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FEBRUARY 2001 1
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.circuitmaker.com
Contents
Vol.14, No.2; February 2001
FEATURES
6 How To Observe Meteors Using Junked Gear
The Earth gets hit by countless small meteors every day. Here’s how to
observe and count them using readily available “junk” – by Bruce Mitchell
56 Review: Sony’s Big Rear-Projection TV Set
Big, bright and impressive, this 121cm set makes you want to start watching
TV again – by Leo Simpson
72 An Easy Way To Make PC Boards At Home
Learn how to transfer etching patterns to blank PC boards using nothing
more complicated than a laser printout and a hot iron – by Heath Young
Observing Meteors Using
Junked Gear– Page 6.
PROJECTS TO BUILD
14 L’il Pulser Train Controller
Here’s a pulse-power train controller that’s cheap and easy to build. It works
from any standard 12V model train supply – by John Clarke & Leo Simpson
26 MIDI-Mate: A MIDI Interface For PCs
Easy-to-build project connects to your PC’s sound card to provide full MIDI
input and output ports – by Jim Rowe
32 Build The Bass Blazer
It gives a visual readout of the bass signals from your home theatre or car
stereo system on four bargraph displays – by Rick Walters
L’il Pulser Train Controller –
Page 14.
62 A 2-Metre Elevated Groundplane Antenna
Novel design includes a matching section to match the impedance of the feed
cable. It’s easy to build too – by Philip Watson
76 The LP Doctor: Cleaning Up Clicks & Pops; Pt.2
Second article has all the construction details – by John Clarke
SPECIAL COLUMNS
40 Serviceman’s Log
The spirit of Christmas past – by the TV Serviceman
MIDI-Mate: A MIDI Interface For
PCs – Page 26.
84 Vintage Radio
The Healing 412E: a PC-board valve radio – by Rodney Champness
DEPARTMENTS
2
4
53
55
71
Publisher’s Letter
Mailbag
Product Showcase
Electronics Showcase
Subscriptions Form
89
91
94
96
Ask Silicon Chip
Notes & Errata
Market Centre
Advertising Index
2-Metre Elevated Groundplane
Antenna – Page 62.
FEBRUARY 2001 1
PUBLISHER’S LETTER
www.siliconchip.com.au
Publisher & Editor-in-Chief
Leo Simpson, B.Bus., FAICD
Production Manager
Greg Swain, B.Sc.(Hons.)
Technical Staff
John Clarke, B.E.(Elec.)
Peter Smith
Ross Tester
Rick Walters
Reader Services
Ann Jenkinson
Advertising Enquiries
Rick Winkler
Phone (02) 9979 5644
Fax (02) 9979 6503
Mobile: 0408 34 6669
Regular Contributors
Brendan Akhurst
Louis Challis
Rodney Champness
Garry Cratt, VK2YBX
Julian Edgar, Dip.T.(Sec.), B.Ed
Mike Sheriff, B.Sc, VK2YFK
Philip Watson, MIREE, VK2ZPW
Bob Young
SILICON CHIP is published 12 times
a year by Silicon Chip Publications
Pty Ltd. ACN 003 205 490. ABN 49
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2 Silicon Chip
Time is ripe for a
renaissance of
electronics clubs
Years ago, there were a lot of electronics
clubs, particu
larly in schools and many
students “cut their teeth” on crystal sets,
simple valve radios, guitar amplifiers and so
on. It was a great breeding ground for a vast
number of technically qualified or otherwise
“switched-on” people.
Now, it seems as though we could see a
resurgence in electronics clubs and not necessarily just in schools. Why do I say this?
First, we recently have had an increase in the number of people asking to
be put into contact with an electronics club, largely so that they could have
someone help them with a current electronics project that they were having
difficulty with. Sadly, apart from referring people to amateur radio clubs,
we have not been able to give such contacts.
Second, we have been contacted by a number of teachers in schools who
are interested in starting an electronics club. Some schools do have quite
a thriving club and they do use SILICON CHIP articles as a major source of
material. It also seems that a major cause of this resurgence is a requirement
in the curriculum for teaching a certain amount of electronics. I find this a
very gratifying development.
More importantly, many young people have become disenchanted with just
playing games on their computers and want to have some real “electronics”
fun. A school club could be just what they are looking for.
But the concept could go a lot further. It occurs to me that there a large
number of electronically knowledgeable people in Australia who would
enjoy the process of “mentoring” those who are just starting out in the wonderful world of electronics. As part of a club structure, they could provide a
sterling service to those who are floundering with projects but are otherwise
extremely enthusiastic about electronics as a hobby. I am thinking mainly
of retired people as the “mentors” but often it is retired people who are the
novices, taking up this hobby now that they have the time.
So are there people out there who are willing to start up such clubs? We
would do whatever we can to help the process, including publishing an
annual list of clubs in the magazine and on our website. Electronics retailers
would also happily refer people to electronics clubs and would probably
provide some special pricing for clubs.
It also occurs to me that amateur radio clubs could do a lot to grow their
stagnating memberships if they actively promoted themselves as “electronics” clubs. In fact, they might give thought to that as their major activity and
not have the intention of just promoting the amateur radio side of things.
Such a change in emphasis might really boost things along.
Anyway, I feel that the time is ripe for a renaissance of electronics clubs.
Let’s see if we can’t give the idea a big push. Finally, if you know of or are
a member of an electronics club, please send us your particulars so we can
compile a database.
Leo Simpson
The
missing
link
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Phone: (02) 4389 8444
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FreeFax: 1 800 625 777
MicroGram Computers
Unit 1, 14 Bon Mace Close,
Berkeley Vale NSW 2261
Vamtest Pty Ltd trading as
MicroGram Computers ABN 60 003 062 100.
FEBRUARY 2001 3
MGRM0201
All prices subject to change without notice.
MAILBAG
NZ homeowners cannot work
on live electrical wiring
The situation in New Zealand is
not quite as you describe it in the
Publisher’s Letter in the November
2000 issue. Homeowners are certainly
not allowed to do work on a switchboard, for example. Homeowners
can do the physical work but cannot
go anywhere near a live conductor
and the work must be inspected by
an inspector (not just an electrician)
before connection.
There are similar provisions with
regard to repair of appliances. The
person undertaking the repair must
own the appliance, it must be used
by the owner or a near-relative, only
be used for private use and must be
disconnected from the supply while
the repair is undertaken.
Certainly the situation in Australia
seems to mirror what we had until 10
years or so ago. I have no knowledge
of the statistics about accidents but the
Energy Safety Service of the Ministry
of Economic Development in NZ is
currently holding discussions about
whether the licensing system is working and whether it should be extended
to the gas industry. See http://www.
energysafe.med.govt.nz
Incidentally, all NZ Acts of Parliament are available for free from
http://www.knowledge-basket.co.nz/
gpprint/
Malcolm Moore,
Wellington, NZ.
Don’t mess
with 240V
So we should be able to do our
own electrical work? I think not. I
grew up in New Zealand and did my
apprenticeship in the electrical trade
there. That was over 40 years ago and
if I ever learned anything, it was don’t
mess with 240 volts.
I live in Australia these days, and
sometimes (often) I have been known
to connect this wire to that connector, replace a fuse, or replace a GPO
(General Power Outlet). OK, I no
longer work in the trade, I do other
technical work but I do know what
I’m doing, mostly.
Now think of the average house-
4 Silicon Chip
keeper – who knows absolutely nothing about electricity. Should he or she
wire up their own home? And would
you let your son or daughter do it?
Would you turn them loose next
Christmas in a high-powered car,
with no training, and no licence? Get
real; even putting a 3-pin plug on a
toaster cord is hi-tech to the untrained
householder. So, please leave electrical work to the (hopefully) trained
tradespeople who hold a licence for
such work.
Euan Miller,
via email.
Homeowners could not
understand AS/NZS 3000
I read with alarm your editorial
in the November 2000 issue. Whilst
I can appreciate some of the senti
ments expressed therein, and they are
perfectly understandable for someone
with no experience in the industry, I
am compelled to draw a number of
serious matters to your attention.
Firstly, “no-one, in fact, has died in
New Zealand due to hazardous wiring
created by a householder.” I regard
those statistics with a healthy degree
of scepticism. Did Mr Hoolhorst mention how many had been seriously
injured by DIY wiring? Or how many
had been killed by wiring faults of
any type. What about fires caused by
faulty wiring? Selective presentation
of statistical information, deliberately
or otherwise, has enormous potential
to obscure the truth of the situation.
Secondly, in regard to AS/NZ 3000:
yes, we do have the same standard.
But let me ask you this: how many
‘you-beaut’ DIY electricians even
know this standard exists, let alone
are prepared to shell out for a copy
of it. And even supposing they did,
could they really comprehend what a
particular clause actually means when
they may not even know the correct
terminology for the items involved in
the task they are attempting?
Thirdly, in more than 20 years of
working in the electrical industry, I
have all too often encountered wiring
in houses that was very dangerous indeed; real fatalities waiting to happen.
Fourthly, some years ago, an ac-
quaintance of mine who, before going
into business as an electrical contractor, had worked for many years as an
electrical installation inspector for
what was then Sydney County Council, was killed by faulty wiring under a
house he was working on. If someone
who has been a professional identifier
of defects in wiring can be killed by
a wiring fault, despite their clearly
knowing all the dangers involved, can
anyone seriously suggest that anybody
should be able to cut loose on their
home wiring?
Sure, if you want to build or work
on a plug-in project or appliance,
fine – just be very careful. But no-one
should touch fixed wiring unless they
are qualified – and authorised to do
so. I would be as comfortable with
the unqualified doing wiring in my
house as they would be for me to do
their dental work with my pliers and
screwdriver. The road to hell, as they
say, is paved with good intentions.
Geoff Hahn,
via email.
Vintage radio is part
of our history
So your correspondent, Alfred
Fischer, (SILICON CHIP, January, 2001)
does not like reading about the revival
of corpses. Perhaps he would like
to see all the restored veteran and
vintage cars interred and perhaps the
Sydney Town Hall reduced to rubble.
Then the restored and operating steam
locomotives should also be cut up
and destroyed, as were hundreds of
their brothers.
The preservation of past technical
equipment is a vital part of our living
history. The more than 1000 members
of the Historical Radio Society of
Australia will become heroes in the
future when the examples of their
restoration work may be the only
reminder we have of a bygone age of
electronic technology. The Vintage
Radio pages in SILICON CHIP each
month are an impetus to others to
take up the art of restoration of old
technical equipment.
To those of us who look forward
each issue to what is displayed in
these pages, it becomes an incentive
to continue buying the magazine. I
correspond with people all over the
world who restore old electronic
equipment. There are societies in
the United States which specialise
in many varied aspects of early electronics. Some are only concerned,
for example, with the restoration of
1920s radio receivers; now that is a
Lazarus revival!
To those of us who appreciate the
restoration of electronic technology
of a past age, there is little more
rewarding pastime than to acquire a
filthy, non-operative domestic radio
receiver and with loving care bring it
back to life. The end result, in almost
showroom condition, becomes a vital
part of almost forgotten technology.
And what a joy it is to hear it receive
all the still operating AM radio stations within range as it did when first
manufactured.
Restorers are not just weird people.
We also appreciate modern technology and many of us keep up to date with
as many current electronic developments as we are able. However, valve
technology (like steam locomotives)
is a fascinating aspect of a remnant of
a technology that is expanding probably faster than any other aspect of
science. Keep on with Vintage Radio
and I can only say I feel sorry for your
correspondent.
Jim Lowe,
Heatherbrae, NSW.
More support for
vintage radio
I thought that Mr Fischer’s letter
was extremely arrogant on the part of
all the people who still take an active
interest in Vintage Radio.
I would say that I am probably
one of the youngest Vintage Radio
enthusiasts (15 years old) who enjoys
reading your columns by Mr Champness, which are very interesting and
in
-form
a
tive. I would be annoyed,
angry and sad to see such columns go.
Cris Koch,
via email.
Strong opinions on
vintage radio
Alfred Fischer gave some pretty
strong opinions against Vintage Radio
(“reviving corpses”) and also stated
his opposition to the Vintage Radio
column in the magazine. While I
don’t agree with his comments, he is
certainly entitled to his views. What
does concern me is the response
from Silicon Chip . . . “we like your
attitude”.
I don’t like SILICON CHIP’s attitude
at all – I was surprised to see your
statement which denigrates the interest in vintage radio that is held by
thousands of people world wide and
a great many people in Australia.
The statement also doesn’t seem to
defend Mr Champness’ (and his predecessor’s) ongoing contribu
tion to
the success of SILICON CHIP.
Vintage radio enthusiasts are of all
ages (I’m 45) and come from all walks
of life. For example, I am a professional telecommunications engineer, who
deals with cutting edge technology on
a daily basis and yet, the revival of radio “corpses” gives me more pleasure
than the modern stuff. To each their
own – that is what the multi-faceted
hobby of electronics is all about.
I buy SILICON CHIP, sometimes for
the modern day content, but more
frequently for the interesting vintage
radio articles. That 5% of total content is enough to justify the outlay of
$6.60; any other content is a bonus. I
am happy to skip over some simple,
beginner construction projects, which
don’t interest me, because there are
other readers who want those articles.
Similarly, I like to read one article per
month on vintage radio.
By all means, make your judgement
of required content based on reader
surveys but may I suggest that you
don’t first alienate a segment of your
readership by thoughtless remarks.
Finally, I endorse your position
on not presenting new construction
articles on valve equipment – the line
has to be drawn somewhere – but that
is only my view.
P. K., Sydney, NSW.
Vintage radio should
be retained
With regard to Vintage Radio, Mr
Fischer is quite entitled to his viewpoint, however I suspect he is treading
on more than just a few toes when he
chooses to denigrate valve technology and the history that accompanies
pre-solid state electronics.
I was fortunate enough to have been
formally trained in both valve and
solid state electronics in the early
seventies and can therefore accept
and appreciate both technologies.
At most, there are only three or four
pages out of a hundred or so pages in
SILICON CHIP that are dedicated to the
restoration and repair of valve radios
and they can be easily skipped if they
don’t happen to appeal to the reader.
The most disturbing aspect, however, is your response to Mr Fischer.
It would appear that your magazine
supports Mr Fischer’s comments to a
large degree when you state, “we like
your attitude,” in your response to his
observations.
You then go on to repeat your
statement that SILICON CHIP “would
never publish a new design for a valve
amplifier (regard
less of how they
might be revered by some audio
philes).” Just for the record, I am not
an “audiophile”.
I find your attitude towards anything with valves rather puzzling
when you consider that there are
some hundreds of collectors and restorers of valve radios and equipment
in Australia alone (they number in
the thousands worldwide), many of
whom regularly access your publication for the Vintage Radio section.
In closing, I feel that I speak for
the majority of valve enthusiasts who
enjoy their monthly “dose” of Vintage
Radio, when I say that SILICON CHIP
would be much the poorer if this important part of the magazine was discontinued to appease the readers who
don’t happen to enjoy or understand
what essentially was the forerunner
of everything else in your magazine.
Ron Pond,
Bunbury, WA.
Comment: we did not intend to denigrate vintage radio, nor do we intend
ditching the Vintage Radio column.
There are lots of practical reasons
for not publishing a valve amplifier.
FEBRUARY 2001 5
By Bruce Mitchell
Everyone knows that a large asteroid or comet probably
killed off the dinosaurs. But did you know that the Earth gets
hit by countless small meteors every day? This article tells you
how to observe and count them using readily available
“junk” and a little ingenuity.
Y
ou’ve probably noticed by now
that the Earth wasn’t destroyed
by the Leonid meteor shower
last November. But all this could
change.
Out there in space there are enough
big lumps of rock (aka asteroids) to
keep at least a few researchers on
the lookout for the sort of encounter
that would make nuclear war seem a
pleasant alternative. These scientists
sift through all kinds of astronomical
observations, trying to predict and
identify asteroids that could make
an unwanted entry into the Earth’s
comfort zone.
In this article we’ll first look at
how meteors, asteroids and comets
are related and then look at ways of
automatically counting meteors using
a passive radar technique. It’s not
6 Silicon Chip
a cut-and-dried list of instructions
on how to make a fully-featured
meteor detector. It provides some
background information, describes
one (of many) approaches to the task
and mentions a few practicalities on
the way.
It assumes a moderate degree of
competence in electronics and construction and an honours degree in
the fine art of scrounging. Be prepared
for disappointments, frustration, lots
of reading and hopefully, a sense of
accomplishment. You’ll certainly
learn more about astronomy, electronics and computing on the way.
Did you feel that?
We’re seldom aware of it, but as the
Earth orbits the Sun it keeps hitting
things. There are some boulders, quite
a few lumps the size of pebbles and
lots of dust that nobody’s got around
to cleaning up yet. The pebbles and
dust are nothing to worry about unless you earn your living in a space
shuttle but as anyone who’s worked
in a mine knows, a stray boulder
can really ruin your day. Way out in
space they’re hard to see even with
a large telescope, because on the
astronomical scale of things they’re
not all that big, maybe no more than
a kilometre across.
Asteroids and comets leave wispy
trails of debris in their wake, so
one sign of their passing is higher-than-usual numbers of meteors
entering the atmosphere at certain
times. These trails persist for a long
time. For example, the Leonid meteor
shower results from debris associated
with comet 55P/Tempel-Tuttle. This
insignificant little comet orbits the
Sun every 33 years and each November the Earth passes through a small
cloud of its debris.
Unexpected increases in meteor
numbers can indicate the Earth is
passing through the trail of debris left
by an unknown object.
NASA coordinates a project that
collects meteor counts from volunteer observers around the world.
Each month these observers email an
hour-by-hour summary of their observations to NASA’s Ames Research
Center for inclusion in the various
models used to study meteor and
asteroid distribution in and around
the orbit of the Earth. Analysis of this
sort of data can help identify the orbits of previously unknown asteroids
and comets.
Just what to do if someone does find
an asteroid heading straight towards
your place is probably more of a political than scientific decision, given the
size of the issues and budgets involved
in trying to avoid it.
Counting meteors is easy!
Try it tonight: lie down in your
back yard and make a mark on your
notepad every time a “shooting star”
appears. (Making a wish is optional.)
You’ll soon find, however, that
long-term activities of this kind have
a few drawbacks.
Relationships suffer (“Where were
you last night?”); careers can be affected (yawning while the boss tells
a joke is risky); it’s cold out there in
winter and even the most enthusiastic
observer can get discouraged after
three weeks of non-stop rain. Oh,
and it’s desperately hard to spot them
during the day, but that doesn’t matter
because you’ll be in bed catching up
on lost sleep.
Video and photographic methods
also have severe limitations (daylight
and clouds being the most obvious), so
can electronics offer an alternative?
Well, at this stage you can’t walk
into your local hobby shop and buy
a $99 meteor counter because the
demand just isn’t there. But anyone
with an interest in electronics and
computing definitely can make one
for that sort of money if they’re prepared to tinker and fiddle, scrounge
and improvise.
Fortunately, for those of us who
prefer bed to backyard during the
dark hours, a meteor leaves a telltale trail that can be detected using
radio waves. How does this happen
and how can we detect it?
Frying high
Meteors that get into the Earth’s
path appear to be moving pretty fast
compared to the speeds at which
humans operate. The Earth wobbles
along around the Sun at something
like 100,000km/h, so anything it happens to bump into is going to suffer in
a way that can’t be ignored.
An innocent grain of space dust
suddenly finds itself rubbing against
an increasingly dense collection of
molecules around 100km above the
ground. This friction quickly gets
converted to heat so intense that
electrons get stripped off some of the
molecules in the vicinity, ionising a
small patch of sky.
The ionised matter may disperse
in only a fraction of a second if the
dust particle is small but larger ones
generate more energy and it may
take a few seconds before things are
back to normal up there. The same
process produces light, which is why
we see the familiar streak when a
meteor hits.
Bigger ones (and we’re talking
about ball-sized stones here) can even
reach the ground before they vaporise
completely, emitting lots of light and
even sonic bangs on the way.
Every few hundred years a really
big one impacts spectacularly, becoming a useful source of hyperbole
for bad TV docos (and even worse
movies) about the Impending End of
Civil- isation As We Know It. And
every few million years... well, just
don’t mention the dinosaurs!
How can we detect that brief signature high in the atmosphere? At
light wavelengths we could use our
eyes or a camera, techniques which
are fine as long as it’s dark and not
cloudy and as long as the observer is
looking at the right part of the sky and
hasn’t fallen asleep, frozen to death
or been divorced.
Infrared detectors might also work
but are subject to the same limitations
as visible light detectors in cloud or
sunlight.
Further down the electromagnetic
spectrum, things look more promising. Radio wavelengths aren’t swamped by solar interference during the
daytime and can penetrate cloud. It’s
Fig. 1: meteor trail reflecting FM signal to a receiver beyond the horizon.
FEBRUARY 2001 7
even possible to use radar to pick up
the ionised trails. A few observers
still do but the ionised trails don’t
reflect microwaves or UHF signals
all that well.
It turns out that some of the most
strongly reflected frequencies are in
the low VHF band, between 40 and
150MHz; the lower the frequency, the
longer and stronger are the reflections.
For decades, radio amateurs have
bounced short messages off meteor
trails but not everyone has the financial or technical resources to use
specialised transmitters and receivers
to detect meteor trails.
Free radar, anyone?
What we need is a reliable and
powerful source of VHF signals and
a simple receiving setup that can look
after itself. No problem! All around
the world there are thousands of 50100kW VHF transmitters pumping
out FM radio signals 24 hours a day
at between 88MHz and 108MHz.
Despite the best efforts of antenna
designers, not all of the signals transmitted by these stations travel near
the ground. Some get radiated straight
up and unless something gets in the
way, they continue off into space to
become interstellar electronic pollution (see Fig.1).
At SILICON CHIP we’ve long maintained that old computer cases are too good for
the tip . . . here’s proof – two receivers, using the XT’s power supply!
Occasionally an aircraft reflects FM
signals back to the ground, causing
that familiar ghosting on TV screens
and flutter in FM receivers’ sound (socalled multi-path reception).
Aircraft are seldom more than 12km
above the ground, so those signals
aren’t reflected very far. The line-ofsight range of an FM station is a couple
of hundred kilometres at best and an
aircraft reflection may double this.
But a meteor trail is anywhere from
60 to 120km above the ground, so
they can reflect signals up to 2000km.
There’s little chance of direct reception by a VHF receiver of a transmitter
more than 500km away or even reflections from aircraft.
Any signals received would have
to come either from a meteor trail
reflection or from sporadic ionisation
of the ionosphere’s “E” layer.
And it’s easy to tell the difference:
sporadic E reception lasts for minutes or even hours, whereas meteor
reflections seldom last longer than a
couple of seconds.
What about interference?
TV video signals are (amplitude
modulated) AM, so they are subject
to interference from electrical noise.
This can be bad in the lower VHF
bands, especially if there’s a busy road
or industrial complex nearby.
FM receivers don’t have this problem because just about all AM interference is removed by their limiter stage.
In practical terms, perhaps the
most difficult source of interference
to eradicate is cross-modulation in
the receiver’s front end from nearby
stations. In cities, this can be a serious
challenge to overcome.
Some observers use preamps with
bandpass filters, while others opt for
more subtle approaches.
Mine was to set up the observation
site at the bottom of a valley about
80km from the nearest powerful
transmitter. Although not necessarily
a cheap or convenient solution, it
sure works.
Choosing a transmitter
A three-element Yagi cut for 89MHz, mounted seven metres above the
ground. The preamplifier is protected from rain and sun by a piece of PVC
drainpipe. The boom has been left a bit longer than necessary to make room for
experiments with spacing, or maybe another element.
8 Silicon Chip
There are hundreds of FM stations
in Australia and New Zealand, many
of which are very powerful. You may
be lucky enough to have access to a
comprehensive list of frequencies
such as those published for scanner
enthusiasts. Another approach is to
look up the list of transmitters on
the ABA’s website (www.aba.gov.
au/what/bro-plan/broadcasting_stations/ind-ex.htm). There are lists
sorted according to both frequency
Fitting the
receiver(s) into the
computer case leaves
lots of room for future
expansion.
and exact location. Your browser will
need the Acrobat Reader plugin to
read this info.
When you’ve done that, take out
your Jacaranda Atlas and try to find
a transmitter somewhere between
750 and 1500km from your location,
ensuring it uses a frequency well clear
of local stations. This is not a trivial
task but in places like the USA and
Europe it’s almost impossible to find
clear channels so consider yourself
lucky. You then need to step through
every channel on your digital FM
receiver (all 200 of them) and make a
note of those that seem to be free of
interference. With luck, there will be
at least one distant transmitter available on a clear channel.
In my case, I eventually opted for
ABC FM on 88.3MHz, transmitting
from near Cootamundra with a power of 50kW ERP (Effective Radiated
Power). Its transmitter at Mt Ulandra
is about 980km from my observing
location just north of Brisbane. Using
The interface board, data and coax
connectors inside the XT case. (NOT a
pretty board.)
a nationally networked station is a
big advantage. In the early stages of
setting up, its signal can be compared
with the same content coming from a
local transmitter. Otherwise it’s pretty
hard to identify a station when the
bursts last less than a second and are
spaced minutes apart!
By the way, there’s nothing wrong
with observing two or three stations
on the same frequency, as long as
they’re all a long way from the receiver. In fact, this a very desirable setup
because it increases the amount of
data available for collection.
The dish?
Relax – you don’t need one. A suitable antenna is a three to 5-element
Yagi cut to a frequency within a megahertz or so of the station(s) you’ve
chosen as your “radar transmitter”.
It only needs to be a few metres
above the ground and pointing accuracy isn’t all that important either.
Some observers elevate the front of the
boom ten or twenty degrees if they’re
observing transmissions from less
than 600km or so but it didn’t make
any difference in my case.
There’s no shortage of software
to help design a Yagi. A DOS-based
package called Quickyagi (http://
www.raibeam.com/wa7rai.html) is
well worth looking at. Or even easier:
SILICON CHIP March 1998 issue had a
design for a 5-element build-it-yourself Yagi antenna for the FM band.
A larger antenna will bring in more
signal but that may not be a blessing if your receiver’s front end gets
swamped by other transmitters. More
useful is a preamp at the antenna to
boost the signal-to-noise ratio.
For cheapness, reliability, ease of
construction and performance it’s
hard to beat the venerable VK5 2-metre preamp. Contact the VK5 branch
of the WIA (see references for further
details). The coils will need an extra
turn or two so that they resonate in the
FM band. (Don’t buy the relays for it
Fig.2: a starting point for your data interface. Depending on your logging software’s requirements, you may need to
reverse the op amp’s inputs.
FEBRUARY 2001 9
Fig. 3: a typical day’s plot. More meteors are detected near dawn than dusk.
– you’re not going to be transmitting!)
See the references at the end of this
article for an alternative design.
Our photograph shows a homemade three-element Yagi cut for
89MHz, mounted seven metres above
ground level. The preamplifier is protected from rain and sun by a piece
of PVC pipe. The boom has been left
a bit longer than necessary to make
room for experiments with spacing,
or maybe another element.
Yagi construction needs only basic
metalworking skills and the only
design challenge I had was keeping
water out of the preamp box since the
rainfall at my location can be over two
metres per year and usually arrives by
the bucketful.
Eventually, I used a small diecast
aluminium box mounted inside a
30cm length of 90mm PVC drainpipe,
capped by an overhanging “roof” of
UV-resistant plastic sheet. The bottom
has been left open to help with cooling and to drain any leaks. The entire
assembly hangs from the antenna
boom. All connections are coated in
self-amalgamating tape and neutral
cure silicone sealant.
Use decent quality coax for the
run to your receiver and don’t waste
money on cheap connectors. Avoid
the clunky old PL239 and SO239
types: BNC or F styles work well and
are much neater. The expense of type
N connectors is not warranted at these
frequencies.
Choosing a receiver
If you have a high performance
digital communications receiver you
can spare for 24 hours a day, 365 days
a year, then by all means tune it to the
10 Silicon Chip
transmitter of your choice and leave
it. The rest of us need something a
little less capital-intensive, which is
where a talent for sniffing out recycled
treasure is vital.
Most car radios have excellent sensitivity and if you’re using a preamp at
the antenna, their signal-to-noise ratio
isn’t a big issue. Garage sales, school
fairs and car wreckers offer a selection
of junked car radios. But choose a
digital one: nothing else will do.
(If you need convincing, try tuning
an analog receiver to a station that’s
irregularly audible for 200 milliseconds once every five minutes or so.)
Make sure the FM section is working and don’t pay too much for it. Old
hifi FM receivers may be OK but they
must be digital and sensitive. I was
lucky enough to buy two matching
Pioneer units for $10.
Experience has shown that nearby
lightning strokes can make a real
mess of the meteor data, so a future
enhancement will use the spare (and
desensitised) receiver to monitor an
unused frequency in the AM band
and log local thunderstorm activity.
If you have a frequency counter or
digital VHF communications receiver, it’s worth checking the frequency
accuracy of the car radio before doing
anything else. The local oscillator
frequency should be 10.7MHz away
from what ever frequency the radio
shows on its display, usually higher.
(For example, if the display shows
100.0MHz, the local oscillator should
be running at 110.700000MHz.) If the
frequency is more than a couple of
kHz off, try a ceramic capacitor in the
2.2 - 47pF range across the crystal, to
pull it back into line.
I fitted a receiver into an old desktop XT computer case rescued from
our suburb’s annual roadside junk
collection. It has a good power supply,
the case provides plenty of ventilation
and there’s heaps of room to mount
everything.
It also looks slightly less ugly than
a nest of cables and boxes side by
side and makes the whole setup easy
to transport.
The antenna lead attaches to a BNC
socket in one of the card slots in the
back panel and the two-wire data cable to the computer leaves from the
slot containing the interface card. All
5V and 12V power wires connect to a
chunky great terminal block mounted
down the middle of the computer
case. That way it’s easy to fiddle with
various sections without resorting
to a soldering iron and it’s all very
accessible.
Power for the masthead preamp
also comes from the XT supply via
some RF filtering and is fed up the
coax in the usual way. Connect the
computer’s internal speaker to one
of the receiver’s audio channels so
you can monitor the channel when
necessary.
Most of the time you’ll want the
audio turned right down. Set the
mode switch to “mono” and if there’s
a “Local/DX” control, set it to “DX”.
If the receiver defaults to a particular
frequency on power-up, make sure
you configure this to be the one you’re
observing so that it will be able to keep
observing after power failures.
Getting a signal out
of the receiver
You’ll need some kind of data logger
to record the time when the system
picks up a signal. That requires a
digital output, a feature I’ve yet to see
on any car radio, so it’s time to open
the case and start poking around with
a multimeter or scope.
You’ll be looking for a mute signal
or failing that, an AGC line. This may
be easy to find if you have a circuit
diagram but it’s unlikely you’ll be
that lucky. Take some time to look at
the circuit board layout. First, try to
identify the RF section (the antenna
lead is a giveaway), then the frequency
synthesiser (probably near a crystal)
and audio sections. The signal you
want will probably not be in these
sections, so now you know where
not to start.
It’s more likely to be near a large IC
containing the IF and demodulation
components. Just measure the voltage
on each pin methodically. Tune in a
local signal and try to find a pin where
the voltage level changes when you
switch to an unused frequency.
It’s easy to be fooled by voltages that
change gradually as you shift frequency: these control the local oscillator.
My Pioneer receiver didn’t appear to
have a mute line but the AGC wasn’t
hard to find. It varied from 1.4V with
no signal down to 50mV on a very
strong station.
Data logging
Although there are alternatives,
the obvious way to go here is to use a
computer. Any old computer will do,
as long as you can keep its RF interference out of the receiver. Even the
slowest XT or early Mac would be fine.
The early Macs featured excellent RFI
shielding, which makes them quite
attractive for this application. (If you
intend using a Mac or Linux system,
bear in mind that supplies of readyto-go shareware for observing meteors
seem to be pretty sparse, if they exist
at all, so you’ll be writing your own.)
All your computer needs is a reliable clock, a few megabytes of disk
space or even just a floppy and an
operating system that doesn’t fall flat
on its face twice a day. Avoid operating systems like Win 95/98, which are
much too unstable for this kind of application. Use DOS as early as version
3.3 or if you must use Windows, opt
for Windows for Workgroups.
Systems 6 or 7 should be fine on
older Macs. Another advantage of
an older OS is that, in the event of a
power failure, you can configure your
machine to reboot itself in seconds.
Display quality is irrelevant, because
99% of the time the monitor won’t
even be switched on. Low power
consumption is important because
this device is going to be on all the
time. An old laptop running from a
float-charged battery would be ideal.
Data interface
There’s no need to rush out and
buy an A/D conversion board. All
we’re dealing with here is an on/off
signal that needs to be sampled 100
Fig. 4: Leonid shower 15-17th November 2000 (freq = 88.3MHz). Area observed: NE NSW. The red vertical lines
show the number of meteors detected per 10 minute period. The green vertical lines show midnight local time.
FEBRUARY 2001 11
times per second at the most. This
is not leading-edge stuff, so you can
interface to the computer through just
about any port. I chose the games port
as it’s electrically pretty basic, has
multiple data lines and happened to
be available on my machine, but most
observers’ setups use a COM port.
If you’re using a Mac, its serial port
would be the obvious choice.
To tell the computer there’s a signal
present we need some kind of threshold detector. Its trigger point has to
be set to an arbitrary level, ideally
just above the receiver’s background
noise.
Too low a threshold leaves you
with megabytes of false data, while
a higher threshold ignores data from
weak reflections. As with any piece of
real-world equipment, judging where
to set it is an art based on experience.
A suitable comparator circuit can
be based on the design on page 75 of
the December 2000 issue of SILICON
CHIP. Whether you use an inverting or
non-inverting comparator depends on
the logic level required by your data
logging software.
An alternative comparator circuit
suggestion is shown in Fig.2. The
three diodes in series act as a 2.1V
zener, preventing minor offset voltage
variations in the op amp from affecting the optocoupler.
The comparator circuit was built on
a piece of scrap Veroboard and uses
power from the XT supply. It’s well
worth including an optocoupler on
the data output to isolate the receiver
from your computer.
Keeping computer noise
out of the receiver
I could say I was lucky to find a
cheap DEC 486 that was screened by
a high-quality metal case but actually
it took several weeks of searching classifieds and making phone calls to find
one of that quality at a sensible price.
Was it worth it? Unquestionably!
Any computer with a unscreened
plastic case will need lots of work
to keep its RF emissions inside the
box. As it was, even the superbly
engineered DEC required a ferrite
toroid on the data lead (scrap figure-8
speaker cable) as it left the case, along
with a choke and filter capacitors at
the receiver end.
It also helped a lot to put the receiver on the opposite side of the
room, as far away from the computer
as possible and to keep the data lead
well away from other leads.
Yes, it would have been a lot smarter to use shielded data cable but I’m
a slow learner.
Software
Data logging software is not all that
difficult to write, though a medium
level of programming ability is helpful. It needs to record when each event
occurs and its duration. This means
sampling the digital output of the
receiver at regular intervals.
Most observers sample every 10 to
40ms which is within the capabilities
of even the slowest machines. It’s
important to save to disk at regular
intervals so that a minimum of data
is lost when (not “if”) there’s a power
failure or system crash.
Save your data in a format that
doesn’t leave you with hundreds of
megs of data to wade through each
month. It may be fun the first time but
most people soon tire of unnecessary
drudgery.
Aim to keep your monthly files
under 500Kb; that way they can be
saved on a floppy with room to spare
and then on newer systems you could
set your BIOS to turn off the hard disk
once the program is running.
My software uses 16 bytes to record
the time (expressed as the number of
seconds after midnight on 1 January
2000) and the length of the burst in
milliseconds. This is probably more
detail than is needed but it only comes
to a couple of hundred kilobytes a
month and leaves open the opportunity to analyse the data in great detail
should this be necessary.
A conversion program summarises
this data in a simple comma-separated
variable (CSV) text file. Part of a typical summary looks like this:
355530,
355540,
355550,
355560,
355570,
355580,
355590,
355600,
355610,
355620,
0.012,
0.002,
0.003,
0.001,
0.005,
0,
0,
0.005,
0.001,
0.006,
11,
4,
5,
3,
5,
0,
1,
5,
2,
2,
0.2
0.025
0.075
0.025
0.2
0
0.025
0.175
0.025
0.35
The first column shows the start
of the observation period in minutes
since midnight UT on 1 January 2000.
The second column shows the total
duration of reflections during that
period in seconds. The third column
shows the number of hits detected
during the period. The fourth column
shows the duration of the longest reflection during the period, in seconds.
Other observers directly record
their data in this format, which is
all that NASA’s survey requires. Re-
Useful sources of inspiration and information
Global MS-Net (details of observers’ setups): http://www-space.arc.nasa.gov/~leonid/Global-MS-Net/GlobalMSNet.html
Monthly summaries: rec.radio. amateur.space newsgroup
SILICON CHIP March 1998 issue: Building a 5-Element Yagi Antenna for FM Radio
ARRL Handbook (any recent edition) for meteor scatter background info and tips on building Yagi antennas
International Meteor Organisation (IMO): http://www.imo.net/radio/
Ilkka Yrjola’s meteor site (includes a preamp design and interfacing info): http://www.sci.fi/~oh5iy/
Society of Amateur Radio Astronomers (SARA): http://www.bambi.net/sara.html
Meteor scatter communication and background: http://www.borg.com/~warrend/metburdu.html
ABC FM station frequencies (sorted lists): www.geocities.com/meteorcount/abcfm.htm
Wireless Iinstitute of Australia, VK5 Branch (2-metre preamp kit): WIA Equipment Supplies Committee, PO Box 789,
Salisbury SA 5108. http://www.sant.wia.org.au/esc.htm
12 Silicon Chip
member that Universal Time is always
used, so you must set the logging
computer’s clock accordingly.
Data analysis
More talent is needed for writing
data analysis software. Mere mortals
can write something to produce simple monthly summaries such as the
one in Table 1, while those with time
and talent can create applications
that show fancy graphs and hourly
distributions.
When you have a few days of observations on file, look for a variation in
counts showing a peak at dawn and
a trough around sunset. Fig.4 shows
a typical day’s plot.
As the Earth rotates on its axis, it encounters more cosmic debris around
sunrise. By sunset you’re looking
into the Earth’s wake, so there will be
much less material to bump into. This
daily cycle is a good way of confirming
you really are observing meteors and
not a neighbour’s arc welder in action.
If all the fun of writing your own
data analysis software seems like
something you could do without, just
use a spreadsheet to analyse your data.
Versions of Lotus 123 are available as
freeware these days and have powerful graphing and date manipulation
functions.
Another excellent freeware package
is StarOffice, which is available for
Linux as well as Windows. On my
setup, Lotus is quicker to load and
remarkably stable, so that’s what I
use. All spreadsheet programs readily
import CSV files. The graph in Fig.
4 was created from a CSV file using
Lotus 123.
Reliable data logging software for
DOS is available from the website
of Finnish meteor guru Ilkka Yrjola
(www.sci.fi/~oh5iy/), along with
masses of far more useful information
than I could possibly provide here.
Another good package with useful
self-adjustment features is Meteor (radio.meteor.free.fr/us/accueil.
html), though it helps if you can read
documentation in French.
Its companion analysis package
Colorgramme (pierre.terrier.free.fr/
meteor/us/art.htm) is also available
and this pair may well meet all your
needs.
R_Meteor (sapp.telepac.pt/coaa/r_
meteor.htm) is designed to be used
with WinRadio cards or sound cards
connected to a communications
Table 1: Part of a typical observer's monthly summary
2000 Sep
UT 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30
——————————————————————————————————
00 23 18 14 12 38 48 21 30 30 4 12 4
8
6 22
01 76 61 6 127 13 17 16 14 7 36 9 11 14 22 40
02 13 17 128 24 118 3 22 24 9
7 20 15 17 8 36
03 13 6 25 2 80 14 33 41 22 7 31 54 67 9 25
04 13 15 20 31 21 20 10 10 17 3 47 20 36 9 25
05 5 31 33 33 9
14 15 5
3
8
3
4 18 6 11
06 7 18 31 13 15 11 28 13 10 5
9 21 10 26 5
07 13 10 29 11 7
53 17 7 10 4 13 33 55 4
9
08 17 24 25 13 12 62 28 4
7
7 10 35 7
6 10
09 20 11 19 66 30 20 28 43 24 15 34 12 13 14 14
10 23 15 21 20 14 37 37 8 27 22 19 32 12 51 9
11 52 56 77 42 37 52 41 98 8 27 20 25 16 23 44
12 65 60 17 47 58 26 851? 24 27 19 5 12 20 31 23
13 27 46 26 18 22 36 839? 10 8 16 258 13 13 6 16
14 42 40 87 18 21 31 67 19 57 30 15 13 9
5
7
15 63 19 77 15 182 55 35 38 18 17 60 20 17 24 97
16 24 102 64 62 75 64 48 31 44 45 12 57 28 180 37
17 48 80 62 96 57 58 56 29 56 21 34 102 93 24 36
18 170 75 147 33 40 47 43 45 76 47 20 22 53 165 31
19 106 56 *E* 49 32 61 30 47 54 41 145 74 33 59 99
20 78 118 62 49 45 35 28 45 111 70 36 54 133 118 106
21 36 90 100 65 73 54 431? 41 78 60 42 128 23 57 119
22 105 50 84 80 61 36 29 16 38 41 87 107 29 34 10
23 41 16 19 91 28 33 14 19 20 9 22 22 13 17 17
———————————————————————————————————
*E*denotes probable sporadic E
? denotes possible sporadic E
(As published in the rec.radio.amateur.space newsgroup.)
receiver tuned to a shortwave AM
station. It displays the Doppler shifts
of ionisation trails and other moving
objects that cause reflections.
(You can also use it to detect aircraft
thousands of kilometres away but
that’s another subject altogether.) If
you can’t find a suitable VHF transmitter to monitor, shortwave techniques
could be a good alternative.
World Distance, by Eric J. van Drop,
is a handy little shareware utility
for Windows that calculates the distance between any two points on the
Earth’s surface. Visit www.zdnet. com/
downloads/ and search for “distance”.
Is it worth the effort?
It certainly has been for me. I get
huge satisfaction from making something unique from old bits and pieces.
At times I had to brush up on theory I
should never have forgotten and that
can’t be a bad thing.
From a geek’s viewpoint it sure
is satisfying to hear the hum of a
good computer in the background
as it logs fiery events happening
hundreds of kilometres away in the
outer reaches of the atmosphere.
Data pours in each day and at the
end of the month there’s the challenge
of matching up the summaries and
graphs with various meteor showers, turfing out the bits affected by
sporadic E and thunderstorms and
then comparing it with those of other
observers around the world.
For software addicts, there’s that
added attraction of knowing your
analysis package will always have
room for one more feature.
But do remember that observing
meteors is not a short-term proposition. Long runs of data spanning over
several years, rather than weeks or
months, are vital. While it’s exciting
to hear those first bursts from the
edge of space, you must be seriously
committed to a sustained effort if your
data is to be of any real use.
By all means give it a try. Scour the
Web and read widely before you begin
and take it one step at a time.
There is precious little specific help
available but that makes it all the more
satisfying when your system finally
comes together.
SC
FEBRUARY 2001 13
An Easy-To-Build, Compact and Cheap
Model Train Controller
Li’l Pulser is a
little power-house of a train controller
that you can build for around $45. It is designed to work
with any standard 12V model train supply or even a 12V
battery charger. It is rated up to 2A and features full pulse
power control for very smooth operation at all speeds.
By JOHN CLARKE & LEO SIMPSON
14 S
14 Silicon
ilicon C
Chip
hip
then it takes off like a rocket. Then
you wind back the control to get the
speed back to something reasonable
and then it stops or jerks because the
track is not real smooth or because it
is a little dirty.
After half an hour of this, they (or
you) are likely to pack the whole train
set and not think about it for another
few months.
Smooth running pulse power
T
In model railway jargon, “pulse
power” is what makes this little train
controller such a good performer. This
is essentially the same thing as the
“pulse width modulation” (PWM)
or “switchmode” that is used in the
highly efficient switching power
supplies used in all computers and
TV sets.
However, the Li’l Pulser train
controller doesn’t use switchmode
operation just to get high efficiency, although that is a side benefit.
No, the real reason for using
switchmode is so that we can
apply relatively high voltage
pulses, up 17V or more, to the
track, even at low throttle settings.
These voltage pulses are much more
effective at starting and running a
loco, particularly at low settings, because they are better at overcoming
track resistance and motor & gearbox
stiction (ie, static friction).
his little train controller incor- you!) got a new train set from Santa.
porates most of the best fea- You’ve already discovered the limitatures of our popular train con- tions of typical (ie most commercial!)
trollers of the past but does it all in train controllers and would like to ima compact case and at low cost. The prove it – without breaking the bank?
basic speed control uses a readily
Typical low cost rheostat or series
available power Mosfet and the for- transistor train controllers really
ward/reverse switching is done with cannot deliver realistic control of Features
a relay.
your trains. The loco often starts off
Apart from pulse power and backSimple? You bet.
like a startled kangaroo and slows EMF monitoring for very good speed
Should you build it? Well unless down whenever there is the slightest regulation, the Li’l Pulser has overyou already have a previous SILICON incline.
load protection, an over-current alarm
CHIP train controller design, then this
This is really frustrating if you are
and three LEDs to indicate Power On,
is a good place to start, especially if trying to operate the train smoothly. Reverse Direction and Track Voltage.
you have a small layout and don’t
First, you have to wind up the conLi’l Pulser is mounted in a compact
want anything too elaborate.
trol just to get the loco to start and
plastic case measuring just 140mm
This is especially true
wide, 35mm high and
if you just have a basic
110m deep.
L’il Pulser Features
train set with a locoOn the front panel it has
* Pulse power for smooth low speed operation
motive, a few carriages
two rocker switches, one
or wagons and a circle
for power and one for For* Speed control pot
of track. The first thing
ward/Reverse switching,
* Power on indication
to do is ditch the basic
a small Throttle knob and
* Track voltage LED indication
controller it came with
the three LEDs mentioned
and build this SILICON
above. The Track Voltage
* Reverse indicator
CHIP design. It will allow
LED is a bi-colour unit
* Overcurrent alarm
your train to start and
which shows green for the
* Excellent low speed control
run much more smoothly
forward direction and red
and you will have less
for reverse. The reverse
* Speed regulation
problems of unreliable
LED is orange, to give you
* Compact size
operation due to dirty
an extra indication when
track.
the train is going back* Maximum current limited to 2A.
Perhaps the kids (or
wards.
FEBRUARY 2001 15
There are four binding post terminals on the rear panel, two for the
input power and two for the leads to
the track. You can use a train power
supply, a 12V battery charger or a 12V
DC plugpack with rating of at least 1A,
to power the Li’l Pulser.
Circuit description
In contrast with some of our previous train controllers, the circuit for
the Li’l Pulser is relatively simple. It
uses two low-cost ICs, an economy
Mosfet to do the current switching
to the loco’s motor and a relay for
the Forward/Reverse switching. The
circuit is shown in Fig.1.
As already noted, the power for
the circuit can come from the power
supply you already have with your
train set or layout. It will comprise
a 12V (nominal) transformer and a
full wave bridge rectifier (4 diodes).
Alternatively, you can use a low-cost
battery charger which will also comprise a transformer and bridge rectifier
or you can use a 12V DC plugpack
with a rating of at least 1A.
The DC voltage from your chosen
power supply is applied to the circuit
via diode D1 to two 2200µF electrolytic capacitors. The resulting filtered
DC supply is likely to be at least 17V
and may be higher, depending on the
transformer characteristics.
Switch S1 and diode D2 pass the
DC voltage through to the 3-terminal
regulator, REG1, which produces a
12V regulated supply for the circuit.
LED1 indicates that power is on.
The 17V is used to power the
train motor and is switched via the
relay contacts and Mosfet Q1. Q1 is
switched on and off at about 180Hz
to control the average track voltage.
The 2-pole 2-position relay is connected as a change-over switch so that
the track voltage can be reversed. In
the normal condition, with the relay
off, +17V is applied to the anode of
the green LED within LED3 to indicate
forward operation.
Switch S2 is the reversing switch
and it energises the relay coil. When
this happens, the +17V is now applied
to the anode of the red LED and LED2
Fig.1: the circuit uses a dual op amp
(IC1) and a dual comparator (IC2) to
provide gate drive to the Mosfet Q1.
It has pulsed output and feedback
from the motor to provide good speed
regulation.
16 Silicon Chip
Fig.2: demonstrating the action of IC2a. The top trace is
the sawtooth waveform at pin 6 while the horizontal trace
intersecting the sawtooth represents the voltage from VR1.
The pulse waveform on the bottom trace is the output at
pin 7. There is a positive pulse every time the constant DC
voltage (horizontal trace) from the throttle pot is above
some part of the sawtooth waveform. This throttle setting
gives fairly narrow pulses and this would correspond to a
low speed setting.
Fig.3: this demonstrates a higher throttle setting. As you
can see, the pulses from pin 7 (bottom trace) are much
wider than shown in Fig.2, corresponding to a higher
speed setting.
is powered to indicate the reverse direction. Diode D6 is connected across
switch S2 to quench the reverse voltage spike produced when the relay is
switched off.
The rest of the circuit is used to
generate the gate drive signals for Q1,
the MTP3055 Mosfet.
Op amp IC1b is connected as a
triangle wave generator. It charges
and discharges the .022µF capacitor
at pin 2 via the 220kΩ resistor at pin
Fig.4: these waveforms show Q1 driving a resistive load.
The top trace is the gate signal from pin 7 of IC2a while the
bottom trace is the signal at the drain of Q1. Each time the
gate signal goes high, the Mosfet turns on and so its drain
voltage drops to virtually zero.
Fig.5: the output waveform changes drastically when a
12V locomotive motor is connected instead of the resistive
load in Fig.4. While the top trace showing the gate pulses
is much the same, the lower trace shows that the drain
voltage is now “messed up” by the motor back-EMF. The
drain voltage still drops to zero at each positive gate pulse
but now in the “off” times we see the motor voltage and its
commutator hash (ie, the noise from its brushes).
1 to produce a sawtooth waveform at
around 180Hz. The top trace of the
scope waveform of Fig.2 shows the
result. It is fed to the inverting input,
pin 6, of comparator IC2a.
IC2a also monitors the speed pot
(VR1) wiper at pin 5, its non-inverting input. When the speed pot wiper
voltage at pin 5 is above the sawtooth
voltage at pin 6, then the output at
pin 7 will go high. Fig.2 demonstrates
this action.
The horizontal trace intersecting
the sawtooth represents the voltage
from VR1. The pulse waveform on the
bottom trace is the output at pin 7. As
you can see, there is a positive pulse
every time the constant DC voltage
(horizontal trace) from the throttle
pot is above some part of the sawtooth
waveform. Note that this result gives
fairly narrow pulses and this would
correspond to a low throttle setting.
What happens when we wind the
FEBRUARY 2001 17
Notice too that while the gate
voltage amplitude is about 12V peakpeak, the pulse voltage at the drain of
Q1 has an amplitude of above 17V.
This is what we expect because the
voltage applied to one side of the
motor is the nominal DC input of 17V.
Fig.5 shows a very different picture
when a 12V locomotive motor is connected instead of the resistive load.
While the top trace showing the gate
pulses is much the same, the lower
trace shows that the drain voltage is
now “messed up” by the motor backEMF. The drain voltage still drops to
zero at each positive gate pulse but
now in the “off” times we see the
motor voltage and its commutator
hash (ie, the noise from its brushes).
We’ll talk more about back-EMF
later in this article.
Overload protection
Fig.6: there is not much wiring inside the case.
You will need to bend over the LEDs so that they poke through
holes in the front panel. Fig.7 (below) is the same-size artwork
for the front panel, lined up with the controls in the drawing
above. This artwork can be also be used as a drilling template.
throttle up? This is demonstrated in
Fig.3 and as you can see, the pulses
from pin 7 (bottom trace) are now
much wider, corresponding to a higher throttle setting.
By the way, if you are attempting
to duplicate these measurements on
a scope, you will find that when you
vary the setting of VR1 the sawtooth
waveform will move up and down on
the scope screen, reflecting that its DC
level is changing.
This is normal and is a function of
18 Silicon Chip
another part of the circuit, to do with
the back-EMF monitoring. We’ll get to
that in a moment.
So the output pulses from IC2a
drive the gate of Mosfet Q1 and this
drives the motor. Fig.4 shows Q1
driving a resistive load. This time the
top trace is the gate signal from pin 7
of IC2a while the bottom trace is the
signal at the drain of Q1. Each time
the gate signal goes high, the Mosfet
turns on and so its drain voltage drops
to virtually zero.
Comparator IC2b provides the overload current protection. The motor
current passes through Q1 and the
1Ω resistor in series with its source
(S) electrode.
The voltage drop across this 1Ω resistor is therefore directly proportional to the motor current. However the
voltage is quite “spikey” and needs
to be filtered via a 47kΩ resistor and
0.1µF capacitor before being applied
to pin 2 of IC2b.
-The non-inverting input at pin 3 is
connected to a reference voltage derived from trimpot VR3, the “current
set” control.
If the voltage at pin 2 exceeds pin 3,
the output at pin 1 goes low to shunt
pin 7 of IC2a to ground via diode
D3. When this happens, it kills
the gate drive to Q1.
What actually happens in an
overload condition is that IC2b
tries to shut down the gate drive
to Q1 and this has the effect of
cutting the overload current.
However, if the output current is
reduced, the voltage across the 1Ω
resistor is reduced and so IC2b can no
longer cut off the gate drive pulses.
Eventually we have a “fight” condition between IC2a and IC2b and the
current is limited to 2A, as set by VR3.
IC2b also drives a piezo alarm to
indicate when current limiting is
occurring.
Motor feedback
Why do we need feedback from the
motor? Answer: because the motor
motor speeds up, it will generate more
voltage and so the voltage we measure
will be lower. So while the back-EMF
may appear to fall with rising speed,
it is in fact increasing.
The back-EMF voltage is monitored
by error amp IC1a. It amplifies the
voltage by a factor of close to 2.1 and
its variable DC output is used to control the pin 3 threshold voltage of the
IC1b triangle generator via a 100kΩ
resistor. So as the motor voltage drops,
the back-EMF decreases, and the DC
level from pin 7 of IC1a drops. This
causes the DC level of the sawtooth
generated by IC1b to drop.
This will mean that more of this
waveform is below the speed setting
pot. This will increase the pulse width
and drive the motor harder to regain
the original speed. This provides a
control loop to maintain motor speed
when under load.
VR2 is there to give some degree of
adjustment for different motor characteristics. It is set so that pin 7 of
Inside the case as viewed from the
front (above) and the rear (right). The
piezo buzzer is stuck to the case lid
with super glue.
generates a back-EMF which is directly proportional to its speed.
We can use the back-EMF as a
feedback signal to make sure that
the circuit more or less maintains
a constant motor speed for a given
throttle setting, regardless of variations in load.
Let’s explain that a little more.
The vast majority of model locomotive motors are permanent magnet
types which means that they work as
a generator when they are spun. More
to the point, if they are spinning, they
generate a back-EMF all the time,
whether an external voltage is applied
to their terminals or not.
We have already seen this effect in
the scope waveforms of Fig.5. When
Mosfet Q1 is off, we see the motor
back-EMF and the commutator hash.
This voltage (at the drain of Q1) is
monitored via diode D5; when Q1 is
on, D5 is reverse-biased and when Q1
is off, D5 conducts and the back-EMF
from the motor is fed to a 1µF capacitor via a voltage divider consisting of
two 4.7kΩ resistors.
Note that we are monitoring the
back-EMF generated by the motor
from its negative terminal, ie, at the
drain of Q1 which will be negative
with respect to the +17V rail.
Hence, at low speeds, the back-EMF
will be close to the 17V supply. As the
IC1a is at about mid supply voltage at
around 6V when a motor is connected.
Construction
The Li’l Pulser Train Controller
is assembled onto a PC board codFEBRUARY 2001 19
Parts List: L’il Pulser Train Controller
1 PC board, code 09102011, 117 x 102mm
1 front panel artwork, 134 x 27mm
1 instrument case, 140 x 110 x 35mm (Jaycar HB-5970 or equivalent)
1 mini PC board relay 12V 5A DPDT (RLY1) (Jaycar SY-4062 or equiv.)
1 piezo siren (DSE L-7024 or equivalent)
2 mini rocker switches (S1,S2) (Jaycar SK-0975 or equivalent)
2 white banana sockets
1 red banana socket
1 black banana socket
1 mini TO-220 heatsink, 19 x 19 x 10mm
1 knob 16mm diameter
6 M3 x 6mm screws and nuts
10 PC stakes
1 200mm length of 0.8mm tinned copper wire
1 50mm length of twin light gauge hookup wire
1 50mm length of medium duty black hookup wire
1 25mm length of medium duty blue hookup wire
1 25mm length of medium duty red hookup wire
Semiconductors
1 LM358 dual op amp (IC1)
1 LM393 dual comparator (IC2)
1 7812 12V regulator (REG1)
1 MTP3055A or MTP3055E power Mosfet (Q1)
1 1N5404 3A diode (D1)
4 1N4004 1A diodes (D2,D4-D6)
1 1N914, 1N4148 switching diode (D3)
2 5mm red LEDs (LED1,LED2)
1 5mm red/green bicolour LED (LED3)
Capacitors
2 2200µF 25VW PC electrolytic
1 10µF 25VW PC electrolytic
3 10µF 16VW PC electrolytic
1 1µF 16VW PC electrolytic
2 0.1µF MKT polyester (code 100n or 104 )
1 .022µF MKT polyester (code 22n or 223 )
1 .01µF MKT polyester (code 10n or 103 )
Resistors (0.25W 1%)
1 1MΩ
1 220kΩ
5 100kΩ 3 47kΩ
1 12kΩ
1 10kΩ
1 6.8kΩ 4 4.7kΩ
3 2.2kΩ
1 1kΩ
1 10Ω
1 1Ω 5W
1 10kΩ linear 16mm PC mounting pot (VR1) (code 10k or 103)
1 10kΩ horizontal trimpot (VR2) (code 103)
1 2kΩ horizontal trimpot) (VR3) (code 202)
ed 09102011 and measuring 117 x
102mm. The PC board is housed in
a small instrument case measuring
140mm wide, 35mm high and 110m
deep. The front panel artwork panel
measures 134 x 27 mm.
You can begin construction by
checking the PC board for shorts between tracks and breaks in the copper
pattern. Check your PC board against
the published pattern. Check for hole
sizes on the PC board.
You will need 1.5mm holes for diode D1, for the speed pot and relay.
20 Silicon Chip
3mm holes are needed to secure the
tabs for REG1 and Q1 and for the
four corner mounting holes on the PC
board. The complete wiring diagram
is shown in Fig.6.
Install the resistors (except the 1Ω
5W type) and wire links first, using
the accompanying resistor table as a
guide to the colour codes. It is a good
idea to use a digital multimeter to
check each value as well.
Then install the ICs, the diodes
and trimpots, taking care to put the
correct component in each place with
the orientation as shown.
Then you can install the 1Ω 5W
resistor, the relay and potentiometer.
Leave about 1mm clearance between
the PC board and 5W resistor body for
cooling purposes; if mounted down
on the PC board it could also burn
or char it.
REG1 and Q1 are mounted horizontally and secured with M3 screws
and nuts. Q1 is also mounted onto a
mini heatsink.
Now install the capacitors, using
the codes listed in the parts list as
a guide to their values and be sure
to orient the electrolytic capacitors
correctly.
Note that the 10µF capacitor at the
input terminals of REG1 should have
a rating of 25VW, not 16VW.
Fit PC stakes at the external wiring
points and then the LEDs. The LEDs
should be mounted with sufficient
lead length to bend them over and be
inserted through the front panel holes.
Next, the PC board can be installed
in the case. Remove all the internal
pillars on the base of the case, using
side-cutters, except for those at the
four corners. The PC board is secured
with M3 screws into the corner pillars.
Drill holes in the rear panel for
the four binding post terminals and
secure them in position. Mark out the
front panel, using the panel artwork
as a guide to positioning the holes.
Drill the holes for the LEDs and
the 10kΩ potentiometer and drill
small holes around the perimeter of
the switch mounting holes and file
them out to make suitable rectangular
cutouts.
Now install the front panel components. Clip in the two switches,
secure the pot with its nut and bend
the LEDs to insert into their respective holes in the front panel. The pot
shaft will need to be cut to length to
suit the knob.
A 6mm hole should be drilled the
case lid for the piezo siren’s sound
outlet.
Make sure it is positioned 28mm
back from the front edge and 61mm
to the left of the right hand edge of the
lid. This will allow it to be glued to the
lid and not foul the pot or other components on the PC board. We glued
ours in position with super glue.
Wire up the switches, rear panel
sockets and piezo siren as shown in
the wiring diagram.
Resistor Colour Codes
No.
1
1
5
3
1
1
1
4
3
1
1
Value
1MΩ
220kΩ
100kΩ
47kΩ
12kΩ
10kΩ
6.8kΩ
4.7kΩ
2.2kΩ
1kΩ
10Ω
4-Band Code (1%)
brown black green brown
red red yellow brown
brown black yellow brown
yellow violet orange brown
brown red orange brown
brown black orange brown
blue grey red brown
yellow violet red brown
red red red brown
brown black red brown
brown black black brown
5-Band Code (1%)
brown black black yellow brown
red red black orange brown
brown black black orange brown
yellow violet black red brown
brown red black red brown
brown black black red brown
blue grey black brown brown
yellow violet black brown brown
red red black brown brown
brown black black brown brown
brown black black gold brown
Testing
Now is testing time. As mentioned,
the train controller is powered from a
train supply or a battery charger. Or
you can use a DC power supply set
to deliver around 17V DC. It should
be rated to deliver 3A or more.
The DC is applied to the red and
black binding post terminals on the
rear panel of the Li’l Pulser. Switch
on and check that there is 12V between pin 8 and pin 4 on both IC1
and IC2.
Now wind up the throttle pot and
check that the track LED lights up
green; it should get brighter as you
wind up the throttle.
Switch to reverse and the reverse
LED should light and the track LED
should change colour to red.
Connect your digital multimeter
between pin 3 of IC2b and ground
(pin 4 of IC2b), with the throttle pot
wound up so that the track LED is lit.
Adjust VR3 for a reading of 2V DC.
Set VR2 to mid setting.
Now short the output terminals and
wind up the speed pot. Check that
the piezo alarm sounds to indicate a
short. Now wind down the speed pot.
Do not leave the controller short
circuited for very long or Q1 and the
5W resistor will become very hot.
Connect the train controller to
length of track and test that your loco
runs smoothly with the control. VR2
should be adjusted while you measure the DC voltage between pin 7 of
IC1a and ground (pin 4).
Adjust VR2 for a reading of 6V.
Note that this adjustment must be
done with a loco connected across
the track.
And that’s it: your controller is now
SC
complete. Have fun!
The rear of the case has four terminals. The red & black terminals are for the
unfiltered DC input while the two white terminals connect to the track.
Fig.8: actual size artwork for the PC board.
FEBRUARY 2001 21
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.dse.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.dse.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.dse.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.dse.com.au
MIDI-Mate
An easy-to-build MIDI interface for PCs
OU’VE PROBABLY HEARD of
Want to use your PC to control
Y
the MIDI system because it’s
been around for quite a few years now.
That acronym stands for “Musical InMIDI synthesisers, keyboards
strument Digital Interface” and it was
originally designed to allow electronic
& instruments? With the right
musical instruments, keyboards and
other “controllers” to communicate
with each other. Then when computsoftware, most PCs make good
ers and dedicated music sequencers
came along, it was logical to use MIDI
sequencers for electronic music
to hook them up as well.
Essentially, MIDI is a fairly low-tech
based on serial data commumaking. You’ll also probably need system,
nications at 31,250 bits per second,
current loop circuit. It’s a
this little MIDI interface, because inbit alike5mAa faster
version of the system
used to connect teleprinter machines,
most sound cards don’t provide a about 40 years ago. You can find out
more about MIDI and how it works in
the accompanying panel – “MIDI In
full MIDI port.
A Nutshell”.
By JIM ROWE
26 Silicon Chip
PCs & sound cards
Modern PCs make good sequencers
Fig.1: the circuit uses
two low-cost ICs – a
6N138 optoisolator
and a 74HC04
hex inverter. The
optoisolator provides
the correct isolation
for the MIDI IN
socket, while the
inverter stages buffer
the signal outputs
from the sound card.
Please note: It has
been found that the
MIDI-in port does not
work with all PC sound
cards. The simplest
solution is to increase
the value of the resistor in series with LED1
to 680Ω (from 330Ω)
and then fit a 470Ω resistor on the underside
of the PCB in parallel
with the series combination of LED1 and the
680Ω resistor, ie, from
the +5V rail directly to
pin 13 of IC1.
for electronic music. That’s because
they have plenty of memory and
“crunch power” for editing and manipulating music files, plus lots of
hard disk space to store them. All
you need for a PC to control a bunch
of instruments is a MIDI port – and
once you have this, you can also use
it to hook up music keyboards, drum
machines and other “controllers” to
feed music into the PC as well.
Ironically, most PC sound cards
already provide what’s usually called
a MIDI port (also known as an MPU401 port) but it’s really only “half” of
such a port. It includes an addressable
UART designed to send and receive
data at the correct 31.25kb/s, for example.
However, the UART’s serial input
and output operate at logic voltage
levels and the connections are simply
made available at two pins on the
card’s game port. There’s no attempt
to provide the correct current-loop
interface or the standard MIDI connectors needed to communicate with
normal synthesisers, instruments or
keyboards.
So that’s what this little “MIDI-Mate” project provides: the extra
circuitry needed to provide a PC
sound card with a full MIDI port. It
gives your PC and its sound card a
properly isolated MIDI input, two
standard MIDI outputs and also a MIDI
THRU output which provides a buffered replica of the MIDI IN signal (for
driving other instruments). There’s
also a couple of LED indicators on the
front panel, to let you easily monitor
the activity on the MIDI IN/THRU
and MIDI OUT sides of the interface.
The complete circuit uses only
two low-cost chips, plus a handful of
resistors and other parts. Everything
fits on a small PC board, including the
MIDI connectors, and it’s all housed
in a compact low-profile plastic instrument case.
The interface circuitry needs only
a few tens of milliamps at 5V DC and
this is sourced “free” from the PC
itself – via the ribbon cable which
connects the MIDI-Mate to the sound
card’s 15-pin game port socket.
Incidentally, a duplicate 15-pin
socket is provided on the end of the
ribbon cable, which extends back out
from the MIDI-Mate case. This allows
you to still use the game port to connect a joystick or similar for playing
games, even when the MIDI-Mate is
connected.
Circuit details
Fig.1 shows the circuit details for
the MIDI-Mate. As you can see, there
are only two chips involved: a 6N138
high-speed optocoupler (OPTO1) and
a 74HC04 hex inverter (IC1).
As stated above, both chips are
run from a +5V supply rail which is
obtained from the PC sound card –
via pins 1, 8 and 9 of the game port
connector (via the ribbon cable and
CON1). The 10µF capacitor is used to
provide a local peak current reservoir.
Optocoupler OPTO1 is used to provide the correct isolation for the MIDI
IN socket (CON2), which is wired in
the standard way with pins 4 and 5
connected to the optocoupler’s LED
via a 220Ω series resistor. Diode D1
protects the LED against accidental
polarity reversal (from a wrongly
wired cable, for example).
By the way don’t be tempted to
try substituting another optocoupler
for OPTO1. Most other optocouplers
don’t have the switching speed of the
6N138 and won’t reliably transfer
MIDI signals.
FEBRUARY 2001 27
Parts List
1 PC board, code 01201011,
117 x 112mm
1 low-profile plastic instrument
case, 141 x 111 x 35mm
4 5-pin DIN sockets, 90° PC
board mounting
1 16-way DIL pin strip
1 DB15 male IDC connector
1 DB15 female IDC connector
1 16-way DIL socket, IDC type
1 2m length of 15-way IDC
ribbon cable
4 small self-tapping screws,
6mm long
Semiconductors
1 6N138 fast optocoupler (OPTO1)
1 74HC04 hex inverter (IC1)
2 3mm red LED
1 1N4148 or 1N914 diode
Capacitors
1 10µF 10VW tag tantalum
Resistors (0.25W, 1%)
7 220Ω
2 330Ω
Fig.2: install the parts on the PC board as shown here. Make sure that all
polarised parts are correctly orientated and note that the two 330Ω resistors go
in the centre of the board (ie, they connect to the cathodes of the two LEDs).
The PC board is very simple and should only take a few minutes to assemble.
It is secured to the base of the case using self-tapping screws which go into
integral plastic standoffs.
28 Silicon Chip
OPTO1’s output transistor is connected as a simple switch, with its
emitter grounded and its collector
connected to the +5V rail via LED1
and a 330Ω series resistor. When
MIDI information arrives via CON2,
the transistor in OPTO1 switches
on and off and its collector current
causes LED1 to blink in sympathy. At
the same time, the collector voltage at
pin 6 swings up and down between
0V and +5V and it’s this logic voltage
signal that’s fed to the UART in the
PC’s sound card via pin 15 of CON1.
This same signal is also used to
produce the circuit’s MIDI THRU
signal, by passing it through inverters
IC1f and IC1a in series. Pin 2 of IC1a
therefore provides a buffered version
of the incoming MIDI signal. The two
associated 220Ω resistors are used to
regulate the 5mA current in any MIDI
load circuit connected to CON3.
The two MIDI OUT signals are produced in a similar way to the MIDI
THRU signal. However, in this case
they use the voltage signal from the
sound card’s MIDI output instead of
the signal from OPTO1. This signal
comes from pin 12 of the sound card’s
game port connector, via CON1. It’s
passed first through inverter IC1e and
The 15-way connecting
cable passes through a
slot that’s filed in the top
of the rear panel. Also
show here is the 15-way
female IDC connector at
one end of the cable. This
allows devices such as
joysticks to be connected
to the game port, without
disconnecting the MIDIMate.
Fig.3: here’s how to assemble the
connecting cable. Note that the red
conductor goes to pin 1 of each
connector and that pin 16 of the 16way header socket is unused.
then through inverters IC1c and IC1d.
These then drive the MIDI OUT sockets (CON4 and CON5), again via their
own pairs of 220Ω series resistors.
The remaining inverter (IC1b) is
used to drive the MIDI OUT indicator
LED2, using the logic signal from the
output of IC2e.
Construction
All the components used in the MI-
The 16-way IDC header socket plugs into a matching 16-way DIL pin strip on
the PC board. Power for the unit is supplied via the PC’s game port, so no
external supply is needed.
FEBRUARY 2001 29
Fig.4: this is the full-size etching pattern for the PC board.
DI-Mate are mounted on a PC board
coded 01201011 and measuring 117
x 112mm. A 16-way section of DIL
connector strip on the PC board is
used as input connector CON1. This
mates with a 16-way DIL socket on
the 15-way ribbon cable, which links
the MIDI-Mate to the PC sound card’s
game port.
The 16-way DIL socket is mounted
about 100mm from one end of the
cable, while the DB15 female IDC
connector is mounted at the adjacent
end. The DB15 male IDC connector
is fitted at the sound card end of the
cable (ie, at the far end).
Note that all three connectors are
IDC types for easy fitting. The 16-way
DIL socket is simply fitted with the
cable located over the connector teeth
for pins 1-15. This is easy to do if you
use the coloured side (red stripe) of
the ribbon cable to indicate the “pin
1” conductor.
Be sure also to connect the conductor with the red stripe to pin 1 on all
the connectors – see Fig.3.
There’s virtually no physical
wiring inside the MIDI-Mate box,
Fig.5: be sure to set up the options
in either Multimedia Player or your
sequencer program so that they’re
talking and listening to the sound
card’s MPU-401 MIDI port.
because even the four DIN sockets
and the indicator LEDs are mounted
directly on the board.
Fig.2 shows the layout on the PC
board. The parts can be fitted in any
order – the only things to watch are
that you fit the polarity sensitive
parts the correct way around. These
include OPTO1 and IC1, the 1N4148
diode, the two LEDs and the 10µF
capacitor. Both LEDs are fitted with
their cathode lead closest to CON3.
It’s easy to identify the cathode
lead – it’s always adjacent to a flat
section on the plastic collar of the
LED body. It’s also shorter than the
anode lead (see Fig.1).
Initially, the LEDs can be fitted in
the upright position, with their leads
straight. Later on, the leads can be
bent forward at a right angle about
11mm above the board, so that they
protrude through matching holes in
the front panel.
Note that the board must be fitted
with two short wire links. One is just
above the 10µF capacitor and IC1,
while the other is just behind CON4.
Final assembly
The assembled PC board is secured
inside the case using four 6mm-long
self-tapping screws. These mate with
four of the moulded mounting pillars.
The case rear panel has a 20 x 4mm
rectangular notch cut into the top
centre. This allows the ribbon cable
from the PC to loop in and connect to
the MIDI-Mate and then loop back out
again. The front panel has six round
holes – two 3mm holes for the LEDs
and four 16mm holes for the DIN
sockets. These holes can be marked
out by using a photocopy of the front
panel artwork as a template.
The best way to make the holes for
the DIN sockets is to first drill small
pilot holes. These holes can then be
carefully enlarged to the correct size
using a tapered reamer.
Trying it out
No adjustments are required for
the MIDI-Mate; if you’ve assembled
it correctly, it should be ready for use
Fig.6: you can use this fullsize artwork as a drilling
template for the front panel.
Drill small pilot holes for
the MIDI sockets first, then
carefully enlarge them using
a tapered reamer.
30 Silicon Chip
MIDI In A Nutshell: What It Is & How It Works
MIDI
is an acronym standing for
“Musical Instrument Digital
Interface”. It’s a standardised system for communicating between
electronic musical instruments, keyboards, controllers and sequencers
(including PC-based sequencers).
The MIDI standard was agreed on
by a group of musical instrument
makers in 1983 and has been used
and extended since then.
MIDI uses serial data communication at 31.25kb/s (kilobits
per second). This involves using
asynchronous 5mA current loop
signalling, with the current provided by the “transmitting” end. Each
byte of a MIDI message takes only
320µs to be transmitted (counting
start and stop bits). Since most MIDI
messages are 2-byte control codes,
this means that over 1500 such
codes can be sent each second via
a single MIDI cable.
Each MIDI cable carries only one
signal, so for bi-directional communication, two cables must be used.
The cables themselves use shielded
two-conductor wire.
All MIDI cables are fitted with
standard 180° 5-pin DIN plugs at
both ends. However, only pins 4 and
5 are used for the actual current loop
signalling (wired 4-4 and 5-5). Pins
1 and 3 are left unconnected, while
the shield braid is connected to pin
2 at each plug.
Inside MIDI equipment, pin 2 is
connected to earth only on MIDI
immediately. You need only connect
it to the sound card of your PC via the
ribbon cable and game port connector, and fire up the computer.
To try it out you will need to have
some sort of synthesiser or other MIDI
instrument to hook up to one of the
MIDI OUT sockets and also a way
of playing MIDI files. This could be
just the Windows 95/98 “Multimedia
Player” accessory program, playing
almost any handy “.MID” music file.
Of course if you have a more elaborate
sequencer program like Windjammer,
Cakewalk or MidiSoft Recording
Session, these would be even better.
The main thing you need to watch
OUT sockets. This allows correct
earthing of the cable shield braids,
without creating earth loop problems.
Unlike most other current-loop
signalling, current only flows in a
MIDI link when data is actually being
transmitted. This allows MIDI cables
to be plugged and unplugged without any problems, as long as data
is not actually being transmitted at
the time.
To prevent equipment damage
due to wiring errors or component
faults, all MIDI inputs are provided
with 3kV of galvanic and electrostatic
isolation via an optocoupler.
For correct MIDI communication
between equipment, a MIDI OUT or
MIDI THRU socket at one end must
be connected to a MIDI IN socket
at the other.
In most MIDI systems there is a
single main controller or sequencer
(often the computer), from which
most of the MIDI messages originate. When these messages must
be sent to more than one instrument,
they can be distributed in either “star”
or “daisy-chain” fashion, as desired.
There’s no need to worry much
about the actual code messag
es
sent over the MIDI links, because
nowadays this is all handled by
sequencer or other software running on the PC, and by firmware
running in the other instruments
and keyboards. It’s probably enough
to know that most MIDI messages
are short commands to allocate a
is that you set up the options in either
Multimedia Player or your sequencer
program so that they’re talking and
listening to the sound card’s MPU401 MIDI port, instead of its inbuilt
FM or wavetable synthesiser. Otherwise, the fact that you’ve connected
up MIDI-Mate will be ignored and
your external synthesiser will remain
silent.
Assuming that you have a synth
esiser or other MIDI instrument connected to the MIDI-Mate, getting it to
“play” should now simply be a matter
of loading a MIDI file and clicking on
the “Play” button. And while the file
is playing, MIDI-Mate’s MIDI OUT
particular instrument to a particular
channel, to tell it to start or stop
playing a particular note, to change
the instrument’s attack/decay or
other performance parameters, and
so on. As mentioned earlier, these
commands are generally in the form
of 2-byte codes.
Using a PC-based music editing and sequencer program (and
perhaps a MIDI music keyboard to
feed in the actual notes), you can
assemble a complete sequence of
MIDI commands to play a piece of
music – on say the “instruments”
in a synthesiser. The synthe
siser
can then be made to “perform” that
piece of music simply by sending
the sequence to it, via the MIDI link.
When you’re happy with the result, you can save the se
quence
on disk as a MIDI music file. These
have a standardised format and are
identified with the “.MID” extension.
Disks with collections of pre-composed MIDI music files are also
available and you can download
them from the Internet as well.
Finally, it’s important to realise
that although a MIDI music file may
look superficially similar to a .WAV
file of a digital sound recording, it’s
really quite different. It’s more like an
electronic equivalent of sheet music
– simply a sequence of instructions
describing how to play the music.
In this case, the instructions are for
electronic instruments rather than
for human players.
LED should blink away merrily as
the MIDI commands stream out to
the synthesiser.
Similarly if you have a MIDIequipped music keyboard or other
controller, you’ll now be able to hook
its MIDI OUT to the MIDI IN socket
on MIDI-Mate and record your own
music on the computer’s hard disk
– after clicking on the sequencer
program’s “Record” button, of course.
And that’s really all there is to it.
With MIDI-Mate and a sound card,
your computer will have all the hardware it needs to become a powerful
MIDI sequencer. The rest is up to you
SC
and your musical creativity!
FEBRUARY 2001 31
BASS
BLAZER
2-1/2 Octave Bass Frequency and Level Display
By RICK WALTERS
Do you have a subwoofer in your home theatre setup or in
your car? Want to know the level of the bass signals you are
hearing? This miniature 2-1/2 octave bass frequency display
gives you the info. It has four vertical LED bar-graph
displays to show the bass amplitude in four separate
frequency bands.
32 Silicon Chip
I
f you're a bass fiend, you'll love
this little display. It tells you the
amplitude of those thumping bass
signals you are listening to. Because
it is powered from 12V DC it is just as
happy in a car as it is in home theatre
systems.
It you are going to add a subwoofer
to your home theatre system, you may
find that one of the hardest tasks is to
set the balance between the existing
speakers and the sub. It's even harder
if you have a variable frequency active
crossover, as the combination of adjustments between this and the level
control becomes huge.
You can listen to some music but
when you hear a low note, such as a
bass drum, how do you know whether
it is too soft, too loud or just spot-on?
This little display gives you an
indication of the relative level of the
bottom octave from 32Hz to 64Hz, the
next octave which is split in halves,
from 64 to 96Hz and 96 to 128Hz, and
lastly the range from 128 to 160Hz. The
level is displayed on four vertical LED
bargraphs, each covering 15dB in five
3dB steps.
It is housed in a compact plastic
case with the four bargraphs mounted at one end. There is quite a lot of
circuit for such a small box but we've
sandwiched it all onto three
PC boards with rainbow cables
linking them together.
Theory of operation
If you are going to monitor
bass frequency signals in a
circuit, it stands to reason that
Fig.2: two of these "Multiple Feedback
you need some filters so that
Bandpass Filters" (MFBF) are used in each
you can "hone in" on the freof the four bandpass filter stages.
quencies of interest and ignore
all the others.
The response of the filters which
drive the displays is shown in Fig.1.
What we have done is to combine two
Fig.1: the theoretical responses of the
four filters.
Fig.3: two multiple feedback bandpass
filters are cascaded together and
their responses combined to give and
overall bandpass with an almost flat
top and much steeper skirts.
If you're a bass fiend you'll love
this little bass frequency display with its
four bargraph displays. Build it and install it
in your car sound or home theatre system.
It is shown here close to life-size.
FEBRUARY 2001 33
filters for each band, "stagger-tuned" so
that the resulting "bandpass" response
has a reasonably flat top and steep
"skirts".
The filters we have used are known as
"Multiple Feedback Band-pass Filters"
(MFBF) each of which consist of an
opamp with two capacitors and three
resistors between input and output.
The basic filter circuit is shown in
Fig.2 and the values are selected to
generate the response you require.
R1 and R2 act as a voltage divider
to control the overall gain. At high
frequencies the reactance (impedance)
of C1 becomes less thus rolling off the
high frequency response.
At low frequencies the reactance
Fig.4: the circuit consists of four bandpass filter stages to monitor the bass
frequency signals. The filter output signals are rectified and the DC level is
fed to comparator stages to drive the bargraph LEDs.
34 Silicon Chip
of C2 increases, thus rolling off the
low frequency response. This is
an over-simplified explanation but
enough for you to get the idea.
Fig.3 shows how cascading two
multiple feedback bandpass filters
gives an almost flat top and much
steeper skirts as the response of the
higher frequency filter is helping to at-
tenuate the lower frequencies and vice
versa. By having a small (1dB) dip at
the centre frequency we get a steeper
roll-off than if we had a flat top. We
regard this as a good compromise.
Circuit description
Well, that's enough theory, let's get
down to the nitty-gritty of the full cir-
cuit which is shown in Fig.4. It looks
pretty large but it essentially consists
of the same circuit duplicated four
times to give the four bands.
The input circuit monitors both
channels in a stereo system and
mixes them together to form a mono
signal which is fed through to the
filter stages.
Op amps IC6a and IC6b are
connected as unity gain buffers to
monitor the left and right channels,
respectively.
The buffer stages are used to avoid
loading effects on the program source
(CD, DVD, tape deck etc) and the outputs of the buffers are added together
in op amp IC6d.
FEBRUARY 2001 35
M N O
Q
T
S
GND
IC4
LM339
IC5
LM339
1.6k
10F
R
1
1
P
Fig.5: this combined wiring diagram
shows all three PC boards and most of the
wires linking them together. The wiring
from the comparator board to the display
board (right) must be linked from point A
to point A, point B to point B and so on,
for “A” to “T” and ground.
1.2k
F
E
D
G H
I
J
IC2
LM339
IC1
LM339
L
K
IC3
LM339
1
1
C
100F
25V
1
B
1N
4148
4.7k
68
68
68
A
D5
D6
Q3
Q4
Q2
1N
4148
Q1
X
820
68
X
600
390
1k
10F
220k
10F 10F
10F
.022F
.047F
.033F
.033F
.047F
4.7k
82k
91k
IC8
LM324
1
820k
620k
820k
.033F .033F
100k
100k
.01F
D8
*16V
0.1F
1N
4148
D7
47k
100k
* F
100
50k
10k
IC6
LM324
1
REG1
7808
10k
VR1
4.7k
1M
0.1F
91k
110k
13k
6.2k
3k
4.7k
1k
0.47F
D9
0.47F
1M
+
LEFT
IN
10k
10k
10k
.033F
.047F .047F
* F
100
110k
82k
680k
.033F
1N
4148
.022F
_
DC
SOCKET
9.1k
1
IC7
LM324
.022F
1N
4148
.033F
2.4k
3.6k
62k
.033F
56k
.022F
430k
620k
680k
470k
Trimpot VR1 is a preset level adjustment, to enable you to calibrate
the indicators to display the correct maximum level.
The summed left and right channels from VR1 are fed to the four
op amp filters IC8b & IC8c, IC8a & IC8d, IC7b & IC7c and IC7a & IC7d.
The bass frequencies from the output of each filter are rectified by a
diode (D1, D2, D3 & D4) to a 10µF capacitor. The resistor across each
capacitor discharges it and ensures that all the displays will turn off
in the absence of a signal in that particular band.
The resulting DC level across the respective 10uF capacitors is
proportional to the bass signal level from the four filters and this DC
signal is used to drive the bargraph displays.
Bargraph displays
220k
D4
1N
4148
D3
1N
4148
1N
4148
D1
D2
220k
220k
Level set
RIGHT
IN
RCA
SOCKETS
Each bargraph display uses a stack of five comparators, one for each
3dB step in signal level. The inverting inputs of all 20 comparators are
individually biased to particular DC reference levels with a resistive
divider fed from REG1, a 7808 8V fixed regulator. The reference voltages are set so that each successive comparator in the stack switches
its output from low to high as the input level increases by 3dB.
Let's now have a closer look at how each stack of five comparators
works. Note that the DC signal level from each diode (D1, D2, D3
etc) is connected to the non-inverting input of all five comparators
in each stack.
Looking first at comparator IC1a, with no (or low) DC input level
from diode D1, the non-inverting input (pin 5) will be lower than its
inverting input, pin 4, which is set to +1.426V. Thus the open collector output transistor at pin 2 will be turned on and the constant
current supplied by Q1 will all be diverted to ground (0V); hence
no LED will be lit.
Once the input voltage on pin 5 exceeds that on pin 4 the output
transistor will be turned off and LED1 will light. This happens because
current will pass from Q1, through LED1 and then through IC2a's
output transistor which will still be turned on (as will the outputs
of IC3a, IC4a & IC5a).
Next, consider the situation as the DC level from D1 rises. Pin 5
of IC2a will now rise above pin 4 at +1.98V and its pin 2 transistor
will now turn off allowing LED1 and LED2 to light. The output current now passes from Q1 through LED1 & LED2 and through IC3a's
output transistor.
So you can see how the sequence goes as the DC input voltage
rises; each comparator turns off allowing the current to pass through
its associated LED to the comparator which is the next in the stack.
Ultimately all comparators in the stack will be turned off and so all
five LEDs will be lit.
The same system of operation applies to all four comparator stacks.
Constant current source
A constant current source is needed for each bargraph display as
we can have from none to five LEDs turned on. Using a voltage feed,
the LEDs would get dimmer and dimmer as more were turned on.
By feeding them from a constant current source the LED intensity
remains constant regardless of the number lit.
36 Silicon Chip
PNP transistors Q1, Q2, Q3 & Q4 are
the current sources for their respective LED bargraph. Their bases are
all held at a reference voltage below
the nominal 12V supply voltage by
series diodes D5 and D6. Taking into
account the base-emitter voltage of
0.7V there must be a voltage of 0.7V
across each 68Ω emitter resistor for
the four transistors and this sets the
constant current to 10.2mA. This applies whether the first comparator in
the stack is turned on or all five LEDs
are turned on.
Negative supply generator
The only part of the circuit remaining to be described is the negative
supply generator formed by op amp
IC6c. While the quad op amp IC6 and
all the LM339 quad comparators (IC1IC5) run from the nominal 12V DC
supply, the filter stages involving quad
op amps IC7 and IC8 need to run from
plus and minus supply rails in order
to get enough signal output swing for
the rectifier diodes (D1-D4). This is
where IC6c comes into the picture.
IC6c is configured as a Schmitt
trigger oscillator. Its output is used to
supply a 2kHz square wave to the voltage doubler (or diode pump) formed
by the two 100µF capacitors and diodes D7 & D8. The voltage doubler's
output is around -8V which is used as
the negative supply for IC7 and IC8.
Putting it together
There are three PC boards to assemble: the filter board (01102011),
the comparator board (011020120)
and the LED board (01102013). The
diagram showing the component layouts for all three PC boards is shown
in Fig.5.
The first step, as always, is to inspect the PC boards for any undrilled
holes, broken or shorted copper
tracks. You can do this by comparing
your boards to the PC patterns shown
in Fig.6. It is much easier to fix any defects now, before you begin installing
components on the boards.
It is probably easier to assemble the
comparator PC board first as it only
has a few resistors and ICs. Start by
inserting and soldering the four main
links, followed by the six diodes and
15 resistors. If you use IC sockets fit
them next, otherwise insert and solder
the five LM339 comparators making
sure that pin 1 on each device points
towards the wider edge of the PC
These photographs of all three PC
boards are shown close to same size
to help in construction. The boards
must be connected to each other with
short lengths of ribbon cable as shown
opposite and then assembled in the
case. The two larger boards fit one on
top of the other (the board at the top
of the page goes in the bottom of the
case) while the small display board
at left fits in vertically at the end of
the case. When assembling, ensure
nothing shorts out!
board. I always identify pin 1 of every
IC by using a rectangular pad (instead
of a rounded rectangle) so use this
feature to check, if you are unsure.
Next, fit the four transistors and the
six electrolytic capacitors.
Now comes the time-consuming
part: installing the on-board wiring
links. These could have been avoided
by designing a double-sided PC board
but we like to keep the board cost as
low as possible.
First, pin 5 of each IC has to be
connected together and linked to D1's
cathode. These connections are shown
as cyan (blue) on Fig.5. Similarly,
FEBRUARY 2001 37
The opposite end to the
bargraph display reveals
the RCA stereo input
sockets and (almost
hidden) the 12V DC
input jack.
Parts List: Bass Blazer
1 plastic case, Jaycar HB-6013 or
equivalent
1 filter PC board, code 01102011
1 comparator PC board, code
01102012
1 display PC board, code
01102013
2 RCA chassis-mounting sockets
1 chassis-mounting DC socket to
suit your plugpack
Semiconductors
3 LM324 quad op amps (IC1-3)
5 LM339 quad comparators
(IC4-8)
1 LM7808 8V positive regulator
(REG1)
4 BC557 transistors (Q1-Q4)
8 1N914 small signal diodes
(D1-D8)
1 1N4004 silicon power diode
(D9)
4 5-segment LED bargraph
displays (Altronics Cat Z-0972)
Capacitors
1 100µF 25VW PC electrolytic
1 100µF 16VW PC electrolytic
5 10µF 16VW PC electrolytic
2 0.47µF MKT polyester
2 0.1µF MKT polyester
4 .047µF MKT polyester
8 .033µF MKT polyester
4 .022µF MKT polyester
1 .01µF MKT polyester
Resistors (0.25W, 1%)
2 1MΩ
2 820kΩ 2 680kΩ
2 620kΩ
1 470kΩ 1 430kΩ
4 220kΩ
2 110kΩ 3 100kΩ
2 91kΩ
2 82kΩ 1 62kΩ
1 56kΩ
1 47kΩ 1 13kΩ
5 10kΩ
1 9.1kΩ 1 6.2kΩ
3 4.7kΩ
1 3.6kΩ 1 3kΩ
1 2.4kΩ
1 1.6kΩ 1 1.2kΩ
2 1kΩ
1 820Ω 1 600Ω
1 390Ω
4 68Ω
1 50kΩ trimpot (VR1)
Fig.6: use these actual size artworks to
check or make your PC boards.
38 Silicon Chip
all the pin 7s have to be joined and
connected to D2's cathode (shown in
purple); don't forget the link between
pin 7 of IC2 to pin 7 of IC5, shown as
"X". All pin 9s are joined and linked to
D3's cathode (shown in magenta) and
finally, all pin 11s joined and linked to
D4's cathode (shown in green).
Keep all the linking wires as short
as possible and lay them flat on the
PC board to keep them neat.
Now its time to tackle the filter PC
board. Fit the one link, then the resistors, diodes and trimpot, followed
by the IC sockets (or ICs), the MKT
capacitors and lastly the electrolytics
and the regulator. Fold the regulator
(REG1) over the top of the capacitor to
keep its height down as the compar-
ator PC board has to fit in the plastic
case above the filter board.
Finally, the display board can be
assembled. The LED displays must be
inserted with the short lead (cathode)
at the end with the earth strip running
the width of the PC board (marked
E). They should then be pushed hard
in until the wider part of the pin hits
the PC board.
Just tack solder the cathode pin
and the anode pin at the other end of
each display keeping the displays at
rightangles to the PC board.
Now, using the panel artwork of
Fig.7 as a template, mark and cut
out the four 35mm long slots for the
displays. If you keep the cutouts tight
you may be able to push the display
assembly into position and have it
stay there.
Otherwise, drill a hole through the
plastic case and the display PC board
and use a small countersunk bolt and
nut to hold it in place (or use some
Blu-Tak or other adhesive to hold it
in place).
If the displays do not align properly,
unsolder the tacked leads and adjust
them until they do. Once you are satisfied, solder all the LED leads.
Then cut three lengths of brown
to green (brown, red, orange, yellow,
green) rainbow cable 120mm long, one
black to green 120mm.
From the rear of the display board,
with the earth track at the top, the
cable with the black lead terminates
the lefthand display (the highest frequency band). The wire sequence is
black to (E) earth, then green, yellow,
orange, red and finally brown to the
next pad.
The other three cables are terminat-
ed in a similar manner (without the
black lead).
All these leads terminate on the
comparator PC board. We did not use
PC stakes but inserted the wires directly in the holes and soldered them.
You may use PC stakes if you prefer.
The high frequency display connects to pin 13 on all comparators.
The brown wires all go to IC1, the
red to IC2, the orange to IC3 the Fig.7: use this panel artwork as a
yellow to IC4 and the green to IC5. template when cutting the slots in the
All these wire links are indicated case for the bargraph displays.
with the letter A to T on both the
Mount these components and link
comparator board and display board
the two solder lugs of the RCA conon Fig.5.
You will also need to connect the nectors with a piece of resistor lead
offcut. Connect them to earth and the
filter outputs to the diodes (D1 to D4)
centre lugs to the left and right input
on the comparator PC board. These
on the filter PC board.
wires are also shown on Fig.5.
Finally, connect the DC power
If you have not already done so, you
connector. The positive lead from
will need to drill the two holes for the
RCA connectors and a hole to suit the the connector goes to the anode of
diode (D9) on the filter board while
power connector you plan to use in
the negative lead goes to E (adjacent
the plastic case.
to REG1).
This diode has been included othResistor Colour Codes: Bass Blazer
erwise you could do damage to the
circuit if you connect a DC plugpack
No. Value
4-Band Code (1%)
5-Band Code (1%)
with a different polarity to the DC
2 1MΩ
brown black green brown
brown black black yellow brown
connector.
2 820kΩ grey red yellow brown
grey red black orange brown
Apply power and check the current consumption with a multimeter.
2 680kΩ blue grey yellow brown
blue grey black orange brown
It should be around 60mA. If it is a
2 620kΩ blue red yellow brown
blue red black orange brown
lot higher than that, turn the power
1 470kΩ yellow purple yellow brown
yellow purple black orange brown
off and check for bridged tracks etc.
1 430kΩ yellow orange yellow brown
yellow orange black orange brown
The voltage at pin 11 of IC7 and IC8
4 220kΩ red red yellow brown
red red black orange brown
should be around -8V. If this voltage
2 110kΩ brown brown yellow brown
brown brown black orange brown
is zero, it means the oscillator is not
3 100kΩ brown black yellow brown
brown black black orange brown
oscillating, so check your soldering
2 91kΩ
white brown orange brown
white brown black red brown
and components around IC6c.
2
82kΩ
grey red orange brown
grey red black red brown
If you have an audio oscillator, you
can sweep through the frequency
1 62kΩ
blue red orange brown
blue red black red brown
ranges of the filters and check that
1 56kΩ
green blue orange brown
green blue black red brown
they operate over the correct band
1
47kΩ
yellow purple orange brown
yellow purple black red brown
and thus all your capacitors are in the
1 13kΩ
brown orange orange brown brown orange black red brown
correct position.
5 10kΩ
brown black orange brown
brown black black red brown
Once you set VR1 to let the LEDs
1 9.1kΩ
white brown red brown
white brownblack brown brown
hit 0dB on the peaks, you may be
1 6.2kΩ
blue red red brown
blue red black brown brown
amazed just how high the frequen 3 4.7kΩ
yellow purple red brown
yellow purple black brown brown
cies are that sound like really low
1 3.6kΩ
orange blue red brown
orange blue black brown brown
SC
bass.
1 3kΩ
orange black red brown
orange black black brown brown
CapacitorCODES
Codes
1 2.4kΩ
red yellow red brown
red yellow black brown brown
CAPACITOR
1 1.6kΩ
brown blue red brown
brown blue black brown brown
Value
IEC Code EIA Code
1 1.2kΩ
brown red red brown
brown red black brown brown
0.47µF 470n 474
2 1kΩ
brown black red brown
brown black black brown brown
0.1µF 100n 104
1 820Ω
grey red brown brown
grey red black black brown
.047µF 47n 473
1 600Ω
blue black brown brown
blue black black black brown
.033µF 33n 333
1 390Ω
orange white brown brown
orange white black black brown
.022µF 22n 223
4 68Ω
blue grey black brown
blue grey black gold brown
.01µF 10n 103
FEBRUARY 2001 39
SERVICEMAN'S LOG
The spirit of Christmas past
On the first day of Christmas, there were
brought to me three weird repairs, lots of
crook TVs and a compressor that carked it
and which I had to fix. OK, so I had better
stick to my day job – just as well really,
because lots of work came in over the
Christmas break.
The Christmas holiday season
can bring on some weird re
pairs,
especially when combined with hot
summer weather and high humidity.
In my case, there was the added complication of purchasing and moving
to a new location. The exquisite bad
timing of this move during the busy
period was bad enough. However, you
would have thought that not many
people would be watching TV during
the non-ratings period and hence
there would be less repairs.
Not so! – there is something very
fishy about the logic involved with TV
programming over Christmas!
As I said last month, I’ve just
returned from a fabulous holiday
around the world. This coupled with
the onset of the festive season and
my move has disrupted my normal
routines and I’ve found it difficult to
get back into the swing of things. To
make matters worse, several unusual
repairs came in but at least they break
the monotony.
The first unusual repair I had came
about when the painters wanted to
use my compressor to blow away the
dust inside the new premises. Now
my compressor is getting on a bit –
it’s about 13 years old and all it’s ever
used for is blowing dust out of VCRs
and TV sets.
In greater detail, the compressor is
an Ingersoll Rand SCD25E8, which
is a portable 50-litre electric motor
belt-driven model. Unfortunately,
the extra work load imposed on it
by the two painters turned out to
40 Silicon Chip
be too much for it. They had used
it non-stop all that first day to blow
out the sawdust from what used to
be a cabinet maker’s workshop and,
according to one of the perpetrators,
the motor “just stopped and smoke
poured out of it”.
Of course, they had switched it off
immediately – or even sooner!
The job, of course, was uncompleted and this was a major blow with
so much sawdust to get rid off. By
the time I got there to check it out,
the compressor had cooled and so I
plugged it in once more to confirm
the symptoms.
Now let me tell you that I am the
first to admit that I know nothing useful about motors and so I reluctantly
carted it off to the nearest authorised
service centre for a repair quote. Two
days later, I phoned them to find that
it would cost in excess of $350 to fix
as the motor was burnt out.
I was aghast at this dreadful news
and – just like some of my own clients
– blurted out stuff along the lines of
“I can get a new one for that!” I was
politely informed that oils ain’t oils
Items Covered This Month
• Ingersoll Rand SCD25EA
compressor.
• Weconic VX-4270 4-channel car
amplifier.
• Akura CAN1 3-1 stereo system.
• Clarion RT-4042B car stereo
receiver.
and I wouldn’t get one this good for
that sort of money.
The problem was I was already
short of cash due to the cost of opening and decorating the new premises
– not to mention actually paying for
it! However, I needed a compressor
right now – today – and so I went
down to Repco and bought a small
25-litre unit for $200.
Well, of course, the repair centre
was quite right; this poor little beast
had to pump almost continuously to
keep up the same airflow as my old
one and it got very hot. This was only
going to be a stopgap answer and I
really needed to get the big unit back
into service.
I called around to pick up the old
Ingersoll Rand and ar
rived to find
that the AC motor was in pieces. I
was shown the armature coils which
had become so hot they had melted
the string that had kept them in neat
bundles. The reason it had failed was
that a safety cutout switch had been
activated and the switch wafer had hit
the metal casing of the motor and spot
welded to it – probably because the
thick sawdust had jammed it open.
The AC motor is an Australian-built
300W single-phase Betts Motor
EP1987 15 HO13-21 (James N. Kirby)
and looks well made. I don’t quite
know how the safety switch works
but it is either bimetallic or, I suspect,
centrifugally operated.
I subsequently took the disassembled motor around to all the local
electric motor repair shops to see
if I could get it fixed more cheaply.
However, in each case I found that
it was quite difficult to get past the
“expert” receptionist who to a man/
woman said that the motor was burnt
out, shorted and beyond repair and
I would have to get a new one. The
cost would be around $500 plus fitting
and the shaft or pulley might have to
be modified to suit the compressor.
This was all very depressing but it
forced me to examine my old motor
more carefully. Perhaps I could repair
it myself and so I blew out the remaining dust and cleaned it. Despite what
everyone had been telling me, the coil
windings didn’t look that bad and the
insulating shellac still looked intact.
OK, so the coil windings had become hot and melted the coil formers
– but wouldn’t you if you were shorted to earth where you shouldn’t be? I
decided to reassemble it to see what
happened – after all, what else did
I have to lose? The thing is so well
made and has so many safety features
that even if it did catch fire it would
be confined to its metal case.
Before starting the assembly, I
checked the two capacitors and the
coils for shorts and continuity. Although some shops had told me that
the coils had shorted, I couldn’t find
any resistance between the windings.
Uunfortunately, I don’t have a shorted
turns tester that works at 50Hz and
so I could only assume that the coils
were OK.
My next problem was to reassemble
the motor, which was entirely in pieces with 13 unidentified colour-coded
wires to reconnect! I went back to
the original repair centre and asked
if they had drawn out the wiring for
the motor. Although not 100% delighted to see me, they politely said
they would ask their electrician – who
was subcontracted – if he had drawn
one and kept it! The problem was, he
only came in when there was enough
work and I was told to try again at the
end of the week.
In the meantime, I had to work
out how the safety switch fitted back
in around the bearings where it had
arced and welded onto the back plate.
I filed away the metal to give it better
clearance and removed all the welded
excess metal caused by the accident.
The main problem here was how to
get the safety mechanism into the correct position. It has two springs and a
multiple axle system that causes it to
move axially along the shaft (please
excuse the layman’s terms here – if
I was an expert in electric motors I
would probably be a lot wealthier
than I am now). Eventually, after a
lot of coarse language, I managed to
get the whole thing back into its case
and turning freely.
All I had to do now was connect
the 13 wires. There were three for the
240V input and earth, two for the reset
switch, two for the starter capacitor,
two for the running capacitor and two
for each of the two windings. These
were all connected to five studs – A1,
A2, 71, 5 & 4 – on a mounting assembly connected to the cutout switch.
This switch was between points A1
& 71 and A1 was permanently wired
to point 5 which was all extremely
confusing.
Fortunately, when I returned to
the service centre, I was given the
hand-drawn wiring diagram by the
electrician, which I duly followed.
I was still somewhat nonplussed by
one of the capacitors (Plessey P419
900V DC 15µF) as its orange wires go
to A1 and 5 which are permanently
wired together. I can only assume that
this is superfluous to requirements or
that the diagram is wrong.
Not feeling very confident, I connected all the colours as shown on
the drawing and with the motor on
the bench and my hand on the main
switch, I finally plucked up enough
courage to switch it on.
The motor leapt into life and settled
down to a quiet 2835 rpm purr. It was
working perfectly with no distress
and no heat. Then I refitted it into the
compressor, connected and tensioned
the belt and tried again. The whole
compressor was working like before.
As I write now, some six weeks later,
it is still going well and had blown
out all the rest of that sawdust.
I can’t help feeling that sooner or
later the problem may re-occur and
this time the motor will be really
“cactus” but until then, every day is
a bonus.
As for the repair centre, they pointed out that they would have been
unable to guarantee such a repair and
I fully agree with them – you can’t. In
fact, they had gone to a lot of trouble
for me and had correctly diagnosed
what had happened and quoted a lot
lower than anyone else. As a result,
I will certainly recom
m end their
services to others.
Ron’s amplifier
The next “weird” repair that came
in was via a friend of my kids called
Ron.
Ron loves his car, or rather, his car
stereo. The car is somewhat less than
average but it is one of those vehicles
that “throbs” from the subwoofer at
the rear and you can hear – or rather
feel it – from two blocks away.
However, to Ron’s consternation
one day, there was peace in his entire
FEBRUARY 2001 41
Serviceman’s Log – continued
area as his amplifier wasn’t working
any more. Appar
e ntly, I was the
obvious choice to “have a go”. I did
explain that my dubious expertise lay
more in the field of TV and video but
no, as it had wires and electricity, I
was definitely the guy to fix it.
The amplifier is an enormous
Weconic VX-4270 which advertises
its audio power output on its large
heatsink as 800W. It didn’t explain
what sort of watts these are and I
would have dismissed them as being
peak music power with a following
wind but for the fact that this unit is
made in Germany and is really quite
heavy. I assume therefore that these
are 800 genuine RMS watts (ie, 800W
RMS).
It is also a 4-channel amplifier, so
I would say that it probably is 200W
RMS per channel into a 4-ohm load.
The symptoms were fairly straightforward, with the amplifier drawing
virtually no current when connected
to +13.6V. The only thing that happened was that the red “protect” LED
came on. This probably meant that
the power supply was being disconnected from the amplifier stages by
an internal protection circuit.
Unfortunately, I knew very little
about this amplifier and so I thought
that the best course of action would
be to find out who the agents were and
try to obtain a circuit diagram. After
two weeks of searching, it became
apparent that there was no local agent
42 Silicon Chip
and even searching the Internet failed
to reveal any trace of Weconic. I was
on my own.
Ron’s a nice guy and my kids like
him, so I persevered. After removing
something like 100 screws, I removed
the PC board and transistors from
the heatsink. The amplifier looked
reason
ably well made and I could
distinguish four separate 12-transis
tor audio amplifiers and a large 8-FET
power supply with a couple of ICs
for protection and regulation control.
With the amplifier laid out on the
workshop bench, I found that I could
momentarily measure +24V and -24V
rails before they decayed as the protection circuit cut in. My guess was
that the power supply was probably
OK but one or more of the amplifier
stages wasn’t.
There were no signs of any distress
on the board due to overheating, nor
could I see anything else that was
obviously wrong. I therefore decided
that the best course of action was to
disconnect each amplifier in turn
from the power supply until the protection was released – assuming that
the protection circuit itself was OK.
I was fairly lucky and soon discovered that it was the left rear amplifier
that was causing the problem and
that it was probably due to the offset
sensor circuit which is activated via
R363. A quick check with a multimeter in circuit failed to reveal any faulty
active devices but this wasn’t a good
way of checking them. Rather than
remove each transistor and measure it
out of circuit, I decided that it would
be far quicker to replace them all one
at a time.
I started at the beginning of the
amplifier and after replacing seven of
the small signal transistors, I finally
found that Q308 (2SD600) was the
culprit. This transistor is a flatpack
device and its base-emitter junction
was open circuit. Replacing it cured
the problem and the amplifier burst
into life.
Ron is now back to terrorising his
neighbourhood and there is no longer
any peace.
The Coca Cola can
The next unusual repair was the
Coca Cola can! I kid you not.
It is 900mm high, 510mm in dia
meter and weighs 26kg. It is bright
red with Coca Cola all over it, has
two concealed doors and contains a
stereo system!
The reason I reluctantly became
involved was through another friend
of a friend routine because no sound
was coming out of the can any more.
I helpfully suggested that Coke and
electricity didn’t mix, but this wasn’t
appreciated and the missus insisted
that it wouldn’t be any trouble at
all for me to look at it. Wonderful, I
thought, there goes the better part of
my summer holidays.
When I got it onto the bench, I
discovered that it was a 1994 Akura
(model CAN 1) 3-1 stereo consisting of
Fig.1: this circuit section shows the tone control and audio output stages of the Clarion RT-3042B car amplifier.
an AM/FM stereo tuner, dual cassette
deck and CD player, with a bass reflex
speaker system built into each of the
doors. Surprisingly, considering its
age, they still make them and you
can see them on the web at http://
www.akura.com
Removing it from the can wasn’t too
difficult except for the mains lead –
the plug has to be removed in order
to get it out. I then tested the unit on
the bench and found that a low-level
noise could be heard through the
loudspeakers which indi
cated that
the main amplifiers were OK. However, none of the three sources could
be heard.
I ran my fingers over the main
amplifier IC connections and found
that this produced loud noises in
each channel. Similarly, loud noises
were produced when I touched the
PC board tracks around the volume
control but the unit was quiet as
soon as I moved closer to the source
switching.
The main volume rotary control
(VR305) is of an unusual construction, with six in-line solder connections. Noise could be induced by
touching its third and sixth connections but not on any of the others. I
felt sure this was where the problem
was and so I removed it and checked
the connections out of circuit. I could
find no continuity between these two
pins and any of the rest of the control
in any position.
By prising off the metal clamps that
hold the shell onto the wiper board,
the construction of the control could
easily be seen. It is a double-gang
100kΩ potentiometer with the outer
and inner tracks being the wipers and
the two inner tracks being the carbon
resistors. The plastic wiper former
had cut through the inner and carbon
tracks on the righthand side due to
constant wear.
The diagnosis had been easy but
where was I to get the part for a 7-year
old stereo that was so unusual?
Eventually, I purchased a spherical
16mm 100kΩ conventional PC-mount
ganged pot (R7612) from Dick Smith
Electronics. I drilled a hole through
the PC board and mounted it. The next
part was to extend the splined shaft
to a “D” shaped one. Fortunately, I
found an old plastic extension shaft
from an ancient black and white TV
set and cut it to size. The whole thing
fitted together excellently and worked
perfectly.
The boss was exceedingly pleased
with my efforts so I’m in the good
books.
A tricky car stereo
I’ve mentioned before that I really
don’t like servicing car stereo systems. Like video cameras they are
now becoming so specialised, small
and hi-tech, that it is best to stick to
what one knows.
Jim’s stereo system was a Clarion
model and was housed in an old
Mazda bus which he used to carry
children to and from school. Jim
needed this fixed as it helped keep
the rowdy kids quiet at the back.
This outfit was more of my vintage;
like the bus – old, crotchety, and
large. I mean, I could actually see the
components with the naked eye – and
not a microprocessor in sight.
The complete system consisted
of two Clarion units – an RT-4042B
receiver and PT-8039F cassette deck
– and separate front and rear amplifiers. He complained that it was dead.
Happily, he had taken the vital section
out of the bus for me.
What landed on my bench was simply the two Clarion units. As such, it
was almost a self-contained system.
FEBRUARY 2001 43
Serviceman’s Log – continued
All it needed was a 12V power supply
and a pair of speakers to become functional. The front and rear amplifiers,
and their associated speakers – still
in the bus – were extras.
My first problem was to work out
which of the many sockets and plugs
was used for what. Normally, there is
an in-line fuse which indicates 12V
in but this fuse was internal. The 12V
supply is applied via a 3-pin plug/
socket connection and the presence of
the third pin – and its wiring – added to the confusion. Tracing out the
wiring and working out which lead
was which was rather tricky.
As I eventually traced it, a volume
control/double-pole switch (S3) combination controlled both the positive
(active) and negative (chassis) lines,
which seemed reasonable enough.
One of the three pins was the positive
12V ACC line, going to a 3A fuse, then
to a choke (CH1) and finally to the on/
off switch, on the main PC board. The
second pin connected, via the other
pole, to chassis.
But what was the third pin’s function? Apparently, this is an output
connection to operate a separate device; eg, an external power antenna.
Having sorted out this much, I encountered the first real problem. The
on/off switch was obviously faulty
and needed re
placing. It therefore
seemed logical to bypass this switch
and check the rest of the system first,
before changing it.
With the switch bypassed, only one
globe lit – the AM indicator – and I
still had to guess which socket was
the speaker output. There are in fact
no less that six unmarked sockets
– including three DIN sockets – on
the back of the radio and two on the
cassette deck, involving 32 possible connections in all! In the end, I
conceded defeat and ordered a set
of service manuals, a volume-on/off
control assembly and seven replacement lamps.
Not being familiar with this system,
it wasn’t easy replacing these items
but the service manual at least made
it possible. As it turned out, the three
DIN sockets feed the front and rear
external power amplifiers and the cassette deck. Another two 3-pin sockets
are used to feed a stereo speaker pair
from an internal audio amplifier IC
(IC7) and to provide illumination and
power to the power antenna.
Replacing the volume control-on/
off assembly meant removing or at
least loosening the top PC board and
flexing it to let the old unit out and
the new one in. Everything was put
back and reconnected. It glowed like
a Christmas tree and I connected the
workshop speaker to one channel via
a pin in the 3-pin socket and there
was sound. Then I checked the other
channel in the same way, only to find
it was low and distorted.
The circuit itself consists of two
tuners – one AM and one FM – either
one switched in as required. Their
outputs are fed to a stereo pream
plifier stage consisting of three ICs
(IC4, IC5 & IC6), several transistors,
the treble and bass controls, and the
gain and balance controls – see Fig.1.
From here the signals go to an audio
output IC (IC7, TA7264), the output
of which feeds one of the 3-pin sockets. And, at that point, the system is
essentially self-contained. But this
is not the end of the story. As well
as going to IC7, the signals are also
fed – via transistors Q8 & Q10 in one
channel and Q9 & Q11 in the other – to
the front and rear output DIN sockets
and their associated amplifiers and
speakers. The whole system could,
in theory, supply no less than six
speakers if everything was connected.
But it was IC7 that was the prime
suspect now. Signals into it from both
channels were normal and I could not
measure anything abnormal around
it. This was a blow because I hadn’t
really budgeted for the cost of an
output IC – let alone the time and
effort involved.
It would also involve some effort,
since IC7 was on another PC board
underneath the controls and the top
board. Once again I loosened the top
board, removed the screws, stressed
the metal supports and pulled out
the wiring harness. Then I inserted a
screwdriver and loosened the amplifier board and released the IC heatsink.
Finally, after lots of wiggling, I managed to remove the board for a close
examination.
What a relief – there were faulty
joints on almost every other pin of
the IC. I resoldered and reassembled
everything and switched it on. Both
channels came up in stereo.
Checking further along the line,
to the rear and front amplifier DIN
sockets, cleared that section and the
system worked like a bought one.
Jim was pleased, the kids were
SC
quiet and I was worn out!
MORE FROM YOUR EFI CAR!
Own an EFI car? Want to get the best from
it? You’ll find all you need to know in this
publication
Making Your EFI Car Go Harder Building A Mixture Meter D-I-Y Head Jobs
Fault Finding EFI Systems $70 Boost Control For 23% More Grunt All About Engine
Management Modifying Engine Management Systems Water/Air Intercooling How
To Use A Multimeter Wiring An Engine Transplant And Much More Including Some
Awesome Engines!
AVAILABLE DIRECT FROM SILICON CHIP PUBLICATIONS
PO BOX 139, COLLAROY NSW 2097 - $8.95 Inc P&P (Aust).
Call (02) 9979 5644 9-5 Mon-Fri with your credit card details
or fax the order form on p71 to (02) 9979 6503.
44 Silicon Chip
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.jaycar.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.jaycar.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.jaycar.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.jaycar.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.jaycar.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.jaycar.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.jaycar.com.au
SILICON
CHIP
If you are seeing a blank page here, it is
more than likely that it contained advertising
which is now out of date and the advertiser
has requested that the page be removed to
prevent misunderstandings.
Please feel free to visit the advertiser’s website:
www.jaycar.com.au
PRODUCT SHOWCASE
Advanced Jaycar digital and analog multimeter
Despite today's digital multimeters
having many advantages over
analog models, there are times
when a digital can’t cut the mustard and you really need that old
analog pointer. Does that mean you
need two multimeters?
Not any more, now that Jaycar
have released their QM-1050 Multimeter – a digital & analog model
in one case. A 3-1/2 digit digital
display is inset into the middle of
the moving coil meter and both
meters respond at the same time.
But there’s more to it than that.
As well as the “usual” measurement capabilities – DCV (to
1kV), ACV (to 700V), resistance (6
ranges 200Ω to 20MΩ) and current
(AC/DC, 2mA to 20A in 4 ranges), you
can also measure capacitance
(.002µF to 20µF in 5 ranges), frequency (20kHz and
200kHz), temperature (-30°
to 400° and 400° to 1000°),
diode test, continuity test and
battery test (button cells, 1.5V
cells and 9V batteries). Now
that’s a very comprehensive
range of testing in one unit!
As well, you get data hold
facilities on the DMM and
the voltage and current ranges
are auto AC/DC (with a push
button to select AC/DC if you
want it.)
The meter measures 190 x 85 x 40mm
and is supplied in a protective holster.
Weight, including holster, is about 600g.
Red and black probes are supplied, as
would be expected, along with a “K”
type probe thermocouple for temperature measurement.
With a retail price of $87, this meter
has a lot to recommend it – especially
when you consider that it not only
replaces two metres but has a raft of
functions normally only found on the
most expensive digitals.
Contact:
Jaycar Electronics
PO Box 185
Concord NSW 2137
Phone: (02) 9743 5222
Fax:
(02) 9743 2066
Email:
techstore<at>jaycar.com.au
Website: www.jaycar.com.au
Ex-Olympic Comms Gear from Oatley Electronics
Oatley Electronics have available some
little-used telecommunications equipment
used for the Sydney Olympic Games at
bargain prices.
First item is a genuine Netcomm 56K V90
Mega-modem. The ones we saw looked so
good you’d swear they were brand new,
not used. Some might need just a little spit
and polish to bring them up to mint condition. They're supplied with a 240V power
adaptor and RS232
lead but don’t have
instructions or driver
software but these can
be down-loaded from
the Net-comm website. Oatley are selling these modems
for just $75.00
The other bargain is a
PANASONIC model KXTS85ALW Data Port phone.
These are really advanced
models featuring include
Data Port, Programmable
Call Restriction, 16 digit LCD Readout, One
touch speed dialler, Hands Free
Handset compatibility, Built
in Hands Free Speakerphone,
9 Step Electronic Volume
Control for Speakerphone, 5
step Electronic Volume Control
for headset and handset, Call
Waiting, Ringer Indicator, Call
Forward immediate, Dial lock,
Redial, Recall.
Oatley have spotted them in a
retail catalog for $161 but their
price is just $50 or two for $90.
Contact:
Oatley Electronics
PO Box 89, Oatley NSW 2223
Phone: (02) 9584 3563
Fax:
(02) 9584 3561
Website: www.oatleyelectronics.com
Dick Smith Electronics PowerHouse Powers Young Lifesavers
In recognition of the opening of
the latest Dick Smith Electronics
PowerHouse store at Warringah Mall
on Sydney's northern beaches, the
company has recently undertaken
the sponsorship of Rookie Surf Life
Savers in the 21 northern beaches
Surf Lifesaving Clubs.
During their last year as a junior,
or “nipper” at 13 years, children undertake the training and examination
for the first life saving qualification,
the Surf Rescue Certificate, which
is the minimum qualification they
require to join a patrol on the beach.
For some time Surf Lifesaving has
been concerned about the drop-off rate
in the years immediately after the SRC.
Dick Smith Electronics PowerHouse sponsorship has enabled the
introduction of a program specifically
designed to arrest this drop-off and to
help children in this transition period.
All will receive a unique patrolling
uniform which identifies them as a
Dick Smith Electronics PowerHouse
Rookie Lifesaver and all will have the
opportunity to participate in a variety
of special events, training and activities (including non-surf activities)
under the Rookie Program.
For more information on the
Rookie Program, contact Surf Life
Saving Sydney Northern Beaches
(02) 9971 4996.
Contact:
Dick Smith Electronics
Phone: (02) 9937 3200
Fax:
(02) 9805 1159
Website: www.dse.com.au
FEBRUARY 2001 53
D-I-Y Alternative
Energy Books
Tasman Energy
have available two
books which could
be of interest to anyone who is (a) sick
of paying too much
for fuel or (b) sick of
paying too much for
electricity (or who is
off the beaten track
and cannot get mains
power).
The first book is called “Make your
own diesel fuel” and yes, that is exactly what you can do after reading this
book. It tells you how to make perfectly
usable, 20c/litre bio-diesel fuel (for
automotive/stationary engine/etc etc
use) using old cooking oil (which it
also tells you how to scrounge from
local restaurants, etc). The author
claims to not only power his diesel
vehicle from the fuel but also his
power generation plant.
And that brings us to the second
tome: “Build your own battery charging plant”. This is a blow-by-blow account of the author's own installation
which was forced on him when the
electricity authority wanted $$$$ and
months of delay to run mains power
to his bush hideaway.
Both books contain a wealth of
information and, thankfully, warnings about the dangers involved (the
common chemicals you mix for the
fuel-making process make a pretty
nasty brew!)
The books are web-published; that
is you pay for either or both the via
the web and it or they are downloaded to you in Microsoft Word format.
You can then print them out yourself
on any graphics-enabled printer (eg
laser). Both are just over 20 pages and
cost $25 each.
We must state that SILICON CHIP has
not tried or tested any of the information
in these books and makes no claims for
the accuracy or veracity of the contents.
For more information, visit the
company's website or call.
Contact:
Tasman Energy
PO Box 266, Deloraine Tas 7304
Phone: (03) 6362 3050
Fax:
(03) 6362
Website: www.tasmanenergy.com.au
54 Silicon Chip
Hitachi Super Bright
LCD Projector
There’s nothing worse than trying to
present information using an LCD projector which has insufficient brightness to overcome room brightness.
That’s why Hitachi's new CP-X325
Super Bright multimedia projector
will be of interest to those involved
in the presentation, display and PR
industries. With a 1400 ANSI lumens
display and true XGA resolution (1024
x 768) the Hitachi is claimed to offer
unmatched quality, sharpness and
colour contrast.
All this is in a unit measuring just
300 x 76 x 225mm and weighing in at
only 3.2kg.
It also offers digital keystone correction, off-axis viewing without distortion, manual zoom and focus as well
as auto configuration for easy setup. It
has two RGB/video inputs, RGB output, stereo sound and a mouse-based
remote control.
The projector is now available
through Hitachi dealers for $12495
including GST.
Contact
Hitachi Australia
13-15 Lyonpark Rd, North Ryde 2113
Phone: (02) 9888 4100
Fax:
(02) 9888 4188
Website: www.hitachi.com.au
TOROIDAL POWER
TRANSFORMERS
Manufactured in Australia
Comprehensive data available
Harbuch Electronics Pty Ltd
9/40 Leighton Pl. HORNSBY 2077
Ph (02) 9476-5854 Fx (02) 9476-3231
ADI’s one-chip decoder
Analog Devices have released the
only 32-bit single-chip decoder/
post-processor which can handle
THX Surround EX, DTS-ES Extended
Surround and Dolby Digital. The new
Melody decoder post-processes THX
Surround EX on the same chip as it
decodes either DTS or Dolby Ditigal.
The new decoder will enable future A/V receivers, PC audio cards
and set-top boxes to process, in the
same product, all of the leading audio
algorithms: THX and THX Surround
EX, DTS, Dolby Digital, Dolby Headphone and Dolby Pro Logic, HDCD,
MPEG1 Audio Layers 1, 2 and 3 (MP3),
MPEG2, Surround Sound and Stereo.
Contact:
Analog Devices
PO Box 2098, Rosebud Plaza Vic 3939
Phone: (03) 5986 7755
Fax:
(03) 5986 4688
Website: www.analog.com
Central Coast Hobby & Communications Expo 2001
One last reminder: the NSW Central
Coast Field Day will \\be held on the last
Sunday in February (25th).
It promises to be the biggest and best
ever with more than 2000 people from
clubs and organisations all over Australia
converging on Wyong Racecourse to
display and trade equipment, new and
“pre loved”.
Just about every aspect of amateur
and CB radio is represented, along with
electronics as a hobby, vintage and
historical radio collections, volunteer
emergency communications, satellite
reception, computers and more.
Wyong Racecourse is about an hour
north of Sydney with plenty of parking
within the grounds. Gates to the public
open at 8.30am. Admission is $10 for
adults; $5.00 for students, seniors and
pensioners; with children under 12 free.
Food and drinks are available on site.
More information is available via
the Central Coast Amateur Radio Club
website, www.ccarg.org.au, or by phone:
(02) 4340 2500.
E
ELECTRONICSHOWCASELE
MicroZed Computers
GENUINE STAMP PRODUCTS
FROM
EMC Technologies' internationally
recognised Electromagnetic
Compatibility (EMC) test facilities are fully
accredited for emissions, immunity and
safety standards.
EMC Technologies
Melbourne: (03) 9335 3333
Sydney: (02) 9899 4599
Scott Edwards Electronics
microEngineering Labs & others
Easy to learn, easy to use, sophisticated
CPU based controllers & peripherals.
PO Box 634, ARMIDALE 2350
(296 Cook’s Rd)
Ph (02) 6772 2777 – may time out to
Mobile 0409 036 775 Fax (02) 6772 8987
http://www.microzed.com.au
Most Credit Cards OK
NEW!
HC-5 hi-res Vi
deo
Distribution
Amplifier
DVS5
Video & Audio
Distribution
Amplifier
Five identical Video and Stereo outputs
plus h/phone & monitor out. S-Video &
Composite versions available.
Professional quality.
For broadcast, audiovisual and film industries. Wide bandwidth, high output and
unconditional stability with hum-cancelling
circuitry, front-panel video gain and cable eq
adjustments. 240V AC, 120V AC or 24V DC
VGS2
Graphics
Splitter
High resolution 1in/2out VGA splitter.
Comes with 1.5m HQ cable and 12V
supply. Custom-length HQ VGA
cables also available.
Check our NEW website for latest prices and MONTHLY
SPECIALS
www.questronix.com.au
Email: questav<at>questronix.com.au
Video Processors, Colour Correctors, Stabilisers, TBC’s, Converters, etc.
QUESTRONIX
All mail: PO Box 548, Wahroonga NSW 2076
Ph (02) 9477 3596 Fax (02) 9477 3681
Visitors by appointment only
Do you want
YOUR product or service
showcased to
Australasia's
most important
electronics
marketplace?
CALL ME: RICK WINKLER
on (02) 9979 5644
and let me explain how cost effective
the SILICON CHIP ELECTRONICS
SHOWCASE can be for YOU!
FEBRUARY 2001 55
Sony's
BIG
TV
Review by LEO SIMPSON
Most people are amazed at how big this new Sony TV set is. And
how bright. They immediately want to sit down and start watching.
Hours later, they are visibly reluctant to leave. When a TV has that
effect on people, you know it must be impressive.
56 Silicon Chip
“...a screen area three times larger than a 68cm set. That mightn’t
sound like a big increase: in truth, it’s not. It’s a HUGE increase!”
W
e’ve said this before and
it’s worth saying again:
“If you want a really satisfying home theatre experience,
you must have a big screen”.
After all, what is the point
of spending lots of money on a
surround sound system but still
sticking with a standard 68cm TV
set? If you are going to simulate
a cinema experience, you need a
screen with the same impact as at
the movies
There are several ways to obtain
a big screen and they all have their
pros and cons. Plasma screens are
big and bright and take up very
little space but few people can
afford to spend the best part of
$20,000; that’s more than the price
of many small cars.
Full projection systems certainly give a huge picture but they
need to be viewed in very subdued
lighting and are hardly practical if
you just watch the evening news
bulletin. And they, too, are very
expensive.
That leaves rear projection TVs.
They give a big picture and can be
viewed in normal room lighting
(more about this aspect later) and
they are not outrageously expensive – although they would be too
costly for many readers.
Read on though, because many
of the features found on this big set
will tend to become standard on
smaller sets in the years to come.
It doesn’t take up much more floor space than
a standard 68cm TV set – but the picture is
dramatically larger. Don’t let the height worry
you – it’s just about spot on when you are sitting
down. And sit down you must, otherwise you’ll
miss the full impact of the huge picture.
In this extra-close-up shot of the screen, you can start to see
the horizontal lines in the DRC100 mode. The vertical fresnel
lens lines seen by the camera are not obvious to the eye.
Actually, this 121cm Sony set,
the KP-ES48SN1 (just how do
they come up with these numbers?), is not the biggest in the
range; it is the second smallest.
The biggest is a 154cm model. Having previewed the four
models in the range, we decided
that the 121cm model probably
represented the best value for
the money and would fit most
easily into most homes with a
reasonably large viewing room.
That might seem like a fairly
obvious statement but it is not
until the set arrives in its carton
that you realise how big it is.
In fact, in many homes and
apartments, it would not be possible to unpack the set indoors or
even carry the carton up internal
stairs.
Let’s back up a bit and describe
the basic features of this set.
The 121cm (48-inch) dimension
refers to the diagonal measurement of the screen. This gives it
a screen area three times larger
than a 68cm set. That mightn’t
sound like a big increase: in truth,
it’s not. It’s a HUGE increase!
Overall dimensions are
1091mm wide, 1336mm high
and 580mm deep. But it doesn’t
take up significantly more floor
space than the average 68cm set.
At 68kg, it is not unduly heavy
either and it is fitted with castors
so it can be moved around quite
The same shot in DRC 1250 mode. The horizontal lines have
all but disappeared but the image does not seem to be quite so
sharp or bright. It’s all a matter or preference and program.
FEBRUARY 2001 57
You don't have to fossick around the
back to connect a camera or TV game:
these sockets are (nicely hidden) on
the front. On the opposite side are the
switches used for convergence and
channel setup.
patches of colour (green, red and
blue, in succession) at the top, bottom and in the middle of the sides,
coinciding with the abovementioned
sensors. Once it has gone through the
procedure, lasting about a minute, it
produces a white cross-hatch in the
middle of the screen and the job is
done.
You can then watch a great picture
which is bright and sharp all over
the screen.
Viewing angle
We couldn’t resist a peek inside the Sony: there’s a lot packed into the quite thin
“base”. The circular image on the screen is the fresnel lens, not seen from the front.
easily. However, it comes in a carton which measures 1190mm wide,
1430mm high and 650mm deep;
dimensions which would make it
difficult to unpack in many homes.
Instead of being finished all over
in drab black or charcoal, the plastic
cabinet has a brushed silver frame
around the screen and a “metal look”
control panel below the screen, both
of which lighten up the styling. In
reality though, once a program is on
the screen, you cease to look at the set
and see only the big picture.
As with most modern sets, you can
have quite a few video sources although most people will just connect
a DVD player, a VCR and the antenna
lead. You can use normal (composite)
video inputs or so called “component
video” inputs and you can connect
a video game or camcorder to RCA
58 Silicon Chip
sockets at the front of the set.
Interestingly, in addition to the
normal stereo speakers inside the set,
there is another speaker which can be
used as the centre speaker in a Dolby
surround sound system; maximum
input is 30W.
Provided you largely ignore the instruction manual, basic setting up of
the Sony set is reasonably easy.
It can be arranged to automatically
tune in all the local stations and it
has automatic (static) convergence, an
important feature in any large TV set.
The auto convergence relies on optical
sensors in the middle of each side of
the screen and at the top and bottom.
To put the set into auto-convergence
mode, you push a button on the popout panel underneath the screen. It
then produces a small cross-hatch in
the centre of the screen and square
The overwhelming feature (and that
Fig. 1: the principle behind projection
TV systems. The three tubes (at bottom)
project onto the mirror (top right)
which in turn reflects onto the screen
(at left).
A closer look from the rear of the set with the mirror removed. At the top are the three powerful red, green and blue
projection tubes. Notice how each is set at a specific angle. If all is OK (not the least being the convergence of the tubes),
the result is a very clean, bright TV “picture”, reflected onto the screen by the large mirror behind it.
word is no exaggeration) of the Sony
121cm set is the size and brightness
of its picture. If you’ve only seen rear
projection sets in retailers’ showrooms
or clubs it is doubtful whether you
have ever seen them to best advantage
and the same point applies to this
Sony set.
All rear projection TV sets have a
limited vertical viewing angle – you
must sit down to watch them. Otherwise, if your head is above the top of
the screen and the room is brightly lit,
you will think that the screen brightness is woeful.
But sit down (or lower your head to
achieve the same result) and you will
see a dramatic increase in brightness.
So you really can enjoy a bright, full
contrast picture in a brightly-lit room
– but only if you sit down!
The reason all rear projection sets
have a more limited viewing angle is
because of the large Fresnel lens used
for the screen.
Fig.1 shows the general arrangement of the three projection tubes
(red, green and blue) used. They fire
up against a large mirror at the back of
the cabinet and this throws the light at
the Fresnel lens screen which has been
optically ground to project the image
out in a horizontal beam, more or less.
The Fresnel lens has fine vertical
grooves and the surfaces between
the grooves have a parabolic convex
cross-section to spread the light out
in a horizontal axis.
You can see the overall lens structure in one of the photos in this
article. It is this lens and the higher
power from the 7-inch CRTs (cathode
ray tubes) that is responsible for the
overall high brightness – Sony claim
that brightness is 20% improved over
previous models.
Actually, the Sony’s vertical viewing angle is better than some other
rear projection sets at
±20° from
the centre line of the screen. Its horizontal viewing angle is ±60° from the
centre-line.
This means that if you watch from
far off to the side you will also see a
dull and lifeless picture.
But look at it from where you are
supposed to and you’re really in the
picture. You’ll be disappointed to
find there is no girl selling popcorn or
choc-top icecreams appearing during
the ad breaks!
I had this TV in my loungeroom for
the Olympic Games and I have to tell
you that having a near-life-size Cathy
Freeman charging straight at you at a
million miles an hour is a whole new
experience!
High definition picture
Sony’s rear projection sets all have
DRC (Digital Reality Creation) which
is Sony’s fancy name – and their
proprietary technology – for field
doubling and pixel doubling. Notice
that we said “field doubling” not “line
dou-bling”.
While most large screen sets do
not have line doubling, they all need
either it or a field frequency doubling
technique to display 50Hz PAL pictures without troublesome flicker.
Sony has two display modes: DRC 100
and DRC 1250.
Briefly, DRC 100 shows fully interlaced 625-line pictures at 100Hz while
DRC 1250 shows 1250-line pictures at
50Hz. DRC 100 stops picture flicker
FEBRUARY 2001 59
The worst
feature of the
Sony is its
remote control,
seen here closed
(left) and open
(right). Can you
see the labelling
on the open
section? Neither
could we – even
in a brightly lit
room (and yes,
I did have my
glasses on!).
while DRC 1250 eliminates any line
structure from the picture.
Line doubling vs field
doubling
Line doubling (commonly used in
direct video projection systems) uses
an interpolation system to add the
extra lines. This works but can give
odd trailing ghosts on moving images.
Sony’s DRC system actually creates
extra fields in a sequence running A,
B’, A’ and B where A’ is interpolated
from transmitted fields A & B and B’
is interpolated from B & A.
The pixel doubling scheme feeds the
video signal to an A-D converter, adds
in extra data bits and then converts it
back to analog again. As far as I can tell,
it is the digital equivalent of “video
peaking” such as is used in the HQ
technique in VHS video recorders. But
while video peaking can improve the
sharpness of video images, it can also
increase apparent noise in the picture.
Both the DRC 100 and DRC 1250
modes provide pixel doubling and
this begs the question: why are the two
modes provided? The answer is that
it all depends on the video material
you are watching and how close you
are to the screen.
When you are watching in DRC
100 mode, the impression is that the
picture is very sharp and bright but
most viewers will be quite aware of
the line structure in the picture. When
you switch over to the DRC 1250 mode,
the line structure in the picture disappears but it also appears to become not
quite as sharp and as bright. This is
quite a subtle effect. And if the video
signal tends to be a little on the noisy
side (ie, a little snowy in the darker
scenes), then it is more noticeable in
the 1250 mode.
On the other hand, if you watching
program material with a strong graphics content where there are bright
horizontal elements to the picture
which tend to make flicker noticeable, the DRC 100 mode is preferable.
This is particularly the case if you are
watching weather forecasts, pie-charts
or graphs showing sporting statistics or video games. In these cases,
switching over to the DRC 100 mode
eliminates any flicker to give a rock
steady picture.
In summary, my preference for
most video material was to use the
DRC 1250 mode to eliminate the line
structure which can otherwise be
60 Silicon Chip
quite obvious and detracts from the
big bright picture.
We’ve taken some slides of video
stills to try and demonstrate the differences between the two modes but I
have to say that they don’t really show
the effects fully.
Oh, that remote control!
I must confess that several times
I have felt like throwing the remote
control up against the wall – it is that
frustrating. And the instruction manual is not much better! Both let down
an otherwise superb product.
To make any sense at all of the remote control, you must be less than 12
years old and willing to press buttons
willy-nilly to get a result.
To any person used to “logical”
controls though, I think the Sony remote control for this set is one of the
most irritating, badly conceived and
downright diabolical controls I have
ever come across.
It is also badly labelled and you can
hardly see the markings, especially
those under the flip-up panel; light
orange markings on a grey panel are
not a good combination.
Where it is particularly annoying is
when you are trying to use the menu
button and joystick control to change
the various settings.
Never let it be said that the Sony KP-ES48N1 doesn’t give you exceptional input/
output options. The biggest difficulty is the labelling – it’s not particularly
intuitive and you need the instruction manual to work it out. The instruction
manual? Now that’s another story . . .
Say you want to change the picture
settings; you find that unless you press
the joystick in a particular way, it will
fly off into another section of the menu
where you don’t want to be. Reading
the manual just confuses the issue so
you have to persevere until you get
the result you want. It does not have
to be this way.
By contrast, while we were doing
this review, we used a Sony DAV-S300
system which is a combination DVD
player, tuner and 6-channel surround
amplifier and speakers. It comes with
a remote control which is the same
shape as that for the Sony rear projection set and with similar buttons and
yet is a delight to use – the buttons are
clearly labelled too.
If they can get it right for one
product, why not for the Sony rear
projection set?
OK, that’s enough whinging. Let’s
look at just some of the other goodies
this otherwise very nice receiver has
to offer.
Other features
Sets in this price range can be expected to have plenty of extra features
and these Sony sets are not lacking.
They have picture-in-picture and
Teletext. Picture in picture requires an
extra tuner, IF strip and video/audio
demodulation as well as the PIP chipset but it is a very worthwhile feature
on a large screen set.
It allows you to watch two video
programs at the same time and you can
choose which sound feed you want.
It is particularly satisfying when you
are watching sports programs and you
want to check what’s happening on
another channel.
When the appointed moment comes
and you want to watch the program
in the inset picture, you can use the
joystick button to swap between the
programs.
Naturally, you can use the remote
control to change the position of the
inset picture. This is often desirable
if you need to move the inset picture
from one corner to another, to avoid
it obscuring something on the main
picture.
Other related features are TWIN
and Program Index. Twin allows
you to watch two programs with the
same-size pictures side by side on the
screen. You can then use the joystick to
increase the size of the main program,
(ie, the one you are listening to) while
the other is reduced. Again, on a large
screen such as this, Twin mode works
well because both pictures are still
pretty large.
Program index is quite good too. It
shows the main program in the centre
of the screen while stills from another
12 channels or sources are “tiled”
around the border and are continually updated so that you can see their
progress.
Teletext is a feature that some people might perhaps regard as having
little use but it does give access to
the “closed captions” on many programs, for the hard of hearing. Apart
from that, it does have the limitation
that Teletext pages are rather slow to
update or access if you want news or
sports scores.
However, if you want to check share
prices, Teletext can be quite a bit faster
than using your computer to log on to
your internet broker. And it has the
advantage that you don’t have to pay
for a phone call! Teletext is also widely
used to distribute horse and dog racing
information.
Moreover, with the mixed picture
facility, you can have Teletext super-
imposed over a watched program (admittedly only from the Seven network
in Australia).
Having talked about and used these
additional features, I have to say that
they are really the icing on the cake.
They’re good… but as I said before, the
main attraction of the Sony 121cm set
is its big bright picture.
An enjoyable luxury
For my money, even if you don’t
have or aspire to a full home cinema
setup, a big rear projection set is an
enjoyable luxury, provided you have
a large room in which to view it. (To
be frank, I don’t think the average-size
Aussie loungeroom is really big
enough to do it justice).
And while rear projection sets are
quite a lot more expensive than even
the largest CRT sets, in real dollar
terms they are not as expensive as the
quite modestly sized sets that people
bought at the advent of colour TV
broadcasting about 25 years ago.
Recommended retail price of the
Sony is $8199. For further information,
see your local video retailer or contact
SC
Sony on 1300 137 669.
Sony’s DAVS300 DVD Combo Player
The so-called “DVD DreamSystem” – this can form the heart of a home
theatre system. Inside this relatively tiny (355 x 70 x 365mm) case is a 5.1
channel digital amplifier, an FM/AM tuner with 30 preset memories and of
course the DVD/CD player. The DVD can be programmed to repeat the disc,
the title or the chapter. The amplifier has 6 x 30W channels with inbuilt
Dolby Digital, Dolby Pro Logic and dts decoders. Recommended retail price
is $1699. The remote control at front is pre-programmed to cover a number
of brands of add-on equipment, as well as this Sony.
FEBRUARY 2001 61
2m Elevated
Groundplane
Antenna
An antenna designed to exactly match the impedance of the
feed cable has much to recommend it. The transmitter will
develop its maximum power, losses in the feed cable will be
minimised and any risk of damage due to mismatch is avoided.
By PHILIP WATSON, VK2ZPW
62 Silicon
iliconCChip
hip
This view shows all the pieces of the antenna just before the
final assembly. The copper tube forms part of the matching
section. The materials used are all ready available and you
should be able to scrounge most of the parts for little cost.
T
HIS VHF ANTENNA was originally constructed as part of the
author’s research into the impedance of an elevated groundplane
antenna, as set out in the June 1999
issue of SILICON CHIP. In particular,
the author wanted to establish that
an impedance matching section (or
“Q” section) could be constructed, to
match the 52Ω impedance of the feed
cable to the 18Ω antenna impedance.
In fact, the finished device has
proved to be a completely practical
antenna. It is simple to construct, easy
to mount and because it provides the
correct load, it allows the transmitter
to generate maximum power.
This is important because not every
transmitting device is completely
safe from mismatch damage. Typical
commercial power amplifiers (“afterburners”) frequently carry a warning
that an SWR above a specified figure
will void the warranty, for example.
A feature of the unit is that the “Q”
section is of solid construction. It
makes a substantial “handle” which
can be lashed or clamped to a mast
or, if the mast is in tubular form, the
“Q” section can sit inside the mast,
along with the coax cable.
Another feature of the unit is the
use of screw-on radials which can be
easily detached for transport. In fact,
this antenna has proved extremely
useful as a temporary base antenna
during WICEN exercises. Alternatively, as a permanent base station
antenna, it would suit any situation
requiring an omnidirectional VHF
antenna for 2-metres (144-148MHz).
Useful background
In the June 1999 issue of SILICON
CHIP, the author presented an article
entitled “What Is A Groundplane Antenna?”. This article sought to clarify
the difference between two different
types of groundplane antenna – the
earthed variety and the elevated type.
Having established that the elevated
version has a theoretical impedance
of 18Ω, the article went on to discuss
the problem of matching the antenna
to the feed impedance (52Ω) and
briefly described a practical antenna.
However, the arrangement described in that article is not the only
approach. In that case, the idea was
to design the antenna itself to provide
the required 52Ω feed impedance. In
the current approach, the antenna is
left in its simple basic form, compatibility between the two impedances
being achieved by inserting a matching device between the cable and the
antenna.
One of the simpler forms of matching device is what is commonly called
a “Q” section; a quarter wavelength
coax section having an impedance
value intermediate between the two
impedances (ie, between 18Ω and
52Ω). A simple formula (1) is used
to calculate this value:
(1). Zq = √(Za * Zb)
where Zq = Required Q section impedance; Za = Cable Impedance; and
Zb = Antenna Impedance
In this case, the value for Zq comes
out at 30.6Ω. And so it all appears to
be delightfully simple; just insert a
quarter wavelength of Zq impedance
coax between the cable and the anten
na. It’s all too easy.
But of course, there’s a catch – just
where do you find 30.6Ω coax? You
certainly can’t get it from any of the
regular electronic outlets. In fact
no such material exists – all that is
readily available are the (nominal)
52Ω and 75Ω varieties.
Granted, there are some tricks
available – eg, two lengths of coax
connected in parallel will provide
half the impedance. From this, the
best choice would seem to be two 52Ω
parallel lengths to produce an impedance of 26Ω. That’s much better than
the gross mismatch of 2.88/1 using a
straight connection but still short of
the ideal. The error is similar using
two parallel 75Ω lengths.
A possible solution to this problem
might be to use a parallel arrangement made up of one length of 52Ω
cable and one length of 75Ω cable.
This would produce an impedance
of 30.7Ω (which is very close to the
required value of 30.6Ω) – assuming
that the simple resistances-in-parallel
law holds true. The author hasn’t tried
using this technique, however, and so
is unable to vouch for its authenticity.
Transmission line tricks
Fortunately, some of the techniques
FEBRUARY 2001 63
How it goes together – the 6.35mm (OD) brass tube is pushed down the 12.7mm copper tube to form the matching section.
It is then soldered to the centre pin of a PL259 plug via a short length of tinned copper wire – see Fig.1.
employed by users of open wire transmission lines can be used to solve our
impedance matching problem. An
open wire transmission line can be
made with any impedance value (over
a wide range) simply by selecting a
suitable wire gauge and spacer dimensions. So, if a “Q” section is required,
it is easily made to the required value.
Coming back to the coax scene,
could the same trick be pulled there?
Could a length of “coax” be constructed to have any required impedance?
The answer is yes and a formula
is available to design it. Taken from
the ARRL Antenna Handbook, it is
as follows:
(2). Zo = 138(log D/d)
where Zo = Characteristic Impedance;
D = Inside Diameter of Outer Conductor; and d = Outside Diameter of
Inner Conductor
This, of course, is for an air-spaced
device. In theory, the use of any spacers would alter both the impedance
and the velocity factor. In practice,
this can be ignored – at least in the
context of this article and the antenna
described here.
Practical considerations
So much for the theory. Putting this
idea into practice is another matter,
since we are no longer thinking of a
flexible cable. Instead, we are talking about a rigid device which must
somehow be mounted. And, of course,
suitable materials with the appropriate dimensions must be found to build
the matching section.
Strangely enough, finding the
materials turned out to be the least
of our problems. A hunt through my
scrapmetal box soon yielded an odd
length of 12.7mm OD copper water
pipe plus a length of 6.35mm (0.25inch) OD brass tube.
Well, that was as good a place as any
from which to start. The water pipe
would serve as the outer conductor,
while the brass tube would become
the inner conductor.
As it turned out, I was lucky – when
the appropriate measurements were
The PL259 plug is connected to
the “Yorkshire” fitting at the end
of the copper tube using 1/8-inch
Whitworth screws, as shown here
and in the photo at right.
64 Silicon Chip
fed into Eqn.(2), the result came out
within a whisker.
More exactly, it worked out as follows. The diameter (d) of the brass
tube inner conductor (6.35mm) was
already known but the inside dia
meter of the outer conductor had to
be measured. Since I didn’t have an
inside micrometer or callipers, the
best I could come up with was a finely
calibrated steel rule and this gave a
figure of 10.5mm (D).
When these two figures were fed
into Eqn.(2), the charac
teristic impedance (Zo) came out as 30.14Ω
– not quite the 30.6Ω being sought
but probably “within acceptable
tolerance” as an engineer might say,
or “near enough” in layman’s terms.
Mechanical design
Now it was a matter of deciding
on a suitable mechanical design and
the physical construction. Originally,
the idea was to build the matching
section as a separate unit which
could be coupled to the antenna base
using an appropriate plug and socket
combination.
However, while assembling a rough
mock-up of the inner and outer conductors, a much simpler approach
suddenly suggested itself. If the inner
conductor was extended beyond the
antenna end of the “Q” (matching)
section, it would form the beginning
of the antenna. And by further extending this to an appropriate length, it
would form the antenna itself.
This changed the whole approach;
the tail was starting to wag the dog.
Instead of starting with an antenna
and making a “Q” section to attach to
it, we are now making a “Q” section
which also becomes the antenna.
So the logical approach is to combine the two items into one structure.
Not only is it simpler and cheaper to
build, obviating the need to supply
and fit a plug and socket assembly, but
also rather more elegant technically.
In theory, the presence of conventional plug and socket assemblies – or any
junction – in a coax cable creates a
discontinuity which increases losses.
Just how serious this is in practice
may be debatable but, anyway, every
little helps.
So much for the theory. The first
construction step is to ensure that the
ends of the copper tube are cut square.
Ideally, this should be done using a
tube cutter, as used by plumbers, if
one can be begged or borrowed.
If a hacksaw is to be used, take
care in marking and cut
ting. Use
the straight edge of a piece of paper
wrapped around the tube to mark out
a cutting guide, then cut a shallow
groove right around the tube. Deepen this cut progressively by rotating
the tube a little at a time until the
operation is complete. Be sure to cut
slightly to one side of the cutting
guide, so that the end can later be
cleaned up with a file.
Don’t try to cut straight through the
tube in one operation. It will almost
certainly come out crooked if you do.
The antenna end of the tube is
fitted with a small metal plate which
supports the four radial elements. In
the writer’s case, this was made from
a piece of scrap brass, cut to about
110mm square (although this isn’t
critical) and drilled with a central
hole to match the OD of the brass tube.
The plate is simply flush-mounted
with the end of the tube and secured
by soldering (eg, using flux, a solder
Fig.1: this exploded diagram shows how the antenna is assembled. Note
that the 6.35mm OD brass tube is used as both the radiator and as part of
the matching (Q) section (ie, the brass tube is 1004mm long). An
insulating grommet isolates the radiator from the copper tube at the brass
plate end.
FEBRUARY 2001 65
The radials are tapped at one end to 4BA x 10mm to match the spacers on
the brass plate and fitted with a soldered “stopper” nut. This makes it easy to
dismantle the antenna for transport. Alternatively, for a fixed installation, the
radials can be soldered directly to the brass plate.
stick and a gas flame to provide the
heat).
An alternative form of plate is a
press-on lid as used on large coffee
tins or similar containers, painted for
protection from the weather.
The radial elements can be made
from any convenient size and type of
material. The writer used 3.175mm
(0.125in) brass rod but larger diameter
tubing could also be used. The radials
are each about 450mm long and can be
directly soldered to the four corners
of the metal plate.
Alternatively, the radials can each
be tapped at one end to 4BA x 10mm.
A brass nut is then threaded onto
each radial to act as an end stop (and
soldered in position). The radials are
then screwed into 4BA brass spacers
soldered to the corners of the metal
plate (see photo & Fig.2). The prototype used round brass spacers but
hexagonal spacers would be much
easier to position during soldering.
You can buy a pack of six from any
of the parts retailers for around $3.00.
The advantage of this latter scheme
is that it allows the antenna to be
easily dismantled and transported,
if necessary.
plumber’s “Yorkshire” fitting. (Note:
the metric dimensions are rounded to
12mm in hardware literature).
The “Yorkshire” and “Yorkway”
unions are designed to join (ie, buttjoin) two lengths of 12.7mm OD copper tube. In this case, the unit used
should be specified as a “slip fitting”
which has no stop in the centre (as
normally used to simplify correct
This close-up view shows how the end
of the brass rod is plugged and drilled
to accept the short length of 1.3mm
tinned copper wire which connects to
the PL259 plug.
Termination
The cable end of the tube is terminated with a PL259 plug. The plug
body is the same diameter as the OD
of the tube (ie, 12.7mm) and is buttjoined to the tube. It is secured using
a brass sleeve consisting of a 12.7mm
(0.5-inch) ID union – a standard
66 Silicon Chip
The insulating grommet should be a
tight fit over the inner brass tube. It
is pushed down into the copper tube
at the end of the matching Q section
during the final assembly.
positioning over a junction).
Both fittings are designed to be
soldered to the copper tube. The
“Yorkshire” fitting is supplied with
two internal rings of solder. The
copper tubes should first be cleaned
and fluxed, after which everything
is fitted together and hit with a gas
flame until solder flows right around
the end of the union.
A “Yorkway” fitting is treated
similarly, except that the solder has
to be applied externally to the ends
of the union. In the writer’s case, a
“Yorkshire” fitting was used simply
because it was on hand but it would
probably be the preferred device.
The PL259 plug was secured into
the sleeve using two 1/8-inch Whit
worth screws. Matching holes are
drilled through the sleeve and the
plug body, initially to suit a 1/8-inch
Whitworth tap. The holes in the plug
are then tapped, while the holes in
the sleeve are enlarged to provide
clearance.
The same arrangement can be used
to secure the sleeve to the tube or, as
in this case, the sleeve can be secured
by soldering.
The distance from the end of the
PL259 plug to the start of the pin is
about 20mm (as measured inside the
plug) and the internal diameter of its
body is similar to, but not identical
with, that of the tube. But although
not exact, it really is close enough
considering that only 20mm is involved.
As a result, the plug can be treated as an extension of the tube. This
means that the tube must be cut
20mm shorter than the calculated
section length (ie, to 494mm instead
of to 514mm, as quoted later on).
The cable end of the inner conductor (ie, the 6.35mm tube) has to be
joined to the pin of the PL259 plug.
This was done by first plugging the
end of the tube using a 3/16-inch
brass machine screw. This screw was
soldered into place with its head cut
off and filed square with the end of
the tube.
The screw was then drilled longitudinally to accept 16g (1.3mm) tinned
copper wire (about 25mm long), using
a No.55 or 5/64-inch drill, to a depth
of about 6mm. The 16g wire was then
soldered in place. When the antenna
is later assembled, this 16g tinned
copper wire slides into the plug pin
and is soldered.
Longitudinal drilling can be
a tricky operation unless one
has access to a lathe. However,
provided care is taken, it can
be done using a hand drill
(eggbeater). Just be sure to accurately centre-punch the end
before drilling.
Small off-centre errors are
easily corrected simply by
bending the wire. Larger errors
can be corrected by drilling an
oversize hole and accurately
positioning the wire prior to
soldering.
The inner conductor is secured where it emerges from
the outer conductor (ie, at the
ground
plane) using a simple
plastic grommet. This insulator should have a bore size of
6.35mm (0.25-inch) to accept
the inner conductor and should
be a tight fit into the 12.7mm
outer brass tube.
Scrounging the
copper tube
Obtaining a suitable length of
12.7mm copper water pipe for
the outer conductor shouldn’t
present any problems. Normally, plumbers buy it in standard
6-metre lengths but most hardware stores will sell it to you
by the metre.
There are also two other likely
sources of scrap lengths: (1) a local
plumber and (2) a scrap metal yard.
A scrap metal yard will also usually
have brass rod and tubing in a range
of sizes and this can be cheaper than
buying commercial lengths from a
hardware store.
Fig.2: the four tapped brass-rod radials screw into threaded brass spacers (or
standoffs) which are soldered to the four corners of the mounting plate.
Antenna dimensions
The exact dimensions of the antenna assembly will depend on the particular frequency to be favoured. The
antenna described here was designed
for 146MHz which equates to a freespace quarter-wavelength dimension
of 514mm. This means that the outer
copper tube in the “Q” (matching)
section had to be cut to 514 - 20 =
494mm, as mentioned previously.
The calculated length of the radiator, after allowing for end effect or
“K” factor, is 490mm (ie, 514/1.05)
and so the 6.35mm brass rod is cut
to 514 + 490 = 1004mm.
And how did all this work out in
practice? Extremely well, as indi-
This photo shows the finished antenna with the four radials screwed into
position. Also visible is the insulating grommet (red) at the end of the matching
section. Use silicone sealant to seal around this grommet.
cated by the following SWR figures,
which speak for themselves.
144MHz ..................... 1.02/1
145MHz ..................... 1.02/1
146MHz *.................... see note
147MHz *.................... see note
148MHz ..................... 1.02/1
* Too Low To Measure
So that’s it; a near perfect antenna
- well, impedance-wise anyway. SC
FEBRUARY 2001 67
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02-01
– An irresistable way to
make PCBs at home!
Ever wished that there was a way to transfer complicated
PC board artwork from a magazine without having to resort
to messy (and expensive) techniques such as photo-etching?
Well, you can do it using nothing more complicated than a
photocopy or a laser printout and an iron!
By Heath Young
I
f you have ever used 3M’s “Dalo”
pens for doing PC board artwork
you will pretty soon realise that
they have their limitations.
The quality of the tracks you can
produce is dependent on how steady
your hand is and when the time comes
to etch your board, you will discover
that the pen is not quite impervious
to all aqueous etchants.
I have thrown out many a board
due to severe pinholing in the tracks
when I have used ammonium persul-phate etchant.
The procedure that I have now
come to use almost exclusively, even
for small boards, is a method known
as toner transfer.
This uses the toner from a laser
printed or photocopied page as the
resist material.
Toner is made from colourant (carbon black, etc) and a low melting point
plastic. The plastic is impervious
to aqueous etchants, so pin-holing
should not be a problem.
The question is, “How do you get
the toner off the printed page and onto
the copper laminate?”.
It’s done by remelting the toner while
it is in intimate contact with a very
clean, slightly roughened PC board.
You’ll need an iron
To melt the toner, you need to beg,
borrow, buy or steal an iron. No, not
a soldering iron – the iron used to
press clothes.
Step 1: print a “reverse direction” PC board pattern with
a laser printer or photocopier. You’re looking for dense
blacks and no break-up in the pattern.
72 Silicon Chip
A tip: don’t tell anyone what you
are going to use it for otherwise they
might not let you have it! Tell them
you’re going to iron a shirt (on second
thoughts, that’s not such a good idea
– they’ll certainly not believe you!).
While the iron is used to melt the
toner onto the black PC board, done
correctly this won’t harm the iron.
Artwork preparation
There are a lot of different printer
papers and a lot of different toners
around. So some experimentation
may be necessary but the basic method remains the same for all.
Firstly, you must get your artwork
– this must be the mirror reverse
of the track outlay. The PC board
Step 2: clean the slightly oversize blank PC board thoroughly
then slightly roughen it with 600 wet’n’dry. Avoid touching
the copper surface once clean.
artwork for projects printed in SILICON CHIP must be mirror reversed
(inverted) before they are suitable
for toner transfer.
This is actually simpler to do than
it sounds and can be done in a couple
of ways.
A good quality photocopy of the
artwork can be made onto an overhead
transparency sheet and this- sheet is
then flipped and photocopied again
onto paper.
(Note that the photocopy of the
transparency has to be done so that
you can read the lettering when it is
placed on the glass – otherwise you
will get an inversion of an inversion
- not what is wanted!)
An even easier method, though, is
to download the PC board file in either
EPS or PDF format from the SILICON
CHIP website (www.siliconchip. com.
au) and simply tell your laser printer
to print a negative (also sometimes
called “inverse” or “reverse”) which
can usually be selected as part of the
printing process.
If you are using programs like PCB
Designer 1.0 or Easytrax (which may
be downloaded from the ’net for free)
then you will probably have designed
a board in “mirror reverse” anyway,
as it is much more intuitive.
Mirror image boards (as if you
are looking through them from the
component side) are much easier to
produce as there is no messing around
reversing the pins when designing
the board.
The importance of a good quality
laser print-out or photocopy cannot
be over-emphasised. It must have
good dark tracks, without any breaks
or bridges which will obviously cause
you grief later.
Once satisfied with your printed
image, you are ready to move on to
the next step.
Copper laminate preparation
Cut the board slightly over-size, as
the toner does not transfer well very
close to the edges of the copper laminate. About a 3-5mm margin is safe
(even more if practical) – the extra
material may be trimmed off later.
The copper laminate must be
prepared before the toner can be applied. The toner requires a roughened
surface otherwise it simply will not
adhere or ‘key’ to the copper surface
and will come off while etching.
The board is cleaned up and roughened with 400 grit silicon carbide
paper (“wet and dry”). Roughen the
board by swirling the sandpaper (wet)
in a light, circular motion taking care
not to remove too much copper or the
tracks will be too thin.
Wash off all of the grit and dry the
board with a lint-free cloth – a clean
linen tea-towel is ideal for this.
Do not touch the copper with your
fingers from now on as the oil in your
fingers may stop the bonding between
the toner and the board surface.
Toner transfer
Cut the prepared artwork so that
there is a border of about 10-15mm
around the edges of the circuit board
pattern. Now cut the corners off the
artwork at a 45° angle – this will allow
you to fold and tape the edges without
creasing.
Centre the artwork, toner-side
down, onto the copper side of the
circuit board and fold the artwork
over the edges onto the non-copper
side. Tape the longest side first, with
Sellotape or similar adhesive tape.
Don’t be tempted to use masking
Step 3: cut the page out with a 10-15mm. border, then cut
the corners off at a 45° angle (not too close to the artwork!).
Fold the longest edge over 180° 10mm from the pattern.
tape as its glue will melt from the heat
and the artwork will shift and destroy
your good work by smudging.
The rest of the edges of the artwork
are then taped onto the board, keeping
the paper as tight as possible. It’s a bit
like covering a book.
Once you are satisfied that the artwork is well secured to the board, set
the iron for the maximum temperature
(ie, the “linen” setting) and turn the
steam off.
Put the board on a firm, flat surface
(one which will not be damaged by
heat!) and run the iron over the whole
of the artwork. Apply a reasonable
amount of pressure while you are
doing this.
The paper will scorch and go brown
when the board is done properly and
the sticky tape on the reverse side goes
yellow from the heat. If you keep the
heat on for too long, the copper may
delaminate from the substrate – you
can see this as a blistered copper
surface and a discolouration on the
other side of the board.
Warning: the copper does get very
hot! Once this happens, stop heating
the board and allow it to cool naturally
– do not quench in water!
When the board is cool enough to
touch, you will notice that the paper
appears to be bubbling up from the
board. This is normal with boards
with wide track spacing and means
that it is time to remove the paper.
Removing the paper
The paper is removed from the
board by running it under a cold water tap and, when it is well and truly
soaked, gently ‘rubbing off’ the paper
fibres with your thumb and forefinger.
Patience is the key here; do not be
tempted to use anything harder than
Step 4: wrap the folded edge over the PC board (toner to
copper) and sticky tape it to the other side (not masking tape).
Then tape the other three sides, stretching the paper as you go.
FEBRUARY 2001 73
your fingers! You may not get all of
the fibres out of the tracks but you do
need to get rid of most of them.
If at first you don’t succeed...
You may discover at this stage that
you have not used quite enough heat
and the toner has not stuck well to
the board.
If this is the case, you can remove
the toner with automotive paint
thinners and start again with a fresh
printout. Make sure you do a really
thorough job with the iron.
Etching
Once the pattern is properly transferred and appears to have adhered
properly, you are ready to etch the
board.
All of the normal aqueous etchants
work well with this method but I
prefer to use ammonium persulphate,
at double normal concentration and
very hot, to avoid undercutting thin
tracks.
Once you are finished etching, the
toner can be removed with a cloth
moistened in automotive paint thinners such as Prepsol. Then you can
drill all the holes and cut the board
to size.
(Often it’s easier to do the reverse –
drill the holes while the toner is still
on the board, then strip it and cut it to
size. We would also spray the board
with a solder-through PCB lacquer to
prevent oxidisation.)
So there you have it, a cheap, easy
way to make PC boards that are nearly
as good as photo-etched boards but at
a fraction of the cost.
Boards produced by this method do
have a few limitations though; very
thick and very thin tracks sometimes
don’t work that well but the results
Designing your own PC boards is not too difficult, particularly when you use
one of the many software packages around. They also allow you to print your
pattern out reversed, ready to use in the process outlined here. This software is
PCB Designer 1 – you can download a trial version from the ’net.
with most of the boards published
are quite good.
As with all PC boards, commercial
or otherwise, you should always give
the pattern a thorough check before
building a project. Use the published
pattern as a guide or, if this is not
available, print out another copy to
check by.
And one final tip: if you’re printing
a pattern off the web, always ensure
your board size agrees with the project
board size before etching (SILICON
CHIP always gives the size of the board
in the parts list).
We’ve seen whole production runs
of double-size boards!
The PCB Designer 1 program
mentioned above is a 31-day evaluation version and is available from
http://shareware.cnet.com/shareware/0-13628-500-2089325.html?tag=st.sa.16165_501_1.lst.titledetail
Because it is such a long address
we’ve also published it in the “Panels & PCBs – November 2000” page
of the SILICON CHIP website (www.
silicon-chip.com.au) – all you have
to do is cut and paste the address into
your browser.
Easytrax is freeware and is also
available via the ’net – try http://
www. protel.com.au/etech/freeware_
SC
home.html
Step 5: set the iron to its hottest (‘linen’) with steam turned
Step 6: remove the paper fibres by wetting thoroughly then
off. Iron firmly on a hard surface until the paper is scorched rubbing gently but firmly. This takes some time but when
and the sticky tape starts to bubble. Allow to cool.
successfully completed, your PC board is ready to etch.
74 Silicon Chip
ATTENTION TEACHERS AND
EDUCATION INSTITUTIONS
A GREAT CHANCE TO BUY SCHOOL
EQUIPMENT AT BARGAIN PRICES
SCIENTIFIC CALCULATOR...
CASIO FX-350D
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BARGAINS OF THE MONTH
(USED) NETCOMM 56K V.90 MEGA-i-MODEM: This
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After one minute of cleaning they should appear new.
They are in "as new" condition and are supplied with
power adaptor and RS232 lead. The drivers can be
downloaded from Netcomm: (GMOD56K) $75
(USED) BUSINESS SPEAKERPHONE:
These PANASONIC model KX-TS85ALW
telephones were used for a short period during
the SYDNEY 2000 Olympics. Their features
include Data Port, Programmable Call Restriction, 16 digit LCD Readout, One touch speed dial,
NEW 6 CAN COOLER
AS USED BY VOLUNTEERS DURING Hands Free Handset compatibility, Built in Hands
Free Speakerphone, 9 Step Electronic Volume
THE OLYMPICS. Soft, foldable $5
Control for Speakerphone, 5 step Electronic
NEW HALOGEN LAMPS Osram brand
Volume Control for headset and handset, Call
12V 5W $2.50
Waiting, Ring Indicator, Call Forward immediate,
12v 20W $2.50
Dial lock, Redial, Recall. See Pansonic website for more information. These may be a
8 O H M 7 5 m m M A G . - S H I E L D E D little dusty . The speed dial window has never been written on. You will find these as a
newly introduced product in a Major Australian Electronics dealers' catalogue for
SPEAKERS.
$161. The manual is not supplied but can be downloaded. Our introductory price will
Foam edged poly cone :2 for $9
be: (KXTS85) $50 each or 2 for $90
JUMBO SERVO KIT...Use it with our
"German Motor" or a motor / gearbox of PENTIUM II MOTHERBOARD: Recent VIDEO CAMERAS
your choice. This kit is designed to work motherboard made for the latest CPU's. The output of these cameras below is std
just like a std R/C servo (with much greater Std ATX form factor. Has 3 x (16-bit) ISA video & can be plugged into the "VIDEO
power) using 1-2mS pulse width. It has slot, 4 x (32-bit) PCI slots, 1 x AGP slot & 3 IN" socket of any Australian std VCR,
proportional control ie. if you move the x DIMM (memory) slots, On-board 1 x video monitor or TV, or via an RF
joystick a little, the servo moves a little. It PS/2 keyboard, 1 x PS/2 mouse socket, 2 x Modulator to an Ant. Input. The B/W
can be used with a std. R/C receiver or with USB, 1 x parallel, 2 x serial ports. With cameras are Infra Red responsive & can
our servo controller kit. Some applications setup manual & CD, IDE & FDD cables. be used in total darkness with IR
inc... R/C models, Robotics, Gates & Brand new in original box. Accepts Intel Illumination.
Doors, Fly by wire control (with our servo Pentium II & Intel Celeron CPU's (NOT MONOCHROME CCD VIDEO CAMERA
controller) of things like Forward controls SUPPLIED) from 233 to 800MHz. The WITH AUDIO: B&W Camera built on a
for outboards (steering, throttle etc), Pan & CPU socket is SLOT-1, S-370 CPU could PCB with auto iris. (0.1 lux). Can be
tilt of Cameras, Antenna dishes etc. Could be use with a converter board (NOT focused sharply down to a
SUPPLIED). Selectable 66 & 100MHz
be used as a winch
few mm(useful for people
BUS speeds & a clock multiplier up to 8
for sails etc. with the
with visual impairtimes. Should accept Pentium III CPU's,
addition of a multi
ment). Spec.:
on a 100MHz bus: (SP6XS) $90
turn pot & a winch
Power req.: 10V to
drum. Kit includes
12V <at> approx.
PCB, all onboard parts, feedback pot & KTX PENTIUM II HEATSINK & FAN: 50mA.CCD: 1/3",
suitable mini case $35 (arm or winch Brand new in original
30grams: with 60° $89, with 92° lens:
drum not included) Add $20 for geared pack with clips &
power lead
60 SEC VOICE RECORDER MODULE
German Motor.
terminated with
This is a small pre-built module and can be
DUAL SERVO CONTROLLER KIT
a 3 pin plug.
set from 1 long up to 8 short messages.
This is designed to control R/C
(HHSP2) $4.50
Features include eight pushbuttons, one
servos with 1-2mS pulse with.
Others available. Check our web site
for each message. Operates from
Ideal for use with our
6Vdc:$28....Optional speaker $1
30 SEC VOICE RECORDER MODULE
Jumbo Servo kit or with
This is a pre-built module and is the size of BATTERIES
std servos. Applications
a postage stamp. Ideal as a personal Used in the opening and closing
include testing of R/C
reminder or could be integrated into other ceremony to illuminate the props etc.
servos pan and tilt of
kits like the shop minder to say "welcome Limited stock. 2V per cell, all have Y2K
cameras etc. Std.
people to a shop", "mind your step", date codes. Ideal for fishermen etc.
kit includes PCB all
onboard components, suitable case and "please close the door".
pots. $14.... Std. Kit plus power supply Operates from 6Vdc : $16
suitable for powering 1 Jumbo Servo $24 Optional speaker $1
MICRO SWITCHES
3 mini micro switch assembly
on a 600mm cable with a small
plug. 3 assemblies for $5
(BRAND NEW) COMPRESSOR /
VACUUM PUMP: Thomas brand, US
made units, model # 500CAR75. 115V /
60Hz / 8.1A, 100V / 60Hz / 7.4A and 100V /
50Hz /6.8A. Maximum pressure 435PSI,
maximum vacuum 27Hg. We ran these
from a 24V DC supply, current drawn was
1.4A (No load) and they produced a
pressure of 30000kPa. Two of these units
could probably be connected
in series to run from 240V,
but their inputs or outputs
(AS NEW) WEATHERPROOF MARINE
HORN SPEAKERS: Military grade marine
weatherproof horn speakers, made from
stainless steel and extremely durable
plastic (horn). The impedance of the
speaker is 15ohm and its direct
connections are accessible. An
impedance matching transformer is also
included (70V line?) and the power
settings are switchable at 1/4, ½,
1, 2, and 4 watts.
Overall dimensions
are 290 x 260 x
215mm and the
unit weighs
6.3Kg. These are
unused and in "as
new' condition: (ZA0119) $60 each or 2 for
$110
(NEW) COMMUNICATIONS SPEAKER:
Nokia brand high quality ABS slim line
case measuring 110 x 60 x 50 with swivel
would have to be
bracket. Includes mounting screws and
connected together so they
double sided tape.
share the load equally? Measures Approximately 1.5
approximately 264mm long and 205mm metre cable with
high. Weighs 5.1Kg. A few only at a 3.5mm mono plug:
bargain price: (ZA0118) $75 each
(AS6) $5.50
12V 3.6 Aph gel cell
on a waist belt $15
12V 8Aph $14
8 CHANNEL PC CONTROLLED RELAY
INTERFACE KIT: Ref: Silicon Chip
September 2000. This kit is designed to
operate eight relays from a PC parallel
port. The kit includes PCB and all onboard components including eight relays
(2 are high current contact ratting) with
"ON" indicating LED's and a PCB
mounted DB25 connector. Also included
is some simple software
(on 3.5" floppy disk)
written in Basic to
operate the kit:
(K164) $40
A suitable DB25
male to DB25
female data
cable is also
available for
this kit: (K164C) $8
CCD CAMERA INTERFACE KIT:
Ref: Electronics Australia
October 2000. This kit
is designed to
interface
between CCD
Cameras and
a Television.
Features include
regulated 11V to power the camera, an
audio amp with an LM386 IC & a VHF
video modulator for use with TV antenna
inputs. Input to the kit is 14 - 17V AC or DC.
The PCB also has provision for a UHF A/V
Modulator Kit inc. PCB & all on-board
components inc. VHF Modulator, electret
mic, speaker & a plastic case: (K163) $18
Kit with CA41L92 CCD Camera: (K163C)
$95 Suitable Plugpack: (PP13) $9 UHF
A/V Modulator: (RM1) $18
NEW 30M 10A
EXTENSION
LEAD
HEAVY DUTY
TRADES QUALITY
$30
(NEW) AUTO DOCUMENT FEEDER DF10II (FOR OVERHEAD PROJECTORS):
Brand new in box with
Infra-red remote
control batteries
inc & operation
manual.
Could be
adapted
to suit most
photo copiers: (11) $ (70 only)
FLIGHT FORCE PC JOYSTICK:
This analogue joystick features
4 fire buttons - with disable
function for 2 player compatibility, Contoured handgrip,
auto centering, independent
auto-fire & X & Y axis trim.
Has a durable metal base
with a large suction cup for
stability. This item is new & in
its original retail box: (ZA0098) $25
VHF-UHF TV ANTENNAS WITH
ROTATOR
New & complete in original box.
Features include high gain RF amp.
This antenna would be ideal for homes,
units or caravans, weekenders and
camper vans where it can be setup or
stowed away quickly. These antennas
come pre-wired with several meter of very
flexible co-ax ready to plug into there base
control unit. Features inc. Quick G-clamp
style antenna mount and could be fitted to
a balcony rail in seconds, rotary control
from base control unit or its ultra-sonic
remote control from the comfort of your
armchair. The base control unit powered
by 240Vac and comes with instructions for
simple conversion to 12V
operation as it
doesn't
have
local
approvals.
We do not
recommend connection
to Australian
mains
supply!:
$29
$29
CHECK OUT OUR BARGAIN
CORNER FOR
G R E AT
B A R G A I N S L I K E
THESE...AVO Multi-meters
$30... Megger-meters
$35...Great bargains at a
fraction of the new cost.
www.oatleyelectronics.com Orders: Ph ( 02 ) 9584 3563 or 64, Fax 9584 3561, sales<at>oatleyelectronics.com, PO Box 89 Oatley NSW 2223
major cards with ph. & fax orders, Post & Pack typically $7 Prices subject to change without notice ACN 068 740 081 ABN18068 740 081
SC_FEB_01
Clean up the clicks & pops on your vinyl records with the
LP DOCTOR
Building the LP Doctor sure is a lot easier
than understanding how it works. All the
parts are mounted on a single PC board and
this is installed in a rack case to produce an
attractive unit.
Pt.2: By JOHN CLARKE
The PC board for the LP Doctor is
coded 01101011 and measures 311
x 160mm. Begin construction by
checking your board for any shorts
between tracks or breaks in the copper traces. Check also that the holes
sizes are correct. You will need 3mm
holes for the board mounting screws,
1mm holes for the 1N4004 diodes and
1.5mm holes for the terminals of the
two potentiometers (VR1 & VR2).
Finally, check that the PC stake
76 Silicon Chip
holes are the correct size for the
stakes that you are using. In most
cases, everything will be correct but
it’s always a good idea to check before
installing any of the parts.
Fig.9 shows the parts layout for
the PC board. You can now start the
assembly by installing the links and
resistors. The resistor values can be
checked against the colour code table
(Table 2) or you can check their values
using a digital multimeter.
The best approach is to install and
solder 10 or 12 resistors at a time. The
excess lead lengths are then trimmed
close to the board using sidecutters
before moving on to the next batch.
The PC stakes can go in next –
there are 25 stakes in all and these
are installed at the external wiring
points (for the LEDs, power supply,
earth, signal inputs and outputs, and
switch S2). Once these are in, install
inductors L1 and L2. These consist
simply of short lengths of tinned copper wire which are threaded through
5mm-long RF ferrite beads.
Now for the semiconductors. Make
Below: this view shows the general
layout of all the hardware. The rotary
switch terminals are connected to PC
stakes on the PC board using lengths
of tinned copper wire.
The LP Doctor can be used every time you listen to your
LPs or it can be used to clean up the sound from LPs
before transferring them to CD-ROM.
sure that each IC goes in its designated
position and that it is correctly orientated. The ICs all face in the same
direction and pin 1 is always adjacent
to a small dot or notch in one end of
the plastic body of the device.
Similarly, watch the orientation
of the diodes and transistors when
installing them. Take care also not to
get the transistors mixed up – Q1 & Q3
are PNP BC558s, while Q2 & Q4 are
NPN BC338s. Use the 1N4004 power
diodes for D1-D5 and the smaller-bodied 1N4148s for D6-D10.
The three 3-terminal regulators
(REG1-REG3) all face in the same direction but note that these devices are
all different so don’t get them mixed
up. In particular, REG1 is an LM317
type, while REG2 is an LM337. The
third regulator, REG3, is an LM29405. Install them with their metal tabs
positioned as shown on Fig.9
The board assembly can now be
completed by installing the capacitors, trimpots, potentiometers (VR1
& VR4) and the two crystals (X1 &
X2). You will find that the ceramic
and MKT capacitors have their values
marked in code – see Table 1. The capacitors and crystals can go in either
way around but make sure that the
electrolytic capacitors are installed
with the correct polarity.
The exceptions here are the bipolar
(BP) or non-polarised (NP) electrolytic capacitors, which can be installed
either way. There are quite a lot of
these, so check the parts layout diagram carefully for their locations.
Preparing the case
As supplied, the case comes in
pieces and it’s a good idea to drill the
front and rear panels before putting it
together. Use the front panel artwork
(Fig.10), the signal input wiring diagram (Fig.11) and the mains wiring
diagram (Fig.12) as a guide to positioning these holes.
Starting with the front panel, you
have to drill holes for mains switch
S1, potentiometers VR1 & VR4, the
three indicator LEDs and rotary
switch S2. The square hole for the
mains switch (S1) can be made by first
drilling a series of small holes around
the inside perimeter, then knocking
out the centre piece and carefully
filing it to shape.
Don’t make this hole too big – the
mains switch must be a tight fit so
that it is properly secured by its retaining tabs.
The rear panel requires holes for
the safety fuseholder, the mains lead
cordgrip grommet, the 4-way RCA
socket and an adjacent earth lug. Take
care with the hole for the cordgrip
grommet. This hole is not round -
instead, it must be carefully profiled
to match the shape of the grommet,
so that the grommet can not later be
pulled out when the mains cord is
fitted.
Once all the holes have been
drilled, assemble the case without
the lid, using the machine screws
supplied. The next bit is important:
be sure to scrape away the paint at
the countersunk screw points, so
that each section of the case makes
good metal-to-metal contact. This
ensures that each section is properly
earthed to mains earth (important for
safety reasons) and also stops hum
problems.
Next, position the PC board on the
base of the case on 10mm standoffs
with the shafts of the potentiometers
protruding through the front panel.
You can now fit the knobs to the pot
shafts and mark out the locations for
the six standoff mounting holes. You
should also mark out the mounting
holes for the power transformer and
the mains earth lug (4mm hole).
This done, remove the PC board and
drill all the marked holes in the base.
Once the holes have been drilled,
scrape away the paint or anodising
from the area around the two earth
lug mounting holes (ie, adjacent to the
power transformer and 4-way RCA
terminal block). This is necessary to
FEBRUARY 2001 77
10k
1F
0V
9V
25V
AC IN
0V/9V
D1
D2
25V
D3
D4
REG1
470F
470F
.0068F
10k
0.1F
470F
16V
0.1F
11k
22k
150pF
22k
560pF
10k
TP4
150pF
10F
+
100k
220
27k
1k
1k
150pF .068F
BP
10k
SOLDER TO
POT BODY
1M
1M
.0068F
270
10F
5.1k
IC7
M65830P
1
IC14
TL072
VR7
250k
100pF
1
+
SWITCH S2
(REAR VIEW)
9
C
A
R
L
BP
39k
1F
82k
10F
BP
150pF
82k
39k
1F BP
10F BP
82k
100k
150
150
78 Silicon Chip
22k
11k
22k
.068F
27
0.1F
0.1F
22k
150
100k
100k
.0047F
100pF
16k
200k
10F
BP
1k
IC1
LM833
1
0.1F
100k
100k
100k
82k
BP
1
LEFT
IN
BP
SIG
GND
10F
RIGHT
IN
1k
L2 10F
47F
0.47F
10F
LEFT
OUT
GND
SIG
SIG
GND
RIGHT
OUT
SIG
TO CHASSIS
EARTH
L1
47F
150
9
BP
560pF
10F
47F
+
8
L
R
IC9
LM833
560pF
100k
7
3
10F
16k
10
C
150pF
1
390pF
100k
560pF
6
IC5
LM833
BP 10F
10k
.01F
10F
11
5
L
10k
100k
100k
2
PROCESS BYPASS
4
12
FILTER
1
BP
100k
47k
H11F1
10F
10k
BP
150pF
+
2
A
R
10F
11k
1
IC8
100k
1
IC4
BP
200k
.01F
22k
10F
+
3
8
L
OUT
1
R
560pF
10F BP
100k
330pF
0.1F
10k
10k
10k
100k
10F BP
10k
100k
150pF .068F
10F
+
TO
SWITCH S2
PIN NO.
7
470F
16V
+
VR1 10k
330pF
H11F1
SOLDER TO
POT BODY
IC3
M65830P
+
100k
100pF
1
+
BP
+
LEVEL
+
BP
100pF
2MHz
1k
10k
2x
10F
X1
.001F
10k
33F
2.2k
IC2
LM833
+
56k
A
LED1
1M
10F
1
10F
+
K
IC6
LM393
1
+
10F
1k
10k
33F
.015F
BP
56k
560pF
47k
.015F
.0047F
100pF
10k
10k
270
10F
+
100k
47F
10F
+
330pF
Fig.10 (right): this
is the front panel
artwork, reproduced
50% actual size.
10k
10k
.001F
22k
10k
TP3
100pF
2MHz
11k
10pF
4.7k
27k
4.7k
D9 D8
+
+
VR4 50k
X2
BP 10F
1N
4148
VR6
250k
1M
BP 10F
150pF
1N
4148
100k
10pF
10k
10k
TP2
220
47k
47k
.068F
27
100k
1
IC10
TL072
BP
10k
220
SENSITIVITY
1F
0.1F
10k
10F
5.1k
VR3
250k
1
IC11
TL072
LED3
A
Q4
10pF
10F
+
BP
BC338
Q2
+
VR2
250k
10F
BC558
BC338
1N
4148
A
K
TP1
1N
4148
100k
10k
+
220
LED2
Q3
10F
BC558
D7 D6
+
10pF
Q1
K
1
IC16
7555
Fig.9: install the parts on the PC board as shown here. Make sure that all parts are correctly oriented and are mounted in their correct locations.
10k
10k
10F
+
VR5
250k
100k
10k
1
IC13
7555
+
10k
1
IC12
LM393
VR8
250k
100k
1F
REG2
10F
100k
+
1
IC15
LM393
2.2k
LM337
1
IC20
74HC165
22k
47k
D10
22k
6.8k
560pF
1N
4148
+
100k
1F
2.2k
LM317
2200F
100k
REG3
2940-5
+
1k
4.7k
10F
10F
BP
+
100F
100F
0.1F
1
+
10F
10F
IC19
4022
+
+
IC18
4093
4.7k
10F
+
.001F
+
+
IC17
4060
1
D5
1k
+
10F
+
1
2200F
+
10F
Table 1: Capacitor Codes
Value
IEC Code EIA Code
0.47µF 474 470n
0.1µF 104 100n
.068µF 683 68n
.015µF 153 15n
.01µF 103 10n
.0068µF 682 6n8
.0047µF 472 4n7
.001µF 102 1n0
560pF 561 560p
330pF 331 330p
150pF 151 150p
100pF 101 100p
10pF 10 10p
ensure that the earth lugs make good
contact with the bare metal of the case.
Final assembly
The various hardware items – including the power transformer, switch
S2 and the earth lugs – can now be
installed in the case. Use the mounting kit supplied to secure the toroidal
transformer – the large rubber washer
goes directly on top of the transformer,
then the metal washer is positioned
over the top of this and the assembly
secured using the mounting bolt.
Make sure that the mains earth
lug is properly secured – it must be
attached using an M3 screw, nut and
Fig.11: here’s how to wire up the RCA sockets on the rear
panel. These connections must be run using shielded cable.
star washer. We also recommend that
you fit a second lock “nut” to this
assembly, so that it cannot possibly
come loose later on. Once it’s fitted,
use your multimeter to confirm a good
contact between the earth lug and the
various panels of the case. The earth
lug adjacent to the input sockets is
secured using one of the mounting
screws that’s used to secured the
4-way RCA terminal panel.
Begin the wiring by running
shielded cable connections between
the RCA sockets and the PC board
(Fig.11). The adjacent earth lug is
connected to a PC stake on the board
using insulated hookup wire. An additional length of insulated hookup
wire is then run from this point and
soldered to the bodies of potentiom
eters VR1 and VR4.
You will need to scrape away the
Table 2: Resistor Colour Codes
No.
4
2
27
4
2
5
2
2
9
2
4
26
1
2
4
3
8
2
4
4
2
Value
1MΩ
200kΩ
100kΩ
82kΩ
56kΩ
47kΩ
39kΩ
27kΩ
22kΩ
16kΩ
11kΩ
10kΩ
6.8kΩ
5.1kΩ
4.7kΩ
2.2kΩ
1kΩ
270Ω
220Ω
150Ω
27Ω
4-Band Code (1%)
brown black green brown
red black yellow brown
brown black yellow brown
grey red orange brown
green blue orange brown
yellow violet orange brown
orange white orange brown
red violet orange brown
red red orange brown
brown blue orange brown
brown brown orange brown
brown black orange brown
blue grey red brown
green brown red brown
yellow violet red brown
red red red brown
brown black red brown
red violet brown brown
red red brown brown
brown green brown brown
red violet black brown
5-Band Code (1%)
brown black black yellow brown
red black black orange brown
brown black black orange brown
grey red black red brown
green blue black red brown
yellow violet black red brown
orange white black red brown
red violet black red brown
red red black red brown
brown blue black red brown
brown brown black red brown
brown black black red brown
blue grey black brown brown
green brown black brown brown
yellow violet black brown brown
red red black brown brown
brown black black brown brown
red violet black black brown
red red black black brown
brown green black black brown
red violet black gold brown
FEBRUARY 2001 79
INSULATE ALL
EXPOSED MAINS
CONNECTIONS!
250VAC
MAINS
CABLE
F1
CORD
GRIP
GROMMET
LO
W
PANEL
MOUNT
FUSE
HOLDER
SECURE LUG TO
METAL CHASSIS WITH
M3 SCREW, NUT
& STAR WASHER
Fig.12: follow this wiring diagram
exactly to install the mains wiring.
Be sure to use mains-rated cable for
all mains wiring and make sure that
the earth lug makes good contact
with the chassis. All exposed mains
terminations should be sleeved with
heatshrink tubing and the wires
should be laced together using cable
ties – see text and photos.
N
BLU
BR
OW
L
E
E
GREEN/ Y
T1
MT-2082
0V
.001F
250VAC
D5
MAINS RATED
S1
CLASS "X2"
250VAC CAPACITOR
(REAR
VIEW)
passivating coating from the pot bodies so that the solder will “take”. If you
don’t do this, you will get a “dry” joint
for sure and the pot bodies will not be
properly earthed to the signal input.
And that could cause hum problems.
The three LEDs are installed by
pushing them through the holes in the
front panel and then soldering their
leads to the board-mounted PC stakes.
Take care with the lead polarity – the
anode lead is always the longer of the
two and the cathode lead is adjacent
to a flat on the plastic collar of the
LED body.
Switch S2 can be wired to the PC
board using tinned copper wire. Make
sure that the wires are positioned so
that they don’t come in contact with
one another.
Mains wiring
Fig.12 shows the mains wiring details. Exercise extreme caution when
Table 3: Changing Delays For IC3 & IC7 With Linking On IC20
Delay
0.5ms
1.0ms
1.5ms
2.0ms
2.6ms
3.1ms
3.6ms
4.1ms
4.6ms
5.1ms
Pin 12
GND
GND
GND
GND
GND
GND
GND
GND
GND
GND
80 Silicon Chip
Pin 13
GND
GND
GND
GND
GND
GND
GND
GND
GND
GND
Pin 14
GND
GND
GND
GND
GND
GND
GND
GND
+
+
Pin 3
GND
GND
GND
GND
+
+
+
+
GND
GND
Pin 4
GND
GND
+
+
GND
GND
+
+
GND
GND
Pin 5
GND
+
GND
+
GND
+
GND
+
GND
+
9V
0V
9V
D1
D2
D3
D4
470F
+
25V
470F
+
25V
installing this wiring and be sure to
follow Fig.12 exactly – your safety
depends on it.
First, strip back about 380mm from
the outer sheath of the mains cord, so
that the Active (brown) lead has sufficient length to reach both the fuse
and the power switch (S1). This done,
clamp the mains cord into position
using the cordgrip grommet. Check
that the grommet properly clamps the
cord to the chassis; you must NOT be
able to pull the cord back out.
The Active (brown) lead goes to
the centre terminal of the fuseholder
and the excess lead then run between the outside terminal and the
mains switch. Slip a 40mm length
of heatshrink tubing over the two
leads before soldering them to the
fusehold
er. Once the connections
have been made, push the tubing
over the body of the fuseholder (so
that the terminals are covered) and
shrink it down using a hot-air gun.
The connections to the mains
switch are made using fully-insulated female spade terminals. Make sure
that the various leads are all securely
crimped to these terminals before fitting them to the switch terminals (use
the correct crimping tool for the job).
The .001µF 250VAC capacitor is
soldered (using minimum lead length)
directly to the switch terminals, right
at the switch body. It’s important to
solder the leads right at the switch
body, to leave sufficient room for the
spade terminals to be pushed on.
The earth (green/yellow) lead from
the mains cord is soldered directly
to the adjacent earth lug. This lead
should be left long enough so that it
will be the last connection to break if
the mains cord is “reefed” out.
Use four or five cable ties to lace the
mains wiring together, with one tie
close to the mains switch and another close to the fuseholder. This will
ensure that if a lead comes adrift, it
will be secured to the other leads and
the “live” end cannot make contact
with the case.
Finally, connect the transformer
secondary leads to the relevant stakes
on the PC board as shown in Fig.12.
These leads should also be laced
together using cable ties.
Testing, testing
At this stage, you should go over
your work and carefully check the PC
board assembly and chassis wiring.
In particular check that all ICs and
other semiconductors are correctly
orientated and in their correct locations. You should also make certain
that the mains wiring is correct and
that the chassis is properly earthed
(use a multimeter to check for continuity between the chassis and the
earth pin of the mains cord).
Now install the fuse in the fuseholder, then set your multimeter
to the DC volts range and connect
its common lead to the metal tab of
regulator REG3. Apply power and
quickly check that there is +5V at
pin 16 of IC17, +7.5V at pin 8 of IC1
and -7.5V at pin 4 of IC1.
Note that the +7.5V supply rail will
take a second or two to stabilise after
power has been switched on. Also the
voltage could be between 7.3V and
7.9V, depending on the particular
regulator.
If all is OK so far, you can check the
supply rails to the other ICs. There
should be +5V at pin 16 of IC17, IC19
Parts List
1 1U metal rack case (Altronics H
5035 or equivalent)
1 PC board, code 01101011, 311
x 160mm
1 9V 20VA toroidal transformer
(Jaycar MT 2082 or equiv) (T1)
1 SPST mains rocker switch with
neon (S1)
1 2P6W rotary switch (S2)
1 3AG panel-mount safety
fuseholder (F1)
1 150mA 3AG slow blow fuse
1 cordgrip grommet for mains
cable
1 7.5A mains cable and plug
4 rubber feet
1 dual 10kΩ linear 16mm pot (VR1)
1 dual 50kΩ linear 16mm pot (VR4)
6 250kΩ horizontal trimpots
(VR2,VR3,VR5-VR8)
2 RF ferrite beads 5mm long
(L1,L2)
2 16mm black anodised knobs
1 22mm black anodised knob
2 2MHz crystals (X1,X2)
1 7.5A mains power lead and plug
1 35mm length of 15mm diameter
heatshrink tubing
1 4-way RCA socket strip
1 M4 x 10mm screw
1 M4 nut
1 M4 star washer
14 M3 x 6mm screws
2 M3 nuts
6 M3 shakeproof washers
6 M3 tapped spacers 10mm long
1 M4 crimp eyelet lug
1 M3 crimp eyelet lug
3 fully insulated 6.4mm female
spade crimp lugs
1 4m length of 0.8mm tinned
copper wire
1 400mm length of single shielded
cable
1 300mm length of green hookup
wire
6 100mm long cable ties
24 PC stakes
Semiconductors
4 LM833 op amps
(IC1,IC2,IC5,IC9)
2 M65830P or M65830BP (but
NOT 65830AP (IC3,IC7)
2 H11F1 or H11F3 opto FETs
(Quality Technologies QT or
Isocom) (IC4,IC8)
3 LM393 comparators
(IC6,IC12,IC15)
3 TL072, LF353 dual op amps
(IC10,IC11,IC14)
2 7555 timers (IC13,IC16)
1 74HC165 8-bit shift register
(IC20)
1 4022 divide by 8-counter (IC19)
1 4060 binary counter (IC17)
1 4093 quad dual NAND Schmitt
trigger (IC18)
1 LM317T adjustable positive
regulator (REG1)
1 LM337T adjustable negative
regulator (REG2)
1 7805 5V regulator (REG3)
2 BC328 PNP transistor (Q1,Q3)
2 BC338 NPN transistor (Q2,Q4)
3 3mm red LEDs (LED1-LED3)
5 1N4004 1A diodes (D1-D5)
5 1N4148, 1N914 diodes (D6-D10)
Capacitors
2 2200µF 16VW PC electrolytic
2 470µF 25VW PC electrolytic
2 470µF 16VW PC electrolytic
2 100µF 16VW PC electrolytic
2 47µF 25VW electrolytic
2 47µF bipolar electrolytic
2 33µF bipolar electrolytic
21 10µF 16VW electrolytic
15 10µF bipolar electrolytic
6 1µF bipolar electrolytic
1 0.47µF MKT polyester
9 0.1µF MKT polyester
4 .068µF MKT polyester
2 .015µF MKT polyester
2 .01µF MKT polyester
2 .0068µF MKT polyester
2 .0047µF MKT polyester
1 .001µF 250VAC X2 class
polyester
3 .001µF MKT polyester
7 560pF ceramic
4 330pF ceramic
8 150pF ceramic
6 100pF ceramic
4 10pF ceramic
Resistors (0.25W, 1%)
4 1MΩ
26 10kΩ
2 200kΩ
1 6.8kΩ
27 100kΩ
2 5.1kΩ
4 82kΩ
4 4.7kΩ
2 56kΩ
3 2.2kΩ
5 47kΩ
8 1kΩ
2 39kΩ
2 270Ω
2 27kΩ
4 220Ω
9 22kΩ
4 150Ω
2 16kΩ
2 27Ω
4 11kΩ
FEBRUARY 2001 81
This is the view inside the completed unit. Keep the mains wiring tidy and make sure that the cord is properly secured.
& IC20, pin 14 of IC18 and pins 1 & 24
of IC3 & IC7. Pin 8 of all the 8-pin ICs
should be at +7.5V. Similarly, pin 4 of
all the 8-pin ICs should be at -7.5V,
except for IC13 & IC16.
IC13 & IC16 should have +7.5V at
pins 4 & 8 and -7.5V at pin 1.
Assuming that all these voltages
check out, you now have to adjust
the voltage offsets using the onboard trimpots. The procedure is as
follows:
(1). Connect a multimeter to test point
TP1 and adjust VR2 slowly until the
voltage is below about ±60mV DC.
This done, connect the meter to TP3
and adjust VR6 for a similar value.
Note: this adjustment is a little tricky,
as the voltage will jump suddenly
from a positive value to a negative
value, so proceed slowly here.
(2) Monitor test point TP2 and adjust
VR3 for 0mV, or as close to this as
possible.
(3) Monitor test point TP4 and adjust
VR7 for a 0mV reading.
(4) Set trimpot VR4 to mid-position
and adjust trimpot VR5 so that the left
blanking LED (LED2) is just past the
threshold of turning off (ie, the LED
should just remain off). Adjust VR8
so that LED3 also just remains off.
82 Silicon Chip
You are now ready to give the LP
Doctor a test run. To do this, connect
a turntable to the inputs and connect
the outputs to an auxiliary (line
level) input on a stereo amplifier
(use shielded leads fitted with RCA
connectors for this job).
Note that you must not connect to
the LP Doctor’s outputs to the phono inputs on your amplifier. That’s
because the LP Doctor has its own
inbuilt RIAA phono preamplifier and
you’ll really mess the sound up if you
then feed the signal through another
phono preamp stage.
Now set the Sensitivity pot (VR4)
fully anticlockwise, play an LP and
adjust the Level pot (VR1) so that the
clipping LED (LED1) just flashes on
high level signals. You can then test
the three positions for rotary switch
S2 – ie, Bypass, Process and Process
& Filter.
In the Bypass mode, any clicks
and pops on the LP will still be
heard since no processing takes
place. Switching to the Process mode
should eliminate many of these clicks
and pops, provided the sensitivity
control is adjusted correctly. This
control should be set so that the
blanking LEDs light when there is
a click or pop but not for normal
program material.
The third position (Process & Filter) should not only reduce clicks
and pops but should reduce high
frequency noise as well.
Changing delay times
Finally, some readers may want
to experiment with different delay
times for the delay chips (IC3 & IC7).
This can be done by changing the
connections to the D1-D6 inputs (ie,
pins 12, 13, 14, 3, 4 & 5) of IC20. Table
3 shows the connections required for
delays ranging from 0.5ms to 5.1ms
in 0.5ms steps, which should be
sufficient for experimenters.
The PC board has been designed
to make these changes easy. All you
have to do is cut the thinned track
sec
t ions which connect each pin
to the +5V or GND rail and solder a
bridge to the alternative rail instead.
Note that the pattern originally sets
the delay to 1ms – ie, pin 5 high and
the remaining pins low.
Note also that the delay times for
7555 timers IC13 & IC16 must be
greater than the set delay time for IC3
& IC7. This means that the .0068µF
capacitor at pins 6 & 7 of IC13 & IC16
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should be changed when longer delays are programmed.
The delay time for IC13 & IC16 is
equal to 1.1RC, where R is the resistor
value (1MΩ) and C is the capacitor
value on pins 6 & 7. Use the next
available capacitor value up from the
SC
calculated value required.
__________________ P/code_______
FEBRUARY 2001 83
VINTAGE RADIO
By RODNEY CHAMPNESS, VK3UG
The Healing 412E: an Australianmade PC-board valve radio
Valved radio receivers on PC boards were
not all that common in Australia, mainly
because few manufacturers took the plunge
and adopted this technique. Among those
that did were Healing, Pye and Admiral.
There’s no doubt that PC board
production methods simplify production line manufacture. However, with
valve radios, there was the problem
as to how to mount the heavy power
transformer. Mounting it on the PC
board wasn’t really a proposition,
since the board could easily be
cracked if a minor mishap occurred
in handling the receiver.
For this reason, the power transformer was usually mounted either
on a small metal sub-chassis (eg, as
in the Healing 412E mantle receiver)
or on a substantial chassis which also
accommodated other heavy items (eg,
as used by Admiral). In the latter case,
the PC board was mounted in a cutout
on the chassis.
Healing 412E
The Healing 412E is a small mantle
AM receiver which used three valves:
a 6BE6 converter, 6N8 IF and detector
stage, and a 6BM8 for the audio output
stages. The power supply consists of
a transformer and a half-wave solid
state rectifier – see Fig.1.
The dial system on this set is rather
crude, being a di
rect-drive system
with the tuning knob mounted on
the end of the tuning gang spindle. I
had expected that it would be touchy
to tune but the knob is big enough to
make tuning easy. The dial leaves a bit
to be desired, however – it consists of
nothing more than a piece of gluedon cardboard with station markings
(some radios apparently have the dial
calibrated in frequency only).
My radio has no cover over the dial
although some units were fitted with
a clear plastic cover.
In this set, the power transformer
was mounted on a small sub-chassis
The PC board, mains transformer and the transformer
sub-chassis are all removed from the cabinet as one piece.
Note the earthing wire from the 6BE6 shield to the top of the
adjacent IF transformer can – a necessary modification to
improve sensitivity.
84 Silicon Chip
at the righthand end of the cabinet (as
viewed from the front). A PC board
running across the remainder of the
cabinet width took care of most of
the circuitry, while a multiple-turn
loop antenna was wound on the back
wooden board cover of the receiver.
Interestingly, the more fashionable
loopstick antenna was not used in
this set.
Restoring the Healing 412E
So how did I come by the set? Well,
a friend was cleaning out his garage
and wanted to get rid of it. When I saw
it, I could understand why – it was
the grubbiest little mantle set I had
seen in years. Despite this, I happily
accepted the receiver although I had
no idea at the time what I would do
with it.
Eventually, however, I decided to
restore the set and I began by dismantling it so that it could be cleaned
up. It was covered in oily, greasy
dust-impregnated muck and had also
had water through it if the rust was
any indication.
Initially, I decided to clean the PC
board and chassis metalwork using a
brush soaked in household kerosene.
This did a reasonable job but some
spots were difficult to get at, so the
cleaning was not to perfection. It was
then that I made my second mistake
(the first being accepting the set) – I
tried using methylated spirits to
give the chassis and PC board a final
clean but found that this removed the
screen-printed track pattern on the top
of the board.
This was something I hadn’t expected. The screen-printed track pattern is
handy because it mirrors the copper
track pattern on the underside of the
board, which makes it easy to trace
the circuit. I dried the metho off as
best I could and was relieved to find
that most of the gunk was removed
but not much of the print.
The cabinet was an even worse disaster. It was scrubbed in the laundry
tub using water and detergent to get
the gunk off. This was a slow process
because I had to be careful to avoid
splashing water onto the paper dial
scale.
The front decorative grille is a real
challenge to clean. It consists of many
5mm square holes which are around
5mm deep. It was extremely difficult
to clean the sticky gunk out of these
recesses, so I tried using methylated
This view shows the Healing 412E before cleaning and restoration. The cabinet
was covered in an oily dust-impregnated muck and was scrubbed clean in a
laundry tub using water and detergent.
spirits to help loosen the gunk.
Unfortunately, the grille started
to dissolve – or perhaps it was some
paint (I’m not sure) – so I promptly
stopped doing this. The grille returned almost to normal once the
methylated spirits had evaporated
but it left a dirty white-looking finish
where the metho had been.
Because I had nothing to lose, I
decided to spray-paint the grille using
several coats of white enamel. I had to
hand-paint some bits around the dial
and the end result was less than per
fect but it was a definite improvement
on the original.
The rest of the cabinet needed a
good cut and polish. I started by using a fine grade of wet-and-dry paper
to get rid of the deep scratches but
some were just too deep and I had to
be content with getting rid of most of
them. I then polished the cabinet with
automobile cut and polish and it now
looks quite reasonable, although not
up to my normal standards.
Water damage
The thin composite wood panel
used for the back of the set was also a
problem. It had buckled due to water
damage at some stage, although this
The PC board was also covered with dirt and grease but responded quite well to
a cleanup using a kerosene-soaked brush.
FEBRUARY 2001 85
The composite wood panel used for the back cover had suffered water damage
and was restored by spraying it with matt black paint. This panel also supports
the antenna coil, which is mounted on the inside.
hadn’t adversely affected the antenna
loop that was glued to the back. This
panel was sprayed with matt black
paint to get rid of the water stains and
this really improved its appearance,
so that it now looks acceptable.
When looking at a receiver, restorers should always ask themselves,
whether the set is worth restoring in
terms of time, effort and money. In this
case, having restored the cabinet and
cleaned the chassis, I was beginning
to question the wisdom of tackling
this particular project.
Overhauling the circuit
The next job was to get the set
to operate. First, I checked that the
power transformer had no shorts from
any winding to earth using a high
voltage tester. All was well, so I then
had a good look at the power cord. It
was a 3-core lead that someone had
fitted with a bayonet connector, so
that it could be plugged into a light
socket! Naturally, the person who did
this had cut the earth lead off which
isn’t exactly the smartest thing to do.
The bayonet connector was quickly
removed, a new 3-pin plug fitted to
the cord and the earth reconnected.
Next, I checked the paper capacitors and found them all to be too
leaky to leave in the set. These were
all replaced, along with C7, a .01µF
25V redcap ceramic capacitor, even
though it showed no sign of leakage.
Redcaps have had a poor reputation
for reliability and I believed it was
cheap insurance to replace it. R7, the
plate resistor for the 6BM8 triode,
was also replaced as its value had
increased from 220kΩ to 320kΩ.
At this stage, all appeared to be in
order and so the set was connected
to power and switched on. The high
tension (HT) voltage was around 140V
which was close to normal. After a
short time, the receiver showed signs
of life and I was able to tune in a
couple of the stronger local stations
but the set’s performance was really
quite poor. It was time to go through
the alignment procedure and see if
this would improve matters.
Alignment
To start the alignment, the tuning
gang was closed and a 455kHz signal
Fig.1: the circuit uses three valves: a 6BE6 converter, a 6N8 IF and detector stage, and a 6BM8 for the audio output
stages. The power supply consists of a transformer and a half-wave solid state rectifier.
86 Silicon Chip
This is the view inside the set after the restoration had been completed. An alignment, some valve changes and a couple
of modifications turned it into a reasonable performer but it’s not as good as the Kriesler 11-99 mantle radio (July 1998).
from a signal generator was applied to
the grid of the 6BE6. I then attached
a digital multimeter to the AGC line
and increased the signal level so that
some AGC could be measured.
This done, I was able to peak the
alignment of the four IF windings,
which were only slightly out of adjustment. An interesting feature of the IF
windings is that they are all adjusted
from the top. The slugs are hollow so
it is possible to push an alignment tool
through the first slug and adjust the
second slug – nifty.
Aligning the antenna and oscillator
circuits is also fairly straightforward
in this receiver. First, I closed the
gang and applied a high-level 530kHz
signal from the signal generator to the
antenna terminal. I then adjusted the
oscillator coil slug until the signal
was audible.
Next, I opened the gang, tuned the
generator to 1630kHz and adjusted the
oscillator trimmer capacitor until the
signal was heard once more. I then
repeated these adjustments at both
ends of the dial, until the set would
tune from 530kHz to 1630kHz.
This set has no inductance trimming adjustment for the loop anten-
na, so it can only be peaked for best
performance at the high-frequency
end of the dial. To do this, a relatively weak signal was coupled into the
loop antenna and the tuned circuit
adjusted at around 1400kHz for best
performance.
This was done by ear but a digital
multimeter could again be attached
to the AGC line to accurately indicate
maximum sensitivity.
Because there is no inductance adjustment for the loop antenna coil, the
set’s sensitivity with a signal generator attached to the antenna terminal
and earth varies across the band. A
noisy signal could be heard at 10µV on
530kHz but only 3µV was required on
1600kHz to achieve the same result.
And these results were obtained only
after the problem described below had
been solved.
Improving the performance
After the alignment had been completed, the set was still noisy and stations were weak at the low frequency
end of the dial. The receiver certainly
was not performing as well as I would
have expected.
Initially, I suspected that the 6BE6
was noisy. I’ve never liked 6BE6
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FEBRUARY 2001 87
stalled and the back bias increased
to -7.6V, indicating that the original
valve lacked performance. I decided
to replace it even though it probably
had a reasonable amount of life left
in it.
Using a multimeter to monitor the
AGC line and the back bias resistor is
a relatively simple method of testing
valves in a receiver to assess their
performance. It’s worth remembering
if you don’t have a valve tester.
The bottom line
The restored receiver looks quite presentable although it doesn’t exactly take
pride of place in my collection. The tuning knob is direct-coupled to the gang.
valves as they tend to be noisy due
to their design. I tried another valve
but no improvement was observed.
I then placed my fingers around the
valve and I noted a decrease in noise.
It seemed that there were some strange
radiation effects occurring, so I made
a metal shield out of tinplate from a
discarded fruit tin and placed it over
the 6BE6. The shield was attached
temporarily via a short length of wire
to the gang and to the nearest IF transformer (both are earthed).
By experiment, I found that the
earthing point for the shield was critical. I ended up with around 50mm
of wire running from the top of the
shield to an earth point I made in
one corner of an IF transformer. This
can be seen on the photograph of the
board. The radio now works very well
on the low-frequency stations.
Why was it necessary to do this and
what caused it? I have found that some
radios are conditionally stable and it
is necessary to do some remedial work
on them to achieve good performance.
In this case, I believe that the problem
is caused by inadequate shielding due
to the use of the PC board with its long,
thin earth tracks. This causes the IF
signal to radiate around the set and
into sections where it shouldn’t, such
as the aerial circuit which is resonant
just above the IF frequency. The 6BE6
has no integral shield to stop radiation
from its plate, so it will radiate signals
on 455kHz.
It’s likely that the set was regener88 Silicon Chip
ative and on the verge of oscillation
prior to the fitting of the earthed
shield. It certainly sounds much better
with the shield in place.
Bypass capacitor
Another small modification that
also helped the general sensitivity of
the receiver was to fit a 68pF ceramic
capacitor on the underside of the PC
board between pins 2 and 3 of the
6BM8. This bypasses any 455kHz
signal that remains after the IF signal
filter capacitors (C6 and C8). If this
isn’t done, radiation from the 6BM8’s
plate and screens finds its way back
into the front end and tends to desensitise the receiver.
Simple valve testing
Despite my work so far, the radio was
still somewhat lacking in performance.
It was time to become a “valve jockey”.
I left the digital multimeter attached
to the AGC line and tuned the set to a
strong station. The voltage reading on
the AGC line was about -1.5V.
I then tried a replacement 6BE6
which made no difference but when
I changed the 6N8, the AGC increased
to -3V. Obviously, the original 6N8
was rather sick and so it was con
signed to the bin.
The performance of the 6BM8 was
checked by measuring the back bias
across R11. This was around -7V but
is supposed to be -7.5V. I removed the
6BM8 and the voltage decreased to
-3.5V. A fresh 6BM8 was then in-
This receiver appears to be similar
in concept to American sets of the
same vintage. The PC board, like many
of that era, has the components going
every which way. By contrast, modern
PC boards invariably have the parts
neatly placed and much more thought
goes into making sure they are not
overcrowded in any area.
Mounting the PC board horizontally
also created problems in this type of
set. These receivers were destined to
operate in the kitchen. The air flow
due to the heat of the valves draws
air through the set and cooking grease
and dust settle on the board. If the
boards had been mounted vertically,
there would be much less grime on
them, making it easier to identify components and printed tracks. However,
I am not aware of any manufacturers
that mounted PC boards vertically in
their valve radios.
The Healing’s performance doesn’t
rival the Kriesler 11-99 that I described in July 1998. However, with
the small modifica
tions mentioned
earlier, it is now quite a good performer. It’s a shame that the performance
of many receivers suffered because
manufacturers cut corners. Even
the most prestigious manufacturers
goofed from time to time.
In summary, the Healing 412E is
an interesting little receiver designed
for the lower end of the market and
it does quite a creditable job. Cost
cutting seems to have been one of the
design objectives but despite this, it
did all that was required of a kitchen
set for that era.
Personally, I prefer the Kriesler,
which is a superior radio designed for
the same market segment but I’m still
happy to have this little unit in my
collection. However, because of the
less than pristine cabinet restoration,
it won’t be sitting on the front row
SC
with my favourites.
ASK SILICON CHIP
Got a technical problem? Can’t understand a piece of jargon or some technical principle? Drop us a line
and we’ll answer your question. Write to: Ask Silicon Chip, PO Box 139, Collaroy Beach, NSW 2097.
PIC rain gauge doesn’t
like odd days
I have just completed building the
PIC-Powered Rain Gauge as featured
in the June 2000 issue of SILICON
CHIP. I have been planning such a
project since seeing a similar concept
in a long-forgotten magazine many
years ago which used a mercury tilt
switch as a sensor and a telephone
exchange subscriber’s meter as a recording device. Your design is a tad
more “state of the art” and immediately caught my eye.
I thought that you may be interested in some observations and also be
able to comment on one operational
aspect of the design.
On initial testing I found that even
though the vane passed through the
photo detector beam, it did not result
in an increase in the count display.
I fixed a piece of thin shim brass to
the vane which resulted in a 100%
accurate count. Could it be that the
plastic is transparent to infrared
light? It seems unlikely but the brass
fixed the problem.
After testing the unit with “real”
rain I have concluded that the protective insect screen on the funnel is
not such a good idea. I have mounted
a conventional rain gauge next to
the automatic version as a check on
the calibration. The first rain event
resulted in a reading in the automatic
Electric wok
control wanted
I hope your staff at SILICON CHIP
might be able to create a control for
most, if not all, electric fry pans and
woks. My electric wok is controlled
by a mechanical thermostatic
switch. Even though it still works
fine (actually, it’s brand new), I find
the control range is too sluggish. If I
set it to halfway, it cools down to a
quarter of the original setting before
turning back on.
I hope you may be able to design
gauge half that of the conventional
gauge.
There may be three reasons for
this error: (a) the surface tension of
water tends to make drops sit on top
of the insect screen and not enter the
funnel; (b) drops striking the screen
with sufficient velocity tend to break
up and not all will enter the funnel
and (c) the surface area of the funnel
is reduced by the surface area of the
screen.
None of the above may be true but
after removing the screen, the next
rainfall event resulted in 17mm in
the conventional gauge and 16mm on
the display of the automatic gauge;
close enough for me, so I will leave
the screen off and regularly check for
invasion by creepy crawlies.
This next observation concerns the
recording of the previous day’s rainfall. My understanding is that rainfall
recorded today will, after the empty
time which, in my case, is midnight,
be transferred to the previous day’s
log and be recorded in “day -1”.
Any other previous readings will
at the same time be pushed back one
day and “day -60” will fall off the
edge. In my case, today’s reading is
recorded in “day -2” and the next
day will be moved to “day -4” and
so on, with all recordings in even
days and no recordings in odd days.
The movement of previous day’s
rain seems OK but always stepping
a device similar to, say, a light
dimmer switch, which can control
the range more accurately. It would
need a capacity of 2400W. (W. S.,
Narangba, Qld).
• We would not be keen on a
phase-controlled Triac circuit (ie, a
light dimmer) at such high power.
However, we have published a zero
voltage switching circuit which is
ideal for the job. Have a look at the
Heat Controller published in the
July 1998 issue.
We can supply the issue for $7.70
including postage.
two days instead of one day means,
in effect, that I can only record 30
days and not 60 days as designed.
Could I have done something wrong
or have I discovered a bug? (B. C.
Ballina, NSW).
• The plastic vane entering the light
sensor will be detected correctly if
the vane penetrates deep enough
into the slot. Adding a brass shim
probably added the necessary extra
depth for correct counting.
The flyscreen mesh should not
affect readings. Surface tension of
the water droplets will cause some
storage in the screen but these droplets will fall through with further
rainfall. The screen does not decrease
the area of catchment since all water
caught within the inside diameter of
the 90mm endcap will eventually fall
through into the funnel.
The only cause of water loss
would be if the rain water droplets
bounced off the flyscreen to outside
the catchment area. If this is the case,
you can form the flyscreen so it is a
cone shape inside the funnel. Also
raising the lip height around the end
cap will help.
The movement of the day’s reading
into the second day previous rather
than the first day previous suggests
that there is a faulty storage register
inside your PIC. The least significant
digit is not changing but remaining
at 0. We suggest that you obtain a
replacement PIC (IC1) from your kit
supplier.
Also see the Notes & Errata on
page 93.
How to test
the Theremin
I have built the Theremin project
as described in the August 2000 issue
but I cannot get any output. I checked
the voltage on pin 6 of IC3 and pin
8 of IC2 and they were both 5.7V as
expected.
No matter how I adjusted VR1, the
maximum voltage I could get was
3V on pin 1 of IC2. No amount of
FEBRUARY 2001 89
Fence controller
changes zap rate
I built the Electric Fence Controller in the April 1999 issue. It
has worked fine till now. The first
sign of any fault was when I noticed that the controller fired about
five times instead of once every 1.5
seconds. This fault appears to have
resolved itself but I now get only
150V on the high voltage check
instead of 340V with the pulse
timer disabled.
I have checked every component
on the board and all appear to be
OK. I had spare ICs so I replaced
them to prove the originals, again
all OK.
The only part to check now is T1
for shorted turns which will mean
a rewind. I find this doubtful (but
not impossible) as the winding of
small transformers used to be my
job. The material used was nothing
twiddling the IF coils would result
in a measurable voltage at the cathode of D1.
I used a signal generator to check
the audio stages and injecting a signal
at pin 5 of IC2 resulted in a signal
through the speaker, indicating the
circuit beyond this point is OK.
It appears that none of the oscillator circuits are work
i ng. Could
this be due to Jaycar substituting a
2N5485 for the originally specified
2N5484 JFETs?
I do not have access to an oscilloscope. What other troubleshooting
methods are there for this kit? Do you
have AC/DC voltage measurements or
some other means of confirming the
oscillators are working properly? (B.
D., via email).
• The Theremin will work with the
2N5485 FETs as supplied with the
Jaycar kit. The adjustment of VR2
can be a little touchy though, so
you might want to try a multi-turn
trimpot.
Testing the rest of the circuit
without an oscilloscope could be
difficult. You could disconnect the
1kΩ supply resistors (100Ω for the
volume oscillator) leaving only one
oscillator operating at a time. Bring
an AM broadcast band radio close
to the Theremin and check that you
90 Silicon Chip
but the best and it was layer wound
on an automatic winder. I have
checked the ratio and pres
sure
tests indicate it is also OK. What
should I look for? (D. T., via email).
• The change in firing frequency
from once every 1.5 seconds to
five times a second would suggest
a problem with the IC2b oscillator.
Check that the 10µF capacitor at
pin 6 and the resistors at pin 7 are
correct and are soldered without
dry joints.
If you are only obtaining 150V
instead of 340V, the fault could
be a leaky 7µF 250V capacitor or
a problem with the feedback network which maintains the 340V.
Check the two 1.5MΩ resistors, the
10kΩ resistor to ground at pin 2 of
IC2a and the components between
pins 1 & 2 of IC2a.
Also Mosfet Q1 may have gone
faulty so it cannot charge T1 correctly.
obtain a whistle in the sound. This
would indicate that the oscillator that
is connected is working.
Using a torch as an
IR illuminator
I recall that you published an article a few years back on converting a
normal torch into one that provides
an infrared (IR) light source. Can you
help me with details of this project?
(J. C., via email).
• We published an IR illuminator
in the March 1995 issue and it could
have been put in a torch but we did
not do it. On a similar line though,
we published a LED stroboscope
in the December 1993 and the LED
illuminator was built into a torch.
However, if you specifically want an
IR illuminator, the March 1995 circuit
is more relevant.
We can supply both copies at $7.70
each, including postage.
IR version of
LED torch
The LED torch featured in the December 2000 issue was interesting.
Could the circuit be adapted to use
an infrared LED, making an IR torch?
The reason I ask this is that the IRLED
“spotlight” for CCD cameras doesn’t
reach too far. If an IR spotlight of
sorts were available, it would make
it possible to see things which would
otherwise be out of range of the CCD
camera in low light or total darkness.
Your comments would be appreciated. (S. N., via email).
• Infrared LEDs have a lower forward
voltage than white LEDs. In practice,
if you want an IR illuminator, just
connect a string of four or five IR LEDs
in series with a 100Ω resistor to a 12V
supply. If you want more IR light, just
use more series strings in parallel.
Using the Zener tester
on transistors
I have built the Zener Diode Tester
for DMMs (March 1996) and it works
fine. I am curious if it could be modified to use as a breakdown tester for
transistors? (N. P., via email).
• The Zener Diode Tester can be used
to test the breakdown voltage for any
silicon device, including transistors,
for voltages up to 112V.
RF choke for the
LED torch
(1). If you want to build the LED
Torch in the December 2000 issue,
I have found a 220µH RF choke at
Jaycar which is smaller than winding
one on a trigger transformer. It is Cat
LF 1538 on page 214 of the current
Jaycar catalog. (D. H., via email).
(2). I was fascinated by the LED
Torch project using a white LED and
the ingenious way in which you fitted
the works into the space occupied
by a single AA cell. Since a kit was
not available I decided to build up
a circuit on the breadboard and the
only problem was the creation of the
220µH inductor.
I didn’t have any spare pulse transformers and they appear to have been
deleted from the electronics suppliers
catalogs. I built a few inductors on
some ferrite cores which I had and
these worked after a while (remember,
if you use a green LED for the test load,
you will only generate 2.6V across it).
Then came serendipity. I used a prewound ring cored ferrite suppression
choke and got brilliant results. So I
then cast around for some ferrite cores
to try and wind a smaller coil which
would fit into the AA cell version.
The first version used a suppression
bead which I found in my junk box.
20 turns of fine wire (about 0.2mm)
and I had a choke which worked. The
core was about 6mm OD, 6mm long
with a centre hole about 3mm.
I then purchased a pack of Jaycar
LF-1250 ferrite suppression beads.
These are 5mm long, 4mm in diameter
and with a 1.5mm bore although some
of the bores appear larger – nearly
2mm. I selected two with the larger
bores, superglued them end to end
and wound on about 20 turns. This
also worked and I am now ready to
tackle the miniature versions when
I get some copies of the PC boards.
This could help other readers complete this project. (B. L., via email).
• Thanks to these readers for these
tips. Dick Smith Electronics are about
to release their kit for the torch as
well. It will be supplied with a penlite
torch for just $14.60 (Cat K-3018).
VU meter needs
auto level control
I have constructed a LED VU level
meter for my car stereo, which is
purely for aesthetic purposes; ie,
regardless of volume, the display
should work over most of its displayable range. The only problem is that
the stereo does not have a constant
volume output and therefore the input
sensitivity of the VU meter must be
varied each time the volume of the
stereo is varied.
Is there a way to obtain a constant
volume level from the stereo, so that I
won’t have to turn two dials each time
I change the volume? (J. P., via email).
• Short of building our CD Compressor described in the July 2000 issue,
the only way to avoid the need to
change the LED VU setting is to take
the signal from across the volume
Using a different
spring reverb module
I have a large 3-spring reverb unit
made by Belton Engineering, which
I’d love to build into a home-brew
valve guitar amp, using the circuitry
from your Spring Reverb Module
published in your January 2000
edition.
The Belton unit has the following specifications (obtained from
Belton’s website) and they differ
considerably from the unit used
in your design: input impedance
190Ω; output impedance 2.575MΩ.
control; ie, you have to access the
signal from inside the car stereo.
Thorn Atlas B+W TV
needs a good home
I have an old valve TV set that
I would like to go to an interested
collector. It is an old large (59cm?)
Thorn Atlas B+W valve TV set, part
of a relative’s deceased estate. The
cabinet, made of solid wood, is in
Notes & Errata
Audio/Video Transmitter, July 1999:
the PC board overlay on page 38 shows
the two regulators swapped. The circuit on page 37 is correct.
Rain Gauge, June 2000: the software
for this project has a problem when
used with the newer PIC16F84A version of the chip. The A suffix version
has a faster EEPROM programming
time and this interferes with the in-
Could you please advise what modifications I would need to make to
the circuit for this to work? (P. S.,
via email).
• As far as the input side is concerned, you could use our circuit as
is because Q1 & Q2 will quite happily drive a higher impedance. On
the output side you need a higher
input impedance for IC2a and this
can simply be done by changing the
100kΩ resistor at pin 5 to say 1MΩ
or higher.
However, you haven’t quoted
signal delay times or signal levels so
the result may be a little hit or miss.
excellent condition and I think that
the internals are all there, although
the circuit diagram is only half complete (pasted in the back of the set). It
even has the original knobs intact and
would make a fantastic restoration
project (although most of the work
would be internal as the externals are
in such good nick).
If anyone is interested, they can
contact me at: p_sun<at>optusnet.com.
au
terrupt routine earlier than it does
with the standard version of the PIC.
It causes the daily rain readings to be
randomly updated at 10 minute intervals into the next day rather than only
once per day.
A new version of the software
solves the problem. RAINA.ASM and
RAINA.HEX software must be used
with the PIC16F84 A versions. This
software will also run with the standard PIC16F84 and can be downloaded
SC
from our website.
WARNING!
SILICON CHIP magazine regularly describes projects which employ a mains power supply or produce high voltage. All such
projects should be considered dangerous or even lethal if not used safely. Readers are warned that high voltage wiring should be
carried out according to the instructions in the articles. When working on these projects use extreme care to ensure that you do
not accidentally come into contact with mains AC voltages or high voltage DC. If you are not confident about working with projects
employing mains voltages or other high voltages, you are advised not to attempt work on them. Silicon Chip Publications Pty Ltd
disclaims any liability for damages should anyone be killed or injured while working on a project or circuit described in any issue of
SILICON CHIP magazine. Devices or circuits described in SILICON CHIP may be covered by patents. SILICON CHIP disclaims any
liability for the infringement of such patents by the manufacturing or selling of any such equipment. SILICON CHIP also disclaims
any liability for projects which are used in such a way as to infringe relevant government regulations and by-laws.
Advertisers are warned that they are responsible for the content of all advertisements and that they must conform to the Trade
Practices Act 1974 or as subsequently amended and to any governmental regulations which are applicable.
FEBRUARY 2001 91
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direction, inside temperature, outside
temperature & windchill. Records highs
& lows with time and date as they occur.
Optional rainfall and PC interface. Used
by Government Departments, farmers,
pilots, and weather enthusiasts. Other
models with barometric pressure,
humidity, dew point, solar radiation,
UV, leaf wetness, etc. Just phone, fax
or write for our FREE catalogue and
price list. Solar Flair/Ecowatch phone:
(03) 5968 4863; fax: (03) 5968 5810,
PO Box 18, Emerald, Vic., 3782. ACN
006 399 480.
KITS KITS AND MORE KITS! Check
‘em out at www.ozitronics.com
SEE-in-the-DARK Camera with in-built
IR LEDs in Water Resistant Case for
disturbance-free Baby - Bird - Animal
observation from $147 * DIY Plug-In
20 metre Cable & Plug Pack from $33
* www.allthings.com.au
C COMPILERS: everything you need
to develop C and ASM software for
68HC08, 6809, 68HC11, 68HC12, 68
HC16, 8051/52, 8080/85, 8086, 8096
or AVR: $170.50 each. Macro Cross
Assemblers and Disassemblers for
above CPUs + 6800/01/03/05, 6502
and 68HC12 for $88. Debug monitors:
$88 for 6 CPUs. All compilers, XASMs
and monitors: $5280. 8051/52 Simulator (fast, now incl. 80C320): $88. Try
the C-FLEA Virtual Machine for small
CPUs, build a “C-Stamp”. Demo desk:
FREE. All prices + $5.50 p&p.
Atmel Flash CPU Programmer: Handles the 89Cx051, 89C5x and 89Sxx
series, and some AVRs in both DIP
and PLCC44. Also does most 8-pin
EEPROMs. Includes socket for serial
ISP cable. $220 $11 p&p. SOIC adaptors: 20-pin $99, 14-pin $93.50, 8-pin
$88. Credit cards accepted. GRAN
TRONICS PTY LTD, PO Box 275,
Wentworthville 2145. Ph (02) 9896
7150 or Internet:
http://www.grantronics.com.au
HOME CCTV Mono / Colour PAKS
only ! $119 / $151 Full DIY Plug-In to
TV / VCR 20 metre Cable, Plug Pack &
Camera www.allthings.com.au
RCS HAS MOVED to 41 Arlewis St,
Chester Hill 2162 and is now open, with
full production soon. Tel (02) 9738 0330;
Fax 9738 0334. rcsradio<at>cia.com.au;
www.cia.com.au/rcsradio
SMD COMPONENTS, Resistor kit, 18
x 50 x 1206 popular values in case <at>
$38.50 inc GST. Capacitor kit, 18 x 50 x
1206 popular values in case <at> $88.00
inc GST <at> www.lazer.com.au or call
on 02 93 111 500.
DON’T MISS AUSTRALIA’S biggest
and best exhibition and sale of new
and used radio and communication
ROLA AUSTRALIA
PH/FAX (08) 8270 3175
WEB SITE WWW.BETTANET.NET.AU/GTD
CHECK OUR WEBSITE FOR DETAILS ON KITS AND
COMPONENTS
•
•
•
•
Silvertone’s RC Receiver
Still the best little performer available!
TRANSMITTER KITS AND MODULES
AUDIO MODULES
COMPUTER INTERFACE KITS
RADIO STATION AUDIO SOFTWARE
NEW: Our MP3-CD player in short form for $169 inc GST.
Includes the following: processor board, front panel display
and tactile keypad; just add a case, cables, 12V power supply
and a CD-ROM drive. Play CDs and up to 2600 MP3’s from a
CDR. Great for car or home.
Satellite TV Reception
International satellite
TV reception in your
home is now affordable.
Send for your free info
pack containing equipment catalog, satellite
lists, etc or call for appointment to view.
We can display all satellites from 76.5°
to 180°.
Still only $129.50 AM or $149.50 FM.
May be used with most ppm transmitters. This and many other radio control
products available from:
Silvertone Electronics, PO Box 580, Riverwood 2210.
Phone/Fax (02) 9533 3517.
www.silvertone.com.au
AV-COMM P/L, 24/9 Powells Rd,
Brookvale, NSW 2100.
Tel: 02 9939 4377 or 9939 4378.
Fax: 9939 4376; www.avcomm.com.au
Positions At Jaycar
We are often looking for enthusiastic staff
for positions in our retail stores and head
office at Rhodes in Sydney. A genuine
interest in electronics is a necessity. Phone
02 9743 5222 for current vacancies.
equipment at the Central Coast Field
Day, Sunday 25th February, Wyong
Race Course, just 1 hour north from
Sydney. Starts 8.30 a.m. Special Field
Day bargains from traders and tons of
disposals gear in the flea market. Exhibits by clubs and groups with interests
ranging from vintage radio, packet radio,
scanning, amateur TV and satellite
communications. www.ccarc.org.au
Ph (02) 4340 2500.
DIY CCTV PAKS
4 Cameras & Switcher .................$354
as above COLOUR .....................$466
4 Cams, Switcher/Monitor ...........$495
as above 14" Monitor ................$528
4 Cams & QUAD .........................$478
4 COLOUR & QUAD ....................$752
Time-Lapse 24 hr VCR only $699 with
CCTV Systems !
MORE at: www.allthings.com.au
Fully Plug-In DIY Paks with Cables
& Power Supplies ALSO PC Digital
Motion / Sound detection & activated
Video / Audio Recording systems 08
9349 9413.
Need prototype PC boards?
We have the solutions – we print electronics!
Four-day turnaround, less if urgent; Artwork from your own
positive or file; Through hole plating; Prompt postal service; 29
years technical experience; Inexpensive; Superb quality.
Printed Electronics, 12A Aristoc Rd,
Glen Waverley, Vic 3150.
Phone: (03) 9545 3722; Fax: (03) 9545 3561
Call Mike Lynch and check us out!
We are the best for low cost, small runs.
QUAD 4 pixs 1 screen from $247 * Real
Time * High better than SUPER-VHS
1024 Pixel Resolution * Time * Date *
Camera Title * Alarm Input / Output *
Remote Camera Selection * FREEZE *
www.allthings.com.au
USB DEVELOPMENT KIT CY3650,
Temperature/Voltage measurement via
phone line, PC-controlled VHF Receiver
http://www.ar.com.au/~softmark
KIT ASSEMBLY
NEVILLE WALKER KIT ASSEMBLY
& REPAIR:
·
Australia wide service
·
Small production runs
·
Specialist “one-off” applications
Phone Neville Walker (07) 3857 2752
Email flashdog<at>optusnet.com.au
continued next page
FEBRUARY 2001 95
DON’T MISS
THE ’BUS
Advertising Index
Altronics................................. 68-70
Av-Comm Pty Ltd.........................95
Dick Smith Electronics........... 22-25
Do you feel left behind by the latest
advances in computer technology? Don’t
miss the bus: get the ’bus!
Includes articles on troubleshooting your
PC, installing and setting up computer
networks, hard disk drive upgrades,
clean installing Windows 98, CPU
upgrades, a basic introduction to Linux
plus much more.
EMC Technologies.......................55
Harbuch Electronics....................54
Instant PCBs................................95
Investment Technology..............IBC
Price: $12.50 (incl. GST) Order now by using the handy order form in this issue or
call (02) 9979 5644, 8.30-5.30 Mon-Fri with your credit card details.
Special subscription offer available only while stocks last.
Jaycar ................................... 45-52
Mass Electronics.........................55
Microgram Computers..........3,OBC
Silicon Chip Binders
Each binder holds up to 14 issues Heavy
board covers with 2-tone green vinyl covering
SILICON CHIP logo printed in gold-coloured
lettering on spine & cover
REAL
VALUE
AT
MicroZed Computers...................55
P
Printed Electronics...................... 95
$12.95
PLUS P
&
Price: $A12.95 plus $A5.50 p&p each (Australia
only; not available elsewhere). Buy five and get
them postage free.
Just fill in & mail the handy order form in this issue;
or fax (02) 9979 6503; or ring (02) 9979 5644 &
quote your credit card number.
Protel Australia..........................IFC
Questronix...................................55
RobotOz......................................55
RF Probes...................................55
Rola Australia..............................95
WANTED
PERSON WITH EXPERIENCE / APTITUDE able to fault find & repair PCBs
– without diagrams. GENEROUS PKG
NEG. Tel John<at>AER (03) 9482 4958
0415 305 470.
DO YOU HAVE A GOOD circuit idea? If
so, sketch it out, write a brief description
of its operation & send it to us. Provided
your idea is workable, we’ll publish it in
Circuit Notebook and you’ll make some
money (up to $60). Silicon Chip Publications, PO Box 139, Collaroy 2097; email
silchip<at>siliconchip.com.au
R.T.N............................................42
Silicon Chip Binders....................96
Silicon Chip Bookshop........... 92-93
SC Electronics Testbench............31
Silicon Chip Subscriptions...........71
HELP SAVE THE NIGHT SKY!
We are losing our heritage of starry night skies. Poor, inefficient
outdoor lighting is causing glare and “light pollution”. This wastes
energy and increases greenhouse gas emissions.
You can help by joining SYDNEY OUTDOOR LIGHTING IMPROVEMENT SOCIETY (SOLIS). SOLIS aims to educate and inform about
quality outdoor lighting and its benefits. We also lobby councils, government and other bodies to promote good lighting practice. SOLIS
meetings are held third Monday night of each month at Sydney Observatory.
Individual membership is $20 pa. Donations are also welcome. Cheques payable
to “SOLIS c/- NSAS”, PO Box 214, West Ryde 2114.
http://sites.netscape.net/solislp/
96 Silicon Chip
Silvertone Electronics..................95
Solar Flair/Ecowatch....................95
Tasman Energy............................55
_____________________________
PC Boards
Printed circuit boards for SILICON
CHIP projects are made by:
• RCS Radio Pty Ltd. Phone (02)
9738 0330. Fax (02) 9738 0334.
FEBRUARY 2001 97
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