker that can actually handle 1kW RMS. Many claim “1000W”
but would melt in short order at that
power level!
Much of the cost is in the case and
the woofer, two areas where you can’t
really cut corners.
Performance
The overall performance of this system relies on the incredible power-
handling ability of the Celestion
woofer combined with the superb
quality of the Celestion tweeter. The
tweeter is ‘only’ rated at 75W. However, it is incredibly efficient, so we
can heavily attenuate the signal going
to it and still get a good bass/treble
balance while keeping it within its
ratings.
Not many single-speaker designs
can handle this power level; remember that power-handling claims are
commonly exaggerated. If you look at
the Celestion woofer’s construction, it
is a bit of a beast, with massive coils,
magnets, and heatsinks that allow it to
cope with that much power.
You also have to consider efficiency – it’s no good having a really
powerful speaker if you don’t get
much sound out of it. This woofer’s
96-97dB <at> 1W/1m rating is excellent, and it means you will get a truly
deafening sound level at 1000W (just
what rock fans need!).
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Tweeter Specifications
● Diameter: 120mm
● Depth: 56mm
● Weight: 3kg
● Power rating: 75W RMS (tested
for two hours)
● Nominal impedance: 8Ω
● Frequency range: 1.2-20kHz
● Efficiency: 110dB <at> 1W/1m
● Recommended minimum
crossover frequency: 2.2kHz
(12dB/octave)
● Voice coil: 44mm diameter edgewound copper-clad aluminium
● Magnet: ferrite
● Diaphragm: PETP film
● Throat exit: 25.4mm
Woofer Specifications
● Diameter: 381mm
● Depth: 170mm
● Weight: 9.5kg
● Power rating: 1000W RMS
(tested for two hours)
● Nominal impedance: 8Ω
● Frequency range: 35-2500Hz
● Efficiency: 97dB <at> 1W/1m
● Voice coil: 100mm diameter,
22mm wide round copper
● Magnet: ferrite (3.1kg)
● Chassis: cast aluminium
● Former: glass fibre
● Cone: glass-loaded paper with
weather-resistant impregnation
● Surround: cloth-sealed
● Suspension: double
● Xmax: 6mm
● VAS: 140L
July 2024 73
Fig.1: the overall
frequency
response of the
loudspeaker
(mauve) is
reasonably flat,
within about
±5.5dB of the
average over the
whole range. The
cyan and red
traces show the
contributions from
the tweeter and
woofer separately.
Fig.2: the
distortion levels
are better than
expected for a
loudspeaker
of this type,
remaining below
2% from 50Hz
to 20kHz. The
measurement
bandwidth is
20kHz, so the low
distortion from
1.5kHz to 20kHz
mainly represents
noise (most likely
from cabinet
resonances).
Fig.3: the
harmonic
distortion at 1W
without noise is
much lower than
the THD+N shown
in Fig.2. Odd
harmonics sound
bad but are very
low in comparison
with even
harmonics; the
second and fourth
harmonics are the
same note as the
fundamental but
at higher octaves,
so they are in tune
with it.
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Australia's electronics magazine
High power handling is also helpful for situations where a lot of bass,
mid-range or treble boost is applied
because the speaker will have a fair bit
of ‘headroom’. In movies, for example,
the sound can have a huge dynamic
range; an explosion can follow a whisper. You don’t want your speakers clipping when that explosion happens.
Frequency response
The frequency response of a loudspeaker is important; it is arguably the
single most important factor determining whether it sounds good or not. The
response should be as flat as possible.
It’s essential to avoid peaks that could
exceed its maximum power limit when
running near the limit. Peaks can also
sound bad and possibly even damage
ears at high sound pressure levels.
Dips are also best avoided as they
create ‘dead zones’ where specific
frequencies seem missing from the
sound. For example, notes running
up and down a scale can seem to disappear at a particular point if there
is a significant dip in the frequency
response.
In the past, many of our readers
have used cheaper drivers than those
we recommend. That can sometimes
work well, but other times, the design
really relies on a specific driver. In this
case, the driver’s 1kW rating is quite
unusual, so we have not tested any
alternatives. We couldn’t find many
that were genuinely capable of handling 1kW!
A quick check on the internet
showed that most 15-inch speaker
drivers can only handle 100-300W
maximum; even if you find one that
claims to handle 1kW, you will need
to check that it complies with the AES
standards.
The woofer has a really nice
response from 50Hz to 1kHz and is
excellent for the human voice and
woodwind instruments. However, it
really shines with guitars, especially
in heavy metal music, which Celestion
is famous for.
Fig.1 shows the responses taken
with a microphone placed in front
of the woofer and tweeter and one
between the two. The reference 0dB
level is set to 100dB sound pressure
level (SPL).
The overall combined response is
relatively flat, within ±5.5dB over most
of the range, with no harsh peaks. The
response around 300Hz is critical for
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Fig.4: the spectral plot of a 1W 47Hz signal at an SPL of 92dB. The first harmonic at 94Hz is 48.7dB lower (0.32%) than the
signal tone; the 2kHz peak represents a THD of 0.02%. Above 10kHz, the THD contribution drops to 0.002%.
vocals, while the response around
2kHz is important for electric guitars.
Distortion levels
The measured total harmonic distortion plus noise (THD+N) levels were
better than expected for a speaker
housed in a plastic box, staying below
2% from 50Hz to 20kHz – see Fig.2.
Note that the measurement bandwidth
is 20kHz, which is why the distortion
level drops so much above 1.5kHz, as
many of the harmonics above that fall
above the audible (and measured) frequency range.
We also measured distortion only
(total harmonic distortion minus the
noise) and compared the contribution
of the even and odd harmonics at 1W,
as shown in Fig.3. Odd harmonics are
generally considered to sound bad, so
it’s good that they are pretty low compared to even harmonics in this design.
THD by itself is always lower than
THD+N. This speaker’s harmonics are
quite low, indicating good overall clarity. High THD figures usually result in
muddy sound.
For completeness, we also plotted
the spectrum of the distortion components for a 1W 47Hz signal at a sound
pressure level of 92dB, shown in Fig.4.
Impedance
While the speaker’s nominal impedance is 8W, like both drivers, as with
The crossover
With one tweeter and one woofer (ie,
a two-way design), we can get away
with the simple first-order crossover
circuit shown in Fig.6. You may think
that the 2.2μF value of the series capacitor for the tweeter is low, but Celestion recommends a 12dB-per-octave
Fig.5: the
minimum
loudspeaker
impedance
is 5.4W at
2.5kHz. Across
the rest of
the range, it
stays above
8W except for
a brief dip to
7.6W at 160Hz.
As a result,
virtually
any power
amplifier
should be able
to drive this
speaker.
The prototype had the crossover
capacitor connected directly to the
tweeter, along with an experimental
inductor. Now the wiring connects the
tweeter to the crossover PCB.
siliconchip.com.au
most speakers, it varies quite a bit with
frequency, (see Fig.5). The measured
impedance shows two peaks, one at
40Hz (the woofer resonance) and one
at 1.1kHz (tweeter resonance). 2.5kHz
is the crossover point, and the lowest
impedance value measured was 5.4W,
which should not be a problem for
most amplifiers.
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July 2024 75
Fig.6: the crossover circuit is dead simple, using just a series inductor to cut off
high frequencies to the woofer and a series capacitor so low frequencies do not
reach the tweeter. The two 20W resistors account for the higher tweeter sensitivity
compared to the woofer and also protect the tweeter from being over-driven.
roll-off with a 2.2kHz cut-off frequency.
A single-order crossover only rolls
off at 6dB per octave, so our capacitor
achieves the required low-frequency
attenuation by having a higher cut-off
frequency without the problems that
come with a much more complicated
and expensive crossover.
The first-order crossover used is naturally designed to handle high power
levels. Two high-power resistors in
series with the tweeter reduces its level
by around 15dB. The tweeter has a sensitivity of 110dB per watt at one metre,
but the woofer is rated at 96-97dB/watt
at one metre. So we need to attenuate
the tweeter by 13-15dB to match the
levels, depending on the exact sensitivities of your drivers.
This is good because, as mentioned
earlier, the tweeter can only handle
75W maximum. Simulation shows
that for an average output power of
1000W, a 40W series resistance would
dissipate 138.6W and deliver only
28.2W to the tweeter, ensuring it does
not burn out. This may seem like overkill, but I see a lot of burnt-out tweeters in PA speakers.
To build the crossover, we used the
same two-way crossover PCB that we
designed for the Majestic loudspeakers from June 2014 (coded 01205141),
replacing the 4.7μF capacitor with a
2.2μF cap and replacing the 2.7mH
choke with a 1.5mH coil with extra
thick wire so it can handle the power.
The Majestic used a few onboard 5W
and 10W resistors for tweeter attenuation, but there’s no way they would
handle over 100W. Instead, we make
up a 40W 400W resistor from two 20W
200W ceramic ‘rheostat’ resistors
mounted beside the PCB and wired
to it. These are connected in series.
They have a slider arrangement that
allows you to vary the resistance. You
can reduce it slightly if you want more
treble. In our tests, we set the resistance in series with the tweeter to
32W to attenuate the tweeter by 14dB
(27W gave 13dB attenuation and 37W
gave 15dB). Setting it below 20W is not
recommended, as you risk exceeding
the tweeter’s maximum power rating.
The shelving circuit included in
the crossover for the Majestic speaker
to boost high frequencies is unnecessary because our 1kW amplifier has a
20kHz ‘lift’ that is common with most
Class-D amplifiers.
We mounted the whole crossover
assembly on a 420×320mm piece of
plywood and connected the wires to
the tweeter and woofer using springmounted connectors. You could use
less expensive (and probably more
reliable) eyelet lugs if you want to.
The binding posts I used come
standard with Celestion woofers and
I really love them! My back gets stiff
when I bend over to hook up everything in this deep cabinet and the
spring posts save heaps of time fiddling around with nuts and bolts. I
bought 25 pairs from AliExpress for
around $50 and they simply bolt to
the PCB pads.
If using them, you will need six for
this project; you can also get them from
eBay for about 10$ per pair, including
delivery (search for “spring loaded
binding post” or try www.ebay.com.
au/itm/134778989440).
Construction
This project requires minimal construction. All you need to do is cut
holes for the drivers and connector
socket, solder up the crossover, mount
it, and wire it up. That’s it!
You need to make a couple of modifications to the case first, shown in
Fig.7. Start by cutting two small pieces
of timber to block off the 24×15mm
deep reinforcing channels in the plastic to ensure an airtight fit for the drivers before cutting the holes. These
The final crossover
arrangment. It
mounts on to a piece
of timber, which can
then be secured to
the interior of the
enclosure. Wire up
the resistors as per
Fig.8, not the way
shown in this photo
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Australia's electronics magazine
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Fig.7: cut the holes in the plastic case as shown here. Use a jigsaw for the larger driver holes and a hole saw or stepped
drill bit for the smaller hole in the side for the connector. The timber pieces shown are used for reinforcement and to help
seal the enclosure.
pieces can be cut from a length of
30×18mm pine using a plane or saw.
Glue them into the case using contact cement and allow a few hours
for it to set before cutting the holes.
Once you have done that, mark out
the circles using a compass with a
light-
coloured pencil or chinagraph
pencil, then use a jigsaw and slowly
cut the plastic and the timber to the
specified diameter.
Next, make a 24mm hole in one side
of the box for the Speakon speaker
socket. The side is good because the
box will still lie on its back for transport or whenever the lid is opened,
and the connectors remain protected.
You also need to modify the clamps
that secure the lid. These will rattle
unless you glue some rubber to them,
as shown in the photo below. The
clamps should then clamp everything
firmly into place.
Mount the inductor on the PCB
using a ~25mm M4 machine screw,
washer and nut. Use Loctite so that
vibration won’t shake it loose (do that
for all the screws used in this project).
Now solder the capacitor, inductor
and resistor wires to the PCB, as shown
in Fig.8, and attach sufficient lengths
of wire to reach the woofer, tweeter and
the terminals of the input socket. Make
the wires long enough to allow the lid
(with the drivers attached) to open
while the crossover is still attached
to the inside of the case.
Once you have all the holes prepared, mount the crossover at the bottom of the box with tapped spacers,
machine screws and washers, then
prepare the drivers by sticking a felt
Left: the holes for
the woofer and
tweeter don’t need
to be the neatest
cuts, as they are
covered by the
drivers. The timber
fills the channels
that runs behind it.
Right: the clamps
that secure the lid
need to be modified
by gluing some
rubber to the top
of the clamp. This
stops the clamps
from rattling.
siliconchip.com.au
Australia's electronics magazine
July 2024 77
or rubber material around the edge so
they will give an airtight seal between
the plastic box and the speakers when
mounted.
Screw the speakers to the box with
suitable wood screws. You can use
machine screws, nuts and washers,
but it’s a bit fiddly, and you will need
some blue Loctite to prevent them
from working loose from the enormous
vibrations they will experience.
Now take the wires for the woofer,
strip the insulation off by about 1cm
at the ends and insert them into the
spring clips (or crimp them to the
eyelets and attach them to the PCB).
Attach crimp spade connectors to the
tweeter wires and push them onto the
tabs on the tweeter. Ensure you get the
polarity correct; the positive wire goes
to the red dot on the tweeter.
Finally, solder the wires to the Speakon chassis socket by poking some
wire from the crossover into the terminals, then solder them. Attach it to
the case using 3mm machine screws,
nuts and washers.
Check all your wiring thoroughly,
then attach a reasonable length of
speaker wire to the Speakon plug,
ensuring the numbers on the plug
match those on the socket. Before
connecting your speaker to an amplifier, check the DC resistance across
those terminals to verify that there
are no shorts. You should measure
around 5W.
If all is well, power up the amp, feed
in a signal and slowly wind up the volume. Be aware that the woofer cone has
a very stiff suspension to enable it to
handle 1000W, so it may need a few
Fig.8: only two components are mounted on the circuit board: the 1.5mH air-cored inductor and the 2.2μF capacitor. The
two series 20W rheostats are wired between the 2.2μF capacitor and the tweeter’s positive terminal. The resistors are
screwed together at both ends for physical stability, but on the left end, the two resistors are insulated from each other
and the blue wire only connects to the one shown closer to the PCB.
78
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Australia's electronics magazine
siliconchip.com.au
hours to ‘break in’ before it reaches its
desired bass response.
You might notice that we have not
mentioned or used acoustic wadding
in this speaker. It probably would
sound better with wadding, but we
wanted to keep the cabinet empty to
make working on it easier and so it can
be used to store items like leads and
microphones, as mentioned earlier.
If you don’t plan to keep anything
in the cabinet, it would be worthwhile
loosely stuffing it with acoustic wadding, which is available inexpensively
on eBay. It is easy to remove later if you
need access to the wiring or crossover.
Listening tests
Too often, PA sound systems at
music venues are sub-par. The Editor recently complained to me that
he was at a music performance at a
Sydney stadium and could hardly
even figure out what song they were
playing, despite being familiar with
the performer’s work. It just sounded
like square waves! That is usually the
result of poorly set up audio systems
that have been taken way past acceptable limits.
So we wanted to make sure this
speaker actually sounds decent. It’s
no good if it can deliver lots of sound
if it’s just noise. We tested the speaker
with a few different genres of music
and made some adjustments, reducing the treble a little as it seemed ‘too
bright’. This can be adjusted using the
slider on the ceramic resistor in series
with the tweeter by loosening its nut
and re-positioning it.
It would be good to measure the
resistance before and after adjustment so you know what you’ve done.
Ours was initially set at 32W but later
adjusted to about 35W. We used the FD
driver, so if you’re using the HDX, it
may need to be set a little higher. As
mentioned earlier, don’t go below 20W.
Vocals shone in our tests, and the
sound was very clear for a PA speaker.
Some heavy metal we tried sounded
really good! Even though this is a
mono arrangement, every instrument
could be clearly identified. The lead
guitar really ripped in typical legendary Celestion fashion.
Running the speaker at 300W barely
troubled it, and the office vibrated,
literally rattling filing cabinets and
anything else that wasn’t screwed
down! So, if that’s your cup of tea, this
speaker is for you!
SC
siliconchip.com.au
Parts List – Workman Loudspeaker
1 DeWalt DWST38000 99×59×62cm (240L) tool chest [Bunnings 0154687]
1 Celestion FTR15-4080FD or FTR15-4080HDX 15-inch (381mm) 1kW 8W
woofer [eBay 232329975153 or 144393382135]
1 Celestion CDX1-1745 120mm 75W 8W tweeter [eBay 234994171597]
1 Celestion T5134 “No Bell” horn [eBay 325534095052]
1 2-Way Passive Crossover PCB (01205141) [Silicon Chip SC2734]
1 1.5mH air-cored crossover inductor with 1.5mm diameter copper wire
[eBay 386228967177]
1 2.2μF 250V metallised polypropylene crossover capacitor [Jaycar RY6952]
2 20W 200W variable ceramic resistors/rheostats [eBay 225854220831]
1 Speakon panel-mount socket [Jaycar PS1082, Altronics P0792]
1 Speakon line plug or Speakon cable [Altronics P0795]
3 pairs of spring-loaded binding posts (optional, to connect wires to
crossover board) [eBay 392075305616 or AliExpress 4000282183682]
Hardware & cable
1 4m length of ‘jumbo’ (~3mm2) figure-8 speaker cable [Jaycar WB1732]
1 pair of red/black gold spade crimp lugs [Jaycar PT4568]
10 yellow 5.3mm crimp eyelet lugs
2 M6 × 55-60mm external hex head machine screws and flat washers
12 M5 × 16mm panhead machine screws, flat washers and nuts
1 M4 × 25mm panhead machine screw, washer and nut
4 M3 × 16mm panhead machine screws, washers and nuts
2 M3 × 16mm countersunk head machine screws, washers and nuts
8 M3 × 6mm panhead machine screws
4 M3 × 10mm tapped spacers
18 8G × 18-25mm wood screws
1 1m length of 30 × 18mm pine
1 420 × 320mm sheet of thin plywood or MDF
1 5m length of 16×10mm D-shaped self-adhesive weather stripping
[Bunnings 0011953]
1 5m length of 5mm-wide by 6mm-thick self-adhesive brush-type strip or
equivalent (‘door/window seal’) [eBay 274371043462]
1 small tube of blue Loctite or equivalent thread locker
With the drivers and crossover fitted, the box can still be opened easily and
there is plenty of room for storage, or acoustic wadding if you want to improve
the sound quality. Access is also good for maintenance.
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July 2024 79
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