This is only a preview of the July 1988 issue of Silicon Chip. You can view 42 of the 96 pages in the full issue, including the advertisments. For full access, purchase the issue for $10.00 or subscribe for access to the latest issues. Articles in this series:
Items relevant to "Studio 200 Stereo Control Unit":
Items relevant to "Build the Discolight":
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Electronics for the enthusiast
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JULY 1988
FEATURES
4 Amplifier Headroom: Is It a Con?
16
50
70
84
by Leo Simpson
Meeting the power demands of CDs
Amcron MA-1200 Power Amplifier by Bob Flynn
Born in the USA
National Semiconductor's LM833 Op Amp
by Leo Simpson
The heart of the Studio 200 Stereo Preamplifier
What is Negative Feedback? by Bryan Maher
Pt.3 - Negative feedback and frequency response
The Evolution of Electric Railways by Bryan Maher
HAVING TROUBLE WITH your
TV or FM reception? This
booster amplifier may be just
what you need to lift those
signals up out of the noise.
See page 30.
PROJECTS TO BUILD
14 Flt a Fuel Cut-Off Solenoid to Your Car by Greg Swain
Effective thief deterrent; also works with diesels
30 Booster for TV & FM Signals by Branco Justic
Lift those signals up out of the noise
40 Studio 200 Stereo Control Unit by Greg Swain
Construction plus troubleshooting
56 Build the Discolight by John Clarke
Stage your own light show
74 Tone Burst Source for Amplifier Testing
by Leo Simpson
Checks out amplifier headroom and music power
BUILD THE DISCOLIGHT and
stage your own light show. It
drives four channels of coloured
lights which are modulated by
music or an in-built pattern
generator. Details page 38.
SPECIAL COLUMNS
10 Vintage Radio by John Hill
Checking and repairing the valves
18 The Way I See It by Neville Williams
Are computers turning us into automatons?
34 Serviceman's Log by the original TV serviceman
Sounding out a video recorder
64 Amateur Radio by Garry Cratt
All about amplitude companded sideband
DEPARTMENTS
2 Publisher's Letter
3 Mailbag
14 Circuit Notebook
89 Subscriptions
91 Product Showcase
92
94
95
96
Back Issues
Ask Silicon Chip
Notes & Errata
Market Centre
NO GAS, NO GO - with a fuel
cut-off solenoid you'll have 'em
snowed. Turn to page 14 to see
how it's fitted.
DIGITAL ELECTRONICS series:
due to severe demands on space
in this issue, we have had to
hold the Digital Fundamentals
article over until next month.
JULY 1988
1
SILICON CHIP
Publisher & Editor-In-Chief
Leo Simpson, B.Bus.
Editor
Greg Swain, B.Sc.(Hons.)
Technical Staff
John Clarke, B.E.(Elec.)
Robert Flynn
Advertising Manager
Paul Buchtmann
Regular Contributors
Neville Williams, FIREE, VK2XV
Bryan Maher, M.E. B.Sc.
Jim Yalden, VK2YGY
Garry Cratt, VK2YBX
Jim Lawler, MTETIA
John Hill
David Whitby
Photography
Bob Donaldson
Edltorlal Advisory Panel
Philip Watson, VK2ZPW
Norman Marks
Steve Payor, B.Sc., B.E.
SILICON CHIP is published 1 2 times
a year by Silicon Chip Publications Pty Ltd. All material
copyright (c) . No part of the contents of this publication may be
reproduced without prior written
consent of the publisher. Kitset
suppliers may not photostat articles without written permission
of the publisher.
Typesetting/makeup: Magazine
Printers Pty Ltd, Waterloo, NSW
2017 .
Printing: Masterprint Pty Ltd,
Dubbo, NSW 2830.
Distribution: Network Distribution
Company.
Subscription rates are currently
$42 per year (12 issues). Outside Australia the cost is $62 per
year surface mail or $1 20 per
year air mail.
Liability: Devices or circuits
described in SILICON CHIP may be
covered by patents. SILICON CHIP
disclaims any liability for the infringement of such patents by the
manufacturing or selling of any
such equipment.
Address all mail to: Silicon Chip
Publications Pty Ltd, PO Box
139, Collaroy Beach, NSW
2097 . Phone (02) 982 3935 .
ISSN 1030-2662
* Recommended and maximum
Australian price only.
2
SILICON CHIP
PUBLISHER'S LE'l.l'ER
The widening scope
of activity for
electronics enthusiasts
Since we started SILICON CHIP it is evident that there has been a certain amount of confusion over what the name means. Some people
think it refers to computers because they associate the terms "silicon
chip" or "micro chip" with computers. That's not unexpected really,
since the media have been rabbiting on for years about the microchips
used in these wonderful new beasts, computers.
It is also not uncommon to find SILICON CHIP stacked up against computer mags in the newsagents. This, in spite of the banner on the front
of the magazine proclaiming the fact that it is "Australia's new electronics magazine''.
Some people who are well acquainted with electronics sometimes
also associate SILICON CHIP with computers because it has seemed to
them that most recent electronic devices have been computer related.
That too, is not an unexpected reaction. Over the last ten years or so,
the technical media have bored their readers to death with reports of
the latest micro whiz-bangs. Even the semiconductor companies
themselves have contributed to this impression, with floods of press
releases on the subject.
In fact, everywhere you read about electronics it has seemed that
the mainstream activity has been microprocessors. Well, we're here
to tell you that isn't so. Since we started work on this magazine some
ten or so months ago, we have been collecting as much data as we
could from the major electronic components distributors. The shelves
in the SILICON CHIP offices are literally groaning under the weight of
these data books and they are being added to almost on a daily basis.
We're having trouble keeping up with it all. And the vast majority of
this data has little do with microprocessors.
.
The truth is that the last few years have brought forth an explosion
of new devices from the semiconductor companies. There are large
numbers of new thyristors, bipolar transistors, power Mosfets and
many other discrete devices, optoelectronic devices of all sorts, and
thousands of logic and linear devices related to virtually every field of
electronic activity: consumer, automotive, telecommunications
(telephone, video, radio), military and so on.
A few years ago, a colleague of ours predicted that in about ten
years' time, there would be little scope for activity by electronics enthusiasts. He was wrong, by a very long shot. Today there is vastly
more scope for electronics enthusiasts, thanks to the incredible
numbers of new devices continually becoming available.
SILICON CHIP is devoted to the electronics enthusiast and to the vast
scope of electronics which permeates every facet of our lives. Yes,
silicon chips are used in computers but they are also incorporated into
or have a vital impact on every other product in use today.
Leo Simpson
MAILBAG
Caution on the Party Light
I recently purchased the May edition of SILICON CHIP and on the whole
found your magazine very readable.
However, I was rather alarmed by
your "Party Light" project and felt
compelled to write.
Whilst the idea and project are
fine, an essential warning to your
readers has been omitted. High intensity flashes at a slow rate are exceedingly hazardous to people suffering from epilepsy; flashing lights can
trigger epileptic fits. This is a serious
situation indeed and one which
should have been mentioned.
S. Verlander
Wanneroo, WA
We checked the contents of your letter with a medical specialist who has
confirmed that flashing lights can trigger seizures in some epilepsy sufferers.
Indeed, even the innocuous effect of
sunlight flashing through trees as a car
drives along a country road has been
known to bring on an epileptic attack.
However, there are flashing lights
everywhere; beacons, advertising
signs, car traffic indicators and so on.
How do these unfortunate sufferers
avoid all these instances? For the
record, the Discolight featured in this
issue would present a similar hazard.
Further questions on
the MEN system
In the April issue of SILICON CHIP,
we published a letter from the NSW
Department of Energy which commented on our article entitled "Your
House Wiring Could Kill You". As
noted there, we were not happy with
that letter and wrote to the Secretary
of the Department as follows:
Dear Sir,
I refer to your letter on the subject
of our article entitled, "Your House
Wiring Could Kill You". As such, the
comments in the letter are patronising without really addressing the subject raised by the article. I have asked your Mr A. Mccarroll if he would
like to add anything to your letter,
since we intend to publish it, but he
declined.
I cannot understand how you can
refuse to admit, as it seems in your
point 4, that loss of earth and neutral
due to corrosion is not a normal
course of events. If metals are
dissimilar, they must corrode.
Nor can I understand the general
attitude of complacency about the
safety of the MEN system. Your Mr
Mccarroll seems to take the attitude
that since this occurence of lost
neutral and earth connections has
not been commonly reported (to his
knowledge), it is not a problem. Correspondence published in SILICON
CHIP in the January and March issues
indicates that the problem is real and
one which officialdom has yet to
acknowledge.
I would maintain that there are
hundreds of thousands of MEN installations which have not been inspected for 20 years or more and
which now must be getting to the
point where they are becoming
hazardous.
In view of the fact that all installations must become more hazardous
with the passage of time, will you
please respond to the following
questions:
(1). Does your Department have a
policy whereby County Councils are
required or recommended to inspect
consumers' neutral and earth connections on a regular basis?
(2). If there is no present policy on this
topic, will your Department now
develop such a policy?
(3). In view of the distinct possibility
of a hazard developing with the MEN
system, will your Department consider modifying the execution of the
MEN system in domestic electrical
installations?
Leo Simpson
Silicon Chip Publications
The Department's reply
I refer to the letter published in the
April issue concerning the article entitled, ''Your House Wiring Could Kill
You"and your following letter to this
Department. Prior to answering the
three specific questions asked in your
letter, some general comment on the
safety of the MEN system of earthing
is necessary.
The MEN wiring system is preferred by electricity supply authorities
throughout Australia. It has a sound
safety record with no recorded
SILICON CHIP,
PO Box 139,
Collaroy Beach 2097.
fatalities in NSW that can be solely
attributed to the malfunction of the
system. The satisfactory performance of the system can generally be
attributed to its use of a minimum of
two leakage/fault paths. In installations wired since 1976 the number of
leakage/fault current paths has been
increased to three by the addition of
an earth electrode. Other systems of
earthing do not offer such a simple
but effective arrangement.
The MEN system is utilised with
the knowledge that a problem of
'nuisance' shocks often detected as
'tingles' on taps and the like may occur if the neutral connection should
break or develop a high resistance.
The Department of Energy monitors
the 'nuisance' shocks that are
reported to and investigated by supply authorities. Experience has shown
that the number and consequences of
such shocks are relatively minor, and
if compared to the number of installations connected to supply, it would be
difficult to argue that the MEN
system is not working satisfactorily.
It is important that persons who
receive a minor shock recognise it as
a warning of a possible hazard and
report the instance to their local electrical county council for investigation
and repair. Alternatively, the services of an electrical contractor
could be engaged to rectify the
problem.
On the issue of corrosion of connections due to dissimilarity of metals
such as copper and aluminium, electricity supply authorities have
developed work practices utilising
corrosion inhibitors to overcome this
problem within their reticulation
systems. In regard to connections
within the consumer's installation, it
is pointed out that copper or copper
compatible materials are practically
universal. In any other case, the SAA
Wiring Rules require that earthing
conductors be protected from corrosion by means of suitable insulation
or enclosure.
In respect to the specific questions
asked by you, the following comment
is offered:
(1). The Department of Energy does
not currently have a policy which
continued on page 93
JULY
1988
3
IS IT A CON?
Amplifier headroom is a subject of considerable debate amongst
audio enthusiasts. Is it a legitimate way of increasing
amplifier power or is it all a con? Well, it depends.
By LEO SIMPSON
The compact disc is to blame. If
the compact disc hadn't come along
some five or six years ago, this controversy probably would never
have arisen. Amplifier manufacturers would have gone on in the
same old way, gradually refining
their designs, lowering distortion,
increasing reliability and so on.
But all of a sudden, the compact
disc changed the rules. No longer
were contemporary amplifiers up
to the job of coping with the signal
quality of compact discs. Nor were
loudspeakers up to it for that matter and, indeed, many still aren't.
Before CD
Let's backtrack a little and consider the pre-CD era, say ten or
more years ago. Vinyl discs and
cassette tapes ruled supreme and
signal dynamics were nice and
predictable. Recording engineers
knew damn well that the sound
quality of vinyl records was nothing
4
SILICON CHIP
like as good as that off master tapes
and master tapes weren't really
able to cope with the signal
dynamics of live performance.
Everyone knew it but that was life.
Then along came direct-cut vinyl
recordings. Mixing was minimal,
with no taping, no signal processing, no nothing. The recording sessions went straight onto the disc
and suddenly vinyl recordings took
on new life. They sounded "live" certainly much more dynamic than
contemporary recordings.
But people persisted in playing
them at the same general loudness
as they were used to, or even
louder, and speaker::, began to
"blow". There was one particular
direct-cut disc of the 1812 Overture
that hifi dealers dreaded.
People would buy it, get it home,
whack it on the turntable, turn up
the wick and let 'er rip. Everything,
would be more or less OK until the
cannon shots and then the speakers
would blow out! Some hifi dealers
used to reckon that the record
should have been been banned.
What was happening was that
these new recordings had much
more dynamic range than the old
ones and when a really loud
crescendo came along the amplifier
would overload severely. Not only
did that sound terrible but,
paradoxically, an amplifier in
severe overload actually delivers a
hell of a lot more power to the :
speakers.
Not surprisingly, the speakers
don't like that. More often than not,
the tweeters are the first to croak,
giving up without a whimper, in just
one short burst of power. Midrange
drivers can suffer almost as badly
and frequently burn out too.
Woofers mightn't burn out but
they can be so badly over-driven
that one or more turns on the voice
coil can be loosened and then they
sound as though their voice coils
Facing page: NAD's biggest
commutating amplifier, the model
2600, has a dynamic headroom of
+ 5dB, giving it a burst capability of
◄ 500 watts per channel compared with
a continuous rating of 150 watts per
channel into 80 loads.
are "poling". The result is the same
as if they were burnt out - they
have to be re-coned or replaced.
2
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1.75 ~ ,
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1.5
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1
1.25
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►
0
20
50
100
200
500
1000
2000
j!!lc
iii
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1
3000
BURST LENGTH (ms)
Fig.1: this diagram shows the "power envelope" for conventional
amplifiers. For a 20ms burst, the best "dynamic headroom" these
amplifiers can achieve is about + 2dB.
After CD
Compact discs made the situation
even worse. Now the recording
engineers didn't have to worry
about whether the phono cartridges
could actually track the discs (often
they couldn't). This meant the
dynamic range could be even wider
than for direct-cut vinyl discs.
Signal "crushing" was a thing of
the past. Pianos, percussion instruments, brass and wind instruments, all came through the
recording process with their full
signal range intact.
Speakers were dying all over the
place - or being found severely
wanting.
Mind you, the quietness of compact discs didn't help. At least
when you put on a vinyl disc the
noise of the run-in groove gave you
some clue as to how loud the volume
control was set. But not with compact disc. Put the disc in the
machine, press a button and then
wham, right out of utter silence
came this ultra-loud music.
People have taken a while to
learn that CDs are different in that
respect.
So the era of the compact disc
has made new demands of
amplifiers and loudspeakers. It
adds up to a much larger dynamic
range than ever before - louder
peaks and much quieter background levels. This does not mean
that the average listening level
need be any louder than people
have become used to. It is just that,
having set the volume control for a
comfortable listening level, the normal peaks of the music will be
"crushed" (read: clipped, chopped
off, overloaded, whatever) unless
your amplifier and loudspeakers
are out of the ordinary.
To produce the same average
loudness level as you have become
.""==
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IHF DYNAMIC
POWER FOR
TRANSIENTS
w
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►
1
0
20
50
100
BURST LENGTH (ms)
Fig.2: commutating amplifiers have much higher dynamic headroom
than conventional amplifiers (shaded portion). They can also maintain
their very high "burst" power outputs for as long as 500ms.
300
250
200
..........
......
--
--
150
"""'---. .... __ !_
------
O'------J----'-----'--__;;;=-=-===:1:.--.....:-.-.,100
20
50
1OD
200
500
1ODO
2000 3000
BURST LENGTH (ms)
Fig.3: curve A is for a commutating design such as NAD, curve B is
for a conventional amplifier as depicted in Fig.1, and curve C is for
a very big conventional amplifier.
used to used with vinyl discs, your
amplifier must be able to deliver a
great deal more power, to safely
handle the normal peaks of the
music. If it can't, you will be missing out on the full signal quality
which the CD system can deliver.
(Strictly speaking, you could get
the same result by having speakers
which were much more efficient
but that is not a really easy solution. So more amplifier power is the
solution. Lots more.)
Unfortunately, with just a few exceptions, amplifiers have not
become more powerful. (They have
become quite a lot more expensive
but that's another story which is all
too familiar).
The ideal system
Given a pair of loudspeakers with
typical efficiency of 90dB (at 1
watt, 1 metre) in a typical lounge
room, you really need an amplifier
which will put out several hundred
watts per channel, if you are not to
"clip" the music signal on peaks.
Troubte is, genuine hifi amplifiers with a continuous rating of
several hundred watts per channel
aren't cheap. Big transformers,
high voltage high capacitance filter
capacitors, lots of output power
transistors and big heatsinks cost
real money. But if you want genuine
big power, continuously rated,
that's the only way to go. Or is it?
JULY 1988
5
Dynamic Envelopes of Various Music Signals
500mS
BOmS
250mS
These oscillograms show typical signal "envelopes" from today's CD recordings. Fig.4 at left is from the Bee
Gees "Paradise" disc and shows a 500ms signal burst. Fig.5, at centre, is from Genesis "No Reply At All" and
shows bursts BOms long. Fig.6 at right is from a recording of Bruckner's Symphony No 4 and shows 250ms
bursts. (Photos by courtesy of The Fallc Electrosound Group).
Quite a few years ago now, at
least one amplifier manufacturer
realised that there was a way to obtain a great deal of power from a
relatively small amplifier, but there
was a catch. With this approach,
you could obtain several hundred
watts per channel from quite a
small amplifier but only for very
short periods, say for a tenth of a
second or less. After that, if high
power was still being demanded by
the music signal, the amplifier was
only able to deliver quite modest
power, say 50 watts per channel,
on a continuous basis.
The reason why this approach
works is that music signals are not
"steady state". They vary all over
the shop with the really loud peaks,
say from a cymbal clash or trumpet
crescendo, happening along with
fairly long intervals between each
such event; time enough for the
amplifier's power supply to rec,over
and be ready for the next burst.
Bob Carver (with his "magnetic
field" amplifier) is generally
recognised as the person who
pioneered this approach but there
were others before him. Hitachi
was probably the first, with "class
G" amplifiers. Then there was
Soundcraftsman with "class H"
and then later in the piece,
Yamaha, NAD (with the "PowerTracker"), Proton and Crown produced amplifiers with similiar
concepts.
Commutating amplifiers
Such amplifiers are sometimes
referred to as "commutating"
6
SILICON CHIP
amplifiers. They are able to deliver
such high short term power outputs
by varying their power supply rails
in response to the signal. When a
big input signal comes along, which
will require a lot of power output
capability if it is not going to be clipped, the amplifier automatically increases the supply voltage to its
output transistors. This allows the
transistors to deliver very high
power.
When the music signal drops
back to normal levels, the supply
voltages to the output transistors
are also reduced, so that the
average power dissipation in the
output transistors is kept at a low
level. This allows the designers to
get away with a much smaller
power transformer, much smaller
heatsinks, and so on.
Typically, in one of these "commutating" amplifiers, the supply
voltages are increased by 50 % or,
in some cases, by more than 100%.
This can mean prodigious increases
in short term power, 400% or more.
For example, an amplifier with a
continuous power rating of 50
watts per channel can have short
term power output of 200 watts per
channel or more.
Just quoting one example, the
7240PE stereo receiver from NAD
has a continuous power rating of 40
watts per channel into 80 loads but
a short term power output of 160
watts per channel into 80 loads. Or
take the Proton Dl200 power
amplifier. It has a continuous
power rating of 155 watts per channel into 80 loads but its short term
ratings give it over 590 watts under
the same load conditions.
Headroom, dynamic power
and all that
Well, there is no doubt that such
amplifier design techniques work.
In terms of amplifier "bang per
buck" they are unbeatable. But
how do you measure such amplifiers legitimately?
In the past there was music
power. This is the short term power
delivered by an amplifier with
"music" signals. Then there was
peak music power which without going into the maths of it, gives a
rating which is twice that of music
power without giving the slightest
bit more sound power. These terms
became largely discredited years
ago when some amplifier manufacturers were "conning" the buying
public with enormous ratings which
meant nothing in reality.
What stopped this rort was the
US Federal Trade Commission
(FTC) which ruled that amplifiers
had to be sold with a "continuous
power" rating. This rating could only be arrived at after the amplifier
had been preconditioned for an
hour at one-third of its rating. This
forced the amplifier designers to be
much much more conservative in
their ratings and so the public then
got amplifiers which really did have
genuine power ratings.
Even so, high fidelity enthusiasts
and designers recognised that virtually all amplifiers could deliver
more power on a short term basis.
To take note of this, the United
States' Institute of High Fidelity
(IHF) devised a tone burst test of
amplifier power. This was defined
as the power output delivered by an
amplifier for -a burst of 20
milliseconds at intervals of 500
milliseconds (ie, twice per second).
The IHF also came up with a new
term called Dynamic Headroom
which was expressed as the ratio
between the continuous rated
power of an amplifier and the
power delivered under the tone
burst test just defined. Being a
ratio, Dynamic Headroom is not
specified in watts but in decibels,
which is a logarithmic measurement of ratio.
Typically, amplifiers designed to
meet the FTC conditions deliver not
much more power under tone burst
conditions than they do under continuous tone conditions. This is
because they have well-regulated
power supplies which don't vary
much, regardless of the power
demands. For example, an amplifier with a continuous rating of
100 watts per channel (under FTC
guidelines) might have a short term
(20 millisecond) power output of
120 watts per channel. This gives a
dynamic headroom of only + 0.8dB
which is nothing to get excited
about.
But when one of these newer
commutating amplifiers comes up
with a dynamic headroom of + 6dB,
then it's time to sit up and take
notice. There is some controversy
however. Some amplifier designers
and keen enthusiasts regard the 20
millisecond tone burst test devised
by the IHF as having no relation to
real music. In their opinion, musical
peaks and crescendos last much
longer, up to as long as 500
milliseconds. And they offer some
compelling evidence in the form of
oscillograms of music recorded on
today's compact discs.
Some of these oscillograms are
included with this article. They
show that peak program signals
can easily last for 250 milliseconds
or more.
Now you might say, "So what? If
the peak demand lasts longer that's
easily fixed by setting the volume
control so that the amplifier doesn't
easily overload". If that is your attitude you've missed the message
HIGH
VOLTAGE
SUPPLY
CURRENT
_.M.,..ON::.:,ITO..,R_ _ _
II
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SIGNAL
MONITOR
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NORMAL
SUPPLY
II
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r_____ . .,
_____..,.
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SPEAKER
Fig.7: this diagram shows how the NAD PowerTracker circuit
commutates. It monitors the audio signal and increases the power
supply rails to each hall of the amplifier's output stage,
dramatically increasing the short term power capability.
about the dynamic range of compact discs. The peaks are much
louder than the average signal and,
as we have just seen, they last for
relatively long periods of time. So
either you listen at your accustomed loudness levels and "clip" the
music on peaks or you listen at
much lower levels and miss out on
all the soft bits of the music (or
listen on headphones).
Clearly, if amplifiers are to cope
with these signal demands they
need to be very powerful. So you
have two choices. One, go the brute
force way and get an amplifier with
as high a continuous power rating
as you can afford; or two, purchase
an amplifier with large dynamic
headroom. The second choice is
possibly the better way to go
because then you can spend more
on loudspeakers, the more efficient,
the better.
There remains one question.
Some enthusiasts reckon that the
" commutating" action of these new
high headroom amplifiers leads to
audible distortion. On some of the
early amplifiers of this type, the
sound quality was not as good as it
should have been and possibly this
was partly due to the action of the
power supply switching circujts.
These days though, amplifier
designs produced by manufacturers such as NAD, Proton, Carver
and others are highly respected for
their sound quality. They are the
new generation of amplifiers, more
powerful, more compact and more
affordable.
~
Another big commutating amplifier, the Proton D1200 (shown with its
companion D1100 stereo preamplifier) has a dynamic headroom of + 6dB and
a dynamic power output close to 600 watts per channel.
JULY
1988
7
Ain't no good Extra Value Power
tor
drin~i~'! Transformers!
But these bargain priced
JI
DSE2155
3, 4.5, 8, 7.5,
9 & 12V<at>
300ml
Stubbles are Just the
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screws! Flat blade chrome Primary: 240V, 50Hz.
vanadium.
Secondary voltage: 6.3,
Cat T-6020
7.5, 8.5, 9.5, 12 & 15V.
50
Secondary current: 1
.
amp. Terminations: Flying
leads. Cat M-2155
$1
Probably the most
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with 6 different voltages
from 3-12V. Cat M-9526
Medium
'695
duty150MM
Blade
Stock up the toolbox with DSE2840
one of the handiest
screwdrivers you can get.
Flat blade (5mm dia .) with
6" shank gives plenty of
leverage! cat T-6050
Up to 1/3 LESS than you'd pay anywhere
elsel Quality NPO Ceramic capacitors at
sensational prices. Stock up now while
'°Y; ~-:~-ig~~.: ~~p~
33~F
47pF
56pF
68pF
82pF
R:9038
R-9039
R-9040
R-9041
R-9042
,:g:r ~::gn
3.9pF
68
2·2PF
· PF
-~~~~
560 F
15 F
P
l
R-90 45
~-ig:~
-
~=~8~
9
1
R- 9052
R-90S 3
$ 150
· ..
~lllliii~li'!'-==~~:...._
~
4516 Presettable
up/down counter.
Cat Z-5738 $1.95
4526 Counter binary.
divide by N Cat Z-5744
$1 .20
74HC08 Quad 2 input
and gate. Cat Z-5808 70c
74HC11
Triple, 3 Input
and gate. Cat Z-5811 404:
74HC139 1 of8
decoder/multiplexer.
Cat Z-5920 .95
74IIC157 Quad 2 input
multiplexer. Cat Z-5925
Was $1.95 Now $1.50.
74LS31
Delay line IC.
Cat Z-4931 65c.
74Hc165 Par load 8
bit shift register.
Cat Z-5930 $1.50
74HC174 Hex D-type
flip flop. Cat Z-5935 Save
45c Now $1.50
74HC27 Dual J-K flip
flop. Cat Z-5827 50c.
•y••
Primary: 240V AC.
Extra heavy duty
Tapped Secondary
screwdriver that's Ideal
voltages: 15, 17.5, 20, 24,
for tradesman and
27.5 & 30V. Secondary
hobbyist alike. Chrome
current: 1 amp.
vanadium, flat blade.
Terminations: Solder
~ l u g s. CatM-6672
74LS1383-8
Perfect for CB, car
stereos, small amateur
receivers and the like.
With screw terminals for
easy connection. Makes a
computer! The Jable line
filter virtually eliminates
most mains borne
garbage. Rated at 240V, 2
amps. Cat M-9850
;ii,•149-
'295 ' 1195-
74HC85 4bit
magnitude comparator.
Cat Z-5885 $1.50
All the power you'll need
for 2m or small HF
amateur transceivers, etc.
Ideal for 'auto' equipment
or as a bench supply. 3A
continuous or 4A
continuous <at> 75% duty!
Cat M-9547
Computer
Regulated. 12V protection
Spikes and other garbage
<at> 1.5A
can spell disaster for your
., . . ,
:~;;Juty
osE&&;2 ·. Blade
..
Sa
_v_e_o
_n_ D-ig-ita
- 1-IC...s
4002 Nor gate dual. 4
Input. Cat Z-5602 40c
4015 Shift register dual
4 stage. Cat Z-5615 $1.30
4046 PLL phase locked
loop. Cat Z-5646 Save
45c $1 .50
4082 Dual 4 input and
gate. Cat Z-5682 254:
~
13.8V - 4A
Peak
s99
Primary: 240V, SO~zSecondary voltage. 4.5 O - 4.5V. Secondary
current: 150mA.
Terminations: Flying
leads. cat M-2840
$495
Supplies &
Computer Service Kit
9VDC<at>
200ml
Simply plugs into the
240V socket to give you
decoder/demultiplexer
9V
DC. Ideal for anything
Cat Z-5284 .95c
by transistor
.
74LS193 Sync bin up/ powered
type 9V battery. cat M-9514
down counter. Cat Z-5193
Was $1.65 $1.50.
74HC240 Octa,I
74LS 165 Par load
buff/line driver.
shift register. Cat Z-5288
Cat Z-5945 254:
25c Off! $1.10
74HC30 8 Input NANO 74LS10 Triple 3 input
95
gate. Cat Z-5830 60c
NANO gate. Cat Z-4910
74HC32 Quad 2 input 60c
OR gate. Cat Z-5832 35c
74LS13 Dual 4In
Off! 50c.
NANO Schmitt trigger.
Cat Z-4913 1/2 price! 40c
74HC367 Hex bus
battery eliminator is
74LS14 Hex Schmitt The
driver & 3 state o/p. Cat
one of the best buys you
trigger.
Cat
Z-4914
Was
Z-5960 $1.50
can get. Will run a huge
85c Now 70c
range of devices requiring
74HC373 Octal
7
4LS27
Triple
3
input
3-9V from the mains.
Transparent latch . Cat ZNOR
gate.
Cat
Z-4927
Cat M-9525
5965 25% off 15c
25c Off! 65c
74HC76 Dual J-K
74LS30 8 Input NANO
master/slave flip flop.
gate. Cat Z-4930 20c Off!
Cat Z-5876 95c
804:
74LS95 4 Bit left/right MM5369EYRN
shift register. Cat Z-4995 50Hz Time Base. Cat Z-5782
25c OFF! $1 .10.
Was $4.35 Now $3.95
S11
3-8-9V DC<at>
200ml
If you own a computer you'll find this invaluable!
Just the right tools for getting into ail those
impossible places. In handy zippered case.
CatT-4839
240V Hobby Iron
A great general purpose soldering iron at an
even better price. Rated at 15 watts, it's ideal for
most hobby work. Quality by Weller. Cat T-1310
E,0\ NO
1995
I
I
Switch On up to 30% Off!
Save $5!
Ceramic Wafer
Switch
Lever Toggle
Black finish. DPST toggle
rated at SA 240V AC.
Cat S-1295
.
On1ys3-
A 6 pole/2 position switch that's ideal for RF and
audio applications! With thick ceramic plate, heavy
duty construction, break before make contacts and
PCB Mounting
Toggle
Centre OFF SPDT toggle
for PCB mounting. With
90 degree legs. CatS-1296
sp
Mini Toggle
Single pole/double throw
mini toggle with centre off
position. Cat S-1297
'250
Pushbutton
Main Switch
Large positive action
mains switch with bezel.
Rated at 240V 15A.
Cat S-1299
95
Normally $24.95
Miniature
Relays
standard 1/4" shaft.
Exceptional value!
Cat S-6411
NOW
Mini DPDT relays. 1
amp max. 60V DC,
120VAC. Two to choose
from.
~ 911
Cat S-7206 5V ~v
'995
12V Relay
Cat S-7207 6V
Single pole/double throw
12V, 10 amp relay.
Cat S-7208
$&95
JustSS
Mini Slide
Switch
Ideal for audio! 3 pole, 3
position slide switch.
Quality at a bargain price!
Cat S-6410
Sl95
DSXpress ·can1 Waif Freight
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You can order anything through DSXpress for
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s 19es
VINTAGE RADIO
By JOHN HILL
Checking and repairing the valves
A good collection of valves is essential for the
vintage radio enthusiast. In most cases, these will
have to be scrounged or salvaged from derelict
chassis. Here's how to check the valves for
serviceability.
The valves are the heart of a
valve radio and must be in good
condition if the set is to function
correctly. Faulty valves can cause
any number of problems, from totally silencing the receiver to intolerable distortion, weak reception
and intermittent operation.
Therefore, if a valve radio is to
be restored, it is essential that the
valves be checked and any faulty or
suspicious ones discarded.
When I'm faced with a valve problem, the first thing I do is to check
them with a valve tester. A welldesigned valve tester can perform a
number of functions, the most important one being an emission test.
Good valves have strong emission
whereas poor valves have weak
emission. (Emission is the ability of
the cathode to emit electrons. If
emission is low, virtually no current
can flow through the valve).
Valve testers usually have a
built-in meter which is graduated
from 0-100%. Any reading from
zero to 45 % is considered poor;
45-55% is questionable; and 60%
and above is considered good.
The average valve tester is a
comparatively simple device, al-
A box of old triodes from the 1920s. All checked out OK in the valve tester.
A ·good collection of valves is essential for the vintage radio enthusiast.
10
SILICON CHIP
though the internal wiring and switching is quite intricate. The usual
set-up is to tie all the grids and
plates together for a total emission
readout.
My "Heathkit Tube Checker" has
a switching arrangement which
allows each valve component to be
disconnected one at a time so that
every base pin can be individually
checked for internal problems. All
readings are indicated on the meter
which tells the operator if there are
internal defects in the valve, such
as a broken wire to the base pin being checked.
Whilst a valve tester is a handy
instrument to have, it is not an.
essential piece of equipment for the
vintage radio enthusiast.
I did quite well without one for
several years and I certainly do not
put all my trust in a valve tester.
Although a valve tester gives the
operator every indication that a
valve is either serviceable or
suspect, one really doesn't know for
sure if a valve works or not until it
is plugged into a radio set and given
a run under actual working
conditions.
To my thinking, the ultimate test
for a valve is an emission test
followed by a test in a radio to see if
it really does work. If a valve
passes both tests there cannot be
much wrong with it.
When testing a valve it is always
a good idea to give it a gentle tap to
make sure there are no loose components inside that may vibrate and
cause trouble. Tapping a valve with
faulty internals can induce arcing
as well as intermittent on/off and
loud/soft situations. A suitable
valve "donger" can be made by fitting a rubb,e r grommet to one end of
a pencil.
A x2 magnifier is handy for
inspecting valve filaments and
cathodes. The cathode in a good valve
will be coated with a whitish
compound.
Big was beautiful back in the good old days. Shown is an E406, an early AC
output valve. The type number has been scratched into the base for
identification.
Resoldering the base pin connections
will often bring a faulty valve back
into service. Remove the old solder
and clean the wires and base pins
before resoldering.
Heater checks
A few years ago I bought about
120 secondhand valves (mainly oc-
A valve should be gently tapped during iesting to show up any intermittent
faults. A rubber grommet fitted to the end of a pencil makes a suitable
valve "donger",
I now have few problems regarding the testing of any commonly used radio valve. I can either test in
the valve tester or in a restored
radio receiver and either method
will give fairly reliable results. But
such a convenient situation takes
time and money to develop.
On the other hand, anyone just
starting_to restore their first radio
may face quite a problem in finding out if the valves in the set are
serviceable or not. If the set goes,
the valves must be working; if it
doesn't, there is uncertainty as to
whether the problem is a defective
valve or some other component.
There is really no answer to this
dilemma other than to have a selection of known good valves that can
be used as substitutes. But getting
such a collection of valves together
takes time and it is unlikely that a
new chum to vintage radio restoration will have them. Similarly, it can
take years to collect and restbre
enough different radios to test a
wide range of valves.
tal and pre-octal; ie, having a
Bakelite base with eight pins) at a
time when I had only one receiver.
Naturally, any of the valves that fitted that radio were tested in it, but
that still left around 100 or so
untested.
I made some attempt to test the
others by checking the continuity of
the heaters and found that about
one in every twenty was burnt out.
The rest were therefore declared
"good" and time has proven that
most of them indeed were. There
were very few duds among those
that checked out OK with the ohmmeter across the heater pins.
The above test is not a conclusive
one as it only checks out the heaters
and no other elements of the valve.
However, a burnt out heater is a
]UL Y
1988
11
Loose valve bases can easily be repaired with a few drops of "Super Glue".
In some cases, it may also be necessary to resolder the pins.
fairly common type of valve failure,
so checking heater continuity is a
good test when no other means of
testing is available.
Cathode inspection
With the exception of some rectifiers, battery valves and a few
early AC valves, most valves have a
cathode that is heated by an insulated filament (heater) running
through it. Some discussion on this
cathode may be of value because it
has some bearing on the usefulness
of the valve.
In most valves, it's possible to inspect the cathode using a x2
magnifier. When the cathode is
viewed in this manner, it is clearly
seen that the metal tube which
forms the cathode is coated with a
whitish compound that looks very
much like icing sugar. Cathode
coatings may vary from one
manufacturer to another, but
regardless of what it is, its job is to
emit copious amounts of electrons
when the cathode is heated.
Now the reason for mentioning
this is that when a valve is totally
worn out, the cathode coating has
all but disappeared. I have observed a number of such valves where
the cathode was almost bare with
Bakelite and plastic: what's the difference?
A number of readers have taken
us to task over the terms plastic
and Bakelite, as used in this series
on vintage radio . As they have
pointed out, Bakelite is a plastic.
We'll now set the record straight.
Bakelite was one of the first
plastic materials to be used on a
large scale. The trademark
Bakelite is named after the inventor, L.H. Baekeland (1863-1944).
There are two broad types of
plastic: thermosetting and thermoplastic. Bakelite belongs to the
thermosetting type and is made by
applying heat and pressure to a
mixture of phenol (or cresol) and
formaldehyde. Thus, the chemical
12
SILICON CHIP
name of Bakelite is phenol
formaldehyde.
Once moulded and set, a thermosetting plastic like Bakelite is
very rigid and stable and was an
ideal material for radio cabinets.
Later radios were mostly made
from thermoplastic materials such
as cellulose acetate, polyethylene,
polyvinyl chloride (PVC) and
polyvinyl acetate (PVA), with fillers
and dyes added for rigidity and colouring. These latter materials, as
the name thermoplastic suggests,
are not as stable; they deform
under heat. In practice, they
haven't lasted as well as Bakelite
either.
only a few wispy traces of the
original coating remaining. These
valves still worked but their performance was weak indeed.
This knowledge can help a collector who has no valve tester sort out
possible good valves from relatively
poor ones. If an inspection of the
cathode reveals that the coating
has all but disappeared or is cracked or broken away, then the valve is
suspect. Unfortunately, not all
valves allow you to make a cathode
inspection.
A similar procedure can be applied to rectifiers such as old 80s
and 5Y3s. In this type of rectifier
the filament is the cathode and is
also coated with an electron emitter. Good rectifiers have well
coated filaments while poor rectifiers have near bare filaments.
The rectifier valve is a very important component in a valve radio.
If it's weak, the set will be starved
of high tension current and will perform poorly. A set with a weak output can often be cured by replacing
a worn-out rectifier.
Bright emitters
Early valves, made before 1922,
didn't have coated filaments and to
obtain sufficient emission, brighter
filaments were used, These were
similar in brilliance to incandescent lamps. However, it was later
found that filaments containing
thorium or coated with calcium and
other special compounds gave adequate emission at much lower
temperatures.
These early valves were known
as " bright emitters" while the later
ones were referred to as "dull emitters" . Dull emitters use considerably less filament current,
work at much lower temperatures
and last longer.
Many valve designs from around
1930 on have a "top cap"; ie, an external connection on the top of the
valve. Most top caps are hooked up
to a grid but some can be the plate
connection, so it pays to be careful
where you place your fingers.
A common problem with this type
of valve is that the top cap can
become loose or even fall off. Such
a valve is not lost - it only needs
repairing. Resoldering and regluing the top cap with "Super
Glue" will cure this minor problem.
envelope. Once this has been done,
the pin connections can be resoldered.
Resoldering the base pins will
often reclaim a faulty valve and
that applies to all base type valves,
1920 models or otherwise.
Collecting valves
Although not essential, a valve tester eliminates a lot of uncertainty when
checking valves. This is the author's Heathkit Tube Checker. Valves can also
be tested by direct substitution in a known good chassis.
Whilst the above remedy sounds
simple, some valves are more difficult to repair than others because
the protruding wire sometimes
breaks off short. When this happens, it is necessary to nibble away
some of the glass and carefully
solder on a short extension.
In some cases, the valve will have
completely lost its top cap. It
therefore makes sense not to throw
away defunct valves, since the top
caps and bases can be salvaged
and used to repair damaged valves.
The base of an old valve can also
become loose and a number of glues
(including "Super Glue") can be used to re-attach it to the glass
envelope.
Pin connections
One often troublesome fault in
very early valves (1920s types in
particular) involves the pin connections. The solder at the joint seems
to decompose with age, eventually
forming a poor or open-circuit connection. The remedy is to first
remove the old solder and carefully
clean the wires from the glass
Loose or detached top caps can be a problem with old
valves. The valve can be saved by carefully resoldering
the cap and then re-gluing with "Super Glue".
Unfortunately, new valves are no
longer readily available for most
radios. But if you're in the know
and have the right contacts, it's surprising what is available on the
secondhand market.
If you have any doubts about the
scarcity of new valves, then try to
buy an old 80, a 2A5 or 6B7 and see
how you make out. If you would like
a more challenging assignment,
how about a B406 or an E415. New
or secondhand, some of these oldtimers take a bit of finding. Even if
they can be found, they don't
always work.
The only new radio valves that
are likely to be available are the
more recent miniature types. As far
as earlier valves are concerned, it's
usually a case of scrounge or go
without.
Those who may have doubts
about using secondhand valves
should not worry unduly because
there are a lot of good used valves
around just waiting to be collected.
It's up to you to start looking and
find them. Wrecking radios unfit
for restoration is a good source of
supply.
Next month's vintage radio topic
will be on capacitors.
~
Close-up view of the meter on the Heathkit Tube Checker.
It gives a readout of total emission in percentage terms.
Any reading above 60% is considered good.
JULY 1988
13
Interesting circuit ideas which we have checked but not built and tested. Contributions from
readers are welcpme and will be paid for at standard rates.
Fit a fuel cut-off solenoid
to thief-proof your car
The fuel cut-off solenoid is supplied complete with two threaded nipples,
rubber fuel hose, hose clamps and a DPDT switch.
If you're one of those people who
is not keen on the idea of fitting a
car burglar alarm, what about a
fuel cut-off solenoid? You might
have thought of using an ignition
cut-out instead but that is not much
good if your vehicle is diesel
powered. The fuel cut-off solenoid
is the answer.
We have just come across a fuel
cut-off solenoid available from
Jaycar Electronics (Cat. , No.
XC-2050). In the unenergised condition, the fuel is cut off. Current
drain when the solenoid is energised is about 650mA.
In cars with carburettors, the
fuel cut-off solenoid can be installed between the fuel pump and the
filter (if there is one). In dieselpowered vehicles, the fuel pump
will be a positive displacement type
and therefore the cut-off solenoid
must be installed before the pump
(otherwise damage could result).
Note: in cars with electric fuel
pumps, a cut-off solenoid is unnecessary because you can stop the
fuel flow by switching off the 12V
supply.
The solenoid is supplied with a
pre-wired miniature DPDT toggle
~:iw~
+12V VIA---t-er
Fig.1: this circuit activates a
dashboard flasher when the
fuel is cut off.
14
SILICON CHIP
12V
BUZZER
S1o---
Fig.2: this circuit sounds a
buzzer if you turn on the
ignition but forget to also turn
on the solenoid. A buzzer could
.also be added to the circuit
shown in Fig.1.
switch plus fittings. These include
two threaded nipples with tails for
push-fitting 8mm rubber fuel hose
(also supplied) and four hose
clamps.
Installation will vary from car to
car but the solenoid assembly can
be mounted in a number of ways. It
is fitted with a 6mm threaded stud
and has two holes drilled in the
valve assembly which also could be
used for mounting to a panel or
bracket. One side of the solenoid
coil is connected to the frame so
that only one wire needs to be connected to complete the circuit.
There are a number of options
for wiring in the solenoid. Fig.1 is
perhaps the most comprehensive.
One pole of the switch feeds + 12V
from the ignition switch through to
the solenoid while the other pole
feeds + 12V to a dashboard flasher
(Jaycar Cat. No. KJ-7000) when the
switch is in the off position. In this
way the flasher gives the impression that a burglar alarm is fitted
too. (Cunning, huh?). Naturally, the
switch should be concealed, as
should the wire to the solenoid.
Fig.2 deletes the flasher and
substitutes a 12V buzzer. Thus, if
you turn on the ignition and have
forgotten to turn on the hidden
switch for the fuel solenoid, the
buzzer will sound.
Fig.3 is a more complex option using the buzzer. The drawback with
Fig.2 is that if you forget to turn off
the fuel solenoid after turning off
continued on page 91
I
FUEL
CUT-OFF
S0LENOI[
Fig.3: by adding a diode and a capacitor,
the buzzer now also sounds briefly when
the ignition is switched off, to remind
you to switch off the solenoid.
z
DAVID REID
ELECTRONICS
LOW COST
20MHz CRO
For the electronics
enthusiast
Aust. Pty. Ltd.
GOOD WILL
A basic 20MHz scope with extra features not found on similarly
priced units
GOS-522
HIGHLIGHTS
A maximum sensitivity of 1mV/DIV (x5 magnification)
Modes CH1, CH2, Dual, CH1 ± CH2, X-Y
Choice of Sweep Displays Auto, Normal and Single shot
Vertical Trigger Mode and Variable Hold-Off for ease of use
2 PROBES INCLUDED
■
■
Auto Trigger Level Lock ■ 20ns/DIV timebase
DC Trigger Coupling ■ Vertical Trigger Mode
■
Variable Hold-Off
Fluke 73
Fluke 75
Fluke 77
Fluke 23
Analog bar graph
3200 count display
0. 7% basic de
accuracy
10A
Autorangingonly
Three year warranty
Analog bar graph
3200 count display
0.5% basic de
Analog bar graph
3200countdi~
Safety yellow case
Fluke TT features and
0.3%basicdc
specs. plus lused lOA
Autoranging with Range
Autoranging with Range
Hold
10A + autoranged mA
Hold
1OA + autoranoed mA
ranges
Three year warranty
Continuity and diode test
beeper
Touch-Hold""
Three year warranty
GOS-522
Sensitivity SmV/DIV to SV/DIV, DC to 20MHz
Timebase 20ns/DIV to 0.Ss/DIV
$
790 EX TAX
s912
INCL TAX
High quality Oscilloscope probes,
suits all other brands
1 : 1 or 10: 1 Attenuation
$
ranges
Continuity and diode test
beeper
accuracy
s264.oo
INCL. TAX
s230.oo
U. TAX
input
s339.oo
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s295.oo
El. TAX
s362.2s
IIICL. TAX
S315.oo
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1 GHz Frequency Counter
CRO PROBE SETS
SUPER
SPECIAL
s192.oo
IIICL. TAX
S167.oo
El. TAX
accuracy
1. Measuring Mode - Frequency Measurements - Channel A• Range: 1OHz to
10MHz direct counter 10MHz to 1 00MHz prescaled by 10 • Resolution: Direct
counter: 1, 10, 1 OOHz switch selectable - Prescaled: 10, 1oo. 1 OOOHz switch
selectable • Gate time: 0.01 S, 0.1 S switch selectable • Accuracy: ± 1 count ±
time base error x frequency. Channel e • Range: 100MHz to 1GHz • Resolution: 1OOHz,
1KHz, 10KHz swilch selectable• Gate time: 0.027S, 0.27S, 2.7S switch selectable
• Accuracy: ± 1 count ± time base error x frequency.
29 .95
Escort
EDM-70H
►
3½ Digit LCD Display
6 functions
DC V, AC V, DC A and Ohm
Diode forward voltage test
Transistor hFE test
V DC 200mV to 1O00V, 5 ranges
1OOµV max resolution, ±0.5%
V AC 200V and 750V
1 00mV max reslution, ± 1 .2%
A DC 200µA to 2A, 5 range_s
1 00nA max resolution, ±0. 75%
Ohm 200ohm to 2Mohm, 5 ranges
1 00Mohm max resolution, ±0. 75%
►
EDM-708
ONLY
VALUE AT:
s60.oo
ONLY
50 .00
$
Same as EDM-70H, but includes
continuity buzzer and excludes hFE test.
DAVID REID
ELECTRONICS
127 York St, Sydney 2000
Ph (02) 267 1385
Fax: (02) 261 8905
INCL. TAX
S499.oo
AC/DC CURRENT
ADAPTOR
The DLC-200 is a handheld, adaptor that may be
used with any 200mV Input multimeter.
DLC-200
INCL TAX
INCL TAX
Ranges 200A, 400A AC and DC,
±2% 4 digits
Output 1 mV/A: 200mV/200A
and 400mV/400A
BUSINESS HOURS
MAIL ORDERS WELCOME
Mon-Fri 8.30-5.30
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$1 - $25: $3.00 P&P
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s106.oo
INCL. TAX
$92.09 EX TAX
VISA
wC?lcomC? ni?rC?
IMo,,.:~•••\I
]ULY 1988
15
HIFIREVIEW
Amcron 1200 professional
stereo power amplifier
How do professional power amplifiers differ from
domestic hifi stereo amplifiers? In the case of
Amcron the difference is radical, as we found in
our review of the Macro-Tech 1200.
"Like a battleship". That's the
expression most people would use if
they had to come to grips with the
Amcron Macro-Tech 1200 power
amplifier. That's not entirely appropriate though because the battleship term conjures up something
extremely rugged but otherwise
lacking in technical refinement.
So yes, the Amcron is rugged but
that is only a small part of the story.
We have seen a lot of power
amplifiers in our time but not many
intended for professional use. By
professional use we are thinking of
amplifiers used to drive studio
monitors or for sound reinforcement in cinemas and theatres. In
most of these applications the
amplifiers are bolted into place and
once commissioned, are never moved for years afterwards.
And then there is the other
"professional" application which
involves sound reinforcement at indoor or outdoor venues that don't
have an adequate PA system. In
this situation, the amplifier must
withstand the rigours of transport,
rough handling and less than ideal
installations but still deliver high
power under often arduous conditions (read: rock concerts).
These two separate applications
produce a conflict for the designer.
For the static installation it does not
matter too much if the amplifier is
really large and heavy, so long as it
does the job very reliably. But the
need to have gear that is move.able
means that it really can't be too
bulky or too heavy. Gear that is
really heavy is often mistreated by
"roadies" partly because it is too
heavy to handle safely and partly
because they just don't like it.
So Amcron has evidently tried to
satisfy two separate camps. On the
one hand, it is a rugged amplifier
but it is not all that large since it only occupies a standard two-unit
high (88mm) 19-inch rack case. Nor
is it outstandingly heavy for a 400
watt per channel amplifier (40 FTC
rating) with an all-up weight of
around 20kg.
In the manner of most professional equipment it isn't all that
pretty either. "Functional good
looks" would better describe it. The
lower half of the front panel is the
inlet grille for the ventilation fan.
The grille has a foam filter behind it
to prevent dust and dirt from being
sucked in by the fan.
There are two level controls, one
for each channel and a number of
LED indicators which are much
brighter than the subtle illumination found on domestic hifi
amplifiers. They are meant to be
bright; they dim to indicate overdriving or malfunctions.
Internal details
Inside the steel chassis is quite
radically different from hifi
amplifiers, as you can see from our
photograph. For a start there is a
high velocity fan which pulls air
from the front and then blows it out
through the honeycombed heatsinks
at each side. And note the twelve
power transistors on each heatsink:
that's 24 in all!
Two large power transformers
are used, which is how Amcron
Amcron use forced-air cooling and two separate power transformers to obtain a low profile in their MA-1200. It
actually uses two amplifiers in bridge mode in each channel.
16
SILICON CHIP
manages to make such a powerful
amplifier with a low profile. Each
transformer feeds two bridge rectifiers, a main and subsidiary, with
the main bridge feeding a 10,000µF
lOOV electrolytic capacitor. From
there on the circuit becomes very
complicated, although that is not
immediately apparent.
Removing the bottom panel
reveals a whole lot more. One large
board across the full width of the
chassis accommodates the small
signal circuitry while a board running down each side accommodates
the power amplifier output stages.
These latter boards are interesting because all the components, with the exception of the
power transistors themselves, are
mounted on the copper side. As you
look at the amplifier it becomes appararent why they did it this way.
The boards are effectively mounted
on one side of the flat heatsink
while the power transistors are
mounted on the topside, with their
base and emitter leads passing
through and soldered to the copper
side of the boards.
As mentioned before, each heatsink has a honeycomb section (on
the top, next to the power transistors) through which a lot of air is
passed. That keeps it compact and
cool.
The trouble about looking at the
inside of the Amcron though, is that
it tells you virtually nothing. It is not
until you look at the circuit diagram
that you realise how unusual it is.
Instead of the Amcron being a conventional stereo design, each channel is actually two power amplifiers
with the loudspeaker load being
driven in bridge mode. This allows
the use of a relatively low supply
voltage (90 volts total) which means
that the bipolar transistors can
deliver a great deal more power into low impedance loads.
"Come again?", you say. The problem with bipolar transistors is "second breakdown". This severely
limits the amount of current that
they can deliver when they are running from a high voltage supply,
even though they may have a
dissipation rating of up to 250
watts. Amcron have got around
that problem by halving the supply
voltage and using two power
amplifiers in bridge mode, in each
This is the Amcron MA-1200 with the top cover removed. Immediately visible
are the two power transformers, the 12 bipolar power transistors in each
channel and the high capacity cooling fan.
channel. So that's four power
amplifiers in total. Amcron call it
"full bridge" technology.
We won't even try to to explain
how the amplifiers are powered
and connected together while still
avoiding earth loops. That's complicated enough, but consider that
the MA-1200 has three operating
modes, selected by a slide switch on
the back panel. The three modes
are stereo, paralleled mono and
bridged mono.
Understanding how the two
channels are run in parallel is easy
enough, but how do you bridge two
channels, that each consist of two
amplifiers in bridge mode, to get
one super-powered mono amplifier? Figure that one out. (There is
no switching of the outputs by the
way).
Another interesting aspect of the
MA-1200 is its protection circuitry,
referred to as ODEP - Output
Device Emulator Protection. This
monitors the heatsink temperature
and the power output from moment
to moment and produces a signal
which is determined by the always- ·
changing safe operating area of the
transistor. If the margin is being ex-
ceeded, the drive signal is reduced
until the transistor junctions cool
back to safe conditions.
Power ratings
In stereo mode, the MA-1200 will
deliver 320 watts into 80, 465 watts ·
into 40 and 600 watts into 20 (per
channel, at 0.1 % harmonic distortion). In parallel mono mode, it will
deliver 630 watts into 40, 1000
watts into 20 and 1200 watts into
rn. Yep, that's not a mistake and
they are continuous ratings too. In
bridged mono mode, it delivers 935
watts into 80 and 1200 watts into
40.
Quoting the very comprehensive
specifications would fill several
pages of this magazine. How many
manufacturers specify their amplifiers for rn loads? Amcron's manual
also details some of the torture
tests they do to their amplifiers
to check output current capacity,
their comprehensive protection circuitry, and their behaviour with inductive loads.
We had trouble enough providing
loads which could cope with the
prodigious power output into 80
continued on page 95
JULY 1988
17
THE WAY I SEE IT
By NEVILLE WILLIAMS
Are computers turning us
into automatons?
Computers and computer-related devices are
popping up everywhere, breeding like mice in a
plague. They're taking over everyday tasks, doing
our arithmetic, and defining our options with
machine-like efficiency. But the more we rely on
them, according to one reader, the more we
behave like them; like automatons!
So that you'll know what the correspondent is on about, I suggest
that you read the letter set out in
the accompanying panel. You've
read it? Good!
"Knickers in a knot", "Oliver
Twist"! Get it? At least our correspondent can scarcely qualify as
an automaton. That'll be the day
when a humanoid can come up with
spontaneous one-line gags. A whole
generation of TV and radio
presenters would become redundant.
But what is an automaton? According to my dictionary, it has two
principle meanings:
(1). A mechanical figure or contrivance constructed so as to act, as
if spontaneously, through concealed motive power;
(2). A person who acts in a
monotonous routine manner, without active intelligence.
I imagine that our friend
"Oliver" has the second definition
in mind. He's fearful for all of us
who use computers and computer
based devices but his immediate
and stated concern is for office
workers, people who operate
automated supermarket "chuckouts", attendants at self-service
petrol stations and employees of the
18
SILICON CHIP
Taxation Department. That's a fair
cross-section of present-day wage
earners!
I must agree that, if one wants to
ridicule and attack our burgeoning,
computer-based society, there is no
shortage of brickbats ready to
hand.
On the very day that I sat down to
react in print to Oliver's letter,
April 22, the following snippet appeared in "Column 8" of the Sydney
Morning Herald. I quote it exactly
as it appeared:
A Kirribilli reader has been
receiving letters for her late father
from the Advance Banlc addressed
to "Mr John K. R. Donavon Dec'd".
The letters to the late Mr Donavon
demand payment of his health insurance premiums.
Undoubtedly, the above letters
are being issued routinely by a
computer-based system but again,
one can hardly blame the machine
for doing what it's been instructed
to do. A human operator, a bit short
on brainpower, has apparently failed to react correctly to formal
notification of a person's death,
such that the entry has ended up as
a spurious name in the list of
defaulters.
That sort of thing can happen
easily enough but if repeated, it
ceases to be an oddity and becomes
a source of annoyance.
Three people, two
addresses!
For some time, my wife and I
have contributed to a particular
welfare organisation, quite routinely, until they were computerised.
Then we suddenly found ourselves
to be three separate people living at
two adjacent addresses - presumably because one or other of us
had signed the cheque on different
occasions and because, at some
other time, a door-knocker had confused our own and a neighbour's
address.
Concerned that they were
wasting two lots of stationery and
postage, we sought to bring the matter to their notice by indicating on a
particular return slip that the other
two were redundant and that, in
any case, one had a wrong initial
and the other a wrong address. But
they didn't react to the information
nor, apparently, did their system
alert them to the fact that two of the
three supposedly different people
were consistently ignoring their
literature.
A similar experience with
another organisation served to confirm the impression that their staff
had become part of the system unwilling or unable to react outside
their new "computerised" routine.
As I see it, there is a real danger
that the goodwill for a welfare
cause will be undermined if the
computer is allowed to replace
rather than supplement human in-
Why do computers inhibit common sense?
Dear Mr Williams,
Most of us have enjoyed a good
laugh, at one time or another, at
the expense of the unfortunate
clerks in a Dickensian office, with
their black coats, high stools,
massive ledgers and quill pens.
But I wonder whether we've
noticed their counterparts in
modern offices - young women
mostly, in regulation uniform, perched behind plastic counters and
seemingly hypnotised by a fluorescent screen.
You want to know something,
buy something, go somewhere,
pay an account, draw money and
it's always the same routine. They
listen impassively, push a few buttons and intone what appears on
the screen. It's the ultimate
authority; they don't question it.
Neither should you!
I'm well aware that computers
and their derivatives can speed up,
rationalise, mechanise and
automate a whole range of human
activities but there's a problem:
they're also eroding our very
humanity. They're slowly turning
us into automatons - users and
victims alike.
The supermarket where we do
our family shopping has recently
been redesigned, rebuilt and fitted
out with all the latest gee-whiz
technology. At the check-outs
(chuck-outs?) they grab things as
fast as you can unload your trolley
volvement; if supporters begin to
perceive that they are corresponding with a machine rather than a
person.
Self-service petrol stations?
They're OK when you're in a hurry
but I enjoy the rare experience of
pulling into a country service station and having someone offer to fill
the tank, check the oil and clean the
windscreen. After three or four
hours of pounding down the
highway, a little human interest
and conversation is welcome relaxation before heading out again onto
the bitumen.
Bar code "chuck-outs"
As for bar code check-outs, I
and swish them past a laser gismo.
It goes beep-beep-beep, flickerflicker-flicker and you, in turn, have
to grab your change and run
before the next pile of groceries
lands on top of your own.
Perhaps it's too much to hope
for the return of the friendly family
grocer but, before this latest hurryup gadget appeared on the scene,
there was at least some opportunity for human pleasantries on the
way past the manually operated
cash registers. A lot of the
cashiers were real people!
I don't like self-service petrol stations either - and it's not because
I'm shy of pumps. But I find no
satisfaction at all in doing all my
own chores, finding where things
are, and then handing my money
to someone whose main function
is to compare the amount proffered with that shown in the
readout.
What stirred me to get down on
my butt and write this letter? I'll tell
you.
A few weeks back, knowing that
settlement was due, I sent off a
cheque to the Taxation Department, along with the relevant
assessment slips and a request for
an acknowledgement. None arrived but what I received instead was
a pay-up-or-else notice and a
statement that the overdue debt
was currently incrementing at so
many dollars per week.
have mixed feelings. They are
about as far as one can get from the
friendly neighbourhood grocer; efficient but almost totally inhuman
and so fast that it's difficult, if not
impossible, to compare individual
items with the price read-out. Yet
technically, they intrigue me no
end.
I look back to an incident many
years ago when an executive I
knew in a now-defunct parts
manufacturing business confided to
me that he had just obtained
Australian rights involving the use
of bar coding to facilitate automatic
identification of products and
prices.
It would revolutionise retailing,
So I phoned my tax agent, who
promised to inquire on my behalf.
She rang back next day,
somewhat incredulous. She was
told that the Department had experienced a major computer
"crash" and had lost the data
covering all money received over a
couple of weeks. They were now
having to reassemble the information.
The trouble was, she said, that
another part of the system had
kept right on despatching demand
letters. My cheque had in fact
been received, my file was in order
and I should ignore the current
correspondence.
I may be naive but it seems to
me that the automatic reaction of
anyone sensing a crash in the "income" side of the system should
have been to ensure that the
despatch of demand letters was
also interrupted. I have little doubt
that the black coated-clerks in the
Dickensian office would have done
just that but what is it about a computer that inhibits human common
sense? Could it even be that
they're turning un into automatons?
Not wishing to invite the wrath of
some minor public servant, I would
prefer that you did not publish my
name and address but, on the
grounds that my knickers appear
to be in something of a knot, I'll.
sign off as: Oliver Twist!
he said, by eliminating the need for
individual price stickers. Computerised check-outs would itemise,
record and charge for purchases
automatically, while also up-dating
sales and stock records on a realtime basis. Prices could be adjusted
instantly, or in as little time as it
took to write a new display placard.
And so on.
While it sounded technically
feasible, I failed to generate any instant enthusiasm. He would need to
convince a great many people to
change their ways and spend their
money before he could start to eat.
But it's all happened.
Optimistic as he was, I doubt that
he foresaw the devices that can
]UL Y 1988
19
THE WAY I SEE IT- CTD
now read the codes printed on products of all shapes, sizes and colours, as they are whipped past in
mid-air. The quickness of the hand
may indeed deceive the customer's
eye but if the claimed reading accuracy figures are to be believed, it
very rarely deceives the laser.
And for every "Oliver" who objects there may well be others who
respond positively to the "hi-tech"
environment. I wonder what happens though, when there's a power
failure?
Word processors
My closest encounters with computers have been in their role as
word processors. Until my retirement in mid 1983, all my articles
were written on a typewriter, using
journalists' copy paper - octavo
(half-quarto) sheets. Normal practice was to type one paragraph or
two short paragraphs per slip.
The idea of doing this was to
make subsequent editing easier by
making it possible to add, remove,
substitute or shuffle individual
paragraphs with a minimum of retyping.
By mid 1984 however, it became
practical to set up a basic word
processor and printer for well
under $1000 and I did just that, using a VZ-200 (later a VZ-300} computer from DSE. It was subsequently replaced by a more ambitious Apple system, which I've been using
ever since.
But back in 1984, it needed ,only
that first article to convince me that
the faithful old Adler had had its
day. With a word processor there
was less need to analyse every
phrase before I typed it; if it subsequently proved to be clumsy or ambiguous, it could changed without
mess or hassle. Paragraphs could
be deleted, inserted, replaced or
shuffled electronically with equal
ease.
Those Printouts!
An effective way of building
customer distrust of computerised methods is to economise on
ribbons and issue barely
readable print-outs. As often as
not, the worst offenders are not
supermarkets but those poverty
ridden banks and other financial
institutions!
Spare a thought for the aged
pensioner who recently complained to me that:
"They don't write in your
bankbook like they used to. They
do it in a machine but you can't
read it, even with a magnifying
glass". I could just read it; coarse
dot matrix letters in the palest
grey. As she explained to me:
"It's my bankbook and I
shouldn't have to ask somebody
else to tell me what the figures
are".
But what really delights the
Editor, right now, is when I ring him
to say that the next article is ready
to "shoot down the line". A few
minutes later, the text from my Apple is on his hard disc. He can read,
check and encode it, before feeding
it down the line to the printer's
typesetter, which turns it directly
into magazine galley proofs.
It's all very convenient and efficient but yes, use of a word processor does modify a writer's approach. Relieved of the need for
scribble pads, manual corrections,
typing and re-typing, he/she can
aim for "perfection" first up, work
to a draft format, or attack the task
piecemeal, knowing that the result
can be tidied up on screen before
printout.
As for going back to a conventional typewriter: forget it. I've lost
the will and, if the truth's known,
I've probably lost the skill and the
patience to work any other way.
At the same time, one must concede that word processors have
their own frustrations. It takes a
while to get used to reading text on
a screen rather than on paper. And
you can't really concentrate on
what you're writing until the
mechanics of the computer have
become routine.
Some systems are better than
others in this respect, because they
use easily remembered commands
and present text on screen in essentially the same form that it will take
when printed out. The jargon term
is "wysiwyg" - what you see is
what you get (well, more or less).
One also discovers that, in most
word processors, the text on the
screen and accumulating in the
memory is distinctly vulnerable. A
heavy switching pulse on the power
line or even a brief drop-out can
clutter a literary gem with garbage
or wipe it out altogether.
Careless operation can achieve a
similar result, especially if the program has insufficient safeguards or
the odd built-in "bug".
That's why you very quickly
learn to save, save, save, even if
you have to interrupt the muse.
That way, a switching pulse, a
blackout or a bolt of lightning can't
rob you of more than a few minutes'
work. The rest will always be safely
tucked away on disc or tape.
Computers are really tools
The point I want to make is that
computer related devices are
basically tools which should allow
us to perform various tasks more
expeditiously, more thoroughly and
more economically - like those
specifically mentioned: transf erring funds, retailing groceries and
petrol, collecting income tax and
writing articles.
But like all new tools and
methods, we have to come to terms
with them.
The point I want to make is that computer
related devices are basically tools which allow us
to perform various tasks more expeditiously.
20
SILICON CHIP
As a reader of this magazine,
"Oliver" is presumably not antitechnology. What he's on about is
the tendency to delegate control of
our affairs to machines, at the expense of human intervention.
I think he has a valid point. It is
reinforced by what may well be the
ultimate example of such a situation - the reputed role of computers in last year's world
stockmarket crash.
In the USA, portfolio managers
had set up a network of computers
which were programmed to buy
and sell automatically in response
to sharernarket moves in either
direction. According to a US
Presidental task force report,
issued earlier this year, these computers generated selling orders
totalling between twenty and thirty
billion US dollars during the week
of the crash, adding considerable
fuel to the "selling inferno".
A typewriter problem
By coincidence, a reader from
Woodend, Vic, draws my attention
to a problem of a different kind he
has encountered with an electronic
typewriter - this in the context of
spare parts, or the lack of them. I
quote:
Dear Mr Williams,
I have purchased all the issues of
SILICON CHIP thus far and have enjoyed them very much. By way of
response, I would like to add my experience to the "They'll sell you
anything" file.
Less than two months ago, I
received an electronic typewriter as
a gift - a Casio CW-16 portable
machine with about as many
features as can be crammed into a
typewriter before it becomes a computer. It's quite a change from the
old manual machines that we struggled along with for the past 20 years.
There is one thing wrong with it,
though: the ribbons are virtually
unobtainable. You wouldn't believe
the amount of time and money I've
expended in the last two weeks trying to get ribbons. I've rung the
Melbourne agents three times and,
only on the third occasion, was I
able to get the name of some local
agents.
I've spent any amount of time on
the phone trying to get something
done but so far, with no success. And
this is a brand new machine. I hate
to think what the situation will be in
a few years' time.
I agree that obtaining parts
nowadays for almost anything is difficult (I send overseas for virtually
everything). We hate to think what
sort of trouble we'll be in when our
3-year old National VCR needs service. At least the National brand
seems extremely reliable. Our 14
year old National TV has hardly had
the back off since new. Agreed, its
use for TV reception is very limited
because TV signals in this area are
almost non-existent.
Keep up the good work. I have enjoyed your writings for about
twenty-five years.
T. R. (Woodend, Vic).
Thanks for your letter, T.R., and
for your kind remarks. Your story
reminds me of my own stated problem with a computer printer,
although it was ultimately resolved
- with no thanks to the distributor.
Hopefully, yours will have been
sorted out by now or publication of
this letter will prompt someone to
point you in the right direction.
As for your National brand VCR
and TV receiver, the company does
have a good reputation for quality
but like most other suppliers, these
days, they cop their share of
criticism for a slow turnaround in
jobs and parts.
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suppression.
Limited quantly - - - - ~ , . . . , 1 - - - - Cat. RC-5375
Don1 pay through the nose for heavy duty
speaker flex. High quality figure 8 speaker
cable 2 x 7910.2mm strands in a white
covering with black trace.
Cat. WB-1712
~~ c
BARGAIN PRICE
10 for $2.00
0
2~ each
$1.50 metre ~ s
·
$120 par 100m roll
PHILIPS GENERAL CATALOGUE
~,··~-;;:¼ s .
:i ~~'?':j' ),~
(;:::J
,:s.,,. .e .·,
.....
' ,·,
$39.95
.
'
OPTION 2
SIEMENS HALL EFFECT CONVERSION
Ref: Silicon Chip June 1988
tt you have a car that will not take the very comprehensive KJ-6655 Hall type
breaker point set, then this device is for you. German made Siemens HKZ-101
Hall
Effect switch. Interface components Included In TAI kit.
Cat.Z0-1980
$34.95
ONLY $1.95
Not only is It a 6 way power board, It incorporates a voltage surge and spike protector and noise
rejection filter network. Supplied with two metre cord and mains plug, safety shutters on each outlet,
illuminated master on/off swkh and even a safety circuit breaker.
SPECIFICATIONS
Max clamping voltage
n5AC<at> 50A
~
Spike dissipation energy
BOJ<at> 2ns
_
Withstanding surge current
4500A (8 x 20us, 1 time)
lifll ,, 1, ,
~
11
Clamping response time
<10-9 ns
-,,
~
1
Frequency
1kHz- 100MHz
,,
Attenuation
20 to 40dB (variable ratio)
1//
Cat. MS-4030
$49.95
A professionally engineered STEM
electronic
fbreakerless") contact breaker system. Yes,
only Jaycar has a complete Hall Effect
trlggerhead assembly designed to adapt to an
extensive number of cars. Each kit contains the
following:
• Hall Effect Triggerhead
• Magnetic rotors for both 4 & 6 cylinder cars
• Over 6 cam-lobe adaptors
• Over 12 different adaptor plates for your
particular distributor
• Other hardware (l.e screws, etc)
• You can remove this system and re-equip your
car with the original breaker points when you sell
thecarl
• As easy to Install as a set of points
• Instruction (simple to follow) included
This set Is designed to fit most European and
Japanese cars. In fact, it will also fit many
Australian cars fitted with Lucas, Bosch,
Motorcraft, AC Delco, or Autollte electrics. If you
wish you can check first by sending a SAE for a
car/distributor fist.
Cat. KJ-6655
We supply a pack with 5 melres of
both red and whtte solid core hook-up
wire. This Is the Ideal size for bread•
boards. All you need to do is cut It up
Into whatever lengths you require and
strip the ends. Doni pay lots of money
for pre-cut wire In a plastic box.
Cat. WH-3030
Tantalums are getting more expensive all the time. Duet
a very large bulk purchase, we can offer you a mixed
pack of over 50 Tantalums. Over 40 of these are tag
type, and the rest high quality military spec RT style
which are worth up to $5 each.
A typical pack wlll Include: TAG STYLE 2 x 0.33135V, 10
x2.2/16V,5x6.816.3V, 1 x0.15/50V,20x4.7/16V, 1 x
4.7/25V, 3 x 68/10V, 1 x 100/16V. RT STYLE 1 x 0.11
35V, 1 X 0.22/35V, 1 X 0.33135V, 1 X 0.68135V, 6 X 15/
20V, 1 x 32/35V, 1 x 47/20V. We reserve the right to
make changes If stock shortages occur. This Is a once
only offer. Don't miss out.
OVER 50TANTALUMS FOR ONLY $12.50
Over $35 worth of Tag Tantalums alone, without taking
into account the expensive Milspec style also supplied.
ONLY $10.00
OPTION 1
~r!~n~~jI; ~
BREADBOARD
JUMPER KIT??????
·
-~
l
·-· ·.. ·
·r
. . "
.\. -~
1988 Edition NOW AVAILABLE - Brand newl Just released!
Line data Is provided on the full range of preferred Philips products including : Logic, memory,
analogue, radio, audio, video, semiconductors, tubes, capacitors, resistors and other materials
Including speakers, etc. 1.25 inches thick. Dimensions 210 x 145mm.
$ _
25 00
Cat. BP-4402
5000 POWER AMP "BLACK MONOLITH"
RE-BORN WITH TOPOLOGY MODULES
• Jaycar proudly re-introduces the fantastic 5000 series power ampllier with the new "state-of-th&art" Topology Power Modules.
Get the upgraded module performance for the same price as the old 5000 amp.
Cat. KE-4200
PUSH BUTTON WALL MOUNT
PHONE WITH AM/FM RADIO!
¥~l~~~©OO~ ~--""'~
~lUJJ<at>
~
~~lffi<at>~OOO
~
Scoop purchase price! An AM/FM radio with good tone
that mounts on the wall (kitchen or garage ldean. When
the phone Is answered the music rrutes out. You can
even put the music on the line H you need to put the
caller on hold! Requires 3 x AAA batteries, not supolled).
Cat. YT-7072
ONL V $1.95 ea
This unit Is designed for midrange and tweeter control on
mJltlway speaker systems. It is suitable for systems up to
80 watts power handling capacity. It presents a constant B
ohm Impedance to the load, and so does not disturb the
crossover points. Unit is fully sealed, mounting plates and
Is labelled high and mid with rotary controls. Both high
and mid are in the one unit and we can offer these far
below the normal price.
Cat. AC-1683
10 up $1.75 each
ONLY $9.95 each
Another surplus stock purchase. These are standard type
telephone plugs without the cable grommet.
NORMALLY $3.95
Limited quantity
Cat. PP-1400
WAS$39.95
NOW ONL V $20.
SAVE50%
MIDRANGE AND TWEETER
LEVEL CONTROL BARGAIN
TELEPHONE DOUBLE
ADAPTOR SENSATION
Another jaycar exclusive purchase. Allows you to connect
two phones to the one ,ocket. These normally sell for
$7.50
uf°""•J
li1\
1
SAVE 47%
.
Cat. XT-6020
©~©Wlll.&'lr<at>ill~ ~'lr
~~lLlL<at>WJ'lr )J)ffill©~~
,-1rl \ \
$3.95 ea
Tl-1103
• eight digit,
• six function
Cat.OC-7172
ONLY $10.95
SAVE$4
Little Professor
You would DIE If you knew where we bought this shipment of brand-new
genuine US-made NADY wireless PA gear froml Suffice to say that they lost a
fortune to liquidate this current model merchandise. ONCE AGAIN their
staggering loss la YOUR GAIN.
OFFER No1
~95
$27.50
$19.95
TURN YOUR SURPLUS STOCK INTO CASHII
Jaycar will purchase your surplus stocks of COITl)Onents and
equipment. We are continually on the lookout for sources of
prime quality merchandise.
CALLGARYJOHNSTONORBRUCEROUTLEYNOWON
(02)
747 2022
,r _ _ _ _ _ _ -
-
-
_
, TIECHNICAL BOOK CLEARANCE
-
-
IFor full details see our 1988 catalogue.
I::::
les-0120 Flbreopticsexperiments&projecls
How to read schematic diagrams
BS-0406 ~~J~~%nnectlonssolved
Understanding microprocessors
Macintosh programming techniques
Intro automotive solid state
Understanding digital electronics
8080/8085 software design
BS-0420 C prog. techniqu98 for Macintosh
I BS-0453 Basic electrlclty 6 cassettes
BS-0732 Complete guide - car audio
BS-0703 Crash course dlgltal technology
IBS-0456
IBS-0416
BS-0404
IBS-0458
BS-0590
I
I
I
SAVE AROUND $200
Genuine NADY MODEL 201 GT Guitar wireless microphone link which Includes
FM "True Diversity" receiver, bodypack transmitter with high irfl)8dance Input
(aultablefor guitar pickups, baas, sax, etc). The body pack accepts a standard
6.5mm plug and the audio lead acts as the antenna, neat! The body pack
measures 96 x 60 x 203mm and weighs only 70 grams. It requires a 9V alkaline
battery. Both transmitter and receiver are crystal locked and offer 20-20,000Hz
±3dB frequency response and 120dB (max SPL A-weighted) dynamic range.
Output Is line level 600 ohms. MinlmJm adverse operating range 200 feet, lineEis
'II
$800+ f hi
I A
11
of-slght_1500feet.
~ereyouwi pay .
ort ssystem n ustraa
Bui while they last you will be able to get thlS product from us for only $5991
..._ That's right, you WILL SAVE around $200 over the normal price In
\ Australlal (Australian rec. retail $799).
(H more than one Is ordered, they will be supplied as separate
I frequencies).
~-""""'"""""~~~.....- - - - - - - _ , , ,
502
~f:.95 IC
$a T
:::~;
$27.95
$44.50
$19.95
$27.95
$24.95
$37.95
$26.50
$19.95
$34.95
1.o
•
°
I 5 9 9 INC tax
:~~:: I OFFER No2SAVE AROUND $300
$19.95 Genuine NADY 201 HT microphone wireless system
$29.95 I comprising of YD-04 microphone (virtually Identical
$14.95 performance to Shure SM-58), Integral antenna (no
$19.95 I dangling wires) low battery light and professionally rugged.
$14.95 Measures 222(L) x 36(0ia)mm weighs 238 grams. Use 9V
$25.95 I cell. Included of course is the 201 "True Diversity" receiver
$16.50 matched to the same frequency. System performance and
$14.95 I range similar to 201GT above. (You see this system
$24.95
used by TV entertainers In the US all the timel)
(tt more than one ordered or 1 x 201GT and 1 x 201HT
Iordered
they will be supplied on different frequencies).
ICat. DT-5030
'
$699
~-------------.,)
INC tax
FUEL CUTOUT_~i1?:::;;:&
SOLENOID
/ ~ --~> .;::,'~
Whoneedsanolsycaralarm,q:- ~ - - l
after you have installed one
_
of th989 In your vehicle.
/It's operated from a hidden
switch. Simply tum It on when
you leave your car, and H your
car is stolen, It won't go very far
without any petrol. Supplied with
Instructions, pre-wired switched,
hardware and even two alarm
stickers. Quality MEO Alarm
brand. Add to this our deluxe
red light flasher kit - KJ-7000
i~~--i5c:~ho needs an alarm?
69.95
-
,,.;BICENTENNIAL" LIGHTS IN YOUR OWN HOME!
'
DUMMY
INow
111umlnate your garden, tr998 or windows with this low volatge lighting system!
I
you can have the same beautttul 'firefly' lighting that Is all CNer the civic squares around Australia. The beautWul lights of Hyde Park and Macquarie I CAMERA
Street In Sydney, for example can now be in YOUR front garden. tt you have ever travelled to the USA you see such 1irefly' lighting in trees, around ·
Imotels,
houses etc - all over the place!
I BARGAIN
Until now weatherproof outdoor low wattage festoon lighting simply has not been available. That Is behind us, because Jaycar has an exclusive
Ioutdoor/Indoor
lighting kit to enable you to beautny your home or garden. Each festoon set comprises a 6 metre cord with 20 lamp bases moulded In
I
onto the cord at 300mm Intervals. (At the end of the festoon Is a clear 700mm of cord.) Each lamp base Is fitted with a 12V 50mA globe and
Iparallel
fortune very year. It has been
clear polycarbonate weatherproof cap. The entire festoon draws, of course, 1 amp AC or
only. THE RATED LAMP LIFE IS 20,000 HOURS I
I
demonstrated that television
'Plxlelites' as we call them can be connected in a chain for larger Installations. Each lamp Is In parallel and In the likely event of an Individual bulb
Ifailure
surveillance cameras In the
THE REST STAY ON (unlike cheap series type festoons). All that Is required for larger Installations Is 1 amp eX1ra of power supply capacity for I right environment can discour6 metre festoon. The 'Plxlellte' festoon Is moulded In water clear plastic. This enables you to line home or shop windows with Plxlelltes and only
Ievery
age this activity.
see the lights I The clear plastic makes the wiring almost Impossible to see In foliage as well!
I This Is where you come In.
one amp per festoon a cheap 2155 type transformer (Cat. MM-2002 $10.95) Is all you need for power. But If you have a trickle battery charger or old
IAtCB
We have made a great purpower supply you ALREADY have power! The festoon, however, Is NOT CHEAP. It Is a quality made In Australia product designed to last a
I chase
of realistic-looking
IIWetlme. (Maybe for the Tricentenary?) A 6.7 metre 20 lamp f8Stoon will cost you $49.95. You can buy a mixed bag of coloured caps (red, amber,
Dummy TV Cameras. They
green, blue, 5 of each) to convert the festoon for Christmas use - It wrn last MANY Christmases!
D
I
are Australian made, are
ISo act now and partlcpate in Australia's Bicentenary.
supplied with adjustable
mounting bracket,
lcat. SL-2602
$49.95 Festoon Set
.
I swivel
fixing screws, flashing LED
·.
I circuit board and 2 flashing
lc at. SL-2805 $9.95 Bag of 20 coloured caps. ~l
We au know that shopliftin g
and vandalism cost a small
QC,
I
1.- --l~
~-
(1
l~
CLOCK
MOVEMENT WITH
BUILT-IN
PENDULUM
DRIVER
This module measures 87mm long x 55
wide x 35mm deep and uses 1 x AA
battery. Clock movement Is supplied
with 3 sets of hands, and pendulum Is a
suspended arm within the module
which swings back and forth. A suitable
pendulum can be attached to the bottom of the arm.
Flt your own custom clock face. Great
for novel applications.
Avallable sometime In June.
Cat. XC-0103
$22.95
DIGITAL AUTO·
TUNE UP TESTER
Not only will this measure RPM &
dwell (on 8, 6, 5 and 4 cylinder
cars) It measures AC volts, DC
volts, points resistance, diode
check and even has ohms range.
But Its best feature Is the nifty little
tacho adaptor supplied. It Is a
clamp type unit with coiled lead.
Simply connect the inductive pickup to the coll HT lead and the
RPM's are displayed.
For fu ll specs see our 1988
catalogue.
Cat.OM-1573
$139.50
DIGITAL L-C
METER
Quality Inductance and
capacitance digital meter.
Capacitance range from 2nF to
200uF In 6 ranges. Inductance
range from 2mH to 20H in 5
ranges.
For fu ll specs see our 1988
catalogue.
Cat.OM-1575
1
$219.00
DIGITAL AC
CLAMPMETER
Ouallty 400 amp LCD ciampmeter
with digital hold facility. High
Impact case. Full specs In our
1988 catalogue.
Cat.OM-1570
g
•
LEDs. Also supplied Is the 2 x
D cell nylon battery holder to
power the flasher circuit. A
------------- ~
fake cable wallplate Is also
supplied as well as a very
conspicuous 21 O(W) x 160(H)
self adhesive sign which says
"THESE PREMISES ARE
PROTECTED BY TIMELAPSE ANTI-THEFT
CAME RAS' The text of the
sign Is In orange-red fluores. -- - -~ - - _ _,__ __ _....., 1 cent ink against a black backpulse count for under $100.
ground.
BUT HURRY! We have
Features:
around 300 only.
• Coverage 12 metre x 12 metre
Cat. LC-5310
• Detection angle 1101 - 4 piece•
$49.95
• Detection beamls - 38
• Adjustable angle
$42.95
• Tamper prool protected
• NIC and N/0 output
$39.95
Cat.LA-5017
_ ._
Jaycar are proud to announce a new PIA to our
range. The Terminator has features found In
those really expensive PI Rs.
FEATURES
• Pulse count which virtually eliminates
false alarms
• 48 detection beams In 3 ranges
• Sliding PC board for pattern adjustment
• Optional lens for use In hallways
• Tamper proof protected
• Plus all the usual features of PI Rs.
Cat. LA-5018
$119.00Hallway Lens Cat. LA-5020 $3.95
"PLASTI-DIP"
AIR DUSTER
HEAVY DUTY FLEXIBLE
LIQUID COATING
It's pure compressed Inert gas
for removal of dust and air
borne contamination from
very delicate and Inaccessible
areas of electronic and
electrical equipment.
400ml spray pack - 550g nett.
Cat. NA-1018
Plastl Dip Is an air dry liquid plastic
coating that produces a tough,
thick pllsble finish. It Is virtualy
Impervious to the elements and
has a good dielectric strength. It Is
Ideal for making a
pliable coating for
the handles of tools,
etc. It also provides
excellent environ•
mental protection
for circuit boards,
etc. Supplied In a
470mldippingcan. · ~ 1 ' ) ~
·
Will do dozens of
~ • -~ · ~
tools.
!. ;I ;,·
Red In colour.
· ' .,.·
Cat. NP~1100
NOW AVAILABLE
$12.95
MINI MUFF PADS
Foam earpad replacements for
mini headphones. 27mm
diameter - 2 pairs.
Cat. AA-2012'
$3.75 pair
$24.95
$29.95
Replacement Punch
Cat. TH-1766
$21.50
~
. J()l!Ql!
~ I
'
( i ',
13'~ ~..~•
,,-
'!'_no.:.;,,,.:::::.::"t
I ,,,--, /
I
\ (~ ;
,,, ii'
,;
~
"\ll o\01,(lll""I-
SPRINGVALE STORE
OPEN TILL 2 PM SAT
Nibbling Tool
Born in the USA
How things change. You can
now purchase from Jaycar the
original American Adel
nibbling tool. Due to price
rises from Asian countries
we've been able to dlrec1
Import the original tool (which
we sold 10 years ago) and
sell It at the same price as the
Asian copy.
• Cuts holes - any shape over
7/16'
• Notches clearance for plugs
and wiring
• Trims underslze holes to flt
parts
• Suitable for steel up to 18
gauge, Aluminium 16 gauge,
plastic and copper
Cat. TH-1765
--/ (
~:::~~::g:011r1I\
~
$139.95
BURANDA OPEN TILL
8 30 PM THURSDAY
$37.95
ONLY $99.95
CARLINGFORD OPEN
TILL 2 PM SATURDAY
A'BECKETT ST OPEN
TILL 8 30 P M FRIDAY
,/.:.:.:.:.:.:.:.:.:.:::.::::=.=.=.= · · •· =.:===ti:=.:.:.=.=.=.===.=.=-:r · · · · · ·.:.=: ·:::::: :·: :·:::::: :·:: :·: =·===·=·=·==:.:::=···············.....·.·.·.·.·.•.·.·.•.·.•.....•.•.•❖•••••••••••••••••••••••••••••••••••••••
1,:~i~l~,.fi■~l~cc!lll
Discolite
. fJl!:'.~IP· •ll1t~
STUDIO 200 HI FI PREAMP
Ref: SIiicon Chip June/July 1988
The new Studio 200 Preafl'l) offers excellent specifications and features for a very
moderale price.
Main Features
• Very low noise on Inputs - less than many CD players
• Very low harmonic and Intermodulation distortion
• Up to 7 stereo program sources can be connected
·
Ref: Silicon Chip July 1988
Build your own light show. More features than the Muslcolor. New d e s l - g n .
• 4 light channels controlled by 4 separate audio channels
,.
• Forward, reverse and auto-reversing chaser patterns
• Slrrultaneous strobe on all four channels
NEW'
• Alernatlng light patterns
• Music modulation available on chaser, strobe and alternate patterns
• Adjustable rate for light patterns
• Inbuilt microphone for beal triggering or audio modulation of lights
Cat. KC-5032
• Direct Inputs for beat triggering or audio modulallon of lights
• Sensitivity control
• Presettable sensitivity levels for each channel
• Front panel LEDs mimic light display
The Jaycar kit Includes punched and screened front panel, punched and anodised rear
panel and all specified parts.
88
88
: ~=i:n~~~~lity headphone amp
NEW'
• Headphone socket disables output signal to power afl'l)
• Tone and balance controls
• Easy to build construction
SPECIFICATIONS
Frequency Response: Phono Inputs RIAA/IEC ±0.3dB from 20Hz to 20kHz; High level
Inputs within ±1dB from 10Hz to 100kHz
Total Harmonic Distortion less than 0.005%, 20Hz to 20kHz, at rated output level for any
Input or output
Signa~to-Nolse Rallo phono (moving magnet) 86dB unwelghted (20Hz - 20kHz) with
respect to 10mV input signal at 1kHz and rated output. High level inputs (CD, Tuner, etc)
104dB unwelghted (20Hz • 20kHz) or better, with respect to rated output (with volume at
maximum).
Separation between Channels -62dB at 10kHz; -81dB at 1kHz; and -93dB at 100Hz with
respect to rated output.
Cat. KC-5033
$159.50
$229.00
STROBOSCOPIC TUNER
$47.50
Ref: EA July 1988
This slfl'l)le circuit provides crystal-locked accuracy for tuning virtually any rruslcal
Instrument.
It also doubles as a stable frequency reference If you prefer to tune up by ear. Kit Includes
box and all parts.
Cat.KA-1705
ACTIVE CROSSOVER
Ref: ETI June 1988
Short form kit Includes PC board and all on board
components. Transformer Is extra Cal. MP-1012 $19.95.
Cat. KE-4733
FM RECEIVER
Ref: EA June 1988
A simple and Inexpensive FM receiver, using only two
chips, one of which Is an audio amp. Kli Includes PCB,
box, panel, planetary reduction drive, TDA700 chip and
all components.
$55.00
Ref: EA May 1988
This simple but very effective RF probe enables you to
troubleshoot RF circuits. You can 1race' RF just like
audlol
Kit Includes all specWled parts except the felt tip pen case.
The project must be used In conjunction with the KA-1699
Bench Afl'll ($39.95) descrbed In Aprll 1988 EA.
Cat. KA-1701
$13.50
■
■ ~Ni
NiCad CHARGER
Cat.KM-3067
$39.95
SIMPLE TESTER FOR
POWER TRANSISTORS
Ref: EA May 1988
Kit will nneasure current gain and Vbe of all popular power
transistors - even Darllngtonsl All project specWied parts
In the kit.
Cal. KA-1700
$22.95
BABYMINDER
$24.95
Ref: ETI Aprll 1988
Monitor your baby's room for crying. WIii trigger a light or
buzzer In another room. Kit Includes box, PCB, and all
components except 12V AC plugpack and dynamic mic.
Cat. KE-4732
$34.95
BENCH AMP/SIGNAL
TRACER
LINE GRABBER
Ref: Silicon Chip March 1988
Handy gadget cuts out one telephone extension when the
other Is picked up. No eavesdroppers. One unit required for
each extension.
Cat. KC-5025
$19.95
~,t~:~~~~~1~~)a$4~~~~i
MAIL ORDERS
~o~~~~~:~~1~~~~~~l
2137
Cat.KA-1699
$39.95
Ref: EA April 1988
Amplifier offers power output of 5 watts, signal tracer has
high Input Impedance and a wide range of Input
sensitivities.
Complete kit including box, speaker, PCB and all components. Plug pack not supplied.
7
POST & PACKING
fi~
l!m Irn
100
1
0
_FA_c_s_1_M_IL_E_(o_2_)_74_4_0_7_6_7_ _ _ _r_o_L_LF_R_E_E_(O_O_B)_02_2_B_BB_ _ _
v_rn_s_
___
s_
0._oo_ _~
.._.,_..,iiillii....•..._•....1._.._..
VISA
$99
HEAD OFFICE
-~~---
5
Cat. KA-1702
Ref: AEM AprH 1988
WIii fuiiy charge then trickle charge - or trickle charge only.
WIii charge up to 1o cells at once. Incorporates own plug
pack box.
RF DETECTOR PROBE
.~~t;•
LOW COST 50MHz 4 DIGIT
DIGITAL
FREQUENCY METER
Ref: EA May 1988
A low cost but high sensitivity, high Input Impedance unit
measuring to well over 50MHz. Kit Includes case, front
panel and all specified parts.
$39.95
Cat. KA-1704
240 VOLT LINE FILTER
Cat. KA-1703
KIii those clicks and pops from next doors vacuum cleaner or lawn edger etc. Kit Includes
240V socket and plug, PCB, all components and hardWare.
MAIL ORDER VIA YOUR
!f
ROAD FREIGHT ANYWHERE IN AUSTRALIA $13.50
'---------------------------------------'
GORE HILL
SYDNEY· CITY 117 York St. (02) 2671614 ·
188 Pacific Hwy cnr Bellevue Ave (02) 439 4799 Mon-Fri 9 • 5.30 Sat 9 - 4p m
Mon-Fn 8.30 - 5.30 Thurs 8.30 pm. Sat 9 . t2
CARLINGFORD Cnr. Carhnglord & Pennant Hills Rd (02) 872 4444 •
BURANDA OLD
CONCORD
115 Parramatta Rd (02) 745 3077 •
Mon-Fn B.30 • 5.30 • Sat 8.30 . 12
MELBOURNE-CITY Shop 2. 45 A'Beckett Si City (03) 663 2030
HURSTVILLE
121 Foresl Rd (02) 570 7000 •
Mon-Fri 9 • 5.30 Thurs 8.30 pm. Sat 9 • 12
SPRINGVALE VIC
Mon-Fri 9 • 5.30 Thurs 8.30 pm • Sat 9 - 2pm
144 Logan Rd (07) 393 0777 Mon-Fri 9 • 5.30 Thurs 8.30 • Sat 9 . 12
Mon-Fri 9 • 5.30 Fn 8.30 • Sal 9 - 12
887-889 Spnngvale Road Mulgrave (031547 1022
Nr Cnr. Dandenong Road Mon-Fri 9 • 5.30 Fn 8.30 Sat 9. 12
DRY TRANSFER LETTERING
CASTORS
Quality lettering sets, available in 4 different styles. Can be used on most smooth surfaces Including metal, glass,
plastic, wood, cardboard and paper. Ideal for lettering on rack cabinets, control panels, etc. Simply position the letter
and nb with the cap of a ball point pen or soft pencil. Made In Holland.
STYLE 1 Black lettering 4mm high . Capital letters, lower case letters, numbers. Cat. NL-4100
STYLE 2 Black lettering 6.5mm high. Capltals, lower case, numbers. Cat. NL-4102
STYLE 3 Sliver letters with black shadow 7mm high. C~ital letters and numbers. Cat. NL-4104
STYLE 4 Flourescent yellow on black background. Capitals and numbers. Cat. NL-4106
,.-, J., ,-, ,
ALL ONE PRICE $2.99 per sheet
;'PE
A E b r2 9 ! TY:~ b3f
T Y : ~ r n ~TY:E
,-, 0 ,_, C
-
Call Into any one of our showrooms for an audition
(not Concord)
Another scoop surplus stock buy. Set of 4 castors to
suit speaker boxes, TV's or anything for that matter.
Castors are mounted on a 37mm square metal bracket
which Is simply screwed to the speaker box etc. by 4
self tappers. (Screws not supplied)
Originally used on colour TVs.
Cat. HP-0838
----
SA-100 Upgraded AEM6102 speaker kit. Uses new
design crossover, and they do sound better. Complete kit with
cabinets :
SA-50 Unbelievable sound from such small speakers.
Measures only 26(H) x 17(W) x 195(D)cm. Incorporates a
5" woofer and D19 dome tweeter. See AEM magazine for
a full review, May edition. Complete kit with cabinets only :
$799
$399
SA-130 Upgraded AEM6103 speaker kit. New design
crossovers, new slimmer cabinets, upgraded dome tweeter.
Complete kit and new designed crossovers are excellent
value at:
SA-70 Upgraded EA60/60 speaker kit Incorporating
8" woofer and D19 tweeter. Complete kit with cabinets only:
$1199
$499
See our catalogue for full details.
500mW<at>6V Audio Amplifier
A six transistor 1/2 watt amp for the cost of two hamburgersl It has two transistor tape preamp which Is NAB equalised
and a four transistor power amp. It has facilities to take line level inputs. The (Irregularly shaped) board measures
roughly 110(L) x 48(W)mm. Each amp comes complete with schematicand connection diagram. (2 required for stereo).
Cat.AA-0290
10 up $3.50 each
•
ONLY $3 95
HURSTVILLE OPEN TILL 8 30 PM. THURS
ur usua eso erwIc Is so In a p astIc spoo an
contains 5 feetfor $2.50. That's approximately $1.50
per metre. El cheapo braid is 2mm wide and will take
solder off a PCB reasonably well although the braid
gets a bit hot because there is no plastic spool to hold .
You could easily put some In your old spool.
Supplied In a 5 metre length for $2.50. That's SOe metre
- or 113rd the price ol normal desolderwick.
Cat. NS-3025 5 metre pack
Please note: braid is not loaded with flux and will
not work quite as well as normal desolder braid.
SPEAKER
CWTH
Up until now, if you wanted speaker
cloth you had the choice of black or
blackl We now have available brown
speaker cloth.
Top quality, acoustically transparent.
Cat. No Colour Size Price
CF-2761 Black 1mx1m$9.95
CF-2762 Black 1mx1m $13.50
CF-2766 Brown 1mx1.7m $13.50
6.3 VOLT MES GLOBES
Don1 rnss this bargain.
OEM's contacl Bruce Routley (02) 74 7 2022
NORMALLY 50e ea
THIS MONTH
........... - ·
$2
4 for $1
10 for
TELEPHONE DIVERTER
This professional quality product will automatically transfer incoming
calls to another telephone number, anywhere. Your business will not
lose any Important calls Wyou move, as Incoming calls can be diverted
to your new office address. Two telephone line are required while the
YT-6510 Is not Telecom approved It Is a very well made product.
A 7.5V AC adaptor Is provided.
Cat. YT-6510
1988 JAYCAR ENGINEERING
CATALOGUE
Have you got your copy yet? It has 132 pages and
over 4000 products for the electronics enthusiast and
professional. Two easy ways to get yours:
(1) Call Into any Jaycar store. Only $1
(2) Send $2 to PO Box 185 Concord 2137 and we will
send you one.
TWEETY PIE
This Incredibly little piezo screamer
measures 57(L) x 33(H)mm emits a
116dB wall. It's deafening! As used
In the screecher car alarm kit.
Cat. LA-5255
$17.95
"Spy in the Sky" Sensor
The Pyroelectric infra red sensor
element is the 'eye' of a passive Infra
red detector. It measures 10mm high,
9mm wide and only 6.2mm deep. The
IRA.Foo1-P comes complete with full
technical data including performance
graphs. Information on the operating
principle and two typical application
circuits I
Typical applications:
• Burglar alarms
• Proximity detectors
• Automatic door/shutter switch
• Toys, robotics
DIAL DRUM/CORD PACK
BARGAIN
This will probably be your first and last chance to
ever buy assorted dial drums. As used In the old
day tuners, they are Ideal for the hobbyist who likes
experimenting. This pack contains $37.75 worth of
dial drums and dial cord and you can have one for
only $5. You will not see dial drums again - especially
at this clearout, once In a lifetime price. Your junkbox
needs some dial drums for the future.
WHAT YOU GET
108mm dial drums x 2
54mm dial drums x 1o
57mm dial drums x 2
40mm dial drums x 10
2.5 metres dial cord
Value
$5.50
$15.00
$3.00
$12.50
$1 .75
$37.75
ALL FOR ONL V $5.00
Cat. HM-3130
DON'T MISS OUT
LAST CHANCE - EVER
• Accident prevention/machine guard
• Electronic appliances
• Automatic lighting (in toilet?)
Cat. ZR-9500
$19 95
•
TURN YOUR SURPLUS
STOCK INTO CASH!!
Jaycar will purchase your surplus stocks of
components and equipment. We are
continually on the lookout for sources of prime
quallty merchandise.
CALL GARY JOHNSTON
OR
BRUCE ROUTLEY
NOW
ON (02) 747 2022
23250
NEW LITHIUM BATTERY
No. CRD
As used in IBM and
other computer clocks.
3volt.
Cat. SB-2530
$7.95
·_ .
.
GREAT MULTIMETERS FOR THE
HOBBYIST AND PROFESSIONAL
•
B
• TRANSISTOR TESTER
• CENTRE ZERO ADJUST
• PEAK TO PEAK & RMS
Cat. QM-1050
• 10,000 OHMNOL T
• 19 RANGES
Cat. QM -1015
$26.50
ECONOMY POCKET
$79.95
20,000 OHMSNOLT
• SIZE 80 X 50 X 30mm
Cat. QM -1001
$17.50
Night Security Sensor
This brilliant new product uses
a built-in passive infra red (PIR)
detector that reacts instantly to body
heat, and activates a light when a
person approaches your home.
The light is automatically turned
off when the person leaves.
The sensor will swnch up to
600 watts and when set will
only operate at night. After
triggered, the lights can be
adjusted to remain on anywhere
between 5 seconds and 1O minutes.
FOR FEATURES SEE OUR
1988 CATALOGUE
10 A DIGITAL
4.5 DIGIT 10A
• TRANSISTOR TESTER
• VINYL CASE
Cat. QM-1530
• TRANSISTOR TESTER
• DIODE TESTER
• DATA HOLD
Cat. QM-1550
$89.95
$179
DON'T PAY $199
use existing lights
Cat. LA-5130
ONLY $115
The Sunvent is a high capacny solar cell and DC motor
powered fan in a well designed cowling. The cowling
has been cleverly designed to keep waiter out and
back draughts out.
It will move about 35 cubic metres of air every half hour
in good conditions. Supplied with cover to turn off cells
and stop all airflow.
• Boats
"Hots tick"
• Caravans
• Port-a-Loos
• Greenhouses
• Sheds
• Holiday homes
• Backyard dunnies
• Knehans
• Weekenders etc
Cat. YX-2500
Ideal for the hobbyist and
handyman . Our lowest
price 240 volt qualny iron
has a stainless steel barrel
and is supplied with free
solder.
Spare tip Cat. TS -1453
$4.95
Cat. TS-1450
$49.95
$16.95
.........................
Rover Negative Ion
•
Low Cost
25 Watt Iron
Generator
,.
$29.95
: SAVE $50
••
12" GUITAR SPEAKER
Has extended frequency response. Especially suited for
not only Bass gunar but Rylhm and Lead as well.
FOR FULL SPECS SEE OUR 1988 CATALOGUE.
Cat.CG-2380
SAVE $10 ONLY $79.50
••
•
•
• WITH FREQUENCY
COUNTER
• CAPACITANCE TESTER
• TRANSISTOR TESTER
• 20 AMP CURRENT
• HIGH IMPACT CASE
Cat. QM-1555
$159
Solar Powered Exhaust
Ventilator
Yes, we've made another scoop purchase. The importer contacted us
with his dilemma and we purchased a quantity of these fully imported
fully guaranteed air purttiers. These units are 240 volt operated , draw
about 1/2 watt, deliver abou1 250 billion ions per second, and cover
about 25 square metres. It's even supplied with a Tester PC board
and spare needles. If you've ever wondered about negative ion generators, this MUST be the time to buy one. These were selling for
about $80. Jaycar has a limned quantity available for:
Cat. YX-2905
TOP DIGITAL
••
•
•
AT LAST - Probe Cases
We have finally secured a reliable supply of RF probe cases
These are constantly used in kits. Size: 200 x 24 x 20mm
HUGE
3WAY
RANGE OF Crossover Networks
• Crossover freq. 800Hz, 5,000Hz • 6dB attenuation
• 40 watts rms • 8 ohms
Cat. CX-2615
2WAY
$15.50 ea
3WAY
• Crossover freq. 3,500Hz • 6dB attenuation
• 40 watts rms • 8 ohms
Cat. CX-2614
• Crossover Freq. 2,800Hz, 8,000Hz • 12 dB attenuation
• 50 watts rms • 8 ohms
Cat. CX-2617
$9.95 ea
2WAY
$18.50 ea
3WAY
• Crossover freq. 5,000Hz • 6dB atten uation
• 40 watts rms • 8 ohm
Cat. CX-2613
• Crossover freq. B00Hz, 5000Hz • 12dB attenuation
• 65 watts rms • 8 ohms
Cat. CX-2616
$9.95ea
2WAY
$28.95 ea
3WAY
• Crossover freq. 3,500Hz • 12dB attenuation
• 50 watts rms • 8 ohms
Cat.CX-2612
• Crossover freq. 600Hz, 3500Hz • 12dB attanua1ion
• 80 watts rms • 8 ohm
Cat. CX-2619
$13.95 ea
2WAY
$32.95 ea
3WAY
• Crossover freq. 2,000Hz • 6dB attenuation
• 65 watts rms • 8 ohms
Cat. CX-2611
• Crossover freq . 500, 3500Hz • 12dB attenuation
• 200 watts rms • 8 ohm
Cat. CX-2621
$18.95 ea
$69.50 ea
DPM400
30+30 STEREO AMP
INCLUDING PREAMP
3·5 Digital
Display
Fully built and tested with separate bass, treble, balance and
volume controls. This superb amp has less than 0.1 %
distortion. There are Inputs for microphone, phono and
auxiliary (line) and all power supply components are on board.
Just connect a transformer, speakers and a signal - and away
you gol Requires 36-38V AC x 2. Size: 186 x 145 x 40(H) mm.
Cat. AA-0300
Auto zero, auto polarity, programmable decimal points and 200mV are
standard features. At present th is is
the world's smallest off-the-shatt
DPM .
• 10mm character height • Ultra low
profile• Ultra compact• Ann unciators
• Snap-In bezel • Can plug into a 28
pin IC ski• Surlace mount
technology
Cat. QP-5502
$79.95 ea
$69.95
Transformer to suit Cat. MM -201 0 $24.95
10 or more
$75.00 each
1I'©'i!WIEm~ ~IEMII©<at>JR!IIJ)iJJ©1I'©m JE©©JE~
OP-Amp and Linear IC
Transistor Selector
Over 5,000 American, British, European &
Japanese linear IC's with electrical and
mechanical spacs, pinouts, manufacturers
names, recommended substitutes, ate.
Cat. BM-4556
Hardcover edition. Over 27,000 (YES
TWENTY SEVEN THOUSAND)
transistors listed with electrical,
mechanical applications, lead
connections, manufacturers
names and recommended
substitutes.
Cat. BM-4554
$29.95
Diode and SCR Index
TURN YOUR SURPLUS STOCK INTO CASHII
Jaycar will purchase your surplus stocks of
components and equipment. We are continually
on the lookout for sources of prime quality
merchandise.
CALL GARY JOHNSTON OR BRUCE
ROUTLEY NOW ON (02) 747 2022
It lists 10's of thousands of SCR's, Triacs,
Diacs, Diodes of all kinds (including Zanars)
and gives descriptions of device, Its main
parameters, mechanical details and
manufacturers information.
512• pages, 220 x 150mm, softbound.
Cat. BM-4560
$29.95
$29.95
$35.00
Digital IC Selector
This book supplies over 13,000 digital
integrated circuits , with electrical and
mechanical specs, manufactures names
and pinouts.
Size: 178 x 247mm, softcover
Cat. BM-4558
$29.95
PORTASOL
A BRILLIANT NEW CONCEPT IN
SOLDERING IN THE FIELD
• No Cords, batteries or bottles
• Heavy duty, tip temperature up to 400"C
• Adjustable temeprature - equivalent to 10-60 watts
• Hard working, up to 60 minutes continuous use
• Refills In seconds, uses standard Butane gas lighter fuel
• No leakage current to sensitive circuits
• Made In Ireland
= · it; I' . ,, .,
Cat. TS-1420
National Linear Data
Books Vol. 1, 2 & 3
$39.95
e!Q./JI'",
.. ~
~ ~(UJQ:{ , 4'.; .'.,,;ri~'j
5
- -
~
IC Index
An ideal single reference book for both
linear AND digital integrated circuits.
Cat. BM-4562 .
~
_
We have managed to obtain a small quantity
of the definitive National Li near Data Books .
Th
h
tb
·1 bi f
th:;: ~~ok:.en ava1 a e or many years .
Se_~~f
We don't expect these to iast very long - so be
·=··----.. .. _ quick.
;~:;;•OOK·
CD HEADPHONE
AMP Ref: Silicon Chip April 1988
Ref: EA December 1985
One of our best selling kits. Needs no auto coil. Uses special
output transformer.
Cat. KA-1660
Add a headphone socket to any CD player. Has volume
control. suits low and high impedance phones, THD less
than 0.001%, requires 9Vto 12V AC plugpack.
Cat. KC-5029
$24.95
$59.50
pH METER
OPTICAL
TACHOMETER
Ref: Silicon Chip April 1988
Easily measure the pH level in your pool, fishpcnd, garden, etc. Case
and all components supplied. Probe extra.
Cat. KC-5027
pH Probe and Buffer solutions
Cat. QP-2230 $79.95
$49.95
BATTERY MONITOR
Ref: Silicon Chip May 1988
Check out engine RPM on your model airplane and---r~~~~~~~~~~~~~~~~~~:,
measure the speed of fans and rotating shafts.
Cat. KC-5031
Ref: EA May 1987
Monitor your cars battery. 10 rectangular LEDs tell you its
condition. PC board and components.
Cat. KA-1683
RAILPOWER WALK
AROUND CONTROLLER
$49.95
$14.95
Ref: Silicon Chip April/May 1988
Incorporates pulse power, inertia (momentum), braking and
full overload protection. Kit includes mains transformer, PC
boards, hand controller box and components. Box for main
controller Cat. HB-6240 $27.95.
Cat. KC-5028
3
BAND
SHORT
WAVE I
RADIO '---
Dual Tracking Power
Supply
$129.95
Ref: EA February 1987
Will supply from Oto ±21.5 volts at currents up to 2 amps.
Also features overload protection, a fused +5V<at> 1A output
and metering.
Cat. KA-1682
;~::NIN~ /
FOR FULL SPECS
ON ALL OF THESE KITS
SEE OUR 1988 CAT.
BUILT VERSION
$379.00
Ref: AEM July 1985" '
Cat. KM-3015
$39.95
Protector Car Alarm
Ref: Silicon Chip December 1987
Will control the speed of electric drills, fans, electric blankets,
lamp dimmers and soldering irons. PC board partially assembled.
Cat. KC-5016
Extras not included in kit
Ref: Silicon Chip February 1988
Back up battery Cat. SB-2480 $22.50
About every feature you could ever want Piezo Siren Cat. LA-5255 $17.95
in a car alarm. See our 1988 catalogue fo 12 volt Siren Cat. LA-5700 $26.50
full details.
Cat. KC-5021
$79.50
Remote Control (NEW FULL KIT)
Ref: Silicon Chip Mach 1988
We are now selling this kit in a full form
version. Kit includes all components
except box for receiver, piezo siren and
piezo transducer and banery for transmitter.
These Items are available separately:
Trasnducer Cat. AB-3440 $2.75; Piezo
LA-5255 $17.95; Battery (pkt 2)
Cat. SB-2420 $3. 75.
$18.95
-
$79.50
Ref: EA September 1985
Run 240 volt appliances from 12 volts up to 300 watts.
Features auto start, current limiting and overload protection.
Cat. KA-1610
$269.00
SPEED CONTROL
-
Ref: EA January 1987
Tuneable from 0.48MHz to around 17MHz. Quality kit with
silk screened and punched panel.
Cat. KA-1681
~ ·
\
•
.
Metronome
Ref: EA November 1987
Variable beat from 42 to 208
beats/second. Second,
third, forth or all beats can
be accented.
Short form kit no woodwork.
Cat. KA-1693
$19.95
$79.50
Cat. KC-5034
-------------------------------------
?Zr Pf. __________________________________
HEAD OFFICE
4
MAIL ORDERS
0 137
0
0
4
3
POST & PACKING
t_::_i_i_2_~~_ti_;_~_:_:a_;_,:_:_~:_:_r:_:______~-~-~-~-t_~_(s_
:~_~_I_I:_:_~_2:_~:_:_8__~_~_EA_$_1o_o_l!_f_li_i_J_al_l____,
,.__,iiliiiifllliiiillr-'11._•11i11_w~......
• ...
I ~._.~-•
■
5
VISA
.._MAIL ORDER VIA YOUR
ROAD FREIGHT ANYWHERE IN AUSTRALIA $13.50
SYDNEY · CITY 117 York St. (02) 267 1614 ·
GORE HILL
188 Pac1f1c Hwy cnr Bellevue Ave (02) 439 4799 .
Mon-Fri 9 . 5.30 Sat 9 • 4pm
CARLINGFORD Cnr . Carlingford & Pennant Hills Rd (02) 872 4444 .
BURANDAQLD
144 Logan Rd (07) 393 0777 ·
Mon-Fri 9 . 5.30 Thurs 8.30 • Sat 9 . 12
CONCORD
115 Parramatta Rd (02) 745 3077 Mon-Fri 8.30 · 5.30 · Sat 8.30 - 12
MELBOURNE-C1TY Shop 2. 45 A'Beckett St City (03) 663 2030
HURSTVILLE
121 Forest Rd (02) 570 7000 Mon-Fri 9 · 5.30 Thurs 8.30 pm• Sat 9. 12
SPRINGVALE VIC
Mon-Fri 8.30 . 5.30 Thurs 8.30 pm• Sat 9 • 12
Mon-Fri 9 - 5.30 Thurs 8.30 pm. Sat 9 . 2pm
MaslefCard
ff
Mon-Fr, 9 · 5 30 Fri 8 30 · Sat 9 · 12
887-889 Sprmgvale Road Mulgrave (03) 547 1022
Nr Cnr 0andenong Road Mon-Fri 9. 5 30 Fri 8 30 Sat 9 . 12
__,
For best results, the masthead
amplifier should be mounted high on
the mast, near the antenna terminals.
The plastic conduit case makes a
neat weatherproof assembly which
is easily attached to the mast using
an automotive-type hose-clamp.
MASTH. . . . ..
~
c
AMPIJFI~
FOR TVAND'"
This unit can be used as a masthead
amplifier or as a distrioution amplifier.
It's simply added to yoµr exjsting a.t'lt~nl'la
feeder system and can gr~atfy i1tiprov~.- ,
your television or FM ,r adio reception~ ·
By BRANCO JUSTIC
You can put this masthead
amplifier together for less than
$30.00. It's easy to install and is
suitable for amplifying both VHF
and UHF TV signals, and FM
signals.
Quite often, a signal which is
otherwise quite acceptable at the
antenna terminals produces poor
results when fed to a TV or FM
receiver. This occurs because of
signal losses in the signal distribution system; in the feeder cable, in
matching transformers or baluns
and in splitters. Such losses can
severely degrade picture quality.
30
SILICON CHIP
The best way around this problem is to amplify the incoming
signal at the antenna terminals (ie,
right at the masthead) to make up
for signal losses occurring later in
the distribution system. Alternatively, the amplifier can be installed ahead of a splitter system to
ensure adequate signal level at
each outlet. A splitter is used when
you want to connect two or more TV
sets to the same antenna.
The circuit of the masthead
amplifier is based on an OM350
thick film hybrid IC which gives
around 18dB of gain from 40MHz to
1GHz. This means that there is
plenty of gain right across both the
VHF and UHF TV bands, as well as
across the FM band (88-lOBMHz).
To make the unit easy to build, all
the parts are installed on a small
printed circuit board. Apart from
the IC itself, the circuit uses just
three diodes, five capacitors and a
small RF choke. The completed
assembly slides into a 150mm x
32mm O.D. piece of plastic conduit
which is fitted with end caps for
weatherproofing.
The plastic conduit certainly
makes for a very neat and effective
assembly. And it's easily mounted
on the mast using a large automotive type hose clip [see photo on
facing page).
03
1N4004
.----.a------+-1i.-+-+12v
SUPPLY
Transmission losses
Before moving on to the circuit
description, let's take a closer look
at the losses that occur in the signal
distribution system. By understanding what these losses are, you'll
know when and where to employ
the masthead amplifier.
• Feeder cable loss: this is simply
the loss that occurs in the cable
that connects the TV set to the
antenna. It depends on the length
and quality of the connecting cable
being used and, for good quality
coaxial cable, is typically about
ldB per 10 metres at VHF.
Unfortunately, losses are much
higher at UHF so a masthead
amplifier can make a big difference
to your UHF TV reception. Note
that you should always use good
quality coaxial cable for TV signal
distribution, particularly at UHF, to
minimise signal losses. Coaxial
cable is also less prone to ghosting
and noise pickup than 300-ohm ribbon cable.
• Balun loss: a matching transformer or balun is normally used to
match the feeder cable impedance
(75 ohms) to the antenna impedance
(300 ohms). Good quality baluns exhibit losses of less than ldB at VHF
but have slightly higher losses at
UHF.
Don't use a cheap balun if you
want to watch UHF channels. It
may be OK at VHF but could introduce unacceptable losses if used
at UHF, particularly if followed by
a long cable run or in marginal
signal areas.
• Splitter loss: this is the loss that
occurs between the splitter's input
and any one of its outputs. Of
course, the more outputs the splitter has, the greater will be the
signal loss.
Typical 2-way and 4-way splitters have losses of 3.5dB and 6.5dB
respectively at VHF, but again
losses at UHF are somewhat higher.
So should you use a masthead
amplifier to solve your TV reception
problems or not? The answer is yes,
depending on the circumstances.
C1
680pf
INPUT
07-i1---+----a~11---t
OUTPUT
2xBAW62
01
02
":'
TV MASTHEAD AMPLIFIER
02-1-0788
Fig.1: the circuit is based on an OM350 thick film hybrid IC which
gives around 18dB of gain from 40MHz to 1GHz. D1 and D2 protect
the IC from excessive input voltages.
INPUT
----i
l-t
----
~01
~~
68~;F/&
02~
e
C• • • •
o-:;Opf
IC1 ~ <::)J ..C
1----=x
.......
~
03
L1
1-L
OUTPUT
----
Fig.2: the parts layout on the PCB. Be sure to keep all component
leads as short as possible and take care when installing polarised
components.
This view shows the fully assembled PCB. The board is powered from
separate supply leads which are run up the mast adjacent to the coaxial cable.
Your installation will benefit from a
masthead amplifier if:
• reception is poor on one or more
stations and you are using a fairly
simple antenna system;
• reception is poor due to signal
losses in the cable or in splitters;
and
• one or more channels i s
borderline in quality and you intend
adding splitters for additional TV
sets to the system.
How it works
Fig. l shows the circuit details.
All the required gain is produced in
!Cl (OM350). The input signal is
coupled to !Cl via capacitors Cl
and C2, while diodes Dl and D2
protect the IC from excessive input
voltages [eg, from close RF transmitters, nearby lightning strikes,
static build-up, etc).
Note that BAW62 diodes are
specified here because they are a
JULY 1988
31
PARTS LIST
1 PCB, code OE12 (from
Oatley Electronics)
1 150mm length of 32mm
O.D. plastic conduit
2 32mm I.D. end caps
1 prewound RF choke
Semiconductors
1 OM350 wideband amplifier IC
2 BAW62 silicon diodes
1 1 N4004 silicon diode
Capacitors
1 1 00µF 16VW PC electrolytic
1 .01 µF ceramic
3 680pF ceramic
Miscellaneous
Cable clamps, screws, nuts,
washers, coaxial cable.
high-speed switching type with very
low capacitance. This means that
they offer good protection to the
OM350 without significant signal
loss.
The amplified output signal from
IC1 appears at pin 5, which is also
the supply pin for the OM350. From
there, the signal is coupled to the
feeder cable via capacitor C3. Inductor 11 presents a high impedance at signal frequencies and
thus ensures that IC1 's output is not
loaded by the supply rail.
Power for the circuit is derived
from an external plugpack supply
and is applied to pin 5 of IC1 via D3
and 11. D3 is there to protect the IC
against reversed supply connections while C4 and C5 provide supply decoupling.
The PCB has been specially designed to slide into a 32 x 150mm length of
plastic conduit which is then fitted with end caps for weatherproofing. The
input, output and power supply leads are fed through boles drilled in the
bottom end cap and secured to the mast using cable ties.
Where to buy the parts
Parts for this project are available from Oatley Electronics, 5 Lansdowne
Pde (PO Box 89), Oatley, NSW 2223. Telephone (02) 579 4985.
Prices are as follows (mail orders add $3.00 p&p):
Complete kit (includes PCB, on-board parts, cable
clamps, screws and nuts, conduit and end caps) ..................... $27 .95
9V plugpack supply to suit ............ ...... ... .... .... .. ....... .... ..... ... . $10.50
4-way splitter .................... .......... ........................................ $8.50
Power supply/signal combiner ................................................ $4.50
Note: copyright for the PCB artwork associated with this project is retained by Oatley Electronics.
32
SILICON CHIP
Construction
A kit of parts for this project is
available from Oatley Electronics
(see panel). The kit is supplied complete and includes the printed circuit board, all on-board components, cable clamps, screws and
nuts, and the plastic conduit case.
Fig.2 shows the parts layout on
the PCB. Be sure to mount the
ceramic capacitors and the IC as
close to the board as possible, and
note that D1 and D2 are the
BAW62s. The inductor is supplied
prewound on a ferrite core and can
be installed either way around.
The coaxial cable leads are
secured to the copper side of the
PCB using the clamps, screws and
How to Combine the Signal and Power Supply
1N40Q4
.---..-~H--0+
L1
TO
II
II
.01I
11
.,.
0
0
12V
Q-
~~~ftr7 ~
+
680pf
MASfliEAD--=-"=I~~~~~~:·~~:J-.,.;;=;;;;.z,.,.,_TO
TV/SPLITTER
AMPLIAER
-
+
It is easy to eliminate the need
for a separate supply cable between the masthead amplifier and
the plugpack supply. This simply
involves modifying the physical
construction of the unit so that the
DC supply is fed to the amplifier via
the coaxial cable.
Fig .3 shows the relevant circuit
of the power supply/signal combiner while Fig.4 shows how the
circuit can be built onto the lid of a
small plastic case. Most of the
nuts provided (see photograph).
Solder the inner and outer (shield)
conductors to the PCB as shown in
Fig.2 and note that these leads
should be kept as short as possible.
Installation
If you intend using the unit as a
masthead amplifier, it should be installed on the mast adjacent to the
antenna terminals as shown in one
of the photographs. This arrangement will provide the best signal to
noise ratio although a short length
of high-quality coaxial cable between the antenna terminals and the
masthead amplifier shouldn't make
too much difference.
12V
Fig.4: here's how to wire the power supply/
signal combiner circuit. Keep all leads as short
as possible.
parts used here are simply
transferred from the main PCB.
To modify the PCB, delete C3,
C4, C5, D3 and L1, and connect a
wire link in place of C3. The leftover parts can then be used to
wire up the combiner circuit as
shown in Fig.4. Be sure to keep all
leads as short as possible and
note that the 100µF capacitor (C4
in Fig. 1) is no longer required.
The only additional items required are the plastic case, a
The coaxial cable leads are secured to the rear of the
PCB using small clamps and machine screws and nuts.
Use good-quality coaxial cable.
SPLITTER
0
+
Fig.3: this simple circuit allows the DC
supply to be fed to the masthead amplifier
via the coaxial cable.
TO TV OR
2-way terminal strip, two cable
clamps, and screws and nuts.
Installation of the combiner is
quite straightforward. It is simply
positioned next to the plugpack
supply and inserted into the coaxial cable between the masthead
amplifier and the TV set or splitter.
Power will now be fed to the
amplifier via the coaxial cable
which means that you no longer
have to run DC supply leads up the
mast.
This alternative version of the board is used with the
power supply/signal combiner circuit shown in Figs.3 & 4.
D3 appears in this photograph but can also be deleted.
To install the unit, the completed
board assembly is simply pushed into the plastic conduit and the end
caps fitted to provide a weatherproof assembly. Note that both the
input and output leads, along with
the power supply leads, emerge
through holes drilled in the bottom
cap. These holes can all be sealed
with silicone sealant after the
assembly has been installed and
tested.
If used as a distribution amplifier, the unit should be placed as
close as practicable to the point
where the coaxial cable enters the
building. The only proviso here is
that you must have a noise-free
signal to feed into the amplifier.
The output of the amplifier is connected to the splitter input and the
splitter outputs then run to the TV
receivers.
For best performance, the
amplifier should be powered from a
10-14V DC supply. Before connecting the supply, check the output
voltage with your multimeter. The
OM350 has a maximum supply
voltage of 15V DC so take care not
to exceed this figure.
The prototype was powered from
a 9V plugpack supply which actually gave an output voltage of 11.5V
with the low current drawn by the
amplifier (approx. 30mA).
~
]ULY
1988
33 .
Sounding out a video recorder
For the most part, TV equipment sound sections
tend to be taken for granted; they don't give a great
deal of trouble and we don't think much about
them. Which is a far cry from the pre-TV days
when restoring sound was the main exercise.
But modern sound circuits do fail and when they do,
they can be quite tricky.
machine on that occasion. I had it in
the workshop for several days and
put it through many recording and
replay cycles, without the slightest
sign of any problem. The only clue I
had was a faulty tape brought in with
the machine and this carried a
background of the previous sound
track at a reduced but still annoying
level.
Nothing I could do would produce
the fault. And since there seemed to
be an urgent need for the school to
have it back, I simply gave it a
routine service, explained the situation and advised them to give it
another try and bring it back if or
when the fault was more predictable.
And that was the last I heard of
the device until a couple of weeks
ago. I can only assume that it
This story concerns a National
NV-300 video tape recorder. It
belongs to a local private school and
had first come to me with the sound
fault some two years previously. The
complaint then was that it would not
always erase the previous sound
when a new recording was made,
although there seemed to be some
doubt in the mind of the staff member
as to how serious it was. Some users
complained that there was no erase
action at all, while others described
the effect as a faint background of
the previous sound.
The NV-300 is one of the older top
loading machines but has been a
very reliable model. It is also easier
to work on than some more modern
designs.
I didn't have much luck with the
•
R4038
5~0
TO VIDEO
AUDIO OJT
l4001
GNO
. 470uH
BPGOO;
®c,026
Q033
-
____
i
I
-
TP-i001PLAY .
0.5 VI0.5msec . div .
:
'/
FE H(AO
P6005- l
GNO
P6001-1
__-_
, /,/
.
r
'
TP<:001 AEC.
0.5VI0.5 msec. d1v.
Fig.1: bias/erase oscillator circuit for the National NV300 video recorder.
Although a simple arrangement it developed a very tricky fault. Note the
missing chassis symbol on pin 8.
34
SILICON CHIP
operated normally or, at least, acceptably during that time. Then it was
back, brought in this time by another
staff member who wasn't even
aware that there had been a
previous problem. This time the complaint was rather more specific.
Granted the failure was still unpredictable but at least when it occurred now, it was complete; there
was no attempt to erase the previous
signals.
I set the machine up at one end of
the bench, connected to a monitor
and made a half-hour recording over
a previous recording. The machine
behaved perfectly. So it was going to
be one of those faults.
I went through this exercise, at approximately half-hour intervals, over
the next couple of days, without even
a hint of trouble. Then just as I was
beginning to wonder whether there
was some environmental factor involved, the fault appeared. The
previous sound was there at full
blast and, just as important, there
was only a shadow of the new sound
which should have been recorded;
just some brief distorted bursts of the
louder passages.
Well, at least I now knew that the
fault was real enough.
I had not delved very deeply into
the machine at this stage, simply,
removing the top cover but avoiding
moving anything else for fear of
disturbing the fault and causing it to
lie doggo. But now I had to go on the
attack. I began by removing the bottom cover which provides access to
the copper side of the main board.
Access to the component side of
the board involves removing the front
panel and unclipping the sub-boards
carrying the clock display and
various operating buttons which are
on flexible leads. About six screws
secure the main board and removing
these allows the board to be swung
up and propped open.
~f\~'t \
, •• 1-r
SU..Or-.l6S TO A 1-OCAl- PR\VAT& SC~OOl-- • .,.
The section I was seeking was the
audio circuitry and in particular, the
bias and erase oscillator, the circuit
of which is reproduced here (Fig .1 ). It
was fairly obvious that the system
was suffering from loss of erase
signal but remembering that there
had been little of the new signal
recorded, it appeared that it was suffering loss of bias signal as well.
And since both signals come from
the same oscillator, it seemed
reasonable to suppose that this was
where the trouble lay, rather than, in
a lead or plug feeding the erase head.
Circuit details
As can be seen from the circuit,
the oscillator is a simple arrangement; one transistor, two resistors,
three capacitors, a choke and a tapped winding forming one side of a
transformer, T4001. I decided to put
this section under observation and
the easiest place to connect the CRO
was at pin 1 of plug BP6005, which
connects to pin 7 of the secondary of
T4001.
This tapping supplies the "FE
HEAD", or full erase head. This was
not the section of interest but it was a
convenient monitoring point. The
audio erase head is supplied from pin
9, while pin 5 supplies the bias for
the audio recording head, this being
adjustable via variable resistor
R4048. One other point to note is that
there appears to be an omission from
the circuit, in that pin 8 is shown
floating, whereas it is a chassis connection and a vital one.
With the CRO hooked up, I set the
machine going again in the record
mode and observed that there was
approximately 45V p-p at the
monitoring point, at about 63kHz.
And as before, the machine performed perfectly for the next few days.
· However, I adopted a routine of
recording for periods of about 30
minutes, then shutting the machine
down long enough for it to cool,
before making another test. My
hunch was that the fault was most
likely to occur at start-up from cold,
rather than while running.
And in fact, it proved to be. Suddenly, at one start-up, I had no
oscillator signal at pin 7 and a quick
check with the CRO at other points
gave the same result. But the mere
act of making those measurements
triggered the circuit back into oscilla-
tion. It came up part of the way first,
dithered for a second or so and then
rose to normal level.
From then on it behaved more or
less normally but having been
alerted, I observed the pattern more
closely. Sure enough, it was exhibiting a dithering characteristic
whereby the amplitude would vary
over a range of about five volts. Then
suddenly, it began dropping lower
and lower, down to about 10 volts,
then failed completely.
·
Well, that seemed straightforward
enough. All I had to do was find out
why the oscillator was intermittent
and with so few components involved, I didn't imagine it was going to be
particularly difficult.
My first suspect was the transistor, Q4014. I pulled it out and
replaced it but it wasn't long before
the machine began dithering again
and I knew that I had drawn a blank.
That seemed to leave only the two
resistors, R4049 and R4050, and the
three capacitors, C4010, C4025 and
C4024. The resistors were fairly
easily checked, in situ and came up
spot on. What was more, they showed no indication of any intermittent
characteristics in spite of some
vigorous pushing and prodding.
The capacitors were not so easily
checked and I was on the point of
pulling them out and replacing them
when it occurred to me to try some
freezer spray on them. This had no
effect on C4010 or C4025 but brought
a swift reaction from C4024, the
10,-iF electrolytic; oscillation stopped
immediately.
So, I was getting somewhere at
last. I pulled the capacitor out and
replaced it but this produced a
strange result. This capacitor no
longer responded to the freezer but
the original fault was still there!
That put me almost back to square
one. I pulled out the other two
capacitors, tested them, found them
to be well within tolerance but
replaced them anyway. This achieved exactly nothing; the fault still
persisted.
Rescued by a drunk
By now, there wasn't much else
left to suspect; just the transformer
in fact and then only by default. The
snag was that I had no such device in
stock, this being the first time one
JULY 1988
.35
issued some two or three years
previously and how I missed out on it
is rather a mystery. The gist of it was
that, in the event of unreliable operation of this oscillator, the 4.70
resistor in the emitter circuit of
Q4014 (R4049) should be removed.
In fact, the suggestion was that this
resistor should be removed anyway,
as a routine mod whenever this
model was encountered.
SERVICEMAN'S LOG
A new theory
had ever been suspect. But I did have
another NV-300 machine on hand an unfortunate victim of a wild
Saturday night party during which
someone had upset a tankard of beer
over it. It's been in the workshop for
months and I've been working on it
during odd slack periods; the only
basis on which any kind of
economical repair is possible.
In fact, I am close to saving its life
and that should make another story.
In the meantime I was happy enough
to rob the transformer from the
drunken machine and try it in the
sober one. And that was it. The problem vanished and has not been seen
since, in spite of prolonged bench
testing and several follow up calls
after it went back into service.
But that's not the end of the story.
For one thing it left several questions
unanswered. What was wrong with
the coil anyway? Careful testing failed to reveal any obvious faults; certainly nothing in the way of abnormal
or varying winding resistance, such
as one might expect.
It is a small device, apparently of
pot core construction, and one
thought was that it might have suffered from cracked or chipped ferrite material, a condition which can
seriously upset the behaviour of the
associated windings. Well, that was
one to go on with.
36
SILICON CHIP
And what about the freezer upsetting one capacitor but not the one
that replaced it? I was still turning
these questions over in my mind
when I encountered one of my colleagues at a social gathering and
during the inevitable shop talk, I
related this story.
He was suitably impressed but
commented that he seemed to recall
some kind of modification sheet dealing with cranky bias oscillators in
that model. He promised to try to find
it and let me know.
He rang me the next day to say
that he had found it. It had been
TETIA TV TIPS
HMV 12613 (Braddon)
Symptom: No distinct red and
somewhat dirty greens. Colour
bars look vaguely normal but
careful inspection shows red is
really a muddy brown . The
monochrome picture is perfect.
Cure: R541 (4700 0.5W) open
circuit. This resistor supplies Vee
to IC503, one of two reference
oscillator chips in this unusual circuit. In this fault, IC502 (the 8-Y
oscillator) probably supplies some
drive to the red and green circuits
but it's phase is wrong, hence the
weak and bad colour.
Well, that threw a whole new light
on the situation. After mulling it all
over for a few hours, I finally came
up with what I feel is the most likely
explanation.
My theory is that the design of the
original oscillator circuit was a bit
dicey; that is, while it would maintain
oscillation under ideal conditions it
was only just making it, and was on
the verge of dropping out at any time.
It was the reference to the emitter
resistor which gave me the clue. The
use of an unbypassed resistor in the
emitter circuit of a transistor
oscillator - or the cathode circuit of
a valve oscillator in olden days was a favourite trick to improve the
oscillator waveform.
Because it is unbypassed, it is a
simple way of providing a degree of
negative feedback, thus holding
down the strength of oscillation and
reducing the tendency for the transistor (or valve) to be driven to cut-off
and saturation, two conditions which
seriously distort the waveform.
And it can be very effective, the
only snag being that it is a compromise arrangement; the negative
feedback provided by the emitter
resistor is fighting the positive feedback which is fundamental to the
oscillator circuit. So, if the idea is
carried too far, the whole arrangement can turn cranky.
So, was the original oscillator coil
faulty or not? It's hard to say. All I
know is that it would not work in a
circuit which was otherwise fault
free. It's possible, of course, that the
"fault" in the suspect coil may have
been nothing more than a normal
spread within otherwise acceptable
tolerances. Along with other component spreads it could easily have
been the last straw which sank the
camel's hump (to mangle a wellknown phrase).
UHF REMOTE
KEY SWITCH
(EA, JAN.87)
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"'rO "ROB "n\e:. Ttlt.1-\1\lSFORIV\e:R
FROM 11\£ ~UNKeN MACHl>J£ •••
As for the original machine, I'm
keeping my fingers crossed. But if I
can contrive to get my hands on it
again, for any reason, I'll whip that
resistor out, just to make sure. In the
meantime, I suggest you make a note
of that mod which, I understand, also
applies to the model NV370.
Let's hear it from J.L.
To change the scene, here is a
story from my regular contributor,
J.L. of Tasmania. It is one which is
not only intriguing technically but
also emphasises that when all else
fails, it is important to be able to
analyse how a circuit is supposed to
work. This is how J.L. tells it.
The set was a 63cm National,
model TC2652, which was completely dead. However, the owner had
observed that it made a brief noise
when switched on. When I tried it I
found that there was a five second
burst of normal sound before the set
shut down.
This kind of overload is often caused by a faulty tripler and disconnecting it will let the set run normally.
Unfortunately, this chassis uses a
diode split output transformer rather
than a tripler, which rules out this
trick.
A CRO check of the horizontal output transistor, Q502, showed that it
started up OK but died as the
waveforms approached full value.
And there was not even a flicker of
EHT, even while the transistor was
running, briefly, at about two thirds
its normal voltages.
I wired a 60W lamp in series with
CHOPPER
T801
0801
+111V
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see our advert on page 96.
* If upon completing any one of our kits
you cannot get it to operate correctly,
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OATLEY ELECTRONICS
ERROR
AMPLIAER
0803
8809
Fig.2: simplified circuit of the National TC2652 power supply, as drawn
by J.L. T801 and Q801 form a ringing choke oscillator, with regulation
provided via Q803 and Q802.
5 Lansdowne Pde, Oatley West,
NSW 2223.
Phone: (02) 579 4985.
Bankcard, Mastercard and Visacard
accepted with phone orders.
Send mail orders to PO Box 89,
Oatley, NSW 2223.
JULY
1988
37
e
1'HE..
(\\\f\\111
se., w~s
C.OM?L.E."i"EL"'( t>EA'O•••.
the collector of Q502 and ran the set
for about five minutes. By that time
the output transformer was quite
warm and giving off a typical sour
"brown" smell. I ordered a new
transformer.
This duly arrived and was fitted
but resulted in a set which was even
deader than before; there was not
even the five second burst of sound.
As before, the set would run with the
lamp in series with the output transistor but the 111 V HT rail was up
to 120V. Without the lamp the
voltage shot up to 120V before the
power supply shut down. By feeding
the set from a Variac I found . that
120V HT resulted from only 100V
Philips Tuners
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Revesby, Sydney, NSW 2212.
Telephone (02) 774 1154.
38
SILICON CHIP
AC input. Clearly the power supply
was not regulating.
This power supply is a self
oscillating chopper circuit, which
controls its ouput voltage by varying
the chopper "on" time via an error
amplifier. The trouble was that the
three transistors and the reference
zener diode involved all checked OK.
Also, the HT ( + B Adjust) control
worked in a seemingly normal way,
varying the voltage by about 20V a not unreasonable range.
At this point I put on my thinking
cap and reviewed what I knew about
the problem.
(1). The set worked OK when fed with
low AC input. This restricted the
fault to the power supply circuits.
(2). The chopper transistor Q801,
regulator transistor Q802, error
amplifier Q803 and reference diode
D811 were all OK on static test and
gave the proper responses under
load.
(3). The HT ( + B) adjusting trimpot
worked over a logical range but at a
higher than normal level.
Correct HT output should occur
with the chopper operating at about
50% duty cycle but in this case it
was on for close to 90% of the time.
This suggested that the error
amplifier was delivering the wrong
information.
There are not a lot of parts in this
circuit but I found its operation difficult to follow. In fact, I could make
no sense of it at all until I redrew
the circuit in simplified form, omitting every component that was not
vital to its operation. Fig.2 shows my
simplified diagram. As far as I can
see, it works as follows:
Q801, T801, D806 and their
associated components form a ringing choke oscillator, with voltage
regulation via Q802 and Q803. Imagine that Q802 is turned on. This
will tie the base of Q801 to its own
emitter and thus turn it off.
In normal circumstances, Q802 is
held in dynamic conduction by error
amplifier Q803 using zener D811 as
a reference. When the supply rail
rises above a preset level, Q803 and
Q802 turn on and Q801 turns off.
So much for my theory. I already
knew that all the transistors and
diodes were OK. I also knew that
C809 and a number of other
capacitors were, at least, not
shorted. They might have been open
but that would not produce these
symptoms. At this point I should have
been able to find the fault with just a
little logic. With hindsight, I can see
it sticking out a mile.
In fact, I decided to try an experiment. I removed Q802 and switched
on. There was absolutely no difference in behaviour whether the
transistor was in or out of circuit.
Since it wasn't Q802 it had to be the
only other component in this part of
the circuit, R808. Sure enough it was
open circuit and a new resistor
restored normal operation.
One final point. Why did I get some
output adjustment when the
regulator was patently not working?
This was the result of Q803 varying
its resistance, as part of a divider
chain also involving R803/820, R809
and R810. It was only a superficial
action but was enough to mislead me
in the early stages.
Well, that's J.L.'s story and I think
we should thank him for the trouble
he has taken to set down his analysis
of the system and provide a
simplified circuit. While this is not
the kind of approach we can afford
to adopt with every tricky set that
lands on the bench, it is one we
should be prepared to adopt whenall
else fails.
~
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Internal controls: Sensitivity switch (0,775 for full output or 26dB gain),
Display: Amber LED ENABLEHght Is driven by low voltai:(e power
supply, 1\vo amber multifunction ODEP LEDS Indicate tfie status of
-the high-voltage supplies: thermal shutdown or blown line fuse, The
ODEP indicators also monitor the protection circuit The ODEP light
normally stays on, but goes out or dims proportionally to the
ODEP limitin~A dual-function green SIGNAL LED verifies signal presence, IOC
status, and front-end overload, This LED flashes in sync with the
signal to indicate signal presence, and flashes veiy brightly if for any
reason the output waveform differs from that of the input by a factor
of0,05% or greater (IOC),
Connectors: input- balanced ¼" phone jacks on chassis (and XLR.
type connector on the standard PIP panel),
output-color-coded dual binding posts on standard¾"
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output connection,
AC line - three-wire, 20A 120V male connector with
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Dimensions: 19" standard rack mount (EIA Std, RS-310-B). 3½" height
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Heat slnklng: Forced-air cooling through internal heat spreaders,
Chassis: steel with specially designed flow through veqtilatlon system
Weight: 44 pounds, 10 ounces net weight
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Frequency response: + / -OJdB 20Hz-20kHz at 1 watt into 8 ohms,
Harmonic distortion: less than 0,05% from 20Hz - lkHz and Increasing
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I.M. distortion: less than 0,05% from 10 milliwatts to rated power
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Slewing rate: greater than 13 volts per microsecond,
·
Damping factor: greater than 1000, lOHz to 400Hz into 8 ohms,
Output impedance: less than 10 milllohms in series with less than
2 mlcrohenries,
DC output offset: (shorted input) 10 millivolts,
Load impedance: rated for 8, 4, and 2 ohm usage, but safe with all loads,
Voltage gain: fixed 26dB gain or ,775V for full output
Input sensitivity: 0,775 volt unbalanced for rated output or 26<1B gain,
Amplifier output protection: Macro-~h uses an "Output Device
Emulator Protection" (ODEP) circuit which simulates the output
transistors internal characteristics, The amplifier can then detect
and compensate for overheating and overload, The unit also protects
against output shorts, open circuits, mismatched loads, overall overheating, and high-frequency overloads,
Overall protection: If unreasonable operating conditions occur. the
protection circuitiy limits the drive !we! to protect the output transistor
stages, particularly In the case of elevated temperature, 'Transformer
overheating will result In temporaiy shutdown of that particular
channel, Controlled slew rate voltage amplifiers protect the unit
against RF burnouts, Input overload protection Is furnished at the
amplifier Input to limit current
INTERNATIONAL, INC.
Distributed by BOSE AUSTRALIA INC, 11 Muriel Ave, Rydalmere 2116. (008) 02 3367 Toll Free.
JULY 1988
39
Studio 200 Stereo
Control Unit, Pt.2
Last month, we introduced our new high
performance stereo control unit and described
the circuit operation. This month, we present
the construction and troubleshooting details.
By GREG SWAIN & BOB FLYNN
Because the circuit of the Studio greatly reduces the possibility of
200 control preamp is so simple, it wiring errors. So the Studio 200 is
follows that the construction is also easy to build.
straightforward. Most of the work
involves mounting components on Collecting the parts
three printed circuit board assemWhile some constructors will
blies. These are for the power supp- prefer to buy the parts separately,
ly, the phono preamplifier, and the most will elect to buy a complete kit
tone control and headphone • of parts. Because all the parts are
amplifier circuitry.
readily available, there is nothing
There is very little wiring inside to stop you from adopting either
the chassis. This is because all the approach.
pots, the headphone socket and the
Buying a complete kit is probably
pushbutton switches (but not the
the easiest option. We understand
mains switch) are mounted directly
that at least two kitset suppliers,
Altronics and Jaycar Electronics,
on the tone control board. Similarly,
the rotary input selector switch is
will be selling kits for this project.
mounted On a small PCB which is
Both the Altronics and Jaycar kits
then soldered at right angles to the
will come with pre-punched chassis
and the front panel labelling will be
phono preamp board.
Mounting the switches and pots
silk-screened.
If you do elect to go it alone, you
in this way eliminates the tedium of
running separate leads to the tershould have little difficulty in buying the parts separately. The only
minals of these components. It also
40
SILICON CHIP
parts that might cause constructors
some problems are the extension
shaft (1/4-inch rod) and shaft
coupler for the selector switch and
the accompanying 1/4-inch ID x
3/8-inch bush. This latter component mounts on the front panel. If
you have difficulty locating this
bush, it's quite easy to salvage one
by wrecking a potentiometer from
your junkbox.
The PCBs will be available
separately from RCS Radio in
Sydney, Jemal Products in Perth,
and from Marday Services in
Auckland, New Zealand (see page
96 for addresses). Alternatively,
you may choose to etch your own
boards using the patterns published
with this article.
To simplify matters, we'll assume
that you've purchased a complete
kit of parts and that you have the
standard one-unit rack case as supplied by Altronics.
Starting construction
The first job is to partially assemble the rack mounting case. This is
supplied as a kit and consists of
four rails, the top and bottom
panels, and the front panel. Note
that the top and bottom panels are
8'1)?=
Iii I
coJfRoL
BOARD
):?RIGHT
t\88i30 - t -t0~8
Fig.4: parts layout for the phono preamplifier board. Note that all the resistors
in the phono preamp, except for the 1000 and 1MO values, should be 1% metal
film types. Take care with the orientation of the IC.
swapped over for this project, so
that the slotted panel becomes the
base and the solid panel becomes
the top.
To assemble the case, first attach
the front and rear rails to the base.
These two rails are secured by
means of screws which screw into
captive nuts on the flanges. Note
that the captive nut in the centre of
one of the flanges has been drilled
out to provide clearance for the
tone control PCB. This flange goes
towards the top, front of the case.
Once the front and back rails are
in position, the side rails can be attached using the screws and nuts
supplied (slotted screws towards
the rear, countersunk Allen screws
towards the front). Leave the front
panel off at this stage and note that
the side rail that carries the switch
bracket is mounted on the right
hand side of the chassis.
The 18 insulated RCA sockets
and the binding post terminal can
now be installed on the rear panel.
Orient the earth lugs on the RCA
sockets as shown in Fig.9 and don't
forget the solder lug on the binding
post terminal. A multimeter should
be used to check that each RCA
socket is correctly isolated from the
chassis.
Incidentally, although we used
screw-linking gold-plated RCA
sockets in our prototype (which_you
may have noticed from last month's
cover photo), we recommend the
use of standard nickel-plated insulated chassis mounting sockets.
We suggest Arista RCA3I sockets
which are supplied with white
nylon insulators.
You can now place the chassis to
one side and turn your attention to
the PCB assemblies.
Phono preamplifier PCB
This board is coded 01106881
and carries the parts for the phono
preamplifier. It also carries five
sets of stereo tracks which run between the RCA input sockets on the
rear panel and the selector switch
JULY1988
41
SOURCE SWITCH Sl
1mm DIA. PCB PINS
(SHORTEN PINS
CONNECTING
TWO LOWEST
SWITCH TERMINALS)
----
LOCATING PIN MOULDED
IN SWITCH BODY
Fig.5: the selector switch should be
mounted on its PCB with the locating pin
towards the bottom. Check the PCB
pattern carefully to ensure that none of
the input pads are shorted together.
at the front of the board. An additional set of stereo tracks run from
the selector switch back to the Tape
Out socket.
Before mounting any of the parts,
it is a good idea to carefully check
the copper pattern on the underside
of the board. You should especially
check for shorts between the long
parallel tracks to the selector
switch.
Don't just rely on a visual check
here - switch your multimeter to a
high ohms range and use it to confirm that the tracks are isolated
from each other. This test will
quickly locate faults on any board
that has not been correctly etched.
Fig.4 shows the parts layout for
this PCB. The first job is to install
the 21 PC pins. Fourteen of these
support the selector switch
assembly and these should be installed from the copper side of the
MOUNT PCB PINS WITH
COLLARS ON COPPER
SIDE OF BOARD
SILICON CHIP
BRACKET
Fig.6: mounting detail for the selector switch
assembly. Note that the PCB pins must be
installed with their collars on the copper side
of the phono preamplifier PCB.
PCB (see Fig.6). Another three PC
pins are required for the power
supply connections near the centre
of the board ( + 15V, OV and -15V),
while the four remaining pins are
located at the left and right channel
outputs (adjacent to the 1k0
resistors).
No particular order need be
followed when installing the remaining parts on the board but it's
best to start with the smaller parts
{resistors and wire links) first. Note
that all the resistors in the phono
preamplifier, except for the 1000
and 1MO values, are closetolerance 1 % metal film types (see
circuit). They have been specified
for low noise and their close
tolerance values.
Check the values on your
multimeter before installing them
on the board - it's all too easy to
misread the colour codes.
The switch assembly is soldered at right angles to the phono preamplifier PCB
and supported by an L-shaped bracket secured to the side rail. The switch
shaft is lengthened using an extension shaft and coupler.
42
SWIT,CHMOUNTING
You should also note that four of
the capacitors (two in each channel) are marked with an asterisk.
These capacitors are in the feedback network of the phono
preamplifier and should be close
tolerance (5 % or better) types in
order to obtain accurate RIAA
equalisation.
If you have a capacitance
measuring function on your digital
multimeter you can specially select
these capacitors. If you are buying
a kit, the kitset suppliers may elect
to supply 5 % capacitors or may
also hand select the capacitors.
Be warned that some closetolerance capacitors may not fit the
board unless you bend their
pigtails. Don't feel cheated if you
are supplied with hand-selected
greencaps instead of 5% close
tolerance types. The hand selected
types will work just as well.
Take care with the orientation of
the IC and the electrolytic capacitors. The two input inductors are
Above: rear view of the selector
switch PCB. You may have to shorten
two of the PC pins to stop them
fouling the switch terminals.
each made by winding 4-1/2 turns
of 0.6mm enamelled copper wire on
an FXl 115 ferrite bead. Scrape the
enamel from the ends of the leads
before soldering the inductors to
the PCB.
Construction of the phono preamplifier PCB can now be completed by soldering 28 40mm
lengths of tinned copper wire to the
input pads along the back of the
board. These input leads will later
be soldered to the RCA input connectors along the rear panel.
I
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RIGHT
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02
E•
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Be
02
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C•
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01 ........
02 . . . . . .
--
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(J][Je
-c::illJe
01
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-
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Selector switch assembly
Figs.5 & 6 show the mounting
details for the selector switch. Position the switch with the locating pin
towards the bottom and push the
body of the switch all the way down
onto the board before soldering the
terminals.
The pads along the bottom edge
of the switch board can now be
soldered to the 14 PC pins on the
phono preamplifier board (see
Figs.6 & 9). It will be necessary to
shorten two of these pins to stop
them from fouling the two lowest
switch terminals.
At this stage, you're ready to
mount the phono preamplifier
assembly in the case. This assembly
is supported at the front by the
switch mounting bracket and at the
rear by the tinned copper wire connections between the PCB and the
RCA sockets. Together, these provide ample support for the
assembly and eliminate the need to
secure the board via mounting
pillars to the bottom panel.
It also means that the bottom
panel can be easily removed for inspection of the underside of the PCB
or for other work.
To mount the assembly, slide the
L-shaped bracket over the switch
shaft (see Fig.6), then position the
PCB inside the case and fasten the
switch bracket to the right hand
rail with machine screws and nuts.
This done, attach the extension
,shaft to the switch shaft using the
shaft coupler.
The extension shaft must now be
centred in the hole in the front
panel. You will find that the mounting hole in the L-shaped bracket
has been slotted so that the PCB
assembly can be slid sideways to
locate the centre position. Check
01
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. . . . . . 02
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BALANCE
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-
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100pF
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9®<at>,
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-c!D18i<:ill:)
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VOLUME
l!_!.f
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T\PE ~ ' G D
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INPUT/RIAA
PREAMPLIRER
BOARD
R
I
81
• •S3 •
•••
• •S2 •
•••
HI
H
IMODE
!MONITOR
Fig.7: follow this layout diagram when wiring up the tone control board.
The circuit diagram published last month shows the pinouts for
transistors Ql and Q2.
JULY 1988
43
This is an underside view of the control unit with the bottom panel removed. The links between the pots are not
necessary but make sure that they are electrically in contact with the chassis.
that the preamplifier PCB is
parallel to the bottom of the case
before doing up the switch mounting nut to lock the assembly into
position.
· Before wiring up the RCA
sockets, it will be necessary to provide some sort of temporary support for the left hand side of the
board. A 5mm drill bit is ideal for
this purpose. Slide the drill bit
under the board, then wire up the
RCA sockets as shown in Fig.9.
Bend the leads as shown in the
photograph so that they are well
clear of each other and don't forget
to remove the drill bit when you
have finished.
Tone control PCB
Fig.7 shows the parts layout on
the tone control PCB [code
01106883). Commence assembly by
installing PC pins at the external
wiring points, then install the wire
links, resistors, capacitors and
semiconductors.
Check the orintation of polarised
parts carefully when installing
them on the board. These parts include the three ICs, four diodes,
four transistors and electrolytic
capacitors. The 6.8µ,F and 22µ,F
44
SILICON CHIP
capacitors are bipolar types and
can be installed either way around.
The headphone socket, pots and
pushbutton switches should be left
till last. Be sure to push them all the
way down onto the board but don't
solder all the leads at this stage. Instead, tack solder diagonally opposite pins at either end of each
component.
The tone control assembly can
now be tested in the front rail to ensure that everything aligns properly. To do this, it is best to remove
the bottom panel so that you will
have access to both sides of the
board. Adjust the alignment of the
pots and switches as necessary
before removing the board and
soldering the remaining pins.
Note that it may be necessary to
shorten the front row of pins on
each pot to prevent fouling of the
top flange. It may also be necessary
to snip off the top of the Bakelite insulating section of each pot using a
pair of sidecutters to give clearance for the bottom flange. Be
careful doing this. You don't want
to butcher the pot and damage its
carbon tracks.
That completes the tone control
board. It can now be permanently
mounted on the front rail and
secured using the pot nuts and
lockwashers. But before mounting
the tone control board to the front
rail, take a round file and lightly
remove the anodised coating
around each potentiometer hole.
The idea of doing this is to make
sure that the metal case of each pot
is electrically connected to the
chassis. If you don't do this you may
end up with a slight background
hum or buzz which may worsen
when you touch the control itself.
When all pot nuts are secured,
use your multimeter to check that
all the pot cases are electrically
connected together, via the front
rail. Check also that there are no
shorts between the top flange and
soldered connections on the PCB.
You should also check that the
headphone socket, pots and switches are centred correctly in the
clearance holes in the front rail. If
everything is correct, you can go
ahead and run the shielded cable
leads as shown in Fig.9. These
leads go to the phono preamplifier
board and to the TAPE IN and OUTPUT sockets on the rear panel.
Finally, connect the two sets of
power supply leads to the + 15V,
0V and -15V terminals. We suggest that you use red cable for the
+ 15V lead, green for the 0V lead
and black for the - 15V lead. Twist
the leads together as shown in the
photographs before making the connections to the phono preamplifier
board.
The other set of leads are later
connected to the power supply
board. Make the leads about
100mm long and leave them floating
for the time being.
Power supply PCB
This PCB is coded 04106881 and
is used to provide the ± 15V rails
for the circuit. Fig.8 shows the location of the various parts.
The main thing to watch out for
here is the orientation of the diodes
and the two 3-terminal regulators.
Be careful not to confuse the
regulators and check that their
metal tabs both face in the same
direction. Install PC pins at all external wiring points.
The supply PCB can now be
mounted on the bottom panel, along
with the power transformer, mains
terminal block and earth solder
lugs (see Fig.9). The supply board is
mounted on 6mm standoffs and
secured using machine screws and
nuts. Two brass nuts, one on each
mounting screw, are used to stand
the transformer off the chassis.
Once all the items of hardware
have b_een mounted, the bottom
panel can be re-attached to the
chassis.
. .l .....
....... Q
vl ...... Q
..ga..e
15
I
ov--
F
03-06
F
7915
•••
i!~!:;
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1DDµF(S\
\a)
o,-+
~~s
I
flr-15V
;.·lov
~--+15V
•••
--H®
I
LE01
Fig.8: this is the parts layout for the power supply board.
Make sure that you don't transpose the 3-terminal regulators.
wiring - you may get a hum loop if
you do.
The primary leads of the
transformer are connected to the
mains terminal block while the 15V
secondary and centre-tap leads are
soldered to three PC pins on the
power supply board.
Final assembly
The front panel can now be
mounted but be careful - one
scratch and you'll ruin the appearance of the whole project.
Secure the front panel at both ends
using the Allen screws then install
the power switch, the LED and the
bush for the switch shaft. The bush
is secured using locking nuts installed on both sides of the front panel.
Be sure to use mains-rated
240VAC cable for the connections
to the power switch. We used heat-
shrink tubing to cover the switch
lugs and then covered the whole
switch body up to the threaded section with a larger piece of heatshrink tubing.
The other ends of the leads from
the mains switch go to the terminal
block, along with a .0lµF 250VAC
"anti-thump" capacitor. Make sure
that this capacitor is rated at
250VAC.
The connections to the LED were
also covered with heatshrink tubing. The LED is secured to the front
panel by means of a small plastic
bezel. Connect the leads from the
LED to the power supply board but
don't connect the leads to the supply pins ( + 15V, 0V and - 15V) until
the supply has been fully tested.
Testing
Check your power supply wiring
Mains wiring
Take great care with the mains
your personal safety
depends on it.
Fig.9 shows the mains wiring
details. The mains cord enters
through a hole in the rear panel and
is securely clamped using a cordgrip grommet. Strip back the outer
sheath of the mains cord by about
35mm before connecting the active
(brown) and blue (neutral) leads to
the mains terminal block. The earth
lead (green/yellow) is soldered to
one of the adjacent solder lugs.
The second solder lug terminates
an earth lead which is run along the
rear panel from the binding post
terminal adjacent to the phono input sockets. Don't alter the earth
wiring -
This is a close-up shot of the power supply components. Note the .01µF
250V AC capacitor connected across the mains switch, at the 3-way insulated
terminal block. The transformer is spaced off the chassis using brass nuts.
]ULY 1988
45
The new control unit has very little point-to-point wiring. This has largely been made possible by running the input
signals via copper tracks on the phono preamplifier board at top right.
The rear panel carries the RCA input and output sockets, an earthing terminal and the mains cord grommet.
carefully, then switch on and use
your multimeter to check the + t5V
and - t5V outputs on the power
supply board. The LED should also
be lit; if not, you may have connected its leads the wrong way
around.
If these checks are OK, the supply leads from the tone control board
can be connected to the power supply board. A number of voltage
checks can now be made. Connect
the negative lead of the multimeter
to the OV terminal on the power
supply board and check that + t5V
is present at pin 8 of each of the
four LM833s.
Similarly, check that - t5V is
present at pin 4 of each IC. That being the case, measure the voltage at
pin t and pin 7 of each of the !Cs. In
each case, it should be within
± 10mV of the OV rail.
46
SILICON CHIP
You can also check that + t5V is
present at the collector of Qt and
that - t5V is present at the collector of Q2. Finally, there should be
almost OV at the junction of the
emitters of Qt and Q2 (ie, within
± 10mV of OV}.
Troubleshooting
If the above measurements are
not OK, the most likely causes are
broken tracks or solder bridges between IC pins. For example, if you
have the correct supply voltages on
an IC but its output is close to
+ t5V or - t5V, it is most likely
that there is a break in the feedback network or the inputs to that
IC. .
You can follow this up by
measuring the voltage at the input
pins of the ICs. Again, these should
all be very close to OV. If not, check
for breaks in the copper track or
poor solder joints; or that the IC is
in the wrong way around.
Note: if you've put the IC in the
right way around, it is most unlikely
that any malfunction will be due to
a faulty IC.
Put the knobs on now and we're
ready for the next test.
Listening tests
No, we're not going to listen to
music - yet. The idea of the next
few checks is to make sure that
everything is really working as it
should. You'll need a pair of headphones. Plug 'em into the headphone socket, turn on the power
and listen.
With the Volume control at
minimum setting you shouldn't be
able to hear anything. If you now
select the phono input and wind up
EXTENSION SHAFT
RIGHT
LEFT
\
INPUT/RIAA PREAMPLIFIER BOARD
1 - - - - - - - - - 1 SOURCE
+15V
DV
- 15V
S2
MONITOR
S3
MODE
GND
LEFT
RIGHT
CONTROL BOARD
Ill
VR2
BASS
----l,.,.+15V
,......-c:;__--i. •-15V
_---,_
___,,..•DV
S4
TONE
-~ ::,...--...,---_______
____......----=----=---.__.cy-----------------~----=---....,c<at>
MAINS
CORD CLAMP
GROMMET
S6
POWER
GREEN/YELLOW
E EART
BROWN
Fig.9: the complete wiring layout of the control unit. Note that there is no direct connection between the signal earth
and the mains earth. This is done to avoid hum loops.
the Volume to maximum, you will
.h ear some hiss and quite a lot of
hum. That is normal (because the
phono inputs are floating).
Turn off the power and connect a
short jumper lead between the
solder lug of the binding post terminal and the earth lug of one of the
phono inputs. This connects all the
control unit's circuitry earth to the
chassis. Normally, there should be
no connection at this point otherJULY
1988
47
wise there will be an earth loop
when the power amplifier is connected (assuming that the power
amplifier itself is earthed).
Now turn on the power again,
and wind up the Volume control,
still with the phono input selected.
There now should be no buzz or
hum but there will be some hiss.
Again, this is normal. If you now
switch to the other inputs (CD,
tuner, etc) the noise should drop to
extremely low levels (we doubt
you'll be able to hear anything,
even in a very quiet room).
If you now plug a pair of shorting
plugs into the phono inputs, the
noise on the phono inputs should
drop to much lower levels. Good.
Pull the shorting plugs, wind up the
Volume control and then check the
action of the Bass and Treble controls. The Treble control should
boost and cut the hiss and the bass
control should boost and cut the low
frequency phono noise.
The Balance control should also
shift the noise from left to right and
the Mono/stereo switch should also
work; when in the mono setting the
noise should appear from right in
the centre of your head. Switching
to Tape Monitor should kill the
noise and the Tone Defeat switch
should kill any boost and cut effect
of the tone controls.
Now if all of these things don't
check out, it is pretty easy to
localise the fault to a particular
section. For example, let's suppose
that there is no noise on the phono
inputs, but very faint noise on the
CD and other inputs. OK, that
means a fault in the ph9no
preamplifier but provided the
voltage measurements here were
correct, then you probably have an
open circuit between the phono
LM833 output(s) and the selector
switch.
In the event that the headphone
outputs don't work at all, meaning
you don't get to first base, you can
connect the headphones to the main
control unit outputs. You'll need
some jumper leads or a pair of RCA
plug to 6.5mm socket adaptor leads
to do this.
However, don't let the foregoing
procedure give you the impression
that this control unit is hard to get
going. On the contrary. At the time
48
SILICON CHIP
SC01-1-068E
i'l
_ _sC04-1-0688/1
~
00
(0
0I
.,..
.,..
I
0
(.) .
Cl)
!J
Fig.10: these are the full size patterns for the four printed circuit boards
of the control unit.
of writing we had built two prototypes and they both worked
perfectly, first time; If you haven't
made any wiring errors, your's will
too.
With all checks complete, remove
the earth jumper lead from the
phono socket and attach the lid of
the case. You are now ready to connect the power amplifier and
speakers.
You can stack the control unit on
top of or below the power amplifier
but for the absolute lowest noise
figures, keep the control unit as far
away from the power amplifier as
is practical.
For lowest noise and hum, the
power amplifier should be earthed
back to the mains earth via a conventional 3-core power flex and
3-pin mains plug. If you have built
the Studio 200 power amplifier this
will already be the case. Your
system will be quiet, really quiet.
And it will sound great.
Footnote: 100mm of 0.6mm
enamelled copper wire should be
added to the parts list published
last month.
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JULY1988
49
National Semiconductor's
LM833: a new dual low
noise operational amplifier
National Semiconductor describe the LM833 as a
"dual general purpose operational amplifier with
particular emphasis on performance in audio
systems". It is largely responsible for the
outstanding performance of our Studio 200 stereo
control unit.
By LEO SIMPSON
Although not strictly new, the
LM833 is a new device to most
audio enthusiasts and the latest
available data (1988 edition) on it
from National Semiconductor is
still classed as preliminary; so it is
new. However, it is already being
used in large numbers, in the audio
output stages of several compact
disc players sourced from Japan.
National Semiconductor claim
that the IC uses new circuit and
processing techniques to deliver
low noise, high speed and wide
bandwidth, without increasing external components or decreasing
stability. It is therefore ideal for use
in the preamplifier and high level
audio stages of hifi equipment.
As shown in the schematic
diagram, the LM833 is a bipolar input op amp (as shown by the PNP
bipolar differential input stage). Its
input bias currents are actually
higher than with run-of-the-mill op
amps (such as the 741), being 500
nanoamps (typical) and lmA (maximum). It has low input offset
voltage (0.3mV) and low input offset
current (20nA). Its open-loop
voltage gain is typically 11 0dB and
it is intended for operation from the
usual ± 15V supplies.
The internal 15pF capacitor compensates it for all closed loop gains
(presumably down to unity gain) but
it has a relatively high slew rate of
7 volts per microsecond which is
more than ten times that of the 741.
Its gain bandwidth product is
+Vcc-----1-------------8
Fig.1: the schematic diagram, showing one op amp in the LM833 package.
50
SILICON CHIP
Fig.2: the pinout diagram for the
LM833 dual op amp package.
typically 15MHz (10MHz minimum)
while its power bandwidth is
120kHz.
Its outstanding parameter is its
low input noise voltage which is
typically 4.5nV/root Hz. This compares very favourably with the
familiar Signetics 5534 low noise op
amp with an input noise voltage of
4nV/root Hz (the 5534A input noise
voltage is typically 3.5nV/root Hz).
As a further comparison of specs,
the LM833 is slightly better than
the Signetics 5532 dual low noise op
amp and slightly inferior to the
5534 single op amp.
Just in case we seem to be making
unfair comparisons with the 5534
and its kin, the LM833 does not
have the 5534's ability to drive a
6000 load. Instead, its performance
is characterised for the more usual
minimum load of 2k0.
Other parameters which are
significant in making the LM833 an
important newcomer to audio
equipment are its high power supply rejection ratio (PSRR) of 100dB
and also its common-mode rejection
ratio (CMRR) of to0dB. Again, these
are typical figures. Crosstalk between the two op amps in the
package is quoted as - 120dB from
20 to 20kHz, which is excellent.
Harmonic distortion is quoted as
.002 % , from 20Hz to 20kHz. Our
DC Electrical Characteristics (TA=
Symbol
25•c. vs = ±15vJ
Parameter
Conditions
Min
Vos
Input Offset Voltage
los
Input Offset Current
Is
Input Bias Current
Av
Voltage Gain
RL = 2 kn, Vo = ± 10V
VoM
Output Voltage Swing
RL = 10kD.
RL = 2 kD.
Typ
Rs = 10D.
Max
Units
0.3
5
mV
10
200
nA
500
1000
nA
90
110
dB
±12
±10
±13.5
± 13.4
V
V
VcM
Input Common-Mode Range
±12
±14.0
V
CMRR
Common-Mode Rejection Ratio
V1N = ±12V
80
100
dB
PSRR
Power Supply Rejection Ratio
Vs = 15-5V, -15- -5V
80
100
dB
la
Supply Current
Vo = 0V, Both Amps
AC Electrical Characteristics (TA =
Symbol
8
mA
25•c, vs = ± 15v, RL = 2 kn)
Conditions
Parameter
5
Min
Typ
Max
Units
SR
Slew Rate
RL = 2 kD.
5
7
V/µs
GBW
Gain Bandwidth Product
f = 100kHz
10
15
MHz
Design Electrical Characteristics (TA =
25•c, vs = ± 15VJ
The following parameters are not tested or guaranteed.
Conditions
Symbol
Parameter
t:.Vos/t:.T
Average Temperature Coefficient
of Input Offset Voltage
THD
Distortion
RL = 2 kD., f = 20 - 20 kHz
VouT = 3 Vrms, Av = 1
en
Input Referred Noise Voltage
Rs = 100n, f = 1 kHz
Typ
Units
2
µVl°C
0.002
%
4.5
nV/,/Hz
pA/,/Hz
in
Input Referred Noise Current
f = 1 kHz
0.7
PBW
Power Bandwidth
Vo= 27Vpp, RL = 2kD., THD,;; 1%
120
kHz
fu
Unity Gain Frequency
Open Loop
9
MHz
60
deg
-120
dB
</>M
Phase Margin
Open Loop
Input Referred Cross Talk
f = 20-20 kHz
Note 1: If supply voltage is less than ± 1SV, it is equal to supply voltage.
Note 2: This is the permissible value at TA
experience with the Studio 200 indicates that typical devices easily
meet these specs and we would not
be surprised to find that, when National Semiconductor finalises its
data on the device, it will be effectively upgraded.
Fig.3 shows National Semiconductor's RIAA preamp application
circuit for the LM833 and it is very
close to that used in the Studio 200.
Our performance results were also
very close to those claimed by
National.
The main difference in the Studio
200 circuit (presented last month) is
in the RF suppression components
at the input and the manner of provision of the 50k0 load for the cartridge (using a 100k0 resistor either
side of the bipolar input capacitor).
National's LM833 is not the
s::
85°C.
10 µF
·i1
1"100µF
Fig.3: National Semiconductor's suggested circuit for a phono
preamplifier with standard RIAA equalisation. Voltage gain is 35dB at
1kHz and claimed signal-to-noise ratio is 90dB A-weighted with
respect ot 10mV input at 1kHz.
quietest, fastest, lowest distortion
or most stable op amp released in
recent times but considering its
overall performance, it must stack
up as one of the best value op amp
packages available. We predict
that it will become extremely
popular.
~
JULY
1988
51
Altronics End Of Financial
Year Sale - You Save
Up To 50% I
Famous lnphone
Brand Cordless
Phones $125
mazing Offer - Top Sellln
nal Semiconductor Data B
½ Price
$17 .50
Data Aquisit ion
B 1015
High Speed CMOS
B 1020
National Logic
B 1025
MOS Memory
B 1045
Hybrid Product
13.50
12.95
39.50
12.95
12.95
meter
$8.75
6.75
6.50
19.75
6.50
6.50
'\
('<1
,.\i
Single Gang
Miniature 16MM
R 2040 500 Ohm Linear
R 2048 20 K Linear
Normally
Normally
$3.20
rn~~;~~\\~a
1111111111111111111111111II
: :•:i ::
!:-·=·.
y·-·::
::::lI.:•
1/2
Price
\ ..
\f:JO ~o<'\°<' i
~°<',.
M9009
sB
This unit magnifies any object
under a clear,cool,fluorescent light
Fantastic for Door,
Window or Cupboard
- this great little
alarm simply fixes to
one surface (usually
fixed surface) with the
: reed switch magnet
screwed to the
moving door window
sash etc. Arm the
1y1tem by ■Imply
,witching on - battery
drain is minisule!
Operates from 9V
Battery (not supplied)
Normally
Thl1 Month
s 5315
sB
::m
s229
A0980
Croc Clip Jumper
Leads 10 Way
Attention Speaker System Constructors
Save $2
Polypropylene
Passive Radiators
~~::tf_'l=._,,':'::.-1
~
et
1:: :!:1:· ::
$25
•
: : : : ,: ;:~ : ;:
12" $39 50
Save A Bundle On These Four Popular Size, Of llllllllllntllllllllllllllllilJ I JI IJII I I IJ
Racks, Frames & Panel Seta
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11
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I
6 Unit (370mm H) 18 Unit (907mm) 30 Unit (1450mm) and 38 Unit
(1804mm) Racks Available - All 450mm Deep
Now
Normally
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H 0365 Rack Frame 6 unit (370MM)
H 0367 Panel Set for H 0365
H 0370 Rack Frame 18 unit (907MM)
~ m~ ~=~~?i¥f:~~)!I{~
145
,.,.,.,,,,.,:':':':':"' ·. 'i?""
)0.
Mini Alarm
15V
100mA
AC/AC
Adaptor
Find Circuit Faults In a Jiffy
110""
gOc;
$1.60
JW'
~
Save $74 On This Great Portable Phone
~, r \
Desk
Mounted
Magnifier
Lamp
~
Shop soiled and Demo Stock
Cordless Telephones an Incredible
$125 - All guaranteed in perfect working
order - and even better any marks or scratches
are quite minor (barely noticeable in most cases) .
Normally Thl1 Month
Interface Date
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$ 99.50 $ 15.00 11 0382 Panel Set for H 0380
$149.00 $1111.00
49.00
311.00 H 0385 Rack screw MS PK12 Natural
2.95
2.00
129.50
1111.00 H 0386 Rack screw M6 PK100 Natural 19.95
17.00
i;:5 ::E~gm==~~ ~~~~2e;u~~~~:~~ik t5 {E
0MM)
H 0380 Rack Frame 38 unit (1804MM) 199.95
1
1
175.0l' H 0396 Rack captive nut MS PK100
28.50
25.00
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:.:.:.i.:.::.1.:.i.:.i.:.::.i.· 1:.::,:. .:::_:_:.:.,.::.:.,;.::_:•.:.:.
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Greai,laiueAl$139·- This Month
Save Up To 50% On Top Quality {
D Series Connectors!
,,,
Only $119
Fantaat/c Value
D Serles Computer
Connectors. Gold Plated tt t
Professional Serles
:·
Micron Electronic Temperature
Controlled Temperature Selectable
Item, Marked• are 1/2 Price or LeH :''
Solder~
}
Exhilarating Sound Perlormanca
Brilliant Digital
Headphones
lncredlbly Comfortable
• Utilizes newly developed flat disk
vibrator copper clad aluminium wire
voice coil and samarium cobalt
Magnet. The resultant reproduction
is outstanding• lmpedance45Ohms
• Maximum input 400 mW•
Frequency Respon se 20Hzto20KHz.
··•i•::•l\l !i\\ii
II ;.~~:;.~?."h~~.r::,~;:;::;"l',l'~:~"3~:;·:::
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41 0 deg. C. (608 deg : F. 662 deg.F, 716 deg.F, 770 deg. F and 824 deg.F)
1
19
Fixed temperatures are selectable by rotating the detained rotary
switch freely without changing heater or tip.
Temperature Readout via lead baragraph instantly visable .
Patented Heating Element. The specially insulated NICHROME wire
heating element is compressed between two layers of stainless steel
for ruggednes and is located at the end of the barrel to insure instant
heat.
Temperature Readout via lead bargraph instantly visable.
Patented Heating Element. Heat Capacity. Full 48 watts of het energy
availab le for heavy duty work . Zero Voltage Switching The
revolutionary electronic "Zero Voltage" switching, protects voltage
and current sensitive devices such as CMOS against transient voltage
spikes caused in stations. Grounded Tip. The soldering tip is grounded
thro ugh the power unit to ensure the tip leakage is less than 0.4 millivolt
or 0.03 microampere. Low Voltage Element.24V. Chrome Plated Iron
Plated Tip.
p 3040 Male PCB mnt. 2.95
p 3050 Fmale PCB mnt. 3.95
p 3090 Ba;;h;~ cover 1.95
C 901 D $
.50
High Quality UHF
p 3100
P3110
P 3120
P 3130
p 3140
P 3150
p 3190
14 Element YAGI
Le11 Than 1/2 Price!
These high grade Yagi Antennas
are from DX Antenna Co of Japan
and originally sold for over $701
1
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Male 15 Pin
Fmale15Pi n
Male PCB RVL
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Male PCB mnt .
Fmale PCB
Backshell cover
2.50
2.25
_95
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\0.\ , ,
Ii•il.\J:J•i
3.25
3.85
4.35
5.50
3.85
4.85
2.20
D825
:..l.!_l_l_l_~_;.:,_~_:~_t_.~_~_;:_;;_:Y_~~--_j_l_J_.:.~;.:f.:;;,;.:, ,
~
Dlgltal Multimeter With Bullt-ln Capacitance Meter ::: :
Not only do you get all the normal
ranges of current, resistance and
voltage - but also a convenient and
simple to use capacitance meter in
five ranges. And as if that's not
enough, you also get a transistor
tester. Check the features of this
top quality new addition to the
labtech range.
General:
,,,,
Dlaplay: 3½ digit LCD, 0.5" height, (
[~~~~:~;;; i,1,
?iJf/
Odeg to 50 deg. C; less than relative ;,:
humidityfrom35degCto50deg.C \,,:: .
Features:
• Non-Microphone
Measurement System
• LCD Readout
• Blood Pressure Monito
• Pulse Rate Monitor
Carry Case
s12.so
·
,,,,
s Cost
Altr
or
Studio 200 Stereo Control Unit
(SIiicon Chip June/July'88)
Out-Performs Commercial Units Costing $600 Plus
tor
(EA May'88)
Gain Matched, Power
Transistors for Ampllfler
Output Stages
l ne ;:,1ua10 .!W ::;tereo L;Ontrol Unit is companion to the studio 200 stereo
power amplifier (or other power amps). It features slim 1u rackmount
profile, treble, bass, balance, input selector, tape monitor switch, stereo/
mono switch and volume control. Inputs include phone: tuner, CD, VCR
and tape loop.
K5015
s229
Super simple circuit, enables
evaluation of current gain and Vbe
of power transistors & Darlingtons.
K 2532
s24 .95
oa
t ry
Ch r
(ETI Dec'87)
Charge Your Batteries Free
From The Sun
Controls the charge of 12V lead
acid batteries hooked to a solar cell
Ideal for use on boats & caravans.
13 .99
Calling All Audio Purists
This Great New Amp From Silicon Chip Is For You
Studio ?.00 Serles 10 Watts
Per Channel Power
f
K 5010
s399
Feature,, • In-Built speaker protection • Toroidal Transformer
(low hum)• Black Satin Finish• Low leakage power supply capacitors
• Housed in Rugged Custom Chassis.
Speclflc1tlon1: • Output Power 100W into 8 Ohms Freq. RH.(111W)
20Hz-SOKHz + or - 1db Input Sen11tlvlty 870mV Harmonic Dl1tortlon
(20Hz-2DKHz) 0.1% Signal To Nolie Ratio 100db or Better Protection
Fantastic for installing at home,
behind your car dash or for
interfacing with alarm systems,
control systems etc. Requires
enternal 12V DC supply. Kil
includes 27128 eprom.
~~-
..............
K 9500)':t{
y
s85 00
.,.,.,.......
~~~,....~91&-•;;=
K 1680
$
i~l~~:~ch~s)
~~J°f1~~ ~~:~::::~~e~)~~n:t::fi:f; 0~~~~~1tional.
\
,lililii
:,:,,·'\b,:,,;,,:···:,,.,...•.·.·.,. . .•.,, .......,. :::,=
;::,.,=.' '=
' '··========
Car Security
System
(See ETI Aprll'84)
Uses Vibration Sensors
To Guard Against
Tampering Ii Vandall1m
FEATURES: Auto Arming with
Exit and Entry delays e Dash
Mount status indicator e Remote
Protection of bolt-on accessories
e Inc. circuitry to monitor any
failure of dash warning lights
e Protects your expensive stereo
from unauthorized removal.
Moafet Power Amp
Module 150 Watt
VIBRATION SENSOR PACK
lnc.Mic Cable & Connectors
I 4341
s22 .50
RESONANCE
MICROPHONE ONLY
14342
s7.so
Bench Ampllfler
(See ETI Aprll'80)
One of the most useful pieces of equipment in an
Electronic work-shop is a simple Amplifier Module
to test circuits.
e 250 Milliwatts output into 4 Ohms e Runs off single
9V supply e Can give0.5wattswhen run on 12V plus
heatsink.
I 2105
s22.70
(See ETI Jan'81)
Studio Specifications
The Protector
Car Alarm
{Slllcon Chip Feb'88)
Save Over $100 On An
Equlvalent
Commerclal System
Feature,: e Internal &
External Sirens e Dash lamp
flasher e Battery back up
e Delayed & Non delayed
inputs e Ignition killer e Easy
to build and install.
14310
s129.oo
Here Is general purpose power
Amplifier module suitable for
Hi Fi, guitar and PA applications
employing sturdy reliable
MOSFET'1 in the output.
Power Output
150W RMS into 4 Ohms
100W RMS into 8 Ohms
(At onset of clipping)
Frequency RHponH
20Hz to 20KHz +0-0.5db
10Hz to 60KHz +0-3db
Measured<at> 1W & 100W levels
Input Sen1ltlvlty
1 Volt RMS for full output
NolH
114db below full output
15120
C.D. Headphone
Ampllfler
s79.oo
(Slllcon Chip Aprll'88)
Adds Headphone Faclllty
To Your C.D. Player
24V To 12V DC
(Slllcon Chip Dec'87)
Suits any C.D. player - suitable for
for all headphones - low or high
impedance, very low noise and
distortion, does not hinder the CD
performance. Simple plug in
connection. Requires external
12V AC plug pack.
Enables 12V appliances like
stereos, 2 way radios, CB's etc. to
operate from a 24V battery.
e Operates from 18V-30V. Output is
13.6V at 5 amps.
I 5350
s59.oo
Manufacturers, Contractors and Bulk Users
Please Contact Our Wholesale Sales Dept.
Sydney (NSW Only) Colin Fobister 436 0422
Perth Fred Bloffwitch 09 328 2199
174 Roe St. Perth W.A. 6000
PHONE TOLL FREE 008 999 007
Perth Metro & After Hours (09) 328 1599
ALL MAIL ORDERS
P.O. Box 8350 Perth Mail Exchange W.A.6000
AL TRONICS RESELLERS
Chances are there is an Altronics Reseller right near you - check this list or phone us for
detai ls of the nearest dealer. PleaH Note: Resel lers have to pay the cost of freight and
insurance and therefore the prices charged by individual Dealers may vary slightly
from this Catalog ue - in many cases, however, Dealer prices will sti ll represent a
significant cost saving from prices charged by Altronics Competitors.
Don't forget our Exprea1 Mall and Phone Order Service - tor the coat ot e local call,
Bankcard, Vlu or Ma1tercard holdera can phone order tor ume day de1patch.
STANDARD DELIVERY & PACKING CHARGE $4.00 to 1 Kg $7 over 1Kg AUSTRALIA
WIDE - We process your order the day received and despatch via. Australia Post.
Allow approx 7 days from day you post order to when you receive goods
$7.00 OVERNIGHT JETSERVICE - We process your order the day received and
despatch via. Overnight JetHrvlce Courter for delivery next day Country areas please
allow additional 24-48 hours. Weight limit 3Kgs (3Kgs covers 95% of Orders).
$10.00 HEAVY HEAVY SERVICE - All orders of 10Kgs or more must travel Express
Road - Please allow 7 days for delivery.
INSURANCE - As with virtually every other Australian supplier, we send goods at
consignees risk. Should you require comprehensive insurance cover against loss or
damage please add 1% to order value (minimum charge $1). When phone ordering
please request "Insurance".
TOLL FREE PHONE ORDER - Bankcard,Visa, Mastercard Holders can phone order
toll free up to 6pm Eastern Standard Time. Remember with our Overnight JetHrvlce we
deliver next day.
COUNTRY ALBANY BP Electronics ■ 412681 ESPERANCE Esperance Communications 713344 GERALDTON K.B.Electronlcs &
Marine 212176 KALGOORLIE Todays Electronics ■ 212777 KARRATHA Daves Oscltronic 854836 MANDURAH Lance Rock
Retravlslon 351246 WYALKATCHEM D & J Pease 811132
NT ALICE SPRINGS Ascom Electronics 521713 F-armer Electronics 522967 ACT
CANBERRA Bennett Commercial Electronics 805359 Scientronics 548334
VICTORIA CITY All Electronic Components 6623506 SUBURBAN
CHELTENHAM Talking Electronics 5842386 CROYDEN Truscott Electronics ■ 7233860 PRESTON Preston Electronics 4840191 COUNTRY
BENDIGO KC Johnson ■ 411411 MORWELL Morwell Electronics 346133
QUEENSLAND CITY Delsound P/L 8396155 SUBURBAN
FORTITUDE VALLEY Economic Electronics 2523762 WOODRIDGE David Hall Electronics 8082777 COUNTRY CAIRNS Electronic World
■ 518555 BUNDABERG Bob Elkins Electronics 721785 GLADSTONE Supertronlcs 724321 MACKAY Phlltronlcs ■ 578855 ROCKHAMPTONAcceas
Electronics (East St.) 221058 Electron
World 278988 TOOWOOMBA Hunts Electronics ■ 329677 TOWNSVILLE Solex ■ 722015 SA CITY Electronic
Comp & Equip. 2125999 Force Electronic ■ 2125505 SUBURBAN BRIGHTON Force Electronics ■ 2963531 CHRISTIE& BEACH Force Electronics
■ 3823366 ENFIELD Force Electronics ■ 3496340 FINDON Force Electronics ■ 347 1 188 COUNTRY
MT . GAMBIER South East
Electronics 250034 WHYALLA Eyre Electronics ■ 454764 TASMANIA HOBART George Harvey ■ 342233 LAUNCESTON George Harvey
■ 316533 Nichols Radio TV 316171
NSW CITY David Reid Electronics ■ 2671385 CARINGHAH Hlcom Unltronics 5247878 LEWISHAM PrePak
Electronics 5699770 SMITHFIELD Chantronlcs 6097218 COUNTRY COFFS HARBOUR Coifs Habour Electronics 525684 GOSFORD Tomorrows Electronics
■ 247246 NELSON BAY Nelson Bay Electronics 813685 NEWCASTLE Novocastrlan Elect.Supplies ■ 621358 NOWRA Ewing Electronics■ 218412 RAYMOND
TERRACE Alback Electronics 873419 WOLLONGONG NeW1ek Electronics ■ 271620
WA
BhM Ribbon
Deal■ ,.
are highlighted with
a ■.
These Dealers generally carry a comprehensive range of Altronic products and kits or will order any required Item tor you.
STAGE YOUR 0
LIGHT SHOW
These days when you go to hear your favourite band
or disco there is always a top light show.
Now you can have many of these exciting light show
effects - with the Discolight.
By JOHN CLARKE & LEO SIMPSON
The Discolight is a compact and
affordable unit which drives four
channels of coloured lights to produce an exciting and highly varied
light show. It can be driven directly
from your stereo system's loudspeakers or it can be triggered from
live music picked up by an inbuilt
microphone. It can also produce all
sorts of light patterns on its own,
with or without modulation by the
music.
With the Discolight you don't
need to go to the trouble and expense of hiring a disco system and
disc jockey - you can put on your
own light show and do it better. In
fact, we reckon that as soon as
disco operators find out about
SILICON CHIP's Discolight, they'll all
be building them.
The Discolight has a great many
56
SILICON CHIP
features which are summarised in
an accompanying panel.
The Discolighf turns sound into
light. Feed music from your stereo,
Walkman or whatever into its rear
terminals and it then drives four
sets of mains-powered coloured
lamps. The brightness of the lamps
is directly proportional to the
loudness of the music signal.
In fact, the Discolight divides the
audio signal from your stereo into
four frequency bands and then uses
each of those frequency bands to
modulate the brightness of the
lamps. Most people will have seen
such set-ups on TV shows, in discos
and in hotels. The lights may be coloured 100W floodlamps or banks of
smaller coloured lights.
Typically, four differently coloured floodlamps or sets of lamps
would be connected, one set to each
channel. You might use red for the
lowest frequency band, then
yellow, green and blue for the
highest band.
Not only does the Discolight turn
music into fascinating light patterns but it also generates its own
light patterns, for when the music
stops. If you're operating a disco
show and the band stops for a rest
break or the music has to stop for
some reason, the Discolight
generates its own light patterns:
chaser, strobe and alternate patterns (we'll describe these later).
Understanding how to use the
Discolight may be best explained by
briefly describing its various front
panel controls and rear panel
features.
On the rear panel are four 3-pin
mains sockets to which you connect
your banks of coloured lights. There
is also a set of four spring-loaded
terminals so that you can connect
the audio outputs from your stereo
amplifier. These are connected in
parallel with your speakers and
cause negligible loading of your
amplifier's outputs.
On the front panel are two knobs,
a fuseholder, large power switch
and five miniature toggle switches,
three of which are 3-position types.
There are also four LEDs (light
emitting diodes), one for each of the
light channel outputs. Let's look at
the function of these miniature toggle switches first.
Right next to the SENSITIVITY
knob is the SOURCE (microphone/
speaker) switch. This selects the
audio from your stereo system (via
the 4-way terminals on the back
panel) or the sounds picked up by
the Discolight's inbuilt electret
microphone. If you have a live
band, you can simply place the
Discolight nearby and switch to
Microphone mode, thus eliminating
the need for cable connections.
As you might expect, the adjacent SENSITMTY knob adjusts the
audio signal levels for the best light switch. The speed at which the
display.
lights chase each other is set by the
In the centre of the five toggles is RATE control knob.
the DISPLAY switch. This 3-position
In the Strobe mode, all four sets
switch is the key to the Discolight's of lights flash on simultaneously, as
functions. In its top position, set by the RATE control. In the Alter"4-Band Modulated", you get the nate mode, two pair of channels
basic Discolight function whereby flash on and off alternately, at a
the audio signal is split into four speed set by the RATE control.
separate frequency bands (low
The DIRECTION switch controls
bass, upper bass, mid-treble and
the
Chaser mode. You can have the
upper treble) and each of these
bands control their respective lamps chase in one direction or the
other or change direction autolights.
The brightness of the lamps at matically, every minute or so.
any instant is directly proportional
Finally, the BEAT switch gives
to the sound level in the respective beat triggering from the music for
audio frequency band.
the Chaser, Strobe and Alternate
In the Modulate (MOD) position pattern modes. In the Oscillator setof the DISPLAY switch, the audio ting of the BEAT switch, these funcsignal both modulates the lights and tions are controlled by the RATE
.
triggers the various modes selected knob.
by the PATTERN switch. Finally, the
The four LEDs on the front panel
Unmodulated setting of the DISPLAY mimic the behaviour of the four
switch allows the light display to be light channels, so that even if you
set by the pattern switch.
can't see the lamps directly (say
The PATTERN switch gives three you are acting as disco operator),
light displays: 4-light chaser, strobe .you can tell what they are d9ing by
and alternate. The Chaser mode is looking at the LEDs. The LEDs will
self explanatory; the four lights also come in handy during any
chase each other in one direction or troubleshooting which may have to
the other, as set by the DIRECTION be done.
DISPLAY
SELECTOR
CHANNEL 1
CHANNEL 2
CHANNEL 3
CHANNEL 4
RAMP
REFERENCE
SIGNAL
(C)
MOOULATEO 1
INPUT
MAINS (\
INPUTV
2
3
4
MAINS
PAmRN GENERATOR
PHASE
ZERO
DETECTOR t----1CROSSING
INPUT
Fig.1: the audio signal is split into four frequency bands, rectified and compared with a 100Hz ramp reference signal.
The Triacs are then triggered either by the comparator outputs or by signals from the inbuilt pattern generator.
]ULY 1988
57
I
/
COMPARATOR
OUTPUT
(B)
II
"'
TRIAC "ON" PERIOD
T
MAINS
VOLTAGE
LOW/
BRIGHTNESS
Fig.2: when the rectified filter output is greater than the ramp voltage, the
comparator output is high and the associated Triac turns on. If the Triac
turns on early in the mains half cycle, the lamp will be bright; if it turns on
late in the half-cycle, the lamp will be dim.
How it works
The circuitry for the Discolight
consists of four quad op amp ICs,
five CMOS ICs, four opto-isolated
Triac triggers, four isolated tab
Triacs, four LEDs, two 3-terminal
regulators and 21 diodes. And
that's just the semis. Add in the
resistors, capacitors, inductors,
switches, pots and all the other
hardware bits and it comes to a
stack of components. Our total component count comes to over 230, so
depending on how you look at it, it is
the most complicated circuit we
have presented in SILICON CHIP to
date.
Fig.1 shows the block diagram of
the circuit. Switch S1 selects ·the
audio signal, either from the internal microphone or from the
loudspeaker terminals (which connect to your stereo). The audio
signal is then fed to four filters
which split it into four distinct frequency bands: Low Bass, Upper
Bass, Mid Treble and Upper Treble.
The Low Bass frequency band is
provided by a 200Hz low pass filter
- this means that only signal frequencies below 200Hz are allowed
to pass. Then there is the Upper
Bass band which passes signals
between about 200Hz and 700Hz.
This is actually a bandpass filter
centred on 440Hz.
The Mid Treble band, from about
58
SILICON CHIP
700Hz to 2kHz, is another bandpass
filter, centred on 1.5kHz. Finally,
the Upper Treble band is from 2kHz
to 20kHz and is provided by a 2kHz
high pass filter (ie, everything
a hove 2kHz passes).
The audio signal from each of the
four filters is rectified and smoothed to provide a varying DC level,
which is then fed to one of four comparators. The comparators compare the varying DC signal to a
100Hz ramp reference signal which
is derived from the 240VAC mains
supply (via the power transformer).
Phase control
The next part is messy. We vary
the brightness of the lamps, in
Warning!
The Discolight is not a project for
beginners. Unless you have
already successfully built a number
of mains-powered projects we advise you to leave this one strictly
alone. Part of the circuitry is
powered directly from the
240VAC mains supply and
therefore must be regarded as
potentially dangerous. We have
designed it to comply with SM
regulations but if it is not wired correctly and tested out properly it
could be lethal.
response to the loudness of the
audio signal, by using "phase control". This is a method whereby a
Triac (a semiconductor switch) is
turned on earlier or later in each
mains half-cycle. If the Triac turns
on early in each half-cycle, the
power delivered to the lamp is high;
if the Triac turns on later, the
power delivered to the lamp is low.
The four comparators shown in.
Fig.1 each determine whether their
associated Triac turns on early or
late in each mains half-cycle. They
therefore determine the brightness
of the lamps at any instant, depending on the loudness of the audio
signal, as represented by the varying DC levels referred to earlier.
Fig.2 shows how each corn.parator controls its associated
Triac. It looks as "clear as mud"
but be patient and all will be revealed. First, look at Fig.2c. This shows
the 50Hz mains supply waveform
and also the time at which the Triac
switches on in each each mains
half-cycle.
As before, when the Triac turns
on early in the half-cycle, the lamp
will be bright; when the Triac turns
on late in each half-cycle, the lamp
will be dim.
Fig.2b shows the DC output from
the comparator, corresponding to
the Triac " on" times. The DC output from the comparator actually
turns the Triac on (although not
directly, as.we shall see later).
Fig.2a shows the interaction of
the varying DC, from one of the
audio filters, with the 100Hz
reference signal (note how this
signal is synchronised to the mains
waveform in Fig.2c). Whenever the
slowly varying DC signal is above
the 100Hz reference signal, the output of the comparator goes high and
triggers the Triac. So that's the
basic process of how the audio
signal,is rectified and then controls
the Triac to vary the respective
lamp's- brightness.
But, as you might have guessed,
there's a lot more to it than that,
otherwise the overall circuit of the
Discolight (which you've probably
looked at and shuddered) would be
a lot simpler.
Now refer back to Fig, 1. Instead
of the four comparator outputs going directly to trigger the Triacs
Main Features
Operating features
Four light channels controlled
by four separate audio channels.
Forward, reverse and autoreversing chaser patterns.
Simultaneous strobe on all four
channels.
Alternate light mode.
Music modulation available on
chaser, strobe and alternate
modes.
Adjustable rate for chaser,
strobe and alternate modes.
Inbuilt microphone for beat triggering or audio modulation of
lights.
Direct inputs for beat triggering
or audio modulation of lights.
Sensitivity control.
Internal presettable sensitivity
levels for each channel.
*
low pass rectified output which
uses a 2.2µF capacitor. The larger
capacitor provides a somewhat
slower response time for the low
frequency band.
The varying DC output from each
filter stage is fed to a 50k0 preset
potentiometer (VR1-VR4). Thus the
sensitivity of each channel can be
set to provide equal brightness of
lamps for typical music signals.
Following the presets, the DC
signals are fed to comparators
IC3a, IC3b, IC3c and IC3d. These
compare the varying DC for each
frequency with the ramp reference
signal from IC4d.
By the way, ICt, IC2, IC3 and IC4
are all standardised as LM324
quad operational amplifiers. These
are cheap and readily available.
*
Front panel LEDs mimic light
display.
*
*
Electrical features
2400W maximum lamp load.
600W maximum lamp load in
each channel.
Fused mains supply to lamps.
Isolated tab Triacs for extra
safety.
Opto-coupled Triac triggering
for complete isolation of control
circuitry from 240VAC mains
supply.
RF interference suppression
components on each light channel.
Zero voltage switching of
Triacs used for unmodulated
chaser, strobe and alternate
modes for minimum radio
interference.
Ramp reference
resistor. The electret's signal is
coupled by a .047 µF capacitor to
the non-inverting input of ICtb
which boosts the signal by about 31
times.
After SOURCE switch St, the
signal is fed to the SENSITIVITY control (VR5) and then to op amp ICta
(a stage identical to IClb) which
again provides a gain of 31 times.
ICla's output is then fed to the four
filter stages to provide the four
frequency bands mentioned
previously when we described
Fig.1.
IC2a and associated components
form the 2kHz high pass filter. This
is a third order (three RC timeconstants) filter which means that
signals below 2kHz are rolled off at
18dB/octave.
IC2d and associated components
form the 200Hz third order low
pass filter for the Low Bass
channel.
IC2b and IC2c and their
associated components form twin-T
filters. These are the 440Hz and
1.5kHz bandpass filters for the Upper Bass and Mid Treble frequency
bands (as shown on Fig.1). Each of
these four filter stages has a gain of
about unity.
The output of each filter is rectified using diodes Dt, D2, D3 and
D4 and smoothed with l µF
capacitors except for the 200Hz
As mentioned above, each of the
four comparators in IC3 use a common ramp reference voltage derived from the 240VAC mains. A 50Hz
signal is picked up from the secondary of the 2851 mains transformer
via a 100k0 resistor, clamped to
± 0.6V by diodes D14 and D15 and
fed to IC4b which functions as a
Schmitt trigger to "square up" the
waveform. IC4b's 50Hz square
wave output is then fed to Schmitt
triggers IC9a and IC9b to obtain
complementary signals. These
signals are then fed to two differentiating networks, each consisting of
a .022µF capacitor and 470k0
resistor.
The spiky outputs of these two
networks are fed via diodes D16
and Dl 7 to the inverting input of
IC4c. IC4c thereby delivers a 100Hz
pulse train, with each pulse synchronised to the zero voltage points
of the 50Hz AC mains waveform.
The pulse output from IC4c then
feeds a 0.15µF capacitor via D18
with the discharge path being via
two 22k0 resistors in series and a
5.6V zener diode (Dl 9). The result
is the ramp curve depicted in
Fig.2a, delivered from the ouput of
IC4d, to the inverting inputs of quad
op amp IC3.
The outputs of the four comparators connect to ICB which is
the Display Selector depicted in
Fig.1. ICB is a 4019 quad AND/OR
gate which can be regarded as a
**
*
*
*
**
they go via a block labelled as the
Display Selector. This can be
regarded as a four pole switch
which selects either the signals
from the comparators or a pattern
generator. Signals from the pattern
generator drive Triacs and hence
the lamps in the chaser, strobe or
alternate modes.
Well, that's probably as far as
we can go with block diagrams in
describing the basic operation of
the Discolight. Now, we have to stop
dithering about and get into the circuit description proper.
Circuit description
Let's start at the extreme top
lefthand corner of circuit. This
shows an input attenuator consisting of two 10k0 resistors, one
for each speaker lead from your
stereo amplifier. The 10k0 resistors
connect via a common 1.8k0
resistor to ground. This network
mixes the two stereo channels
together as well as attenuating
them. From there, the signal goes to
the SOURCE switch S1.
Op amp ICl b provides gain for
the signal from the electret
microphone . The electret is
powered via a network consisting
of a lkO resistor and lO0µF
capacitor which provide decoupling
from the main + 12V supply while
bias current is fed via the 4.7k0
*
*
*
*
*
*
*
JULY 1988
59
+12V
SPEAKER
INPUTS lDk
LEFT0-'W',11,-,
+
2kHz HiGH PASS FILTER
.,.
COM~
COM
220k
3300.
+12V
1k
r--~HNfl,....-+12v
100 +
16VWI
.,.
220k
+12V
.,.
14
+12V
70k
+12V
200Hz LOW PASS ALTER
+12V
74C14,40106
9
12 13
15 CK
f"\..J'-__
+12V
01
IC&
70k
.,.
6
4029
+12V
60
SILICON CHIP
J
...
S2
10 U/D
REVERSE--c>------'AUTO
DIRECTION
D19
4giJS.:w
FORWARl
Fig.3: the circuit diagram.
IC2a, b, c & d are the audio
filters; D1, D2, D3 & D4 the
audio rectifiers; IC3a, b, c
& d the comparators; and
ICB the display selector.
IC5, 6 & 7 make up the
pattern generator.
RAMP
5
8
.,.
1M
DISCO LIGHT
SC10·1·0688
+12V
LED1
16
10 A
680ll
K
A2
7
11
3
IC8
4019
12
l
+12V
DISPLAY
S4b
1
2
12
13 A
30
10k
CHANNEL 4
S4 : 1 : 4-BAND MODULATED
2 : MODULATED
3 : UNMODULATED
-:,
+12V
S3 : 1 : ALTERNATE
2 : STROBE
3: CHASER
10k
L1-L4 : 29T, 0.63mm ENAMELLED COPPER WIRE ON
NEDSID 17n32/22 IRON DUST TDRIIII
S3b
2
3f PAmRN
.,.
IC7
4051
+12V
!
1
S3a
7812
+12V
,;ITT,.;~ .~ i
10
2
3
11
10k
IIH
6
.,.
7912
.
A2
GNU
22k
+12V
470k
S4a
2
'?
020
1N4002
JUUL
OU
+12V
470k
POWER
S6
2851
10A
I
A
I
I
10
-16VW
470k
..,.
+
-
I
I
240VAC
I
I
CASE
-12V
N
4.7 + 1
16VW _ 16VW -
ii
JULY
1988
,- E
61
PARTS LIST
1 plastic instrument case, 262
x 1 90 x 83mm (Altronics
Cat. No. H-0482)
1 aluminium rear panel, 251 x
76mm (Altronics Cat. No.
H-0488)
1 Scotchcal front panel label,
251 x 76mm
1 PCB, code 10106881, 218
x 172mm
4 1 OA panel-mount mains
sockets
1 4-way spring-loaded speaker
terminal panel
1 2851 12.6V mains
transformer
1 panel mount 3AG fuse holder
1 10A 3AG fuse
1 electret microphone insert
4 Neosid 17 /732/22 toroids
1 DPDT 240VAC toggle switch
2 DPDT centre-off toggle
switches
2 SPOT toggle switches
1 SPOT centre-off toggle
switch
2 knobs
1 cord grip grommet
1 mains cord and moulded
3-pin plug assembly
3 solder lugs
34 PC stakes
4-pole 2-position switch. This is controlled by S4b, which is one half of
the Display Selector switch.
When pin 14 is high and pin 9 is
low, the comparator outputs are
switched through (when switch S4
is in the 4-band modulated position)
and thereby control the Triacs. On
the other hand, when pin 14 is low
and pin 9 is high, the signals from
the pattern generator circuitry are
switched through (position 2 of
switch S4) to control the Triacs in
Chaser, Strobe and Alternate
modes.
Pattern generation
The patterns are generated by
IC5, IC6, IC7, three op amps and a
bunch of diodes, D6 to D13. IC6 is a
4029 up/down counter which drives
the one-of-eight decoder IC7. To
make the Chaser run in the forward
direction, IC6 is made to count up;
to run in the Reverse direction, IC6
is made to count down, as set by
DIRECTION switch S2 (via pin 10).
62
SILICON CHIP
Semiconductors
4 LM324 quad op amps
1 4051 1-to-8 analog
multiplexer/demultiplexer
1 4030 quad XOR gate
1 4029 4-bit up/down counter
1 4019 quad 2-input AND/OR
selector
1 7 4C14, 40106 hex Schmitt
trigger
4 MAC218A8FP or SC142-M
or BT137F-600 isolated tab
Triacs
4 MOC3021 optically isolated
Triac drivers
1 7812 3-terminal +12V
regulator
1 7912 3-terminal -12V
regulator
2 1N4002 1A diodes
18 1N4148, 1N914 signal
diodes
1 5.6V 400mW zener diode
4 5mm red LEDs
4 LED bezels
Capacitors
2 470µF 25VW PC electrolytic
2 1 OOµF 1 6VW PC electrolytic
3 1 OµF 1 6VW PC electrolytic
1 4. 7µF 16VW PC electrolytic
1 2.2µF 16VW PC electrolytic
The clock signal for IC6 is fed via
IC5 from one of two sources,
selected by the BEAT switch S5.
With S5 in the Music setting, the
clock signal is derived from the Low
Bass filter via comparator ICtc,
which converts the bass signal into
a squared up waveform.
With S5 in the Oscillator setting,
the clock signal comes from ICtd
which is wired as a Schmitt trigger
oscillator. The oscillator speed is
set by the RATE control, VR6.
The clock signal selected by S5 is
fed to diode D5 and then to
exclusive-OR gate IC5. This is connected to give a short positive pulse
output whenever the clock signal
from S5 makes a positive transition.
IC5 thus ensures that the pattern
generator circuitry is clocked by
every bass beat in the music signal.
Back to the one-of-eight
The Qt and Q2 outputs from IC6
are connected to IC7; Qt directly to
the A input while Q2 goes via PAT-
6
1
1
4
1
2
4
5
4
1
1
1µF 1 6VW PC electrolytic
0.15µF metallised polyester
0.12µF metallised polyester
0.1µF 250VAC capacitors
(Wima MP3 or Philips MKT-P
2222 330 40104)
.056µF metallised polyester
.047µF metallised polyester
.033µF metallised polyester
.022µF metallised polyester
.01 µF metallised polyester
.0068µF metallised polyester
.001 µF metallised polyester
Resistors (0.25W, 5%)
2 x 1MO, 10 X 470k0, 4 X
220k0, 2 x 180k0, 6 x 1 OOkO, 3
X 47k0, 6 X 22k0, 1 X 18k0, 8 X
11 kO, 15 x 1OkO, 2 x 4. 7k0, 2 x
3.3k0, 1 X 2 . 7k0, 1 X 1 .8k0, 2 x
1k0, 4 X 6800, 4 X 3300, 1 X
1 000, 4 x 50k0 miniature vertical trimpots, 1 x 1 MO linear pot,
1 x 1 OOkO log pot
Miscellaneous
Screws, nuts, self-tapping
screws, rainbow cable, 0.63mm
enamelled copper wire (ECW),
tinned copper wire, mains rated
cable, insulating sleeving, solder
etc.
switch S3a to the B input. The
C input of IC7 is connected via the
wiper of S3b.
Depending on the code fed to the
A, B and C inputs, the common input of IC7, pin 3, is connected
through to one of the eight outputs,
0 to 7.
One of the 0, 1, 2 and 3 outputs
can be selected when the C input is
low, and one of the 4, 5, 6 and 7 outputs selected when the C input is
high. The B input when low can
select the 0, 1, 4 or 5 outputs. When
high the 2, 3, 6 and 7 outputs can be
selected. The A input selects either
the 0, 2, 4 or 6 output when low and
the 1, 3, 5 or 7 outputs when high.
When switch S3 is set for Chaser
mode, IC6 counts (up or down) and
connects IC7 outputs 0, 1, 2 and 3 to
the common input (pin 3; + 12V) in
sequence. These outputs connect to
the four inputs of ICB (the Display
Selector, described above and
shown in Fig.1) to drive the Triacs.
When S3 is set for Strobe mode,
TERN
Despite the circuit complexity, the Discolight is easy to build with most of the parts mounted on a single PCB. Note
that part of the circuitry is powered directly from the 240VAC supply, so take care when working on the board.
the B input of IC7 connects to OV
(via S3a) while the C input is connected to + 12V via a 10k0 resistor.
Thus outputs 4 and 5 of IC7 a:re
selected in sequence. When output
4 is high, it is bridged to outputs 0,
1, 2 and 3 via diodes D6 to D9 so all
four Triacs are driven. (Output 5 is
connected to + 12V and plays no
active part). So all four channels
flash on and off in unison.
Finally, when S3 is set to Alternate mode, both B and C inputs of
IC7 are connected to + 12V. Thus,
as IC6 counts, outputs 6 and 7 of
IC7 go high alternately. Then, as
output 6 goes high, diodes DlO and
Dl 1 pull outputs O and 1 of IC7 high
also. Similarly, as output 7 goes
high, diodes D12 and D13 pull outputs 2 and 3 of IC7 high also. So two
channels flash on alternately.
To modulate or
not to modulate
Now for the messiest part; how to
obtain the modulated Chaser,
Strobe and Alternate modes.
Normally, when DISPLAY switch
S4 is set to the unmodulated mode,
the input to inverter IC9e is pulled
low via a 10k0 resistor. This feeds
signal from the pattern generator
circuitry through to the Triacs.
Similarly, when S4 is set the
Modulated mode, IC9e's input is
still pulled low and the pattern
generator signals are fed through to
the Triacs but - and here is the
tricky bit - have a look at S4a in
position 2.
Signal from the Low Bass audio
comparator feeds via inverter IC9d
and a 22k0 resistor, to the INHibit
input of IC7. This allows the Low
Bass channel to modulate the lamp
brightness even though the normal
mode would be for zero voltage
switching of the Triacs and thus full
brightness of the lamps. That is
really tricky.
Isolation
IC8, the Display Selector
(depicted on Fig.1), does not drive
the four Triacs directly. It does so
via four MOC3021 optically coupled Triac drivers. Between pins 1
and 2 of each MOC3021 is an internal LED and when this is driven, the
emitted light turns on an optically
triggered Triac. This, in turn, feeds
the gate of the relevant power
Triac and turns it on.
continued on page 83
JULY
1988
63
ii
I
AMATEUR RADIO
By GARRY CHATT, VK2YBX
Amplitude companded sideband: a new
technique for greater spectrum efficiency
New technology is always of interest to the radio
amateur. This month, we take a look at a new
technique called amplitude companded sideband.
It offers greater spectrum efficiency, improved
speech quality and the ability to add selective
calling from the base station.
Many countries are now having
problems catering for the growing
demand for radio communications
within a limited frequency spectrum. And although it has a much
smaller population than the USA or
Europe, Australia will also reach a
situation in the near future where
spectrum congestion becomes a
real problem.
A possible answer to this problem is a new mode of transmission
called "amplitude companded sideband" , or ACSB for short. The
technique promises greatly improved spectrum efficiency.
In fact, ACSB will offer up to six
times the number of discrete radio
channels over existing FM 2-way
systems. For this reason, it will be
10d8 PER DIVISION VERTICAL
2kHZ PER DIVISION HORIZONTAL
Fig.1: frequency spectrum for a typical ACSB transmission. The 3.1.lcHz pilot
tone is 1.3.lcHz above the channel frequency.
64
SILICON CHIP
of interest to both commercial users
and amateur operators alike.
Basically, ACSB is a form of SSB
(single sideband) transmission with
speech compression and frequency
pre-emphasis during transmission
and speech expansion and deemphasis on reception. A further
refinement is the use of a pilot tone.
The basic disadvantage of SSB is
that no carrier is broadcast to act
as a frequency or amplitude
reference in the receiver. This
means that the SSB receiver must
regenerate a carrier to the exact
frequency produced by the
transmitter in order to demodulate
the incoming signal.
This is no problem at HF but
becomes increasingly difficult at
VHF and above. Assuming reasonable transmitter and receiver fre-quency stabilities of plus and minus
two parts per million (ppm), each
could be off centre frequency by
± 300Hz at 150MHz, resulting in a
worst case (and unacceptable)
600Hz frequency mismatch between transmitter and receiver.
ACSB eliminates this problem by
transmitting a low-power, fixedfrequency pilot tone. Current ACSB
equipment uses a 3. lkHz pilot tone
transmitted at a power level of
10% of the total PEP output. This
pilot tone is generated accurately to
within 1Hz in both the transmitter
and receiver.
At the receiver end, automatic
frequency control (AFC) circuits
adjust the synthesiser frequency so
that the received pilot tone matches
the internal 3. lkHz reference. As a
result, the recovered audio is
reproduced within 1Hz of its
original frequency.
DD~~~~RWCf:CND
J::ssT
AMPLIFICATION/
PRE-EMPHASIS/
COMPRESSION/
LIMITING
A:OIO
\
UPPER
CENTRE
,r:i"'D, %
5. '/E1
VOICE
10.2369
MHz
3100Hz
l0 •241MH z
10.2431
MHz
10 4
MHz
10MHz
2431
RF
BAND PASS
FILTER
10.24MHz
LOW PASS
ALTER
USB CRYSTAL
FILTER
-----t
/
MliR
152MHz
0038
RF LINEAR
AMPLIAERS
'X,
10.24MHz
~------------1
PILOT
OSCILLATOR
3100Hz
SYNTHESISER
10.24MHz
ALC
DETECTOR
REFERENCE
I"\.,
ALC
CHANNEL
SELECTOR
CHANNEL
DISPLAY
Fig.2: block diagram of an ACSB transmitter. The audio filter limits the audio bandwidth to about 2.5kHz
so that audio components are kept well clear of the pilot tone. Only the upper sideband is transmitted.
The pilot tone also serves as a
signal strength reference at the
receiver. This enables the AGC
(automatic gain control) circuitry to
keep the gain at the desired level
over a wide range of signal
strengths, regardless of pauses in
speech. This eliminates listener
fatigue due to the "gain pumping"
produced by voice-actuated AGC
systems used by conventional SSB
systems.
Squelch
The presence or absence of the
pilot tone is also used to operate the
receiver squelch system. This
eliminates random opening of the
squelch circuits by noise. In addition, low deviation phase modulation can be added to the pilot tone
for signalling purposes. The most
common application of this is the
use of CTCSS which allows selective calling by the base station.
The frequency spectrum of a
typical ACSB transmission is shown
in Fig.1, along with the standard
emission limitations for a 12.5kHz
channel. In this case the centre
frequency is 152.0025MHz. Only
the upper sideband is transmitted.
The suppressed carrier is 1.BkHz
below the centre frequency at
152.0007MHz, while the 3.lkHz
pilot tone is 1.3kHz above the_
channel frequency at 152.0038
MHz. The top line of the graph corresponds to 25W PEP (peak
envelope power).
The amplitude linearity of the
final RF amplifier is the key element
in determining the amount of occupied bandwidth which occurs as
a result of intermodulation
distortion. This means that all
amplifier stages must be linear
enough to reproduce variations in
signal amplitude. All power
amplification stages in ACSB must
therefore operate in either class A
or AB.
Although there are some pronounced differences between some
of the circuits used in FM radio
systems and those used in ACSB,
there is nothing mysterious about
the circuitry used. Basically, all the
receiver IF (intermediate frequency) and RF circuits operate in
their linear regions. Most of the
audio circuits also operate linearly.
Strictly speaking, the audio compressor, limiter and expander circuits are the only circuits not
operating in the linear mode.
However, these circuits are designed to produce minimal harmonics
and intermodulation products.
The modulation signal is trans-
lated to or from the RF channel frequency using mixers (including a
balanced modulator and product
detector). Frequency multipliers
cannot be used in a modulated
signal path due to the non-linear effect on the modulation. However,
the local oscillator system can use
multipliers since it does not carry
modulation.
The ACSB transmitter
Fig.2 shows the block diagram of
an ACSB transmitter. Let's see how
it all works.
Low level audio from the
microphone is first applied to an
amplifier/compressor circuit. Compression amplifiers have more gain
at low input levels than at higher
levels. In this circuit, the gain selfadjusts quickly enough to increase
the level of weak voice syllables, so
that the average voice level at the
output of the compressor is increased relative to the peak level
and the overall dynamic range is
reduced.
For example, a 2:1 compressor
would reduce a 60dB dynamic
range at the input to a 30dB
dynamic range at the output and increase the average voice level by as
much as 15dB. Thus, the major
benefits of amplitude compression
JULY
1988
65
CENTRE
1E
152.0038MHz
AUDIO
POWER
~
vie-v-t.J.,J
10.24MHz
SQUELCH
LOGIC
SQUELCH
CONTROL
LOCK
CT
10.24MHz _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ____,
SYNTHESISER
REFERENCE
AFC
CHANNEL
DISl'LAY
Fig.3: block diagram of the receiver circuit. A bandpass filter separates out the pilot tone which is then
compared with a locally generated 3.1kHz pilot tone to derive AFC information. As well, the separated
pilot tone drives the AGC circuits.
are reduced dynamic range (which
allows easier control of amplitude
linearity), improved modulation efficiency (which allows maximum RF
power output over a wider range of
audio input levels), and improved
signal to noise ratio in the receiver
when an expander is used.
Audio peak limiting may also be
used to ensure that a desired peak
audio level is not exceeded. An
audio peak limiter tends to increase
the compression ratio at higher
voice input levels and has some affect in increasing the average
modulation level. Audio peak
limiters must be preceded by audio
pre-emphasis to minimise in-band
harmonics.
Audio pre-emphasis is used to
boost the level of high frequencies
compared to the bass frequencies
which are more predominant in
speech signals. This tends to flatten
the average output across the
passband of the transmitter, helps
reduce intermodulation spreading
at the RF output, and improves the
recovery of high frequency voice
signal at the receiver. The preemphasis in an ACSB transmitter is
typically between 6dB and 12dB
per octave across the audio band.
The compressed speech signal is
66
SILICON CHIP
fed to a sharp cut-off low pass
filter, which limits the audio bandwidth to about 2.5kHz. This ensures
that the audio components are kept
well clear of the 3. tkHz pilot tone.
The pilot tone, which is crystal
generated, is then added to the
filtered audio. A technique called
"pilot pumping" is usually used to
reduce the pilot level when the
voice power exceeds the maximum
pilot power level.
This reduction in pilot level during voice peaks helps reduce intermodulation spreading at the
transmitter output, and allows the
ACSB receiver to detect the level of
pilot tone and increase its gain proportionately. This serves to expand
the voice dynamic range at the
receiver and keeps the receiver
quieter during gaps in received
speech.
Pilot pumping can be achieved by
using another audio compressor
and/or as a result of feedback ALC
(automatic level control) action.
Transmitter IF stages
The balanced modulator mixes
the processed audio plus pilot tone
and the IF carrier oscillator
together. The resultant output from
the modulator includes a DSB (dou-
ble sideband) signal "wrapped"
around the carrier oscillator
frequency. Because the circuit is
balanced, this carrier is suppressed by about 30dB. The upper
sideband is produced from the sum
of the carrier oscillator and the
audio frequencies. The lower sideband is produced from their
difference.
The DSB (double sideband) signal
is passed through a buffer amplifier
which is also used as an ALC control point. The IF filter is typically
an 8-pole unit with steep skirts.
This has low ripple and a narrow
bandwidth since it is only required
to pass frequencies from 300Hz to
3.3kHz above the IF. Thus, the output of the filter contains only the
USB (upper sideband) ACSB signal
which is then amplified to drive the
RF mixer.
RF stages
The ACSB IF signal is combined
with the local oscillator (LO) at the
mixer. The mixer is usually a double balanced type so that little output occurs at either the IF or LO
frequencies. Among the signals
present at the RF mixer output are
the sum and the difference of the IF
and LO frequencies. The desired
This mobile ACSB transceiver
features 16 channels and a power
output of 25 watts PEP.
that as the PA output reaches
its compression point, any further
increase in drive level reduces
gain in the previous stages.
The ACSB receiver
output is the sum of the IF and LO
frequencies, which is an USB ACSB
signal. The lower sideband is
discarded.
The Local Oscillator is generated
by a frequency synthesiser, similar
to those used in synthesised FM
equipment, and has a resolution of
5kHz. As in most commercial and
amateur equipment these days,
frequency selection is made by a
channel switch and PROM
(programmable read only memory)
circuitry. A stable master reference oscillator is essential, and
typical circuits use 10.240MHz as
the reference frequency with a
stability of ±2ppm.
After some amplification, the
mixer output is fed to an RF bandpass filter which removes all
undesired mixer products. Several
gain stages are then used to increase the amplitude of the signal
to about lO0mW to drive the RF
power amplifier. After linear
amplification, the RF output is
passed through a low pass filter to
suppress any harmonics which may
be present, and then fed to the
antenna socket.
Safety circuitry in the form of
ALC protects the power amplifier
(PA) from being overdriven. The PA
output is sampled, rectified,
filtered, and fed back to one or
more of the earlier IF or audio
stages. The ALC threshold is set so
Fig.3 is a block diagram of the
receiver circuit. The received
signal first passes from the antenna
to a selective RF amplifier. The tuned circuits in this amplifier reject
the input signal at the image
frequency (twice the IF below the
desired frequency) and pass the
correct input signal.
The same synthesiser local
oscillator and mixer circuit used in
the transmitter is operated in
reverse for the conversion of the RF
input frequency to the IF
(intermediate frequency). From
there, the signal is fed to the first IF
amplifier which in turn feeds an IF
delay circuit and noise blanker. A
separate IF amplifier is used to
magnify noise pulses and these are
used to trigger a noise gate during
strong impulse noise periods.
The IF delay circuit ensures that
the noise pulse arrives at the
blanking gate at exactly the same
time the gate is turned o'n.
The IF signal then passes through
a crystal filter (as used in the
transmitter) and two subsequent
amplifying stages. The IF amplifiers
have AGC applied to them so that
the average signal level at the product detector is held fairly constant
for a wide range of input signals.
This AGC is derived from the
recovered pilot tone. The product
detector uses the carrier oscillator
to mix with the IF to produce baseband audio.
The baseband audio contains
both the audio passband and the
3. lkHz pilot tone. Two separate
audio circuits are used here to process these signals.
The pilot tone bandpass filter
strips the pilot tone from the baseband audio. It is then used to drive
the AGC circuits. The pilot tone
filter output is also fed to an
amplitude limiter which preserves
the pilot phase and frequency. This
signal is compared with the locally
generated 3. lkHz pilot tone and is
used to derive AFC information.
This AFC is routed back to the synthesiser, where the first local
oscillator frequency is adjusted so
that the recovered pilot tone is set
exactly to 3. lkHz.
This guarantees that the recovered speech will be correctly
demodulated. In repeater systems,
the received pilot tone may have
CTCSS phase modulation applied to
it. An additional discriminator or
phase locked loop can be used to
demodulate this information which
can then be used for repeater control or squelch control.
The voice audio is sent to a fast
acting AGC amplifier which has its
gain controlled by the pilot tone
amplitude. This AGC almost entirely eliminates amplitude fluctuations caused by multipath propagation and vehicle movement.
The AGC circuit also acts to reexpand the amplitude compression
encoded at the transmitter in the
form of pilot amplitude pumping.
The fade-corrected signal passes
to an amplitude expander which
restores the dynamic range of the
voice signal. This audio is then
subject to de-emphasis. Both deemphasis and amplitude expansion
provide a great reduction in
channel noise and help to improve
the overall signal to noise ratio. The
expanded and de-emphasised audio
is then fed to the squelch circuit,
which feeds the receiver volume
control and audio amplifier.
Footnote: most of the developmental work on ACSB has been carried out by Stephens Engineering
Associates Inc, 7030 220th Street,
S.W. Mountlake Terrace, WA
98043, USA. The author wishes
to acknowledge the use of public domain information provided by
Stephens Engineering, USA.
~
JULY
1988
67
WINTER: A GREAT TIME TO BUILD A KIT AND $AVE!
AEM's new Mini
Mixer
Fantastic! A 4 Input audio
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specs good enough for the
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VCR KITS
llllataxtYesl A big $70 off last year's ~
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ONIY
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Amplifier Modules
High performing modules for
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And they're$$ cheaper than
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Pl.3: Negative feedback and frequency response
WHAT IS NEG~I'IVE
This month we look into why open loop
amplifiers suffer poor frequency response
and we investigate how negative
feedback increases the bandwidth.
By BRYAN MAHER
Analog amplifiers form such an
important part of electronic circuitry, that we find them in almost
every piece of equipment. Though
many signals may be digitized these
days, you will always find linear
amplification being performed. For
example, the ultimate hifi
capabilities of CD players can only
be .realised by using high quality
amplifiers in the final stages.
Though feedback concepts can
be applied to almost anything electrical, mechanical, hydraulic or
others - our interest here is in
electronic systems only. So let's
start at the beginning, with an
(allegedly) linear electronic
amplifier without any feedback at
all.
Frequency dependence
Last month we made the bald
+15V
statement that the open loop gain of
an amplifier is different at differing
frequencies. Why is that so?
All open loop amplifiers have
reduced gain at the high end of the
frequency range and possibly at the
low end too. First, let's look at the
reasons for such loss of gain, then
we can investigate how negative
feedback improves the situation.
Fig.1 shows a simple "linear"
amplifier stage. We call it "linear"
simply to distinguish it from
deliberately non-linear digital or
logic circuits.
By "linear circuits" we mean
those with an output voltage which
is supposed to be an enlarged but
otherwise identical copy .of the input voltage waveform.
Strictly we ought to say " roughly
linear" because we know that all
simple amplifiers have output
voltages which are a distorted
larger version of their input
voltages.
Last month, we told the story of
an enthusiastic young lady called
Krystie who had built a simple transistor amplifier to play her
favourite music. But the results
were disappointing. The amplifier
not only exhibited excessive distortion but the frequency range was
also much less than expected. In
fact, the high and low frequency
notes were so weak they could
barely be heard.
At this point we can find out how
negative feedback can be an almost
magical cure for all amplifier ills.
Looking again at Fig.1, let us consider in detail what should be happening at each point in the circuit
and what is actually happening.
First, the signal source (CD
player, tape deck or whatever)
generates some signal V(in), which
we apply to the input, and we expect that same signal waveform
V(in) to appear at the base of the
transistor. And it does too - more
.or less.
But why isn't the signal on the
base identical to the input? Well,
we observe that the signal V(in) has
POSITIVE RAIL
hreor==----------.:::-----r
1
hreo-3dB-r------------~
.Flg.1: this simple common-emitter amplifier
bas no negative feedback .and suffers
from harmonic distortion and deficient
low and ·high (requency response.
70
SILICON CHIP
h r e = 1 - - - - - - - - - - - - + - - - - - --
---l<-
LOG FREQUENCY
Fig.2: all transistors suffer from loss of gain at high frequencies.
At a really high frequency, FT, the gain drops to unity.
FEEDBACK?
to pass through Cl which has an appreciable impedance, so there is inevitably some signal loss in Cl. The
effect is worse at low frequencies.
But by making Cl sufficiently large,
up to 1.0µF, very little low frequency response is lost.
DC coupling?
Why not just DC-couple the whole
thing? DC coupling means using no
coupling capacitors at all, and indeed that is the ideal. Circuit gain
remains undiminished no matter
how low the frequency, right down
to OHz (ie, DC).
But there are drawbacks to DCcoupling right from the input terminals, so common practice is to
employ only one coupling capacitor,
Cl right at the input. Thereafter,
most feedback amplifiers are DCcoupled throughout.
Now what about high notes? Why
is the simple amplifier also deficient in the top frequencies? There
are two main causes and again
Fig.1 gives us some answers.
Loss of hre
Last month we made some comments about the way the hre or current gain of any transistor chang~s
at different collector currents and
at different temperatures. But current gain is also different at various
frequencies.
At a constant collector current
and room temperature, the hfe
holds constant right down to DC. (It
may even be a little higher at DC for
the secondary reason that large
steady DC currents tend to heat the
transistor junction more than AC
currents of the same peak value).
However, at high frequencies the
value of hre decreases as shown in
Fig.2, and at some very high frequency called fT the value of hre
has dropped to 1.0. On the curve
Fig.2 we define another point fhfe,
the frequency at which the hre has
fallen to 0. 707 of the DC value.
If the frequencies of interest extend up to fhfe or beyond, the current gain of the transistors will
reduce, hence the circuit gain must
be less than it is at low frequencies.
In practice, we never use transistors anywhere near their upper
frequency fT; that frequency is
quoted in transistor data sheets only to enable us to draw the curve
Fig.2.
True, we could go out and buy
different transistors having higher
values of fhfe and fT, and that is a
good idea for the small "front end"
transistors in an amplifier. But high
frequency large power transistors
cost a fortune, so we have to make
do with lower frequency types in
power transistors.
Shunt capacitances
Though Fig.1 is all you see if you
look at the physical circuit of such
an amplifier first stage, there are
many "stray capacitances" all
around the circuit, which we show
dotted. These are due to the natural
effects of capacitance which exists
between all separated conductors
and semiconductors.
As well as the stray capacitance
Cs from wiring and components to
ground, there is the base-emitter
capacitance Cbe in the transistor
itself. Also there is a capacitance
Cm from the transistor's collector
back to the base. This Cm is called
the "mutual" or the "Miller"
capacitance.
Cm is the most important of the
stray capacitances. It is due to the.
collector-base capacitance Ccb, but
as the voltage across it is the input
voltage plus the stage output
voltage, the capacitive current
flowing is equivalent to it being
much larger capacitance Cm,
where Cm = Ccb(l + A), where A is
the stage gain. The total input
capacitance Cin is the sum: Cin =
Cm + Cs + Che·
The source resistance (in parallel
with Rl and R2) forms a low-pass
filter with Cin, reducing the
amplitude of high frequency
signals. This happens in every gain
stage of an amplifier.
But there is more. At the output
side of the transistor stage we have
a number of parallel paths:
(1). The equivalent collector output
resistance.
(2). The collector-emitter capacitance.
(3). The collector load resistor.
(4). The input resistance and input
capacitance of the following stage.
(5). The wiring stray capacitance.
Those capacitances tend to
reduce the high frequency response
of the stage, but the lower the
parallel resultant of the resistances
mentioned the less this reduction.
Therefore, while higher collector
a
r------------+15V
y.
STAGE 2
STAGE 3
STAGE 4
a--+--- OUTPUT
RA
FB
Fig.3: this four-stage amplifier, with all stages identical to Ql, has
negative feedback applied via RA from the output back to the emitter
of the first stage.
JULY 1988
71
- - - - - - - --
T = 100 - -- -- - - - - i
ERROR SIGNAL E
Vln
1DmV
X
DIFFERENCING ACTION
BETWEEN BASE ANO
EMITTER VOLTAGES
K ,___o_F _sT_AG_
E 1_ _
r
•---G = 10000-----•-1
\E ...------,
1
__,____ _ _ STAGE 1 -
GAIN OF
STAGE 1
FB
---
y
STAGES 2,3,4 i---+---ouwT
r-
:7
I
I
I
Kl
I
I
: RB
t-H
R
Some names
= 1/101
L _.,._I
Fig.4: this is a block diagram of the four-stage amplifier shown in Fig.3.
RA and Re set the proportion of the output voltage fed back to
input K.
load resistors may result in higher
low-frequency gain, they also cause
the gain to drop off badly at higher
frequencies.
As most amplifiers have two or
more stages, the reduction of gain
at higher frequencies will occur in
every gain stage. The Miller
capacitance will have its greatest
effect in the front end high-gain
stage (because stage gain A is high),
while the frequency dependence of
hre will be responsible for the poor
high frequency response in the final
high-power stage (because fT is
low).
Enter negative feedback
Fig.3 shows the outline of a fourstage amplifier where Ql and its
sundry components form stage 1.
Each stage is inverting, meaning
that positive-going inputs produce
negative-going outputs, but four
stages of phase-inversion result in
overall non-inversion; ie positivegoing signals at X result in a
positive-going output at Y.
In previous episodes we showed
some negative feedback block
diagrams. Now in Fig.3 we show
one possible way to actually apply
the feedback voltage from the output back to the input stage. Input
signals from the voltage source applied at X naturally increase the
output voltage.
But you will recall that the
negative feedback must be applied
In applying negative feedback to
our whole amplifier we have reduced its voltage gain. But as we will
see, we have improved the
amplifier's characteristics in about
the same proportion as the reduction in gain.
to the front stage in such a way that
the feedback voltage reduces the
output.
As you probably know, a positivegoing signal at X causes an increase in Ql 's collector current,
which in turn produces greater
voltage drop across R3, hence
greater stage output at the collector. In Fig.3, resistors RA and RB
form a voltage divider across the
stage 4 output, from Y to ground.
Do not be confused by the
presence of R4, as it is bypassed by
C2. The impedance of C2 (at all
audio frequencies) is much lower
than the resistance of R4, hence
there is little or no signal volt~ge
drop across R4. As far as AC signal
voltages are concerned, point W
(junction of RB and R4) is at ground
or zero potential).
Hence at the emitter K of transistor Ql we have applied some
feedback called "FB", a signal
which is some fraction of the output
voltage. Let us call that fraction
"H". So the fraction H will be given
approximately by:
H = RB + (RA + RB)
K is the point where we have applied feedback signals to the emitter of Ql, and you will observe that
we now have a "closed loop
system" from Ql collector C,
through stages 2, 3 and 4, to Y,
through RA, back to K, through
transistor Ql to C.
(1). The gain of the whole amplifier
(measured from the input terminal
X to the output terminal Y) before
any feedback is applied is called
the "Open Loop Gain". This is given
by the symbol "G".
(2). The gain of the whole amplifier
(measured from X to Y) with feedback applied is called the "Closed
Loop Gain". This has the symbol
''T''.
(3). Because of negative feedback, T
is always smaller than G.
(4). The fraction of output used as
feedback is called "H" In Fig.3, H
= RB + (RA +, RB).
(5). The feedback signal derived
from the feedback voltage divider H
is (naturally enough) called "FB".
FB is simply equal to H x Output.
(6). The gain around the loop (from
C through stages 2, 3, & 4 to Y,
through the voltage divider to K,
and through the transistor gain
back to C) is called the "Loop
Gain".
As the Loop Gain is clearly the
product of G and H, we simply refer
to the Loop Gain as "GH".
(7). The input signal at X is to be
amplified. So we would like the output signal at Y to be an enlarged
replica of the signal at X.
(8). As the feedback signal at K is a
smaller copy of the output signal at
Y, by (6) above we would want the
signal at K to be exactly like (but a
little smaller than) the input signal
at X. If it is, we have succeeded. If
not, then we ask the circuit to take
corrective action.
(9). The difference between the
signals at X and at K is called the
"Error Signal". This is given the
symbol "E".
(10). It is the error signal E which is
amplified by the amplifier.
(11 ). As the error signal is small, we
The difference between the signals at X and K is the error signal
and it is this signal that is amplified by the amplifier.
72
SILICON CHIP
---ET-----,
T = 99.99
Vln
10mV
-----T = 99 - - - - - - ,
6 = 10000 ----OU11'11T
E = Yin - FB
999.9mV
E = 0.09999mV _ _ __,
K
r-RA -1
I
FB
FB
= Y/101
= 9.90000991nV
10k
E
K
I
I
I
1
r,-.H = 1/101
6 = 5000
'
E = 10mV - 9.80199mV
E = 0.198mV
r;
10k
I
-1
I
I
11~!0
L_..:...J
will need considerable gain in the
amplifier.
Fig.4 is a block diagram of the
circuit of Fig.3. In Fig.4 we have
split the action of the first stage Ql
into its two functions:
(a) The differencing action between
the input signal at X (the base) and
the feedback signal FB at K (the
emitter); and
(b) The action of transistor Ql
which (as in all transistors)
amplifies the difference between
the signals at base and emitter.
Also we have labelled Fig.4 to
point up three facts:
(1). It is the error voltage E (not the
input voltage at X) which is
multiplied by the amplifier gain G.
(2). H is simply a fraction, set by the
voltage divider ratio.
(3). FB is a signal which is some set
fraction of the output signal.
So just how does all that jazz
cure amplifier ills?
One thing at a time, please. Consider first the poor response to high
frequencies we noted earlier.
If, for any reason, the output is
not be as high as it should be, then
the feedback will be smaller. This
means that less will be subtracted
from the input signal in forming the
error signal E, so E will be a bit
larger. This will increase the output
to (nearly) the right signal level.
Keeping the same amplifier circuit, we redraw Fig.3 and Fig.4,
grouping parts of similar function,
giving us the simpler Fig.5, where
we have written a possible set of
conditions; ie resistances of RA and
RB, together with gains, and
voltages which might be measured
990mV
FB
I
FB = 990mV/101 = 9.801999mV I
I
·Fig.5: the signal E, which is the difference signal
applied between X and K, is multiplied by 10,000 to
give the output signal. Note that Vin is relatively
large but signal E is extremely small.
____
Y--OUTPUT
I
I
I
I 188
RB
Yin
10mv---"'
I
I
1-H = 11101
L_...:_I
Fig.6: even though the open-loop gain of the amplifier
has dropped to 5000, the negative feedback ensures
that the output signal is still very close to 1 volt by
making the difference signal E larger.
in a typical four-stage amplifier at
low and middle frequencies.
Low and middle frequencies
We have chosen the amplifier
open loop gain G = 10,000, as four
stages each having various gains
could easily multiply up to that
figure. We choose the following
values as typical for such an
amplifier: input voltage V(in) =
lOmV; RA = 10k0; .RB = 1000; G
= 10,000 (at low/middle freqencies).
From these values we can
calculate that:
H = RB + (RA + RB)
= 100 + (10,000 + 100)
= 100 + 10,100
= 0.00990099.
Alternatively, 1/H = 101.
By this means we can calculate
signal voltage values all around the
circuit. Without all the calculation
details, we have written the results
on Fig.5, so if you don't want to
bother with calculations, just look
at the diagram. Fig.5 shows that at
low and middle frequencies, the
gain stages of the amplifier give an
open loop gain G = 10,000.
(a) An input of lOmV gives an output of 999.9mV, so the closed loop
gain T (measured from input X to
output Y) is T = 100 (approx).
(b) The feedback network divides
the output by 101 to give a feedback
voltage FB = 9.9mV (approx),
which is subtracted from V(in) to
give an error signal E = 0.099mV
(approx). This is multiplied by
10,000 to give an output V(out) =
999.9mV.
At high frequencies we must ex-
pect the gain G of the amplifier to
be less than 10,000 (because of the
shunting effect of stray capacitances, the Miller capacitance and
the fall-off in hre at high frequencies as discussed earlier). At some
high frequency, the open loop gain
G could be down to half; ie, G =
5000. For this condition, as illustrated by Fig.6:
(c) The same input V(in) = lOmV
gives an output of 990mV, so the
closed loop gain (measured from X
to Y) is approximately 99.
(d) The feedback divider fraction is
not subject to frequency, so H still
divides the new output by 101, giving a feedback voltage FB = 9.8mV
(approx), which is subtracted from
V(in) to give an error signal E =
0.198mV (approx), which multiplied
by the reduced value G = 5000
gives the new output V(out) =
990mV.
(e) We observe (with joy) that even
though the gain stages only had half
gain (G = 5000 at high frequencies), we still found an overall gain
only 1 % down (T = 99) at high frequencies; ie, T = 990mV + 10mV
= 99.
Conclusion
From all the above we conclude
that negative feedback automatically compensates for at least one
amplifier shortcoming; the fact that
the open loop gain falls at high frequencies. What about those other
deficiencies, like distortion, hum
and noise?.
Can it be that negative feedback
will cure those ills too? That will be
our topic for next month's episode.~
]ULY 1988
73
Check out amplifier headroom & music power
Tone burst source
for amplifier testing
This self-contained test instrument
generates the required signals to
measure amplifier headroom and music
power. It only needs a multimeter to
read out the result.
By LEO SIMPSON & JOHN CLARKE
Whether or not you regard Music
Power and Dynamic Headroom as a
joke, hifi equipment manufacturers
are quoting music power and
headroom figures these days. This
means means that these
parameters should be confirmed
when appraising a hifi amplifier. At
SILICON CHIP we regularly test commercial amplifiers and our own
designs so we wanted to have our
own test set-up.
Trouble is, we know of no commercial equipment that will do the
tests.
We also wanted to be able to go
further than the standard IHF
Music Power tests. We wanted to
do longer pulse testing as advocated by manufacturers such as
NAD. So what do you when there's
no instrument available? You
design and make your own - which
is just what we did.
This strange-looking instrument provides all the facilities needed to perform
measurements of music power, dynamic headroom and amplifier overload
recovery time.
74
SILICON CHIP
We are presenting the resulting
design here, not because we think
the design will be produced in large
numbers (although there are many
organisations which could use such
an instrument), but because it
features a number of interesting
circuit techniques.
Defining terms
Alright, what are the required
test signals for the IHF Dynamic
Headroom and Music Power? Well,
the Dynamic Headroom of a power
amplifier is the ratio of the Music
Power to the Continuous Power expressed in decibels. So to measure
headroom you first have to measure
music power. The required signal
conditions are set out exactly in the
specification IHF-A-202 1978, as
published by The Institute of High
Fidelity, Inc, USA.
While it is common to refer to the
signal as being a tone burst, in
reality it is a continuous lkHz
sinewave which increases in level
by 20dB for a duration of 20
milliseconds, twice a second. Or to
put it another way, the amplitude of
the lkHz sinewave is modulated by
a pulse waveform with an "on"
period of 20 milliseconds and an
"off" period of 480 milliseconds.
Further, the transition in level is required to occur at the zero voltage
crossing of the sinewave signal.
The problem with such a pulse
signal is that it is difficult display
on most oscilloscopes (because of
its very short pulse duty cycle). Second, once the signal is displayed, it
is quite difficult to judge when the
onset of clipping occurs (which is
the level at which the music power
is measured). Then, once the exact
onset of clipping is established you
OSCILLOSCOPE
©
SYNC~
<at>
©
VOLTMETER
Fig.1: this diagram shows how the Tone Burst Source is connected to a stereo amplifier. The DC reading
on the voltmeter is squared and divided by the load resistance to give the amplifier's music ·power output.
have to measure the peak-to-peak
voltage displayed on the
oscilloscope screen. This is difficult
to do with any real accuracy since,
for a high power amplifier, say with
300 watts music power, the
waveform may be 140 volts peak-topeak or more.
Once the peak-to-peak voltage is
known, it needs to be divided by a
factor of 2.828 to convert it to RMS
value, then squared and divided by
the load resistance to find the
music power output.
Clearly then, measuring music
power output of an amplifier is a
fiddly business. Which is why most
magazines reviewing high fidelity
equipment don't bother to do it.'
(Either that, or they don't know
how!)
And when you want to measure
with even longer pulse durations,
say up to 300 milliseconds, you really need a storage oscilloscope to do ·
the job.
What we wanted was a selfcontained instrument which would
generate the required modulated
sinewave signal, measure the
power amplifier's output signal and
convert it to a DC voltage which can
be measured by any voltmeter,
digital or analog. The voltage
reading is then squared and divided
by the load resistance to get the
music power output. The result is
our IHF Tone Burst Source.
Features
The IHF Tone Burst Source has a
sinewave output which can be switched for continuous or modulated
output, in eight burst lengths of 20,
30, 44, 66, 94, 136 and 200
milliseconds. The duty cycle for all
burst lengths is fixed at 24: 1.
The pulsed or continuous
sinewave signal is variable in output level from zero to 2 volts RMS.
So that the output waveform of the
amplifier under test can be
displayed on an oscilloscope, a 15V
square wave sync pulse is
provided.
Fig.1 shows how an amplifier
would be connected to the Tone
Burst Source to perform a measurement of Music Power. The
oscilloscope is desirable but not absolutely mandatory for the test, as
we shall see later.
Besides the oscilloscope and
Tone Burst Source, you need a DC
voltmeter (which can be a digital or
analog multimeter) and a switchable dummy load which can be
set to provide the rated load
resistances for the amplifier under
test. For most amplifiers, this
means that the dummy load will
have to provide 4 and 8-ohm loads
at the very least, as well as 2-ohm
loads for more stringently rated
amplifiers. Naturally, the resistive
loads need power ratings to cope
with the amplifier's full output
power.
Depending on which channel of
the amplifier is being monitored,
the left or right channel output is
connected to a pair of binding post
terminals on the Tone Burst Source,
as well as to the dummy load.
JULY 1988
. 75
PARTS LIST
1 PCB, code SC4-1 -488, 130
x 103mm
1 Scotchcal front panel, 195 x
1 10mm
plastic utility case, 198 x
113 x 60mm (Altronics Cat
No H-0 102 or equivalent)
1 15V or 12 .6V mains
transformer (see text)
1 push-on/push-off mains
switch
3 DPDT miniature toggle
switches
1 single-pole 8-position rotary
switch (Jay car SR-1 21 0 or
equivalent)
1 stereo 6. 5mm jack socket
4 banana jack sockets (two
red, two black)
4 panel-mount RCA sockets
1 mains cord and plug
1 cordgrip grommet
3 knobs
Inside the Tone Burst Source, the
amplifier's output signal is fed to
the internal signal monitoring circuitry and to an RCA socket for
oscilloscope monitoring. This signal
is divided down from the amplifier
signals by a factor of 10 or 100, to
enable the oscilloscope to correctly
display the signal. We have provided this order of signal division
because we are assuming that the
signal will be connected directly to
the CRO instead of via a 10: 1
divider probe and because most
CROs have a minimum (calibrated)
sensitivity of only 5 volts/div.
In addition, the amplifier output
signal is fed to a headphone socket
which has an associated volume
control. With practice, you can
judge the onset of clipping "by ear"
to within one or two percent. This
means that it is possible to dispense
with the oscilloscope although,
ideally, you should have it anyway
to do the test properly.
The DC output voltage from the
Tone Burst Source is calibrated to
provide the DC equivalent of the
RMS voltage for two ranges. These
are the x3 and x10 ranges. To
calculate the IHF power the DC
voltage is multiplied by the range,
then squared and divided by the
load resistance for the amplifier:
76
SILICON CHIP
1
4
1
4
5mm LED and bezel
6mm standoffs
solder lug
rubber feet
Semiconductors
2 555 timers
1 401 3 dual D flipflop
1 4066 quad analog switch
1 TL07 2 dual JFET op amp
1 CA3130 op amp
1 7815 3-terminal regulator
5 1N4002 diodes
1 1N4148, 1 N914 diode
Capacitors
1 470µ,F 25VW PC electrolytic
1 4 7 µ,F 1 6VW PC electrolytic
1 15µ,F 1 6VW PC electrolytic
3 1Oµ,F 16VW PC electrolytic
1 6.8µ,F 16VW PC electrolytic
1 4 . 7 µ,F 16VW PC electrolytic
1 3 .3µF 16VW PC electrolytic
2 2. 2µ,F 16VW PC electrolytic
PmF = (V x Range) 2/R1
The DC output is also available
when the tone burst is disabled so
that continuous RMS power can be
measured at 1kHz.
Using it
Having connected the Tone Burst
Source as shown in Fig.1, the test
for Music Power is straightforward. Feed the burst signal to the
amplifier and display the output
waveform on the oscilloscope
screen. Increase the signal
amplitude until the waveform just
begins to flatten at the peaks (this is
the clipping point) and then back off
slightly to obtain an undistorted
waveform.
Take the meter reading and do
the power calculation as outlined
above. It's as easy as that.
One other test which this instrument can perform is the overload
recovery time of an amplifier. The
same signal is used but this time it
is set so that the amplifier is
overloaded by 10dB during the
burst times. Most amplifiers will
then take a number of cycles (at
1kHz) to recover their equilibium.
The overload recovery time is then
measured simply by counting the
number of cycles at 1kHz so the
time can be quoted in milliseconds.
1
3
4
1
1
1
1. 5µ,F 16VW PC electrolytic
1µF 16VW PC electrolytic
0 .033µ,F metallised polyester
0 .01 µF metallised polyester
0.00 1µ,F metallised polyester
22pF ceramic
Resistors (0 .25W, 5%)
1 x 1.5MO, 1 X 620k0 , 2 X
4 70k0 , 3 x 220k0 , 1 x 180k0, 1
x 1 OOkO, 1 x 68k0, 1 x 4 7k0, 1
x 39k0, 1 x 27k0, 1 x 24k0, 1 x
20k0, 2 x 18k0 1W, 1 x 15k0, 3
x 1 OkO, 4 x 4. 7k0, 1 x 3.3k0
1W, 1 x 1.8k0 , 1 x 1k0, 1 X
22k0 miniature vertical trimpot, 1
x 5k0 linear potentiometer, 1 x
1kO log potentiometer
Miscellaneous
Hookup wire, rainbow cable , insulating tubing, solder, screws,
nuts etc.
Circuit features
The circuitry for the Tone Burst
Source consists of two 555 timers,
one 4013 dual D flipflop, one single
and one dual op amp package, one
4066 analog gate package plus
assorted diodes, passive components and the power supply
components.
First of all, the circuit is required
to generate a clean stable sinewave
at precisely 1kHz. We do this in an
unconventional way, using 555
timer IC1, D-type flipflop IC3a, and
twin-T filter stage IC4a.
IC1 is set to produce a 2kHz
square wave. This is fed to D-type
flipflop IC3a to produce a 1kHz
square wave with a duty cycle of
exactly 50%. The square wave is
then fed to the twin-T filter stage
which then produces a clean
sinewave with harmonic distortion
of less then 2%. That might not
sound like a particularly low distortion value but it is low enough for
this purpose.
The output signal from IC4a is
then fed to output level control VR2
and then to output amplifier IC4b.
The amplifier either feeds the
signal straight through with fixed
gain, as for the continuous signal
mode, or with gain switched between two levels, for the burst mode.
c
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BANKCARD, MASTERCARD, VISA , CHEQUES OR CASH CHEERFULLY ACCEPTED
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18k
1W
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3.3k
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VOLUME
VR3
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HEADPHONES
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IHF TONE BURST SOURCE
SC4·1-488
470
25VW
E-~
CASE
-~"'
I
GND
The circuit of Tone Burst Source is essentially a pulse modulated oscillator with selectable pulse times, combined with
an AC rectifier (D6) and a sample-and-hold circuit (IC6b, IC5) to produce the DC output signal for the external
voltmeter. Amplifier monitoring is via headphones or oscilloscope.
In the continuous mode, the gain
of IC4b is fixed at 2.2 by the
associated lOOkO and 220k0
resistors. In the burst mode, the
gain is switched between 2.2 and
0.22 by analog switch IC6a. For 480
milliseconds out of each 0.5 second,
IC6a shunts the 22okn feedback
78
SILICON CHIP
resistor with a 24k0 resistor and
thereby reduces the gain of IC4b to
0.22. Thus the required step up in
gain of ten times ( + 20dB) is obtained whenever analog switch IC6a
closes, in reponse to a pulse signal.
The required pulse signal is
generated by IC2, another 555
timer which generates a train of
pulses with the required 24:1 duty
cycle. This is determined by the
620kn and 27k0 resistors which
charge and discharge the capacitor
connected to pin 6 of the 555. The
24:1 duty cycle is obtained by
dividing the sum of the two
The wiring inside the Tone Burst Source is a bit of a bird's nest but is fairly
straightforward if rainbow cable is used. Don't bind the wires together as this
could create crosstalk problems.
resistors (ie, 620k0 + 27k0) +
27k0); this gives a result of 23.963
which is within a gnat's whisker of
24:1.
Switch S1 changes the capacitor
connected to pins 6 and 2 of the
555, to change the pulse duration
from a minimum of 20 milliseconds
to a maximum of 300 milliseconds.
Note that the duty cycle remains
constant no matter what pulse
length is selected. This means that
for a pulse length of 300ms, the
time between the end of one pulse
and the beginning of the next is 24 x
300ms = 7.2 seconds.
Now the pulse signal could have
been fed directly to pin 12 of IC6a
to control the gain switching of
IC4b but this would mean that the
transitions in level would not take
place at the normal "zero axis
points" of the lkHz sine wave.
To ensure that this requirement
is met, D-type flipflop IC3b is used.
The pulse signal from IC2 is fed to
IC3b's D (data) input while the CK
input is clocked with the 2kHz
square wave signal from ICl. This
ensures that the pulse signal fed to
This is the full-size artwork for the printed circuit board.
JULY 1988
79
____,...-------_______,_~~-2~~
<at>
\
POWER TRANSFORMER
MAINS
CORO
CLAMP
GROMMET
~
~
~ SS
K
0
~LED1
A/ A
.__.._ _,.,,-a,.•
C
OUTPUTS
LEFT
.7µF
3.3uF
.2uF
0
.
1p
.
OC OUT TO
+ VOLTMETER -
0
o:1~J
P
S3
~
OUTPUT
FROM AMPLIRER
OUTPUT
TOCRO
T
HEADPHONES
S ~ II \
~
If
I
The wiring diagram of the Tone Burst Source uses letter coding to show the various interconnections. Note that eight
capacitors are wired around switch S1. Take care with the mains wiring and use plastic sleeving to cover exposed
mains connections.
pin 12 of IC6a is exactly synchronised with each positive edge
of the 2kHz square wave and
therefore with the zero axis points
of the sinewave from IC4a.
Switch S2 disables flipflop IC3b
so that its Q output is permanently
low. This maintains IC6a in the
open-circuit condition so that the
gain of IC4b is fixed at 2.2.
The output of IC4b is fed via a
lµF capacitor to a pair of RCA
sockets, for the left and right inputs
of a stereo amplifier. IC4a and IC4b
are biased to half the supply
voltage by a voltage divider con80
SILICON GHIP
sisting of two 10k0 resistors
bypassed with a lOµF capacitor.
The half-supply output of this
divider is fed to the non-inverting
inputs, pins 5 and 3, of IC4a and
IC4b, respectively.
The Q-bar output of flipflop IC3b
provides the sync signal for an
oscilloscope.
Well, the description so far has
detailed how the sinewave is
generated and how it is switched
between two levels with a duty cycle of 24:1. Now let's have a look at
how the output signal from the
amplifier under test is processed.
Power amplifier output
As noted above, the (left or right
channel) output from the amplifier
under test is connected via attentua tors to provide monitoring
signals for headphones and an
oscilloscope, as well as the signal to
be measured and processed. VR3
provides the headphone signal,
with quite a lot of attenuation in
consideration of the high power
levels likely to be involved, while
the oscilloscope signal comes from
the voltage divider associated with
switch S3. This gives two division
ratios, + 10 and + 100, so the
111, 1.11
-==:-:.:::=-=--•
10 I
.. ...... Normally $7.95
,a ~
1.9
2s
1
$4.95ea $4.25ea $3.95ea
QUALITY 3mm LEDS
Cat. No . Col. 1-9
Z 10140 Red $0.1 5
Z 10141 Grn $0.20
Z 10 143 Ylw $0.20
z 10145 o,a $0.20
10
100 I
1
$0.12
$0.15
$0.15
$0.15
$0.10
$0.12
$0.12
$0.12
Equiv (Bourns 3540S, Beckman
A14100
R14 110
R14120
A 14 130
R14 140
R14080
1K
R14090
1·9
2K
SK
10K
20K
SOK
100K
10 +
$9.95
$9.50
100 +
$ 3.50
$ 4.95
$ 5.50
.... $ 7.90
.. . $ 8.90
.. .. $ 9.95
.. $1 0.95
... $10.95
... $11 .95
... $12.95
.. . $26.95
$0.09 $0.08
$0.12 $0.10
$0.1 2 $0.1 0
H10525 105 x 75mm .. .. ..
H 10529 105 x 100mm ....
H 10534 105 x 140m m
H 10535 105
x 150mm
x 170mm
H 10542 105 x 195mm
---,==r·- - - - i::a-cn---
Dials to suit 16-1-11, 18-1-11,
21-1-11.
SOR
100R
200R
S00A
~ !!li~~~l~Hi~i:~;~nts of heat for
Designe~ by Rod Irving .
H10538 105
7256)
A14050
R14055
R1 4060
A1 4070
I
[l'
I
H 10543 105 x 200mm
H10546 105x 225mm
H 10549 105x300mm
H10560 105 x 600mm
I
I
I .
!'I
RCA GOLD PLATED
PLUGS AND SOCKETS
'
WIRE WRAP
IC SOCKETS
Black anodised with a thick base
plate, this radial fin heatsink can
H 10520 105 x 30mm .....
QUALITY 5mm LEDS
10 +
HIGH EFFICIENCY
RADIAL FIN HEATSINK
(!., ~
<%H::l ~ <%H ~
--====at
Cat. No . Col. 1-9
Z 10 150 Red $0.10
Z 10151 Grn $0.15
Z 101 52 Ylw $0.15
10 TURN WIRE WOUND
POTENTIOMETER
Spec:trol Model 534
¼ " shaft.
J ~ \ ... ~
..,
These quality 3·1evel wire wrap
sockets are tin-plated phosphor
bronze.
Cat.No.
Description 1-9 1O+
P10579
8 pin $1.50 $1.40
P10580 14 pin $1.85 $1 .70
P10585 16 pin $1.95 $1.80
18 pin $1.95 $1.80
P 10587
P 10590 20 pin $2.95 $2.70
P 10592 22 pin $2.95 $2.70
P10594 24 pin $3.95 $3.50
P10596 28 pin $3.95 $3.50
P 10598 40 pin $4.95 $4.50
We have m llllons of d iodes
In stock!
+
100 +
1000 +
IN4148 Small signal Cat. 21 01 35
Je
2½e
3½e
Overall : 63mm across, Srnm high .
2e
LEDs: 10 x Smmx 1mm
Cat.No.
1-9
3e
Z101 80
IN4004 400V 1A Cat. 2 101 07
4e
HIGH INTENSITY
RED LED BAR GRAPH
Dimension s:
$2.95
10 +
$2.75
Save a fort~f~~~~ nalve
throw away batteries w ith t hese
quality Nlcad s and Rechargers l
Size Oes c.
1·9
10+ 100+
AA 450 mA.H. $2.95 $2.75 $2.50
C 1.2 A. H.
$9.95 $9.50 $8.95
D 1.2 A .H .
S9.95 $9. 50 $8.95
WELLER WTCPN
SOLDERING STATION
DIODE SPECIALS
1-99
For those who need the ultimate in
connection. Essential for laser disc
players to get that fantastic sound
quality.
Plug Cat. P10 15 1
$2.95
Socket Cat P1Qt 50
$2.25
ELECTRET MIC
INSERTS
With pins for easy board insertion.
Cat. C10170
1·9
10+
100 +
$1.20
$1.00
S0.90
The WTCPN Features:
• Power Unit 240 V AC
• Temperature controlled iron ,
24 VAC
• Flexible silicon lead for ease of
use
• Can be left on without fear of
damaged tips!
The best is always worth having.
Ca1. T1 2500 .... .... .. ... R.R.P. $149
SPECIAL, ONLY $129
THIS MONTH ON LY!
SUPER DELUXE
BATTERY CHARGER
• Charges from 1 to 10 O, C, AA, AAA,
N, and up to 3 x 9V batteries at the
same time .
• Dual-colour LED in first three
compartments to designate 1·SV
or 9V.
• 240V AC/SOHz.
• Approval No. N10637
Cat. M23525
ROD IRVING ELECTRONICS
IS AUSTRALIA'S COMPLETE
ELECTRONICS STORE.
□- · ··•
~
TRIGGER
TRANSFORMERS
.. .. .. .... .. ... ..... $1.45
•
SAVE$30
O,ECAST ,o,es
D1ecast boxes are excellent for
RF shleld lng, and s1'ength.
~~re
~rii;o v6dxeg ~~ eaih
14
5
5
H1 1452 110 x60 x30mm . S 6.50
H114531 20 x65x40mm
$ 6.95
H 11461 120 x9 4 x53mm
$11 .50
H11462 188 x 120 x 78mm ... $13. 50
H11464188x 188 x 64mm .. . $29.50
g~;S
5~
09,s CO•NECTOR
SPECIALS!
•
W e have just lmpoeed 50,000 .
So you get to save a small fortune !
DB25 MALE (P109001
1-9
10 +
$1 .00
160 +
$0.90
$0.80
DB25 FEMALE (P10901)
10 +
1-9
$1 .20
l OO +
$1 .00
$0.90
CANNON TYPE
CONNECTORS
MULTIMETER
Thi s instrument Is a compact,
ruaged, battery operated, hand held
31".12 digit multimeter for measuring
DC and AC voltage, DC and AC
current. Resistance and Diode, for
1-9
10 <
P10960 3 PIN LI NE MALE .
$3.90 ...................... $3.50
P10962 3 PIN CHAS IS MALE
~~:~i~i~ t~~g~~~ ~~~t~~~r.:i~~e
$3.00 ...................... $2.50
CORDLESS
RECHARGEABLE
SOLDERING IRON
• Built in solder point illumination
• Easy replacement of solder tip
• Protective stand which also
functions as chargi ng unit
• Sponge pad attach to stand
• Plug pack power adaptor
• Includes Nicad battery
• lnstructtion manual
• 12 months warranty
Cat. Tt 2480 ....... Normally $79.95
P10964 3 PIN LI NE FEMALE
$4.50 ...................... $3.90
P10966 3 PI N CHASI S FEMALE
$4.95 ...................... $3.95
n
SPECIAL, $69.95
"NO'E!RAND" DISKS !!
.!~~to~.t~1~?
Now you can buy absolute top qu~lity
disks that are also the cheapest 1n
Australi a! They even come with a
lifetime warranty! So why pay
2-3 times the pnce for the same
quality ?
Packs of 10, DIS DID without boxes,
or brand name, just their white paper
jacket, and index labels.
(5 V 4 " disks includes write protects) .
• t ~t~a~~ti~
r~~~es
without short circuit except 200 ohm
Range which shows " 000 or 001 ".
• ~ ~~~~Jle/oltage protection
• Diode testing with 1 mA fixed
current.
• Audible Continuity Test.
• Transistor hFE Test.
SPECIFICATIONS
.Maximum Display: 1999 counts
SPECI AL$79
•
MELBOURNE : 48 A 'Beckett St .
Pho ne (03) 663 6151
NO RTHCOTE:425High St.
Pho ne(03) 4898866
CLAYTON : 56 Renver Rd .
Pho ne (03) 543 7877
SOUTH AUSTRALI A:
Elec1, o nl c Dlscou nte,s PIL ,
305 Morphett St, ADELAID E
~g~~:~~~~Js2~~/Ja~Jin1e1sta1edue 10
3800
~Jritgi~l :i~~~ automatic
Indication Method : LCD display.
Measuring Method : Dual-slope in
A-0 converter system .
Over.range Indic ation: " 1 " Figure
only in the display .
Temperature Ranges: Operating
OoC to +40oC
Power Su pply: one 9 volt battery
(006P or FC- 1 type of equivalent)
Cat. 091530
Normally $109
•
Rod Irving Electronics
lretght costs)
METEX
A-D
Converter uses C-MOS technology
for auto-zeroing, polarity selection
and over-range indication. Full
overload is provided. It is an ideal
instrument for use in the field,
laboratory, workshop, hobby and
home applications.
Features ...
• Push-button ON/OFF power switch .
• Single 30 position easy to use
rotary switch for FUNCTION and
RANGE selection.
• 1.12" high contrast LCD.
• Automatic over-range indication
with the " 1" displayed.
• Automatic polari ty indication on
DC ranges .
.
.
·
..
.
r1:e ·
5¼" DISK STORAGE
5¼" "NO BRAND" DISKS
DOUBLE SIDED/DOUBLE DENSITY
10+DISKS 100+DISKS 1.000 +DISKS
Efficient ant~Pa~,~ ~otect your
disks from being damaged or lost !
Features ...
• 100 x s ·1; 4" disk capacity
• Smoked plastic hinged lid
• Lockable (2 keys supplied)
• High impact ABS plastic base.
• Contemporary design
c1so20 .. .. .... ... .. .. only $17.95
$8-95.,
$8·50°0
$7·80°0
(ALL PR IC ES PER 10 DIS KS )
3½" "NO BRAND" DISKS
DOUBLE SIDED/DOUBLE DENSITY
10+DI SKS 100 +DISKS 1.000+0ISKS
$27
$26
$24
(ALL PRICES PER 10 DISKS)
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CORRESPONDENCE :
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The above postage rates are for
b asic postage only. Road Freight,
b ulky and f ragile Items w ill be
cha rged at different rates.
All sa les tax exempt orders and
wholesale inquiries to :
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Ph. (03) 543 2166 (3 tines)
Errors and omissions excepted.
Prices and specifications sub1ec1to
change
:~~:-:a~~s~T;n~;r~a~~en~~~~~~~~s
Machines · Apple 1s a registered trademark
· Deno1es registered tr admarks of th eir
respective owners
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This is the full-size artwork for the front panel of the Tone Burst Source.
resulting display on the CRO needs
to be multiplied by 10 or 100 to give
the true value.
Diode D6 rectifies the signal from
the amplifier and feeds it via
switch S4 and its associated
resistors to analog switch IC6b
which, together with IC5, forms a
82
SILICON CHIP
"sample and hold" circuit. Each
time the sinewave signal from IC4b
increases in value by 20dB, analog
switch IC6b closes and feeds the
rectifier output from D6 to the lOµF
capacitor at pin 3 of IC5. The lOµF
capacitor stores and holds the
charge until the next time IC6b
closes, when it takes a new voltage
sample.
IC5 is a CA3130 Mosfet input op
amp arranged as a voltage
follower. This op amp has an extremely high input impedance
which means that the 10µF
capacitor experiences virtually no
loading at all from the op amp input. IC5 feeds the voltage from the
10µF capacitor to the output for the
DC voltmeter.
Diode D5 is a voltage clamp
which prevents input voltages to
IC6b and IC5 from exceeding
+ 15.6 volts. This means that for
output voltages of more than about
12 .volts or so, the attenuator switch
S4 should be switched from the x3
range to the xlO.
The resistor values associated
with DC output switch S4 are arranged so that the DC voltage at the
output terminals is equal to the
RMS value of the AC voltage from
the amplifier's speaker terminals,
when in the continuous mode.
For example, in the continuous
mode (ie, switch S2 set to disable
the burst mode), if 20 volts RMS is
fed into the AC input terminals and
the DC output switch is set to xlO,
the voltage across the DC output
terminals will be 2.00 volts. Similarly, for the same input conditions, if
the DC output switch is set to x3 ,
the DC output will be 6.67 volts.
In the burst mode, the DC output
voltage is equivalent to the music
power output voltage from the
amplifier.
The circuit is powered from a
small 15VAC transformer which
feeds a bridge rectifier, Dl to D4,
and a 470µF filter capacitor. The
smoothed DC is regulated to + 15
volts with a 7815 3-terminal
regulator.
Construction
We housed our Tone Burst
Source test set in a standard black
plastic case measuring 198 x 113 x
60mm, with most of the circuit components mounted on a printed circuit board measuring 130 x 103mm
(code SC4-1-488). The power
transformer and the printed board
is mounted on the metal lid of the
plastic case. The lid then becomes
the baseplate of the instrument. All
the controls are then mounted on
the top of the case while most of the
input and output terminals are
mounted on the sides.
We used a 15V 1A transformer
but since the current drain of the
whole circuit is low, you could save
a few dollars by going to a 12.6V
150mA transformer (such as the
Altronics Cat. No. MM-2006).
Asse_mbly of the PCB is a
straightforward job. Install the
links, resistors and diodes first,
followed by the capacitors and integrated circuits. All the connections to the board are made via
lengths of ribbon cable. The
capacitors for the burst period
switch are wired around the switch
itself.
Note that the wiring diagram
shows most of the interconnecting
wires with letter codes. For example, point K on the printed circuit
board is joined to point K on VR3,
the headphone level control.
The case can be drilled for all the
controls using the Scotchcal panel
as a template. Then it is simply a
matter of installing all the hardware and completing the wiring.
Setting up
You will need a frequency meter
or oscilloscope to set up the instrument. After applying power and
checking the 15V supply rail, adjust
trimpot VR1 to obtain a frequency of 2kHz from pin 3 of IC1. This
done, check that tkHz is obtained
from pin 13 of IC3, then check the
sinewave at pin 7 of IC4. Trimpot
VR1 can be tweaked to obtain the
cleanest sinewave but make sure
the lfrequency is still close to tkHz.
dheck that the continuous and
burst modes can be obtained at the
appropriate settings of switch S2.
Check that the burst length varies
in accordance with the setting of
switch St.
Finally, the DC output at pin 6 of
IC5 can be adjusted to equal the
continuous RMS AC voltage (with
burst disabled) from the amplifier
output. This can be done by trimming the resistor values associated
with switch S4. To trim the xto setting, the 1.5MO resistor can be
changed or shunted with higher
values to obtain the correct
reading. Similarly, the x3 setting
can be trimmed by changing or
shunting the 20k0 resistor with
higher values.
~
T-2500MFP, Philips BT137F-600 or
General Electric SC142M.
The Discolight ctd from page 63
So the MOC3021s provide very
high voltage isolation between all
the low voltage control circuitry
and the 240V AC circuitry to the
Triacs.
In series with each IC8 output to
the MOC3021s is a LED and these
are mounted on the front panel so
that they give an indication of the
behaviour of the Triac driven
lamps.
Associated with each Triac is an
inductor (Lt to L4) and a 0.tµF
250VAC capacitor. These two components form an RF suppression
network for each Triac so that
radio interference is reduced when
the Triacs are in the phase control
mode (for the 4-Band Modulated
and Modulated settings of S4).
Note that we have specified
Triacs with an isolated tab so that
they can be mounted directly onto
the rear panel without any need for
mica washers, insulating bushes
and so on. The types specified are
Motorola MAC218A8FP, Motorola
~~
Power supply
Power for the low voltage circuitry is provided by a 12.6V
transformer feeding two half-wave
rectifiers, D20 and D21, and two
470µF capacitors. The resulting
unregulated positive and negative
rails are fed to 3-terminal
regulators to give ± 12V DC supply
rails.
The additional toµF and 1µF
capacitors connected at the output
of the regulators provide decoupling and bypassing of high frequency
"hash".
Note that the power switch (S6)
connects mains power to the
transformer only and not to the
Triac output circuitry. The Active
AC supply lead to the Triacs is fed
directly to their anodes via the 10A
front panel fuse.
That completes the circuit
description of the Discolight. Next
month we'll present the constructional information, set-up routine
and troubleshooting procedure. ~
SPECTACULAR
ELEASE
..--
vifci
NEWSA-100
SPEAKER KIT
f,:t:i1il~
Since the introduction of VIFA speaker kits
in Australia in 1985, thousands of speakers
have been built with superb results. VIFA is
now proud to release four new speaker
kits ranging from a mere $399 to $1199 per
pair including cabinets.
Never before have speaker kits been so
popular in Australia than after the heavy
devaluation of the dollar. Similar fully
imported quality loudspeakers are today
typically 2-2½ times more expensive. And
these speakers may very well be using
Danish VIFA drivers anyway, as VIFA
supply more than 50 of the world's most
respected loudspeaker manufacturers
with drivers.
But why the big savings? Because
fully imported speakers suffer from 25%
import duty, 20-30% freight, 30% sales tax
and 28% handling charges (typically). So if
you would rather put your money into better
quality than in other people's pockets, VIFA
1
sp::~~:~sd~:1::~t~: ~:~~;o;~·the kits
are supplied with all parts needed including
fully built crossovers and pre-cut flatpack
cabinets ready to assemble. No soldering
or carpentry skills are needed, just a
Phillips head screwdriver, some simple
hand tools and a few hours of your leisure
time.
Are they as good as people say? Read
the reviews, listen and compare with any
other speakers twice the price or more.
Need we say anymore?
VIFA for the quality conscious
audiophile.
For full details please contact
Sole Australian Distributor:
SCAN AUDIO Pty. Ltd.
P.O. Box 242, Hawthorn 3122.
Fax (03)4299309
Phone: (03! 4292199 (Melbourne)
(02 5225697 (Sydney)
(07 3577433 (Brisbane)
(09) 3224409 (Perth)
Stocked by leading stores throughout Australia
:-:-:-:❖:•:•:•:-.
JULY 1988
83
PT.9: 15kV 16.6Hz AC IN NORTHERN EUROPE
THE EVOLUTION OF
ELECTRIC RAILWAYS
Following the success of the Swiss with
their BLS railway, Northern European
countries such as Sweden and Norway
began to follow suit. One notable
undertaking was the electrification of
the Lappland Railway.
By BRYAN MAHER
The Lappland line was built
originally in 1885-1902, specifically
to haul iron ore to the ice-free
Norwegian port Narvik, and to the
Swedish harbour at Luea on the
Gulf of Bothnia. It became the communication lifeline for all people to
the far north of both countries.
Even today, this single-track line
carries 67% of all Norwegian
freight rail traffic.
With snow-bound mountainous
terrain and the need to transport
coal for steam locomotives over
long distances, the line presented
real problems in operation. Thus,
the numerous high rivers (for
possible hydroelectric power
generation) turned the engineers'
minds towards electrification.
Noting the BLS Railway's success, the Norwegians and Swedes
chose to electrify the whole Lappland Line, from Lulea on the Gulf
of Bothnia in Sweden to Narvik in
Norway, where the Atlantic Ocean
confronts the Arctic Ocean. Though
geographically mostly in Sweden,
this line had always been a joint effort by both countries, a shining example of peaceful cooperation.
AC 15Hz system
It was decided to electrify the
line using a 15kV 15Hz system initially, derived from low-speed
water-turbine driven alternators installed specifically for traction
power.
Traction was provided by series
AC motors operating on convenient
medium voltages between 200 and
1000 volts, provided by the highpower secondary winding of an onboard transformer. The · transformer's 15kV primary was fed by
the insulated pantograph atop the
locomotive, with the circuit return
path being via the running wheels
and rails.
As with later German systems,
.auxiliaries and electric lamps on
the train were run from separate
low-power secondary windings.
Such lamps operate best on very
low voltage, so that high current
filaments may be used. The large
thermal inertia of the heavy filament minimises the annoying, very
visible flicker caused by the lowfrequency supply. An alternative
was to supply lighting from low
voltage batteries charged by an onboard AC/DC motor-generator set.
Rod-drive locomotives
lig.1: the Swedish Dm3 class triple-unit rod-drive electric locomotive is one of
the most powerful electric locos in Europe. These locos operate from a 15kV
16.6Hz supply, are rated at 7.2MW and have 24 driving wheels. (Photo Sfl.
84
SILICON CHIP
The locomotives used today on
the Luea to Narvik line are the roddrive type illustrated last month.
The Dm class are rated at 4.8MW
(6434HP) and 20 of these locos were
built between 1953 and 1971.
The Dm3 class, of which 19 were
built between 1960 and 1970, are
tric train schedules to the point
where hourly express trains run
right across the country from
Stockholm to Goteborg and also to
Malmo, a journey of 619 kilometres.
Early passenger electric locomotives were of the rod-drive type,
such as the standard electric 1-3-1
(ie, one leading axle, three driven
axles, one trailing bogie) which
have quite high power efficiency.
But because of their basic "singlechassis and single-axle leading
bogie" design, they too are limited
in speed.
Bogie locomotives
Fig.2: these 81-tonne capacity iron-ore wagons are used in regular 5280-tonne
trains hauled by the Dm3 class locos on the Lulea to Narvik line. (Photo
sn.
The ASEA company of Sweden,
which had been in the forefront
since the beginning of electrification in Sweden and Norway,
ultimately produced bogie-type
electric locomotives. These were
capable of higher speeds because
of the shorter fixed wheelbase of
the bogies compared to the long
wheelbase of a rod-drive locos.
Synchronous frequency
changers
Fig.3: a mobile rotary frequency converter used by the Swedish Railways. It
converts a 6kV 50Hz input to provide a 15kV 16.6Hz 10MVA output. The
198-tonne converter wagon is at left while the equipment wagon is at right.
(Photo
sn.
rated at 7.2MW (9652HP). These
rod-drive locos are limited in speed
to 75km/h but are capable of considerable tractive effort. The tripleunit Dm3 class, illustrated in Fig.l,
haul 5280 tonne trains on a regular
basis, although the line gradients
are limited to 1 in 100 (ie, 1 % ).
Centralised traffic control is used over the whole 660km length.
The eight wheel wagons used (Fig.2)
carry 81 tonnes of iron ore. These
high efficiency trains use only 24.6
watt-hours per kilometre for each
tonne of train weight, a truly
remarkable performance.
Being so impressed with the performance of their far northern electric railway, the Swedish Government Railways, SJ, began electrifying their complete railway
system. In 1926 the StockholmGoteborg line electrification was
completed, dramatically reducing
the original 1862 steam-hauled running time of 14 hours.
Today, passenger demand has increased in response to the fast elec-
Not wishing to install special low
frequency power stations all over
the country (as originally provided
in the far north to generate the
15Hz traction supply), the SJ used
the normal 3-phase 50Hz national
supply to drive synchronous motoralternator frequency conversion
sets.
These consist of a 3-phase 50Hz
6kV synchronous motor direct
coupled to a single phase 15kV
16.6Hz alternator. The motor has
three times as many poles as the
alternator, so giving the frequency
ratio of 3:1.
Such motor-alternator units were
installed at trackside substations,
between two and five units per
substation. The units range from
3.lMVA to 5.BMVA to lOMVA
each. Substations are at varying intervals depending on traffic density. Eventually the same "50Hz
motor 16.6Hz alternator"
substation scheme replaced the
original 15Hz Porjus power station
in the Arctic.
As SJ extended the electrification
of the main lines, maintenance of
motor-alternator sets and replacement of faulty units in rare
]ULY 1988
85
track) than does a similarly
powered locomotive of the "Bo-Bo"
design.
Bo-Bo electric locomotives
Fig.4: the Swedish electric BoBo locomotives operate in very cold conditions.
Wet snow on the high-voltage (15kV) insulators is a constant problem for the
engineers. (Photo sn.
Fig.5: a diesel-powered snowplow at work on the Swedish Railways. (Photo
emergencies prompted the idea of
mobile motor-alternator sets. Accordingly a number of units were
constructed, each consisting of a
12-wheel wagon carrying one
10MVA motor-alternator unit.
This wagon, complete with
motor-alternator and DC exciter
generator, weighs 198 tonnes.
Direct coupled to this wagon is an
8-wheel equfpment wagon containing a single phase transformer, high
voltage switchgear and control
equipment. An example of one of
86
SILICON CHIP
sn.
these 10MVA mobile frequency
converters is shown in Fig.3.
The first bogie electric locomotives were of the Co-Co wheel arrangement, meaning three driving
axles in each of the two bogies.
Thus each locomotive was propelled by six traction motors.
Designers today realize that this
basic Co-Co design, (popular though
it eventually became worldwide), is
heavier, more expensive and involves more friction between
wheel-flanges and rail (on curved
A Bo-Bo electric locomotive uses
two traction motors and two driven.
axles in each of two bogies. The
original problem with trying to
make four pairs of driving wheels
produce as much tractive effort as
that produced by six pairs of
driving wheels boiled down to the
wheel-slip limitations of steel
wheels on steel rails. How that problem was solved is a story we will
leave to a later episode in this
series.
In the mid 1950s, ASEA produced
the Swedish class Rb2 Bo-Bo type,
8-wheel electric locomotive, propelled by four 825kW single phase
AC series traction motors, running
on the 16.6Hz supply. Rated at an
armature speed of 96 to 1320
revolutions per minute and geared
to a driving axle, each motor was
1.154 metres in diameter and
weighed four tonnes. The total
locomotive power was 3.3MW
(4424HP).
A similar locomotive was the Ra
class of 2.64MW (3540HP), designed for express passenger service
with a top speed of 150 km/hour.
Ten of this class were built between
1955 and 1961. As such, they proved to be excellent for express train
haulage but were too high-geared
for freight service.
Later SJ locomotives built by
ASEA have been designed to be
powerful enough for freight work
but fast enough for express
passenger trains.
As Figs.4 and 5 show, railways
and their electrical equipment in
such cold countries must withstand
snow, blizzards, rain and ice. At
night-time it can be so cold that the
track points freeze solid and refuse
to move when power is applied.
To prevent this, many track
points have heaters installed to
maintain a reliable working temperature. Altogether, throughout the
SJ railway system, a total of 25MW
of heating power is used to keep
some 5000 track points operational.
SJ system electrical figures are
impressive: total electricity con-
Long mountain tunnels
Fig.6: a train-carrying ship en-route in the Baltic Sea between Malmo in
Sweden and continental Europe. These ships have five rail tracks for
passenger and freight trains and can carry up to 700 metres of train length.
(Photo sn.
sumption for the whole SJ system
amounts to 1,530,000 MW-hours
for the year, used by the 754 electric locomotives and 186 rail car
sets, running over the 7063km of
electrified mainlines.
A total of 58 frequency converting trackside substations are in
use and the system has 47 remotelycontrolled frequency converting
substations.
High efficiency
rod-drive locos
the Swedish hydro-electric power
station.
Very large iron ore trains ran
from the mines in Sweden,
westwards up and over the coastal
Kongsbakkind mountain range at
Riksgransen on an elevation of 550
metres above sea level, before
dropping to sea level in a distance
of 39 kilometres. Today, centralised
track control (CTC} of signals and
points allow maximum usage of this
long, high, snowy mountain
railway.
An interesting figure is the SJ
railway average W.h (watt-hours}
of energy used for every kilometre
travelled and every tonne carried.
For the whole system the average
used is 32.5 watt-hours of energy
per tonne per kilometre.
Compare that with the Arctic
iron-ore carrying section of the
railway, with the huge 72MW
(9650HP} rod-drive locomotives,
which use only 24.7 watt-hours of
energy per tonne per kilometre.
Norway electrifies
Being close to the Swedish nation
culturally, geographically and
technically, the people of Norway
also commenced electrification of
their railways quite early this century. Completing electrification of
the Norwegian section of the Lappland line in the Arctic between
1919 and 1923, they originally used
the same 15kV 15Hz supply from
Fig.7: through rain and hail and
snow and ice - a Swedish electric
Bo-Bo class locomotive in near
blizzard conditions. (Photo sn.
The Norwegian Government
followed the electrification of their
Lappland section with a program to
electrify all main lines. This work
commenced in a westerly direction
from Oslo, with electrification of all
main lines completed by 1970 except for the northernmost section to
Bodo inside the Arctic Circle.
Some very high track exists on
the western line from Oslo to
Bergen, and some of the tunnels
reach heights of 1282 metres, comparable to the height of the Swiss
Lotschberg tunnel. Other electrified tunnels, though lower in
elevation, total 10.72km, close to
the length of famous Swiss tunnels.
Let us pause to make a comparison of AC versus DC traction,
under the conditions existing
between 1900 and 1930:
• AC can be transformed from
high voltages down to lower
voltages, while DC cannot.
• AC single phase high voltage
low frequency supply for the
overhead contact wire can be taken
either straight from low frequency
power station alternators or derived via transformers from still
higher voltage transmission lines.
• The use of high voltages on the
overhead contact wire means lower
current (for the same power} and
thus lower voltage drop problems.
• Trackside substations for high
voltage AC are simple and comparatively inexpensive, consisting
only of switching, protection and
possibly transformers. Furthermore, these need little maintenance, occupy only small space
and require no buildings or operating staff.
• The engineers can select the
system voltage, for optimum design
of the traction motors.
These points contrast with DC
overhead supply railway systems
(at that time} as follows:
• As DC cannot be transformed,
the full overhead supply voltage is
used for the motors. This can be
awkward as around 750 to 1500
volts appears to be optimum for
motor operation.
Sometimes, as in the NSW-SRA
46 class 1500V DC locomotives,
pairs of traction motors are per]UL Y
1988
87
Fig.8: track maintainance on the Swedish Railways is highly mechanised to
cope with the heavy workload imposed by a harsh climate. (Photo Sfl.
'
Fig.9: despite electrical heating, tr-ack points require frequent maintainence in
the snowy conditions. Over 5000 track points are heated to keep the system
operational in cold weather. (Photo Sfl.
manently wired in series and controlled as one motor. By this means,
the critical voltage across one
motor commutator is kept down to
half the overhead line voltage,
though armature slot insulation for
the full voltage must be provided.
• As all large power stations are
AC, trackside substations for DC
electric railways are required to
convert the AC to DC. Though comparatively easy in 1988 using large
banks of silicon rectifiers, in the
1900-1930 period the only AC-DC
conversion means available were
88
SILICON CHIP
rotary converters, motor converters or motor generators, each requiring costly buildings and
operating and/or maintenance
staff.
Rotary-converters, though the
most efficient of these three, require a low frequency supply,
either 25Hz or 16.6Hz.
Therefore, in the 1910-1930
period, the choice of either AC or
DC traction demanded the provision of special low frequency alternators at the power station. (Thus
Sydney and Newcastle Railway
power stations generated more
25Hz power than 50Hz power).
• Feasible DC traction systems
are limited to 1500 or 3000 volts,
resulting in higher currents in the
overhead contact wire (for the
same power) than high voltage
systems.
For example, a Swiss 6. 7MW
(9000HP) loco on a 15kV system
takes 450 amps running and 900
amps starting current, compared to
a NSW-SRA triple-header 46-class
of comparable power taking 4500
amps running and 9000 amps
starting in the mountains.
Therefore, DC systems require
trackside substations at frequent
intervals to avoid excessive voltage
drop in the overhead wire.
• Because of the rotary machinery used in 1910-1930, trackside
substations for DC railways were
expensive. Furthermore, in order to
limit the voltage between brush sets
around a commutator, some 1.5kV
and 3kV rotary converters used the
device of running pairs of rotary
converters in series within the
substation. So two 1.5kV machines
could run in series to generate 3kV.
In Argyle Substation (on the
south end of Sydney Harbour
bridge), two 750 volt rotary converters were used, running in
series to generate 1.5kV for the
electric trains. Naturally both
machines had to be insulated for
the full DC contact wire voltage.
(These have now been replaced by
large banks of silicon diodes).
Two series rotary converters are
more expensive and less efficient
that one machine of equivalent total
power.
• Apart from the "pairs-ofmotors" technique mentioned
above, the motor designer had to
prepare the motors for the full
overhead contact wire voltage.
Next month we'll look at high
voltage single phase railway
systems in Central Europe.
Acknowledgements
Thanks to ASEA/Brown Boveri,
SBB (Swiss. Federal Railway), BLS
{Bern-Lots c h be r g-Simplon
Railway), SJ (Swedish Railways), FS
(Italian State Railway), and GE
(General Electric Company, USA
and Aust.) for data, photos and permission to publish.
~
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March 1988: Remote Switch for
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SILICON CHIP
W
at ---------1
IPRODUCT SHOWCASE I
Keep a record of
your phone calls
When you receive your phone
bill, have you ever wondered
whether you did make all those
calls? Tandy's CPA-1000 computerized phone accountant may
help solve that problem.
The CPA-1000 is plugged across
your phone line, via a parallel
socket, and is powered with a 9V
DC plugpack. From then on,
whenever you make or receive a
call, the GPA-1000 records the
details. It records the number dialled, time, whether or not you were
transferred and the time you hang
up. It even records the time the
phone was off the hook and how
many incoming calls were not
answered. All these details are
Fuel cut-off solenoid the ignition, the fuel solenoid will be
automatically energised next time
the car is started. Fig.3 fixes that
problem.
Fig.3 works as follows. If the ignition is turned on and S1 is open,
diode Dt will conduct to energise
the buzzer and also charge the
2200µF capacitor. The buzzer current will pass through the solenoid
but will not be enough to energise it.
When S1 is closed, the solenoid will
be energised and the buzzer will
stop.
When the ignition is turned off,
the 2200µF capacitor discharges
and briefly sounds the buzzer. This
acts as a reminder to turn off the
fuel solenoid.
l!til
available on the printout, which is
produced at 11.59 each night.
Backup batteries (4 AA cells)
keep the unit operational if the
power fails. The unit also has internal protection circuitry to guard
against voltage surges on the mains
or phone lines.
For anyone wanting to keep a
record of their telephone calls the
CPA-1000 is an easy machine to
operate. It is available from all Tandy stores at $299.95.
Large breadboard for
computer peripherals
These large breadboards are getting to be a bit of a worry aren't
they? Maybe in the future they'll be
so large we'll have to set up bigger
workbenches. In the meantime, we
were impressed with this one which
comes with four base sockets (64
pins long) and six accompanying
bus sockets. These allow you to
breadboard one very large prototype circuit or several smaller
circuits.
It also has male and female
RS-232 (DB-25) connectors which
can be connected across to the base
sockets via bridging wires. As well,
there are four binding post terminals and a removea ble vertical
plate on which can be mounted a
variety of pots and switches. This
plate can be mounted adjacent to
the RS-232 connector panel or at
one end of the breadboard.
Designated the IIB-46, the breadboard is priced at $92.48 and is
available from David Reid Electronics, 127 York Street, Sydney,
NSW 2000. Phone (02) 267 1385.
The original and best
nibbling tool
ctd from page 14
Although the fuel cut-off solenoid can
be installed in the engine compartment,
it should ideally be hidden from view
underneath the vehicle.
How many chassis have been cut
out with these tools in the past?
They save money on more expensive notching tools and dies which
only sheetmetal shops can afford
and strengthen your wrists at the
same time. The original nibbling
tool was made by Adel Tool Co,
Chicago, US but most nibbling tools
sold in Australia in recent years
would have come from Taiwan,
because of the cheaper currency.
Now in an interesting twist, the
currency of south east Asian countries has risen against the
Australian dollar while the US
dollar has now fallen. So the
JULY 1988
91
Did you miss
these issues?
original Adel nibbling tool is again
available. It is suitable for steel up
to 18 gauge or 1.2mm thick (you
need strong wrists for much of
that) or aluminium up to 1.5mm. It
can also be used for notching
printed circuit boards and plastic
panels.
Priced at $29.95, the Adel nibbling tool is available from all Jaycar
stores. They also have the replacement punches available - handy if
you have an old original model.
Sanyo Video 8
camcorder from DSE
Issue Highlights
November 1987: Car Stereo in
Your Home; 1GHz Frequency
Meter; Capacitance Adapter for
DMMs.
December 1987: 1 00W Power
Amplifier Module; Passive
lnfrared Sensor for Burglar
Alarms; Universal Speed Control
and Lamp Dimmer; 24V to 12V
DC Converter
February 1988: 200 Watt
Stereo Power Amplifier; Deluxe
Car Burglar Alarm; End of File
Indicator for Modems; Simple
Door Minder; Low Ohms
Adapter for Multimeters.
March 1988: Remote Switch for
Car Alarms; Telephone Line
Grabber; Low Cost Function
Generator; Endless-Loop Tape
Player.
April 1988: Walkaround Throttle
for Model Railroads; pH Meter
for Swimming Pools; Slave Flash
Trigger; Mobile Antennas for the
VHF and UHF Bands.
May 1988: Optical Tachometer
for Aeromodellers; High Energy
Ignition for Cars; Ultrasonic Car
Burglar Alarm; Restoring Vintage
Radio Receivers.
June 1988: Stereo Control
Preamplifier; Breakerless Ignition
For Cars; Automatic Light
Controller; Mega-Fast Nicad
Battery Charger.
Price: $5 .00 each (incl. p&p). Fill out the coupon below (or a photostat
copy or letter) and send it to:
Dick Smith Electronics have
entered the consumer video field
and are now stocking the Sanyo
Video 8 recorder which is a very
compact example of the art
weighing in at just 1.27kg. It has
auto focus, backlight compensation,
6x zoom and can work in ambient
light down to as low as 9 lux.
Another video item in the DSE
video range is the Sanyo Digital Picture VHS recorder which can
display up to nine video frames on
the screen simultaneously and provide a number of other high-tech
effects.
Price of the Sanyo camcorder is
$2499 while the VHS digital
recorder is $1499 . They're
available at all DSE stores.
SILICON CHIP, PO Box 139, Collaroy Beach, NSW 2097.
Ultra-miniature relays
Please send me a back issue for
D November 1987 D December 1987 -El de:i,1:1aF~1 rnaa (Sold Out)
D February 1 988
D March 1 988
D April 1 988
D May 1 988
D June 1 988
Enclosed is my cheque or money order for $ .. ...... or please debit my
D Bankcard D Visa Card
Name ... ..... ... ... .. .... ............. .. .. ....... ...... .......................... ...... ...... ... .
Address ................. ... .. .. .......... .............................. .................. ..... .
Suburb/town .. ..... ..... ........ ... ........... .... ........ ... ... Postcode ......... ...... .
Card No ........... ..... .... ...... ..... ..... ... ... .... ... ...... .... ..... .... ............... .. .. .
Signature ... ..... ... ... ....... .... ................ Card expiry date ...... ./ ...... ./ ...... .
~-----------------------~
92
SILICON CHIP
Three new series of miniature
relays by Potter & Brumfield are
now available from Tecnico Electronics. Series T81 have gold clad
SPDT contacts designed to handle 1
amp .at 24V DC or 0.5 amps at
120VAC, with resistive loads. Standard or sensitive coils are available
over the range from 1.5 to 24V DC.
Series T82N have DPDT contacts
and will fit in a 16-pin DIP socket.
Contact rating is up to 2 amps
(voltage unspecified). Series T84
are intended for telecommunications use. They can withstand
1000V RMS between open contacts
and have standard or sensitive coils
available in standard DC voltages
from 3 to 48V.
For further information, contact
Tecnico Electronics, 11 Waltham
Street, Artarmon, NSW 2064.
Phone (02) 439 2200.
Mouse for IBM PCs
or PC-compatibles
Many programs these days call
for a mouse to move the cursor,
select commands from a menu and
so on. This unit is intended for use
with IBM PCs or compatibles and is
plugged into the RS-232 port. It has
the usual heavy silicone ball to roll
Mailbag
continued from page 3
recommends or requires the states'
25 supply authorities to carry out
routine inspection of the consumer's
neutral and earth connections.
(2). There is no basis at this time for
the development of a policy requiring
routine inspections of the neutraU
earth connections associated with
the MEN system. It is further pointed
out that domestic electrical installations are frequently extended or
altered in order to accommodate additional electrical equipment. It is not
uncommon for the neutraUearth connection to be effectively checked in
such situations where the overhead
service, meter or main earthing
systems are affected.
(3). The 'nuisance shock' factor was
known when the MEN system was
first introduced into common use. The
nuisance shocks reported to this
Department are both low in shock
around on a hard bench surface
and three pressbutton switches. It
is well made and supplied complete
with a test floppy disc.
hazard and incidence. Notwithstanding this experience, the changing environment has seen that the requirements for equipment associated
with the earthing system have been
modified in a number of ways since
the adoption of the MEN system.
These include the use of an earth
electrode, the duplication and improved design of connectors used at
the attachment of the aerial service
to the dwelling, and the deprecation
of aluminium as a conductor for consumers' wiring.
I trust this information will further
clarify this matter.
N. C. Watson
Secretary
NSW Department of Energy.
Unfortunately, you still miss the point.
The thrust of our November article
was that old MEN installations are
becoming hazardous with the passage
of time. They do not have the benefit
of the third electrode introduced since
1976.
They are priced at $124.95 from
David Reid Electronics, 127 York
Street, Sydney 2000. Phone (02) 267
1385.
SERMOTECH
COMPUTER SERVICES
SERVICING MODERN TECHNOLOGY
TELEPHONE (02) 689 3327.
SHOP 1,114 MACQUARIE STREET, PARRAMATTA 2150.
HARDWARE
COMPUTER
MONITORS
Composite
TTL
Dual Scan
Hi Res White
EGA 14"
Multi Scan
VIDEO CARDS
CGA
Here Mono/Gr
Mon/Col Auto
EGA Auto
PGA 640x480
FLOPPY DRIVES
Teak 360K
Teak 1.2MB
DRIVE CAi:IDS
360k/1.2MB
Card for XT
Multi I/O
STAR PRINTERS
NX1000
NX 1000 Col
ND 15
NR 15
STAR RIBBONS
NX 1000
NX 1000 Col
NB 15
$
199
199
255
289
828
1080
$
99
123
173
317
396
$
180
216
$
79
55
130
$
489
586
936
1080
$
13.50
26.50
24.50
HARD DRIVES
Seagate 20MB
Miniscribe
20MB 85m/s
40MB 60m/s
44MB 28m/s
MOTHERBOARDS
XT 10MHZ
AT12MHZ
386 20MHZ
NETWORKING
0-Link Card
Netbios Soft
CABLES
IBM Printer
Serial 25x25
Serial 9x25
Mac Plus Adpt
Any Cable Made Up
CONNECTORS
OB9PorS
DB15PorS
D825 P or S
IDC 26 S
JOYSTICKS
IBM
Commodore Deluxe
PERIPHERAL
&
$
468
569
778
1288
$
195
684
2520
$
499
195
$
24
24
24
14
$
1.60
1.95
1.99
2.99
SUPPLIERS
COMPUTER SYSTEMS
$
ASI XT (10MHZ) - 640k - 2x360k Drives - Multi 1/0 Port
Monochrome Monitor
Above System with 20MB HO
Clk/Cal -
ASI XT (10MHZ) - 640k Multi 1/0 Port
RGB Colour Monitor
Clk/Cal -
2x360k Drives -
RS232
1699
2299
RS232 2138
ASI AT (6/8/12MHZ) - 640k Ram - 2x1 .2MB/360k Drives - Serial/
Par Port-Juko Auto switch Mono/Col Card-Dual Scan Hi Res White Monitor
Above System with 20MB HO
2399
2999
ASI Computers are being used by Newcastie University (140) , Brokers, Channel 9,
Museum Of Arts & Sciences, and many other discerning groups.
MODEMS
Avtek
Avtek
Avtek
Avtek
$
195
350
429
429
Mini Modem with Phone
Megamodem 12
Megamodem PC-IN-MODEM
Megamodem 123E
BRAND DISKETTES
$
16.00
39.00
S Y," DS DD (10)
3Y," OS OD (10)
$
29.00
25.00
BANKCARD & MASTERCARD WELCOME • MAILORDER •
ALL PRICES SUBJECT TO CHANGE WITHOUT NOTICE
WRITE OR PHONE FOR PRICE LIST
JULY 1988
93
ASK SIUCON CHIP
Got a technical problem? Can't understand a piece of jargon or some electronic principle? Drop us a line
and we'll answer your question. Write to: Ask Silicon Chip, PO Box 139, Collaroy Beach, NSW 2097.
Wants info on
old oscilloscope
Like J. Sweet in your January
1988 edition, I was lucky enough to
obtain a piece of valve equipment
from a friend who knew it was going to the tip. It is a Solartron 3-1/2
inch dual channel oscilloscope,
Solarscope model CD1014-2. I have
been unable to obtain any documentation regarding its circuit operation and diagrams.
Replacing several of the 6DJ8
(ECC88) valves and capacitors
restored operation of the vertical
channels but unfortunately similar
success was not achieved in the
timebase. Feeding a sawtooth wave
into the horizontal amplifier shows
that the stages beyond the timebase
generator are all functioning correctly.
Are you aware of anyone who
knows something about these old
oscilloscopes? With the facilities
that a CRO, even of this vintage, offers for the home constructor, I am
How to kill
an amplifier
I built your 100W amplifier
module as described in the
December 1987 issue and made
the unforgiveable mistake of wiring the power supply back to
front (ie, positive rail to negative
input and vice versa). Two 1000
resistors immediately fizzled
(though they still seem OK) but
after realising my mistake I cannot measure any voltage across
the 5600 resistors.
I assume I've blown the output
transistors or would I have
blown the lot? Is there any easy
way to check transistors or
should I just buy a new set?
(M.R., Wynyard, Tas).
• We sympathise with you over
your mistake with the amplifier
module. Still, perhaps all is not
94
SILICON CHIP
keen to get the instrument back into
working order. (Paul Killeen, 40
Aldershot Drive, Keilor Downs, Vic.
3038}.
• We have published your name
and address, as requested, in the
hope that readers may be able to
help you.
Loves the 100 watt
amplifier module
I hav~ just recently completed
your excellent 100 watt module and
was quite surprised at the result.
As I have only very limited electronic knowledge and experience, I
found it very pleasing to construct.
Your circuit design and PCB layout
were so clearly detailed that construction was a simple task. To my
astonishment (this being my first
big project}, the amplifier worked
first time.
I have used the amplifier as a
guitar unit and have connected it
with a guitar preamp, also built
from a kit. The clean sound of the
lost. We have not had experience
with this sort of ·problem and it is
just possible, because you had
the 5600 limiting resistors in
place (you did, didn't you?), that
no major damage has been done.
Maybe that's a fond hope but
don't despair, you might get
away with just having to replace
the small signal transistors.
It is possible to check out all
the transistors using your
multimeter switched to a low
ohms range (or a diode range if
you have it). The idea is to check
whether each junction functions
as a diode.
Accordingly, the base-emitter
junction should show conduction
in one direction and none in the
other; so should the collector
base junction. If there is a low
resistance between collector and
emitter, the transistor has "pun-
amplifier is really remarkable compared to another guitar amplifier I
have of the same power rating.
Just to satisfy my curiosity, there
are a few points I hope you can help
me with. All voltage tests were
within 10% of the values specified
on the circuit. The only difference
was at the output where I measured
3.8 millivolts. Have I used the
wrong measurement points, read
the meter wrongly, or is it
acceptable?
Also, would repositioning of the
6.BµH choke have any effect on the
voltage? Because of the larger
diameter of the choke supplied in
the kit, I couldn't position it as
shown in your photo. I had to stand
it on edge.
If the output voltage is incorrect,
would it have any affect on the output performance? When compared
with the other amplifier I have, it is
not quite as loud. Is there anything I
can do about this? (D.W., Capalaba,
Qld).
• Congratulations, your amplifier
ched through". These checks can
usually be made without removing the transistors from circuit.
The checks are not foolproof but
are a good start.
Another guide to see if major
damage has been done is to apply power (with 5600 limiting
resistors in place) and measure
the voltage at the output of the
amplifier. If the voltage is close
to zero and there is no smoke it
would suggest that the amplifier
is functioning more or less as as
it should. Check all the voltages
on the circuit.
If you can't adjust the quiescent current up from zero there
is a strong chance that Q7, the
Vbe multiplier, is short circuit.
You can confirm this by measuring the voltage between its collector and emitter. If it is zero,
Q7 is dead.
is operating as it should. The 3.8mV
DC voltage you've measured at the
output is within (ie, less than) the
figure of ± 30mV we specified in
the article. Nor is the orientation of
the output choke critical so you
have nothing to worry about as far
as the amplifier's performance is
concerned.
It is possible that your guitar
preamp was intended to drive a
power amplifier with more sensitivity, which could explain why
your new guitar amplifier does not
sound quite as loud as your old one.
This can be fixed by increasing the
gain of the 100W module.
To do this, reduce the lkO
resistor connected to the base of Q3
to 5600. This will almost double the
module's sensitivity. Don't reduce
the resistor any more though otherwise amplifier stability might be a
problem.
Wants polycone
loudspeaker system
I'd like to see a speaker project
using the cheaper polycone
speakers which seem to be readily
available. Those from Europe are
getting a bit expensive now. Also a
few photography projects please. I
intend building the Studio 200
stereo power amplifier in the near
future. Is there any errata on it?
Keep up the good work. (P.G.,
Orient Point, NSW).
• We have checked out a number
of polypropylene speakers since we
started and have found them
generally disappointing and certainly not good enough to make a
good speaker system. At the moment we have a good woofer and
quite a good midrange and tweeter
in the workshop. The only problem
is that the woofer is 6dB more efficient than the midrange and
tweeter. That's a pretty insurmountable problem.
When we do come up with the
right combination, we will publish
the results.
Your request for photographic
projects is noted.
Design info for
dedicated ZBOA
I wish to build a dedicated
microcomputer system based on the
Z80A but I can't find the necessary
information on it and the Z80 PIO,
SIO, CTC, DMA and DART. I won't
be using all these chips but I would
like information on them all.
If you have the data could you
send me copies of it or could you tell
me where to find it? I also need to
know how to program EPROMs.
I would also like a course that
helped teach the required information to gain an amateur radio
licence. (A.R., St George, Qld).
• Obtaining all the data you will
need for your Z80A project will not
be easy - we are certainly not in a
position to supply it. The Australian
distributors for Zilog are the
George Brown Group and they
would certainly be able to supply
comprehensive data on the Z80 and
Amcron power amplifier - ctd from page 17
and 40; never mind the 10
condition.
We did confirm enough of the
amplifier's specs though to be able
to state that this amplifier is a real
performer. Its typical harmonic
distortion, at just before the onset
of clipping, is just .002 % . And the
signal to noise ratio was + 104dB Aweighted with respect to 300 watts
into 80. These are very respectable
figures for any amplifier.
What we can't say is how well it
performs under gruelling " on road"
conditions. But based on our examination of the construction, its
low voltage bridge-connected
amplifiers and our limited benchtesting, it must be one of the most
conservatively rated amplifiers
around.
Amcron must be confident in its
reliablity as they give an unlimited
transferable 5-year warranty on all
performance specs; and that even
covers freight costs.
Recommended retail price is
$2802. At that price, it must be just
about unbeatable for value too. In
short, it's a winner.
For further information, contact
Bose Australia Inc, 11 Muriel
Avenue, Rydalmere NSW 2116.
Phone (02) 684 1255. (R.F.& L.S). ~
related products. Their phone
number in Sydney is (02) 519 5855.
However, just having the data
might not be enough info for the
project you are considering. We
suggest that you also consider buying a number of texts on the subject, such as the Z80 Microcomputer Handbook or Z80 Microcomputer Design Projects. Both these
texts are available from Jaycar at
$24.95 and $25.95 respectively.
These texts will also tell you
something of EPROMs.
You can also obtain a handy
chart on the Z80 containing the full
instruction set, ASCII, hex and
decimal conversions, interrupts, ,
disassembly table etc from Jaycar
for $12.50.
Obtaining info on becoming an
amateur radio operator is easier.
Contact the Wireless Institute of
Australia, PO Box 300, Caulfield
South, Vic. 3162.
Notes & Errata
Remote Switch for Car Alarms,
March 1988: the inductor marked
12 in the receiver should have an
F29 slug, not F16 as specified.
PRODUCT
SAFETY RECALL
DICK SMITH
PTY. LTD.
■ L■ CTRONICS
NOTICE TO
CUSTOMERS
BEAT TRIGGERED
STROBE KITS
Cat No. K-3153
sold In component
form for customer
construction
have been sold in all states and may, If
proper safety procedures are ignored,
constitute a serious risk when
constructed, as the power switch
supplied with some kits is
incompatible with the wiring diagram.
Customers are asked to return this
product, whether or not assembled, as
a matter of urgency to the nearest Dick
Smith Electronics store for Immediate
attention to the problem.
We apologise for any inconvenience
caused. Further enquiries may be
made by contacting Rex Callaghan,
Technical Service Division (02) 888
3200 or your nearest Dick Smith store.
JULY 1988
95
CENl
Cash in your sutplus gear. Advertise it here in Silicon Chip.
Advertising rates for this page: Classified ads - $7.00 for up to 15 words plus 40 cents
for each additional word; Display ads (casual rate) - $20 per column centimetre (max.
10cm).
Closing date: five weeks prior to month of sale. If you use a PO Box number, you must
include your permanent address and phone number for our files. We cannot accept ads
submitted without this information.
To run your own classified ad. put one word on each of the lines below and send this form
with your payment to: Silicon Chip Classifieds. PO Box 139, Collaroy Beach. NSW 2097.
PLEASE PRINT EACH WORD SEPARATELY, IN BLOCK LETTERS
2
3
4
5
6
7
8
9
10
11
12
13
14
15 ($7.00)
16 ($7.40)
17 ($7.80)
18 ($8.20)
19 ($8.60)
20 ($9.00)
Name .......... .......... ... ... .... ... ....... ... ... ... ...... ..... .... ..... .. .. ....... ....... .... ... ............... .. ... .
Address ..... ............. ..... ......... .......... ...... ..... ..... ..... ..... ... ............. ........ ..... ........... .. ..
Suburb/Town ............ .......... ...... ......................... .. ..... .. ...... Postcode .............. ..
Enclosed is my cheque or money order for$ ...... ....... .. .... ..... ....... .... .. or please debit my
Bankcard D
Visa Card D
Card No ....... ...................... .... ... ........... ...... ..... ..... ... ....... ..... .......... ... ..... .. ....... .... ...
Signature .. ... .......... ........... .. .. ..... .... .... ... .
FOR SALE
NEARLY 1500 PRINTER buffer kits
now sold. Prices start at $39 for a
256K short form kit. All items advertised are in stock. Dealer enquiries
welcome. Bulk discounts. Schools,
Govt. Depts. orders accepted. Oh yes!!
IBM compatible. Australian designed
and manufactured. Ideal project' for
user groups and students. For a free
catalog send a 37c stamp to: Don
McKenzie, 29 Ellesmere Crescent,
Tullamarine 3043.
KIT FIX SERVICE - Having trouble
getting your EA/ETI/SC kit to work?
Phone (03) 7 49 3480 for estimate or
send kit to K. Hunter, 5 Yatama Crescent, Werribee 3030 .
OATLEY ELECTRONICS - here we
list some more of our kits.
Ultrasonic Burglar Alarm (SILICON
CHIP, May 1988): this unit features a
quality crystal locked ultrasonic movement detector. Can be used as a detector only or as a self-standing alarm. Has
provision for bonnet and boot wiring.
96
SILICON CHIP
Advertisers Index
Our advertisers are vital to the
success of SILICON CHIP. Please
give them your support.
Altronics ............... .... ..... 52-55
Arista Electronics ..... .. .... .. .... 21
Avtek .. ... ... ........................ IBC
Bose ........ .. .... ......... .. ......... 39
David Reid ..... ............. ........ 1 5
Dick Smith Electronics ........ 8,9,
68,69,95
Geoff Wood Electronics .... .... 77
Jaycar Electronics .......... 22-29
J.V. Tuners ......................... 38
Kenwood Australia ............ OBC
Oatley Electronics .......... 37,96
RCS Radio .... ...................... 21
Rod Irving Electronics ..... ...... 81
Scan Audio .. .. ............... .... .. 83
Sermotech .. .. ...................... 93
Tandy Electronics .... ........... IFC
PC Boards
Printed circuit boards tor SILICON
CHIP projects are made by:
Optional flashing light and back up battery operation. Easily connected to our
UHF Remote Key. You don't even need
the relay supplied with the UHF kit,
however you can use it for the blinker
flashing or perhaps for switching a high
power siren from the ultrasonic alarm.
Prices are as follows: PCB plus onboard parts $25 .90; optional light
flasher/back up battery circuit $7 .50;
pair of transducers $13.50; transducer
mounting kit $2.50; piezo screamer
$16.00; 1.2Ah gel battery $24.90;
relay kit $3.80. Add $2.50 p&p ($4.00
p&p tor battery).
Shock Detecting Car Alarm (ETI,
March 1988): has low level vibration
detector to detect gentle knocks.
Flashes the car's blinkers and sounds
the horn twice. Has high level detector
that activates the full alarm period . Provision tor activation from existing door
switches or additional bonnet/boot switches. Has provision tor external detectors. Can be wired into an existing alarm
in order to add vibration detection,
blinker flashing and/or pulsed horn
sounding. Two heavy duty relays for
blinker/horn provided.
An incredibly versatile unit! PCB and
• RCS Radio Pty Ltd, 651
Forest Rd, Bexley, NSW 2207.
Phone (02) 587 3491.
• Jemal Products, 5 Forge St,
Welshpool, WA 6106. Phone
(09) 350 5555.
• Marday Services, 2139 Great
North Rd, Avondale, Auckland,
NZ. Phone 88 5730.
components kit at only $32.95 plus
$3.00 p&p.
The Untouchable Bike Alarm (ETI,
May 1988): this small and totally selfcontained alarm is simply firmly attached to the object you wish to protect.
Use it tor your bicycle, motorbike, boat
trailer etc. Triggered by vibration.
Single barrel key operation. Negligible
battery consumption means that the
battery can last for up to its full shelf life.
Can drive piezospeakers, piezo
buzzers, relays, speakers and piezo
screamers. Doubles up as simple vibration detector. PCB and components kit
at only $14.95; piezo buzzer $2.70;
piezo screamer $16.00. P&p $2.50.
For address and ordering procedure
see our advert on page 37.
MODEMS
Don>t buy imported unsupported
The Avtek advantage •
Australian designed
Australian manufactured
Australian supported
MEGAMODEMS 12/123
The Avtek Megamodems provide Australia's best value communications products, with a range of fully automatic, autodialling
modems. Megamodems are suitable for data transfer from
personal computers, terminals, mainframes and mini host computers and for all videotex services such as Viatel. The use of the
latest technology has enabled us to make the Megamodem
more compact and reliable than any other modem. Price is very
competitive and reflects efficiencies incorporated in the design.
The Megamodems are locally designed and built. Service,
support and specialist R&D for the Megamodem range is all
based in Australia. Available either as a standalone RS232 model
or as a plug in 1/2 card for IBM PCs and compatibles. The
Megamodem range of modems are Telecom authorised.
Specifications
Data Rates
MAIL ORDER WELCOME
Fully Hayes AT Smartmodem Compatible: The Megamodems are industry standard ''HAYESSMARTMODEM "compatible which means they can take advantage of all the communications facilities of packages such as Crosstalk, Open Access,
Symphony and Multicom. All communications parameters such
as baud rate, parity and number of stop bits are set up automatically by the software and the Megamodem. Using appropriate software data can be sent and received while the Megamodem is unattended.
l■ -c~
VISA
Automatic Dial, Answer, and Disconnect: The Megamodems will automatically answer an incoming call and
connect the computer to the line.When originating a call it will
then dial out the required number and auto-connect to the
computer at the other end. It will then "hang-up" at the end of a
communications session. Both pulse and tone dialling are
supported. The modem Is compatible with new Telecom
exchanges and modern PABXs and can handle high speed tone
dialling,
CCITTV21, Bell 103, CCITT V22
Bell 212. (123 model only CCITT
V23)
300/300, 1200/1200
(123 model only 1200/75, 75/
1200)
Data Standards
BUY DIRECT FROM THE MANUFACTURER
Model 12 & PC12
$375nctax
Model 123 & PC123
$449nctax
r~--L~!_;·~·-=CJ
=-~vTrl(
I ~J
~,
PO Box 651 Lane Cove 2066
Telephone (02) 888 5533
Facsimile (02) 887 2839
|